20 years on, 'Titanic' keeps that sinking feeling alive

Agencies
December 17, 2017

Abu Dhabi, Dec 17 : Part saturnine elegy to doomed youth, part exaltation of the transcendent power of love, blockbuster disaster movie "Titanic" is delivering that sinking feeling to a whole new generation of fans.

Tuesday marks two decades since Rose vowed to Jack she'd "never let go" -- before spectacularly reneging on her promise, sending her frozen-to-death paramour to a watery grave and leaving "Titaniacs" worldwide sobbing into their popcorn.

The anniversary has been celebrated with screenings across the United States, and audiences are still swooning over the young lovers played by Leonardo DiCaprio and Kate Winslet -- now both Oscar winners and Hollywood A-listers.

"The Titanic story itself has a timeless quality. It seems to exist outside our daily lives. As this straight moral lesson, it's something that fascinates us," director James Cameron told fans at a Los Angeles screening to mark the milestone.

Winslet's love-struck socialite and DiCaprio's artistic drifter were fictionalized characters in a dramatization of the real-life sinking in 1912 of history's most famous ship after it hit an iceberg on its maiden voyage across the Atlantic.

The film, distributed by Paramount at home and Fox abroad, entered into movie history when it picked up 11 Oscars, including best picture and best director for Cameron.

With a worldwide gross of $2.2 billion, it was the most successful movie ever made until Cameron's "Avatar" (2009) took $2.8 billion at the box office.

At an intimidating 195 minutes, the movie can feel in parts as long as the voyage on which it is based, but it earned mostly glowing reviews, and the theme song "My Heart Will Go On" became a global success for Celine Dion.

Cameron, 63, says he sold the idea to Fox executives with "probably the shortest pitch for a major movie in Hollywood history."

"I whipped open this book and in the center is a beautiful double-truck spread right across both pages of a painting by Ken Marschall, the best artist of the subject of the Titanic," he recalled.

"It was a beautiful shot of the rocket going off and lighting up the ship, and lifeboats rowing away as it went down in the more sedate, quiet part of the sinking. I said, 'Romeo and Juliet on that.' Five words."

DiCaprio and Winslet -- then 21 and 20, respectively -- began filming in September 1996, their first scene together the moment in which the actress appears nude for him to paint.

Any awkwardness was short-lived and the pair quickly became close friends, reuniting onscreen a decade later for Sam Mendes's fraught love story "Revolutionary Road."

"They really bonded and they were there for each other through a long, difficult, grueling shoot. They were there to support each other," Cameron said.

The epic proportions of the $200 million production, with its 1,000 extras and crew of more than 800, can hardly be overstated.

Cameron had a full scale model of the ill-fated luxury liner constructed on 40 acres of Mexican waterfront bought by Fox, after receiving the blueprints from the original ship builder.

The rooms were meticulously recreated from old photographs, as was RMS Titanic's first class staircase, mahogany woodwork and gold-plated light fixtures, all of which was destroyed in the sinking scene.

Such was the perceived folly of the bloated production -- then the costliest ever -- that Variety began a daily "Titanic Watch" column, ridiculing what was expected to be the biggest flop in Hollywood history.

A despondent Cameron kept a razor blade taped to the screen of his video editing equipment with an inscription written in pen: "Use in case film sucks."

The movie test-screened to rapturous applause in Minneapolis, however, and Cameron was reassured that he'd actually made a decent movie.

It opened with a domestic haul of $28.6 million and was expected to follow the normal pattern for blockbusters, dropping by 40-50 percent in its second weekend.

Instead, it made another $28 million, and $32 million on the third weekend, eventually securing the top spot for 15 consecutive weeks.

"It just went down by like two percent a week and everybody just felt like we were in this alternate universe where the rules of gravity didn't apply," said Cameron.

Experts theorized that the numbers were being boosted by groups of young teenage girls watching multiple times, but Cameron believes "Titanic" did so well because the love story appealed across generations.

"With all due respect to Kate and Leo, and they're both good friends of mine, it's not Kate and Leo anymore -- it's Jack and Rose," said Cameron.

"And it will always be Jack and Rose. I guess that's what I'm proudest of, that we've created something that has its own reality, that's outside of time, and theoretically that could still be enjoyed indefinitely."

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Agencies
July 11,2020

New Delhi, Jul 11: The COVID-19 triggered restrictions on cinema exhibition industry have not only disheartened movie goers, but axed several thousand jobs and costed the industry an estimated ₹ 5,000 crore in revenue.

The sector has been one of the hardest hit due to COVID-19 pandemic and the subsequent restrictions implemented to curb its spread.

Presently, cinemas and multiplexes continue to remain in the list of prohibited activities under the Centre's Unlock 2.0 Guidelines.

In an interview to media persons, movie exhibition major Inox Leisure's Chief Executive Alok Tandon said, "The industry on an average collects about ₹ 1,000 crore a month of 'Box Office' and on an average generates about ₹ 500 crore a month of ancillary revenues."

"Keeping in mind that the lockdown has been effective for more than 100 days now, which is about 3.5 months, the cinema exhibition industry would have accumulated losses worth ₹ 5,000 crore so far."

