20 years on, 'Titanic' keeps that sinking feeling alive

Agencies
December 17, 2017

Abu Dhabi, Dec 17 : Part saturnine elegy to doomed youth, part exaltation of the transcendent power of love, blockbuster disaster movie "Titanic" is delivering that sinking feeling to a whole new generation of fans.

Tuesday marks two decades since Rose vowed to Jack she'd "never let go" -- before spectacularly reneging on her promise, sending her frozen-to-death paramour to a watery grave and leaving "Titaniacs" worldwide sobbing into their popcorn.

The anniversary has been celebrated with screenings across the United States, and audiences are still swooning over the young lovers played by Leonardo DiCaprio and Kate Winslet -- now both Oscar winners and Hollywood A-listers.

"The Titanic story itself has a timeless quality. It seems to exist outside our daily lives. As this straight moral lesson, it's something that fascinates us," director James Cameron told fans at a Los Angeles screening to mark the milestone.

Winslet's love-struck socialite and DiCaprio's artistic drifter were fictionalized characters in a dramatization of the real-life sinking in 1912 of history's most famous ship after it hit an iceberg on its maiden voyage across the Atlantic.

The film, distributed by Paramount at home and Fox abroad, entered into movie history when it picked up 11 Oscars, including best picture and best director for Cameron.

With a worldwide gross of $2.2 billion, it was the most successful movie ever made until Cameron's "Avatar" (2009) took $2.8 billion at the box office.

At an intimidating 195 minutes, the movie can feel in parts as long as the voyage on which it is based, but it earned mostly glowing reviews, and the theme song "My Heart Will Go On" became a global success for Celine Dion.

Cameron, 63, says he sold the idea to Fox executives with "probably the shortest pitch for a major movie in Hollywood history."

"I whipped open this book and in the center is a beautiful double-truck spread right across both pages of a painting by Ken Marschall, the best artist of the subject of the Titanic," he recalled.

"It was a beautiful shot of the rocket going off and lighting up the ship, and lifeboats rowing away as it went down in the more sedate, quiet part of the sinking. I said, 'Romeo and Juliet on that.' Five words."

DiCaprio and Winslet -- then 21 and 20, respectively -- began filming in September 1996, their first scene together the moment in which the actress appears nude for him to paint.

Any awkwardness was short-lived and the pair quickly became close friends, reuniting onscreen a decade later for Sam Mendes's fraught love story "Revolutionary Road."

"They really bonded and they were there for each other through a long, difficult, grueling shoot. They were there to support each other," Cameron said.

The epic proportions of the $200 million production, with its 1,000 extras and crew of more than 800, can hardly be overstated.

Cameron had a full scale model of the ill-fated luxury liner constructed on 40 acres of Mexican waterfront bought by Fox, after receiving the blueprints from the original ship builder.

The rooms were meticulously recreated from old photographs, as was RMS Titanic's first class staircase, mahogany woodwork and gold-plated light fixtures, all of which was destroyed in the sinking scene.

Such was the perceived folly of the bloated production -- then the costliest ever -- that Variety began a daily "Titanic Watch" column, ridiculing what was expected to be the biggest flop in Hollywood history.

A despondent Cameron kept a razor blade taped to the screen of his video editing equipment with an inscription written in pen: "Use in case film sucks."

The movie test-screened to rapturous applause in Minneapolis, however, and Cameron was reassured that he'd actually made a decent movie.

It opened with a domestic haul of $28.6 million and was expected to follow the normal pattern for blockbusters, dropping by 40-50 percent in its second weekend.

Instead, it made another $28 million, and $32 million on the third weekend, eventually securing the top spot for 15 consecutive weeks.

"It just went down by like two percent a week and everybody just felt like we were in this alternate universe where the rules of gravity didn't apply," said Cameron.

Experts theorized that the numbers were being boosted by groups of young teenage girls watching multiple times, but Cameron believes "Titanic" did so well because the love story appealed across generations.

"With all due respect to Kate and Leo, and they're both good friends of mine, it's not Kate and Leo anymore -- it's Jack and Rose," said Cameron.

"And it will always be Jack and Rose. I guess that's what I'm proudest of, that we've created something that has its own reality, that's outside of time, and theoretically that could still be enjoyed indefinitely."

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News Network
February 12,2020

London, Feb 12: Oscar-winning British director Steve McQueen is returning to his art roots with a series of short films at London's Tate Modern art gallery, offering a sensory exploration of black identity.

McQueen, who became the first black director to win the best picture Academy Award in 2014 for "12 Years a Slave", is now based between London and Amsterdam and is focused on championing diversity in the film industry.

Visitors to his new exhibition will be greeted by "Static", a film of New York's Statue of Liberty, scrutinising the iconic symbol from every possible angle at very close range against a deafening backdrop of the helicopter from where the footage was filmed.

"What interests Steve is our view of the world, how humans are trying to represent Liberty," said Fiontan Moran, assistant curator of the exhibition.

