Acting far less demanding than direction, says Nandita Das

Agencies
March 31, 2019

Mumbai, Mar 31: Nandita Das says she enjoys both acting and direction, but being behind the camera gives her more creative fulfilment.

The actor-filmmaker says direction helps her in highlighting her concerns and starting conversations on various socio-political issues.

"It (acting) is less demanding than direction. But while direction is far more time consuming and challenging, it is also more fulfilling, both creatively and emotionally. But each has its merit and I feel no reason to choose as I would like to do both," Nandita told PTI in an interview.

The critically-acclaimed director, who has helmed films like "Firaaq" and "Manto", said one should not be afraid to tell the stories they believe in. 

"For me, art remains a means to an end. I am more of a journey-person, so I don't feel the pressure of reaching anywhere in particular. That comes with the benefit of not being afraid of failure, at least in the conventional sense of the word. 

"If you have strong convictions and courage things automatically follow. When I did 'Fire', I didn't know if I'd have a second film as an actor. Similarly, when I did 'Firaaq', I didn't know I will direct a film," she said.

Nandita will be seen in the new version of "Albert Pinto Ko Gussa Kyoon Aata Hai?", directed by Soumitra Ranade. She describes it as a "conceptual" remake as the makers have only taken the seed of the idea.

"The film is entirely Soumitra's take on how he sees the country today and the angst of the youth. I did it for nostalgia, as the original was an iconic film. It's our tribute to it and I equally did it for Soumitra, who has been a friend for over a decade." 

When Nandita first saw the 1980 cult classic she said she could relate to the angst of the protagonist, which was played by Naseeruddin Shah. 

According to her, the film deals with the pain of Albert, who probably represents many in the society.

Asked about the relevance of the new film, Nandita said the issues of common man from poverty to unemployment still exist. 

"The earlier 'Albert Pinto...' was made during a critical time in our history. It was the post-Emergency era. The Jayaprakash Narayan movement had failed to provide a stable government at the centre. We were at crossroads. 

"Today, we are in a similar predicament, where politics and conversations, have all become so polarised. Divisive forces are distracting us from the real problems of unemployment, poverty and inequity. There is anger simmering among the youth, the farmers, the marginalised, and that is the political undertone that the film has," she said.

Nandita believes, today there is no dearth of issues that can make one angry but one should find ways to make the world a compassionate place. 

"I feel sad that we have normalised blatant inequality and inequity and the divisive powers are further polarising us in the name of nationality, religion, caste, class, gender, sexual preference and more. 

"To find productive ways is a conscious choice if we want a more just and compassionate world. 'Albert...' is a step in that direction. I think the audience will connect with his anger and it will trigger a deeper reflection on their own angst and their will to change things for the better." 

The film releases on April 12.

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News Network
February 12,2020

London, Feb 12: Oscar-winning British director Steve McQueen is returning to his art roots with a series of short films at London's Tate Modern art gallery, offering a sensory exploration of black identity.

McQueen, who became the first black director to win the best picture Academy Award in 2014 for "12 Years a Slave", is now based between London and Amsterdam and is focused on championing diversity in the film industry.

Visitors to his new exhibition will be greeted by "Static", a film of New York's Statue of Liberty, scrutinising the iconic symbol from every possible angle at very close range against a deafening backdrop of the helicopter from where the footage was filmed.

"What interests Steve is our view of the world, how humans are trying to represent Liberty," said Fiontan Moran, assistant curator of the exhibition.

"7th Nov, 2001" features a still shot of a body while McQueen's cousin Marcus tells of how he accidentally killed his brother, a particularly traumatic experience for the artist.

"Western Deep" is another visceral work, giving a sense through sights and sounds in an interactive installation of the experiences of miners in South Africa, following them to the bottom of the mine.

"Ashes", meanwhile, is a tribute to a young fisherman from Grenada, the island where McQueen's family originated.

The images of beauty and sweetness filmed from his boat are tragically reversed on the other side of the projection screen, which shows a grave commissioned by McQueen for the eponymous young fisherman, who was killed by drug traffickers.

African-American singer, actor and civil rights activist Paul Robeson (1898-1976) is honoured in "End Credits".

