20 years on, 'Titanic' keeps that sinking feeling alive

Agencies
December 17, 2017

Abu Dhabi, Dec 17 : Part saturnine elegy to doomed youth, part exaltation of the transcendent power of love, blockbuster disaster movie "Titanic" is delivering that sinking feeling to a whole new generation of fans.

Tuesday marks two decades since Rose vowed to Jack she'd "never let go" -- before spectacularly reneging on her promise, sending her frozen-to-death paramour to a watery grave and leaving "Titaniacs" worldwide sobbing into their popcorn.

The anniversary has been celebrated with screenings across the United States, and audiences are still swooning over the young lovers played by Leonardo DiCaprio and Kate Winslet -- now both Oscar winners and Hollywood A-listers.

"The Titanic story itself has a timeless quality. It seems to exist outside our daily lives. As this straight moral lesson, it's something that fascinates us," director James Cameron told fans at a Los Angeles screening to mark the milestone.

Winslet's love-struck socialite and DiCaprio's artistic drifter were fictionalized characters in a dramatization of the real-life sinking in 1912 of history's most famous ship after it hit an iceberg on its maiden voyage across the Atlantic.

The film, distributed by Paramount at home and Fox abroad, entered into movie history when it picked up 11 Oscars, including best picture and best director for Cameron.

With a worldwide gross of $2.2 billion, it was the most successful movie ever made until Cameron's "Avatar" (2009) took $2.8 billion at the box office.

At an intimidating 195 minutes, the movie can feel in parts as long as the voyage on which it is based, but it earned mostly glowing reviews, and the theme song "My Heart Will Go On" became a global success for Celine Dion.

Cameron, 63, says he sold the idea to Fox executives with "probably the shortest pitch for a major movie in Hollywood history."

"I whipped open this book and in the center is a beautiful double-truck spread right across both pages of a painting by Ken Marschall, the best artist of the subject of the Titanic," he recalled.

"It was a beautiful shot of the rocket going off and lighting up the ship, and lifeboats rowing away as it went down in the more sedate, quiet part of the sinking. I said, 'Romeo and Juliet on that.' Five words."

DiCaprio and Winslet -- then 21 and 20, respectively -- began filming in September 1996, their first scene together the moment in which the actress appears nude for him to paint.

Any awkwardness was short-lived and the pair quickly became close friends, reuniting onscreen a decade later for Sam Mendes's fraught love story "Revolutionary Road."

"They really bonded and they were there for each other through a long, difficult, grueling shoot. They were there to support each other," Cameron said.

The epic proportions of the $200 million production, with its 1,000 extras and crew of more than 800, can hardly be overstated.

Cameron had a full scale model of the ill-fated luxury liner constructed on 40 acres of Mexican waterfront bought by Fox, after receiving the blueprints from the original ship builder.

The rooms were meticulously recreated from old photographs, as was RMS Titanic's first class staircase, mahogany woodwork and gold-plated light fixtures, all of which was destroyed in the sinking scene.

Such was the perceived folly of the bloated production -- then the costliest ever -- that Variety began a daily "Titanic Watch" column, ridiculing what was expected to be the biggest flop in Hollywood history.

A despondent Cameron kept a razor blade taped to the screen of his video editing equipment with an inscription written in pen: "Use in case film sucks."

The movie test-screened to rapturous applause in Minneapolis, however, and Cameron was reassured that he'd actually made a decent movie.

It opened with a domestic haul of $28.6 million and was expected to follow the normal pattern for blockbusters, dropping by 40-50 percent in its second weekend.

Instead, it made another $28 million, and $32 million on the third weekend, eventually securing the top spot for 15 consecutive weeks.

"It just went down by like two percent a week and everybody just felt like we were in this alternate universe where the rules of gravity didn't apply," said Cameron.

Experts theorized that the numbers were being boosted by groups of young teenage girls watching multiple times, but Cameron believes "Titanic" did so well because the love story appealed across generations.

"With all due respect to Kate and Leo, and they're both good friends of mine, it's not Kate and Leo anymore -- it's Jack and Rose," said Cameron.

