10 yrs on, SRK and team relive the 'Chak De!' journey

Agencies
August 8, 2017

New Delhi, Aug 8: With its message of patriotism, secularism and women's empowerment, "Chak De! India" continues to be a film for the times 10 years on, says the team of Shimit Amin, Jaideep Sahni and Shah Rukh Khan.

For director Shimit, story writer Jaideep and star Shah Rukh, this is one that will live on, and not just in their filmographies.

Born from Jaideep's anger at the apathy towards women athletes, the film tells the story of an unsung women's hockey team and their disgraced coach Kabir Khan seeking redemption in their world cup victory.

"The film is patriotic without being jingoist, it is cool without being frivolous, it is intense but not boring," Shah Rukh said.

"Chak De!", regarded as one of Indian cinema's most successful and loved sports films, was released on August 10, 2007.

Shah Rukh says he did the film, which he describes as one of the most special in his career, for his father.

"Shimit made it beautifully and I am glad that Adi (producer Aditya Chopra) thought of me as Kabir Khan. They waited for me for more than a year. The heart and the soul of the film are the young girls."

Due to his romantic hero persona, many thought he would not be able to pull off Kabir Khan's character, says Shah Rukh.

"It is one of the few films of mine which opened very poorly. I was really disturbed. My father used to play hockey. The only reason I did this film was because I could use something that my father had taught me. I was emotionally attached with the film. But it did really well after opening poorly."

He was so nervous about the film's future that he left for London. "It was a lovely film and I did not want to hear all that (negativity)."

Shimit says the team approached the story with idealism. "We felt it was a special film and something that would be made on its own. We believed in the idealism of what we were doing. We had this amazing sense that we were going to make the best film that we could. There was no calculation involved."

The director, who went on to make "Rocket Singh", says "Chak De!" did not impress viewers in a test screening. They realised they had a successful film only after its release.

Asked why they picked Shah Rukh for a role that involved no romance, the director says they wanted someone with a certain kind of grace and dignity. "Shah Rukh had that presence. He had that maturity. He also came from a middle class background. There were a lot of things that felt right about him. Adi pitched the film to SRK and he told us that it sounded very interesting to him."

Amongst Shimit's favourite moments from the film is Kabir Khan's "Yeh sattar minute" monologue.

"This was a sports film and we needed a motivational speech. It was exciting to see SRK act that part. He really killed it."

Another favourite scene is Kabir Khan's reaction when the team actually wins -- there are no tears, no hugs just a deep sigh as he turns away from the euphoria on the field.

The director says he is glad that they did not opt for a conventional ending.

"When you come to think of it, this is not a very 'filmy' moment. We had seen a Japanese coach react like that during Olympics. The idea behind the scene was that this person has given so much of himself that he no longer knows how to react.

"He had held himself together for this particular moment and then he just does not know. There is a separation that starts for him right at that moment. He realises that he is no longer a part of this game and has done his bit and it is now over."

For writer Jaideep, the story is a "piece of his heart" he shared with the world.

"As a writer I feel like 'Chak De!' is a piece of my heart which now belongs to everybody. There were things that we felt very emotional about and we wanted to say those things with the film," says the man who also wrote "Khosla Ka Ghosla" and "Company".

The writer says they were very careful in portraying patriotism in the film.

"Patriotism does not mean ignoring our own shortcomings and just going on praising ourselves. It is about seeing the shortcomings and rising above it. Patriotism does not mean criticising people who are different from us or the countries which are different from us."

It all started when he spotted an article about women athletes in the back page of a newspaper, a story, he says, that should have been on the front page.

"Women athletes have always been great. It is just that nobody knew about them. The more time I spent with them the more angry I became. They are not the first people that come to your mind when you think about national heroes. The whole motivation was to create a bridge between them and the rest of the country," Sahni says.

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News Network
January 27,2020

Los Angeles, Jan 27: Lil Nas X, Lady Gaga, Beyonce and... Michelle Obama?

Yep.

The former first lady can now add Grammy winner to her resume, after snagging the award on music's biggest night for Best Spoken Word Album, for the audiobook of her memoir Becoming.