The film shows censored FBI documents detailing the agency's surveillance of Robeson, read by a voice-over artist, for five hours.

"He is... testing the limits of how people can be documented in an era of mass surveillance," said Moran.

In a similarly militant vein, the exhibition features the sculpture "Weight", which was first shown in the prison cell where the writer and playwright Oscar Wilde was imprisoned.

It depicts a golden mosquito net draped over a metal prison bed frame, addressing the theme of confinement and the power of the imagination to break free.

The show runs alongside an exhibition of McQueen's giant portraits of London school classes, many of which appeared on the streets of London last year.

"I remember my first school trip to Tate when I was an impressionable eight-year-old, which was really the moment I gained an understanding that anything is possible," said McQueen, adding it was "where in some ways my journey as an artist first began".

He recently told the Financial Times newspaper the difference between his art films and his feature films was that the former were poetry, the latter like a novel.

"Poetry is condensed, precise, fragmented," he said. "The novel is the yarn".

The exhibition opens on February 13 and runs until May 11.

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News Network
June 4,2020

Mumbai, Jun 4: Casting director Krish Kapur, who had worked on films like Mahesh Bhatt's Jalebi and Kriti Kharbanda-starrer Veere Ki Wedding, passed away at the age of 28 due to brain hemorrhage, his family said.

There was speculation that Kapur died in a road accident but his maternal uncle, Sunil Bhalla, dismissed the reports, saying that the casting director fainted at his home in suburban Mira Road here and suffered brain hemorrhage.

According to Bhalla, Kapur breathed his last on May 31.

"He had no medical history. He was healthy and doing absolutely fine. On May 31, he just collapsed and started to bleed. He died of brain hemorrhage," Bhalla said on Wednesday.

Kapur is survived by his mother, wife and seven-year-old child.

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News Network
February 3,2020

Feb 3: Actor-cum-activist Swara Bhaskar on Sunday targetted the Central government over granting Padma Shri to Pakistan-origin singer Adnan Sami who became an Indian citizen in 2016.

Addressing "Save the Constitution, Save the Country" rally here in Madhya Pradesh, Bhaskar said that passing the new citizenship amendment act tantamount to "betrayal" of the Constitution.

Sami, born in London to a Pakistani Air force veteran, applied for Indian citizenship in 2015 and became a citizen of the country in January 2016.

He was one of the 118 people chosen for the Padma Shri awards by the Centre last month.

"The legal process to grant citizenship to refugees and arrest infiltrators already exists in India. You (the government) have granted Indian citizenship to Adnan Sami and now selected him for Padma Shri through that process. (If this is the case) What is the need and justification for the Citizenship Amendment Act?" Bhaskar asked.

"On the one hand you abuse us (anti-CAA protesters), cane-charge us, slap us, hurl teargas shells at us and on the other hand you award Padma Shri to a Pakistani," she said

Bhaskar said the government labels some people as the members of "tukde-tukde gang" and anti-nationals" as per its convenience.

"Supporters of the CAA and the NRC keep harping about the so-called infiltrators having entered our country. If that is the case then why are we unable to see these intruders?" she asked.

"The problem is that they have intruded into the minds of the government and the ruling party," she said.

Bhaskar said the government seems to have "fallen in love with Pakistan".

"It sees Pakistan everywhere. My devout grandmother doesn't chant Hanuman Chalisa as often as this government keeps chanting the Pakistan mantra," she said.

Without naming the RSS, the actor said, "Sitting in Nagpur, these people are spreading politics of hatred".

Bhaskar said Pakistan chose to become a religious nation after the Partition in 1947 unlike India which opted to become a "secular republic where one's religion has nothing to do with citizenship".

"(Pakistan founder Mohammad Ali) Jinnah died a long ago, but his admirers want to divide the country again in the name of a religion," Bhaskar said.

She criticised BJP national general secretary Kailash Vijayvargiya for his controversial remarks about the 'presence' of Bangladeshi infiltrators in Indore, after some labourers were found eating poha and not rotis.

"If poha is Bangladeshi cuisine, then Kailash Vijayvariya, who grew up eating poha (in Indore), should be required to show his Indian citizenship papers," she demanded.

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