"7th Nov, 2001" features a still shot of a body while McQueen's cousin Marcus tells of how he accidentally killed his brother, a particularly traumatic experience for the artist.

"Western Deep" is another visceral work, giving a sense through sights and sounds in an interactive installation of the experiences of miners in South Africa, following them to the bottom of the mine.

"Ashes", meanwhile, is a tribute to a young fisherman from Grenada, the island where McQueen's family originated.

The images of beauty and sweetness filmed from his boat are tragically reversed on the other side of the projection screen, which shows a grave commissioned by McQueen for the eponymous young fisherman, who was killed by drug traffickers.

African-American singer, actor and civil rights activist Paul Robeson (1898-1976) is honoured in "End Credits".

The film shows censored FBI documents detailing the agency's surveillance of Robeson, read by a voice-over artist, for five hours.

"He is... testing the limits of how people can be documented in an era of mass surveillance," said Moran.

In a similarly militant vein, the exhibition features the sculpture "Weight", which was first shown in the prison cell where the writer and playwright Oscar Wilde was imprisoned.

It depicts a golden mosquito net draped over a metal prison bed frame, addressing the theme of confinement and the power of the imagination to break free.

The show runs alongside an exhibition of McQueen's giant portraits of London school classes, many of which appeared on the streets of London last year.

"I remember my first school trip to Tate when I was an impressionable eight-year-old, which was really the moment I gained an understanding that anything is possible," said McQueen, adding it was "where in some ways my journey as an artist first began".

He recently told the Financial Times newspaper the difference between his art films and his feature films was that the former were poetry, the latter like a novel.

"Poetry is condensed, precise, fragmented," he said. "The novel is the yarn".

The exhibition opens on February 13 and runs until May 11.

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May 2,2020

Washington, May 2: American singer Ariana Grande and Justin Bieber have teamed up to help others in need during the COVID-19 pandemic.

Grande and Bieber announced on Friday(local time) that they are working on a song, 'Stuck With U,' which will drop next week with all proceeds slated to go to coronavirus relief.

The 26-year-old songstress Ariana tweeted on Friday, "Stuck with u by me and @justinbieber out May 8th. head to my Instagram for more info. thank u to @1strcf and @sb_projects for making this possible."

Grande also announced the news on Instagram, and wrote, "Grateful to announce that my friend and i have partnered with @1strcf and @sb_projects on this release. proceeds from the streams and sales of #stuckwithu will be donated to first responders children's foundation to fund grants and scholarships for children of healthcare workers, emergency medical technicians (EMTs), paramedics, police officers and firefighters serving at the front lines during the global pandemic."

The 26-year-old pop-star Bieber, also added in a statement, "More than ever we are seeing the selfless, tireless and amazing work that doctors, nurses and healthcare providers give to the world every day. It is our hope we can lend our voices to raise awareness and give much-needed support for them and their families. It's my honour to come together with my friend Ariana and our SB Projects family to try and do some good."

The two music superstars have also independently been helping people in need. According to sources to Page Six, Grande, who has been communicating her longing to make music during the quarantine, has sent fans between 500 and 1,000 USD using the Venmo app.

One of the Ariana fans told Page Six that the 'Senorita' singer "took care of my salary for the month." She has helped more than 20 fans, said the outlet.

The '7 rings' singer also joined the Disney family singalong in April and sang 'I Won't Say I'm In Love' the animated film 'Hercules.'

Back in February, Bieber cantered his efforts on China, saying at the time that he "couldn't imagine how scary it would be if a new disease was effecting my wife and my family and friends."

The 'Yummy' singer said he made a donation to the country and urged his followers to join in on the conversation.

Bieber also accepted the #AllInChallenge to raise money for COVID relief. The singer said he will fly to your house for a private concert and sing 'One Less Lonely Girl.'

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News Network
May 10,2020

Mumbai, May 10: Nearly a month after recovering from the coronavirus, actor Zoa Morani says she has donated her blood plasma to do her bit in helping the patients currently suffering from the novel virus. The actor, who was quarantined and kept under medication in April, also urged those who have recovered from COVID-19 to donate their plasma.

"Donated my blood today for the Plasma therapy trials at Nair hospital. It was fascinating! Always a silver lining I suppose. The team there was so enthusiastic and careful. There was a general physician on standby just incase of emergency and the equipment brand new and safe (sic)," Zoa wrote on Instagram on Saturday.

She thanked the doctors for taking care of her and hoped patients benefit from the donation.

"All #Covid19 recovered people can be a part of this trial, to help others covid patients recover! I hope this works #IndiaFightsCorona. They even gave me a certificate and Rs 500. Wont lie, I felt super cool today (sic)," she added.

Zoa, along with her sister Shaza and father, producer Karim Morani had tested positive for coronavirus in April. All three were discharged from the hospital after testing negative last month.

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