"And it will always be Jack and Rose. I guess that's what I'm proudest of, that we've created something that has its own reality, that's outside of time, and theoretically that could still be enjoyed indefinitely."

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News Network
February 6,2020

Los Angeles, Feb 6: U.S. silver screen legend Kirk Douglas, the son of Jewish Russian immigrants who rose through the ranks to become one of Hollywood's biggest stars, has died, his family said Wednesday. He was 103.

One of the last survivors of the golden age of cinema and the father of Oscar-winning actor and film-maker Michael Douglas, the Spartacus actor was renowned for the macho tough guy roles he took on in around 90 movies over a six-decade career.

"It is with tremendous sadness that my brothers and I announce that Kirk Douglas left us today at the age of 103," Michael Douglas said in a statement posted to Facebook.

"To the world he was a legend, an actor from the golden age of movies who lived well into his golden years, a humanitarian whose commitment to justice and the causes he believed in set a standard for all of us to aspire to."

Douglas was Oscar-nominated for his roles as a double-crossing and womanizing boxer in Champion (1949), a ruthless movie producer in The Bad and the Beautiful (1952) and tortured artist Vincent Van Gogh in Lust for Life (1956).

But his only Academy Award came in 1995 -- an honorary lifetime achievement statuette "for 50 years as a creative and moral force in the motion picture community."

Douglas is survived by second wife Anne Buydens, 100, and three sons. A fourth child, Eric, died of a drug overdose in his 40s, in 2004.

"(To) me and my brothers Joel and Peter he was simply Dad, to Catherine (Zeta-Jones), a wonderful father-in-law, to his grandchildren and great grandchild their loving grandfather, and to his wife Anne, a wonderful husband," said Michael.

"Kirk's life was well lived, and he leaves a legacy in film that will endure for generations to come, and a history as a renowned philanthropist who worked to aid the public and bring peace to the planet."

Kirk Douglas rose to the heights of Hollywood from an impoverished childhood as the son of Jewish Russian immigrants.

He was one of the last survivors of the golden age of cinema, often portraying the macho and not-always-likeable tough guy in around 90 movies over a six-decade career.

With charming dimples and a cleft chin, Douglas was a renowned ladies' man but also admitted to being angry into adulthood because of his difficult New York childhood.

"I still have anger in me," he said in a New York Times article in 1988 after the release of his first autobiography.

"I think I'm loath to let it go because I think that anger was the fuel I used in accomplishing what I wanted to do; you see it in my films, you see it in imitations people do of me."

Screen legend

The role that perhaps immortalized him as a star was that of a rebellious Roman Empire slave turned gladiator in the 1960 epic Spartacus.

Douglas also produced the film, which took four Oscars. He won praise for listing in the credits the real name of Hollywood screenwriter Dalton Trumbo, who was blacklisted for his Communist sympathies and wrote under a pen name.

There were Oscar nominations for his roles as a double-crossing and womanizing boxer in Champion (1949), a ruthless movie producer in The Bad and the Beautiful (1952) and of tortured artist Vincent Van Gogh in Lust for Life (1956).

But his only Oscar came in 1995 as an honorary lifetime achievement award "for 50 years as a creative and moral force in the motion picture community."

Other major acting roles were as a French private in a botched suicidal mission in World War I in Paths of Glory (1957) and American Western legend Doc Holliday in Gunfight at the O.K. Corral (1957).

"Often cast as a villain, amoral climber or self-obsessed grabber, Kirk Douglas took care to color his hard edges with suggestions of pain, wit and sympathy," says American Film Institute, which ranks him as 17th on its list of the greatest male screen legends.

In the 1970s he stood behind the camera, directing Scalawag (1973) and Posse (1975).

He also took up writing, penning his first autobiography The Ragman's Son in 1988 and following with around 10 other titles.

In the autobiography, Douglas writes: "I always worked in the theory that when you play a weak character, find a moment when he's strong. And if you're playing a strong character, find a moment when he's weak."

Tough childhood

Douglas was born in New York on December 9, 1916 to illiterate Jewish Russian immigrants, an only boy with six sisters.