According to Tandon, associated businesses such as pre and post-production, make-up artistes, graphics, film set fabrication, film crew, events, marketing, F&B services have all been impacted due to the restrictions.

"With the production and exhibition of movies coming to a halt, the industry was bound to witness some job losses," he said without divulging any estimates.

As per industry data, the multiplex industry in India employs more than 200,000 people directly and accounts for nearly 60 % of revenues of the film business.

On the way forward, Tandon elaborated that the industry expects to regain business momentum and sentiment post resumption of operations.

"We believe it will be a matter of a couple of blockbusters, and we will be back to our usual operational numbers," he said.

"We are rightfully relying on the unshakeable passion of the Indian movie lovers, who are yearning to step out and spend time enjoying the giant screen experience."

Furthermore, he cited that industry has sent representation to the Centre for immediate re-commencement of operations and a support package.

"We have requested for financial support in the form of salary subsidies during the lockdown period, interest-free loans for three years, exemptions from various taxes and duties, like 'GST, Show tax, LBETs and Property taxes' for a period of one year from the date of operations, waiver on electricity minimum demand charges for one year and auto renewal of licenses and permits for the next one year," he said.

"We have been talking to our mall developer partners and are working together with them to see through this phase."

However, even after re-commencement, the industry anticipates at least 3-6 months before things return anywhere close to normal.

"The cinema ecosystem is such that we will need all the aspects of the business to swing into action and fire together for us to see a resurgence, and we are highly optimistic about the same," he said.

In terms of global experience, Tandon pointed out that cinemas have started operating in more than 25 major countries, and some of those markets are witnessing a healthy response.

"India is a massive movie market and we are confident that the passionate and responsible movie lovers will turn up in huge numbers to enjoy their favourite form of entertainment and also follow the prevention guidelines at the same time, ensuring a safe and steady revival of the cinema exhibition sector," Tandon said.

The film exhibition industry in India is mainly comprised of single screen and multiplexes.

At present there are around 9,527 cinemas across the country, including 6,327 single and 3,200 multiplex screens.

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Agencies
July 19,2020

Mumbai, Jul 19: Mumbai Police have registered an FIR against two Instagram account holders for allegedly threatening actor Rhea Chakraborty, an official said on Sunday.

The location of the two accused is yet to be traced, the official said, adding that the investigation in the case is at primary stage.

Chakraborty on Thursday requested the cyber crime cell to look into the rape and murder threats she has been receiving ever since the death of close friend, actor Sushant Singh Rajput.

Rajput, 34, was found dead in his apartment in suburban Bandra here on June 14, leaving people in the film industry and audiences shocked.

Chakraborty, in particular, was subjected to online hate with users blaming her for Rajput's suicide.

"We registered the First Information Report (FIR) on Saturday under Indian Penal Code Sections 507 (criminal intimidation by an anonymous communication), 509 (intending to insult modesty of any woman) and relevant provisions of the Information Technology Act," Santacruz police station's senior inspector Shriram Koregaonkar said.

"No arrest has been made so far. We are conducting an investigation in the case," he added.

On Thursday, sharing a screenshot of a hate message she received on Instagram, Chakraborty said while she had ignored many abusive texts sent to her in the past month, the harassment was now unbearable.

The 28-year-old actor eventually disabled the comments section of her Instagram page.

Chakraborty, known for films such as "Mere Dad Ki Maruti" and "Jalebi", had tagged the cyber cell and requested the authorities to look into the threats.

On June 18, she was called to the Bandra police station to record her statement in connection with Rajput's death.

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News Network
June 16,2020

Mumbai, Jun 16: In the wake of Sushant Singh Rajput's death, veteran actor Deepti Naval has opened up about her struggle with depression and suicidal thoughts in the early 90s.

Naval shared a poem that she wrote during her struggle with depression on her Facebook page after paying tributes to Rajput, who was found hanging in his Bandra apartment on Sunday at the age of 34.

According to a police official, Mumbai Police found out during the probe that the actor was under medication for depression

"Dark days these... So much has been happening - mind has come to a point of stillness... Or rather numbness. Today I feel like sharing a poem I wrote back in the years when I was fighting depression, anxiety, suicidal thoughts - Yes, fighting... and like how," Naval wrote.

The 68-year-old actor made her debut with Shyam Benegal's 1978 "Junoon" and went on to feature in films like "Chashme Buddoor", "Ankahee", "Mirch Masala", Saath Saath among others in the 80s.

Naval's poem, titled "Black Wind", begins by describing how anxiety engulfs a person.

"Anxiety grips me with both hands, spiked claws dig deep into my soul I gasp for breath and stagger around sharp corners of my single bed.."

In the poem, Naval talks about fighting suicidal thoughts and depression, describing it as a "ghoulish lust" she won't succumb to.

"The telephone rings... no, it stops...God damn! Why don't anyone speak? A voice, Just a human voice In this shameless, pitiless Abyss of the night - gloom deepens into darkness, turns purple I feel dark inside."

The actor ends by writing that she will survive the night, its "deathly design" and fight.

"The world's a snake pit, so let it be! I dare the devil to get the better of me! Deepti Naval, Night of July 28, 1991."

In an interview with PTI last year, Naval had mentioned how acting assignments started to thin in the late 90s and as a "serious actor" it was "devastating" to be ignored.

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