Her win on Sunday gives the Obama household its third Grammy: former president Barack Obama has already snagged two Grammys in the same category for his books.

She faced an eccentric group of rivals that included Michael Diamond and Adam Horovitz of the Beastie Boys for Beastie Boys Book and John Waters, the director-performer known for his transgressive cult films, for Mr. Know-It-All.

 Released in late 2018, Becoming saw the former first lady slam U.S. president Donald Trump for questioning her husband's citizenship and promoting the notion that he was born abroad.

"The whole [birther] thing was crazy and mean-spirited, of course, its underlying bigotry and xenophobia hardly concealed," Obama wrote.

America's first black first lady also dug into her personal life in her book, expounding on issues including a miscarriage, using in-vitro fertilization to conceive her daughters and marriage counseling.

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News Network
January 19,2020

Mumbai, Jan 19: An FIR has been registered against actor Shabana Azmi's driver after the car they were travelling in met with an accident on the Mumbai-Pune expressway on Saturday afternoon, police said.

Ms Azmi's driver has been identified as Amlesh Yogendra Kamat.

According to the police, a complaint has been registered by Rajesh Pandurang Shinde, the truck driver whose vehicle was hit from behind by Ms Azmi's car.

"Due to rash driving by the driver, the car hit the moving truck on the Pune-Mumbai Expressway which resulted in the accident," the FIR copy read.

Soon after the accident, Shabana Azmi was immediately rushed to MGM Hospital in Navi Mumbai and was later shifted to the multi-specialty Kokilaben Hospital in Mumbai's Andheri.

According to doctors, she has suffered a head injury and slight damage to the backbone. Her condition is said to be stable, although, she remains under medical observation.

Her husband lyricist Javed Akhtar, who was travelling with her, escaped with a minor injury.

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News Network
February 12,2020

London, Feb 12: Oscar-winning British director Steve McQueen is returning to his art roots with a series of short films at London's Tate Modern art gallery, offering a sensory exploration of black identity.

McQueen, who became the first black director to win the best picture Academy Award in 2014 for "12 Years a Slave", is now based between London and Amsterdam and is focused on championing diversity in the film industry.

Visitors to his new exhibition will be greeted by "Static", a film of New York's Statue of Liberty, scrutinising the iconic symbol from every possible angle at very close range against a deafening backdrop of the helicopter from where the footage was filmed.

"What interests Steve is our view of the world, how humans are trying to represent Liberty," said Fiontan Moran, assistant curator of the exhibition.

"7th Nov, 2001" features a still shot of a body while McQueen's cousin Marcus tells of how he accidentally killed his brother, a particularly traumatic experience for the artist.

"Western Deep" is another visceral work, giving a sense through sights and sounds in an interactive installation of the experiences of miners in South Africa, following them to the bottom of the mine.

"Ashes", meanwhile, is a tribute to a young fisherman from Grenada, the island where McQueen's family originated.

The images of beauty and sweetness filmed from his boat are tragically reversed on the other side of the projection screen, which shows a grave commissioned by McQueen for the eponymous young fisherman, who was killed by drug traffickers.

African-American singer, actor and civil rights activist Paul Robeson (1898-1976) is honoured in "End Credits".

The film shows censored FBI documents detailing the agency's surveillance of Robeson, read by a voice-over artist, for five hours.

"He is... testing the limits of how people can be documented in an era of mass surveillance," said Moran.

In a similarly militant vein, the exhibition features the sculpture "Weight", which was first shown in the prison cell where the writer and playwright Oscar Wilde was imprisoned.

It depicts a golden mosquito net draped over a metal prison bed frame, addressing the theme of confinement and the power of the imagination to break free.

The show runs alongside an exhibition of McQueen's giant portraits of London school classes, many of which appeared on the streets of London last year.

"I remember my first school trip to Tate when I was an impressionable eight-year-old, which was really the moment I gained an understanding that anything is possible," said McQueen, adding it was "where in some ways my journey as an artist first began".

He recently told the Financial Times newspaper the difference between his art films and his feature films was that the former were poetry, the latter like a novel.

"Poetry is condensed, precise, fragmented," he said. "The novel is the yarn".

The exhibition opens on February 13 and runs until May 11.

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