He started out as Issur Danielovitch, later Izzy Demsky. It was tough, he recounted later, with the family poor, anti-Semitism rife and his distant alcoholic father forced to earn a living as a ragman.

"In a sense, I've always felt on the outside, looking in," he said in the New York Times article.

"It's my background, damn it. My father was an illiterate Russian immigrant, a ragman, the lowest rung on the economic scale."

His dream of a way out was through acting and he started in high school, eventually entering the American Academy of Dramatic Arts and changing his name along the way.

To survive he took jobs as a waiter, labourer and porter. In 1941 he hit Broadway but his budding career was interrupted by service in the Navy. After the war, he headed for Hollywood.

His romantic conquests were many, although he once said he had never counted, and included starls such as Rita Hayworth, Marlene Dietrich, Joan Crawford and Ava Gardner.

Douglas' four sons followed him into cinema.

Oscar-winning actor and producer Michael and Joel were from a marriage to actress Diana Webster, whom he divorced in 1951.

Three years later he married Belgian-American Anne Buydens, having Peter and then Eric, who died in 2004 from an accidental overdose.

Douglas has also brushed death: he survived a helicopter crash in 1991 and a massive stroke in 1996 that nearly robbed him of speech.

Around the time of his 100th birthday in 2016, he attributed his remarkable longevity to his second marriage.

"I was lucky enough to find my soulmate 63 years ago, and I believe our wonderful marriage and our nightly 'golden hour' chats have helped me survive all things," he said in celebrity magazine Closer Weekly.

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Agencies
July 27,2020

Mumbai, Jul 27: Action director Parvez Khan, known for his work in films like Sriram Raghavan's Andhadhun and Badlapur, died on Monday after suffering a massive heart attack. He was 55. 

Parvez, who worked in the industry since 1986, was rushed to Ruby Hospital after he complained of chest pain, his longtime associate Nishant Khan told PTI. "He suffered a major heart attack in the morning. He was rushed to the hospital but was pronounced dead. He didn't have any health issues but felt chest pain last night," Nishant said.

Filmmaker Hansal Mehta, who worked with Parvez in the National Award winning 2013 drama Shahid, said the action director was extremely skilled. "Just heard that action director Parvez Khan is no more. We had worked together in Shahid where he executed the riots sequence in a single take. Very skilful, energetic and a good man. RIP Parvez. Your voice still rings in my ears," Hansal tweeted. 

Parvez started his career by assisting action director Akbar Bakshi in films like Akshay Kumar's Khiladi (1992), Shah Rukh Khan's Baazigar (1993) and Bobby Deol-starrer Soldier in 1998. It was with Ram Gopal Varma's Ab Tak Chhappan in 2004 that he started working independently and went on to have a long-standing collaboration with filmmaker Sriram Raghavan in films such as Johnny Gaddaar (2007), Saif Ali Khan-starrer Agent Vinod in 2012 and Badlapur, featuring Varun Dhawan. He is survived by wife, son, daughter-in-law and a granddaughter.

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News Network
April 2,2020

New Delhi, Apr 2: After donating to UNICEF to combat COVID-19, actor Kareena Kapoor Khan on Thursday announced that she will also contribute to PM-CARES Fund and Maharashtra's CM Relief Fund along with her husband Saif Ali Khan and son Taimur Ali Khan.

Kareena made the announcement through an Instagram post and also urged others to do their bit by doing whatever is possible.

"We extend our support to the PM CARES Fund and the Chief Minister's Relief Fund (Maharashtra)," read an official statement post by Kareena on Instagram.

"In times like these, every helping hand and every rupee raised matters. Do Help wherever possible," the statement further read.

However, the amount of donation hasn't been revealed in the post.

The star couple has joined a list of celebrities including Akshay Kumar, Varun Dhawan, Alia Bhatt, Vicky Kaushal and others who too have extended support to PM CARES Fund to fight against coronavirus.

Earlier on March 31, the 'Jab We Met' actor had announced their contribution to UNICEF, GIVE INDIA and the International Association of Human Values (IAHV).

There are 1764 active coronavirus cases in the country, while 150 people have been cured and 50 have died, as per the Union Health Ministry. 

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