Acting far less demanding than direction, says Nandita Das

Agencies
March 31, 2019

Mumbai, Mar 31: Nandita Das says she enjoys both acting and direction, but being behind the camera gives her more creative fulfilment.

The actor-filmmaker says direction helps her in highlighting her concerns and starting conversations on various socio-political issues.

"It (acting) is less demanding than direction. But while direction is far more time consuming and challenging, it is also more fulfilling, both creatively and emotionally. But each has its merit and I feel no reason to choose as I would like to do both," Nandita told PTI in an interview.

The critically-acclaimed director, who has helmed films like "Firaaq" and "Manto", said one should not be afraid to tell the stories they believe in. 

"For me, art remains a means to an end. I am more of a journey-person, so I don't feel the pressure of reaching anywhere in particular. That comes with the benefit of not being afraid of failure, at least in the conventional sense of the word. 

"If you have strong convictions and courage things automatically follow. When I did 'Fire', I didn't know if I'd have a second film as an actor. Similarly, when I did 'Firaaq', I didn't know I will direct a film," she said.

Nandita will be seen in the new version of "Albert Pinto Ko Gussa Kyoon Aata Hai?", directed by Soumitra Ranade. She describes it as a "conceptual" remake as the makers have only taken the seed of the idea.

"The film is entirely Soumitra's take on how he sees the country today and the angst of the youth. I did it for nostalgia, as the original was an iconic film. It's our tribute to it and I equally did it for Soumitra, who has been a friend for over a decade." 

When Nandita first saw the 1980 cult classic she said she could relate to the angst of the protagonist, which was played by Naseeruddin Shah. 

According to her, the film deals with the pain of Albert, who probably represents many in the society.

Asked about the relevance of the new film, Nandita said the issues of common man from poverty to unemployment still exist. 

"The earlier 'Albert Pinto...' was made during a critical time in our history. It was the post-Emergency era. The Jayaprakash Narayan movement had failed to provide a stable government at the centre. We were at crossroads. 

"Today, we are in a similar predicament, where politics and conversations, have all become so polarised. Divisive forces are distracting us from the real problems of unemployment, poverty and inequity. There is anger simmering among the youth, the farmers, the marginalised, and that is the political undertone that the film has," she said.

Nandita believes, today there is no dearth of issues that can make one angry but one should find ways to make the world a compassionate place. 

"I feel sad that we have normalised blatant inequality and inequity and the divisive powers are further polarising us in the name of nationality, religion, caste, class, gender, sexual preference and more. 

"To find productive ways is a conscious choice if we want a more just and compassionate world. 'Albert...' is a step in that direction. I think the audience will connect with his anger and it will trigger a deeper reflection on their own angst and their will to change things for the better." 

The film releases on April 12.

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News Network
June 19,2020

Mumbai, Jun 19: Actor Sushant Singh Rajput’s memories will continue to be celebrated as Instagram has memorialised his account, adding “remembering” to his bio.

Rajput, 34, known for films like "Kai Po Che!", "MS Dhoni: The Untold Story", "Chhichhore", was found dead in his Bandra apartment on Sunday, sending shockwaves in the film industry and elsewhere.

Days after his untimely demise, Instagram added “remembering” to his account bio and memorialised it as a place to remember the actor’s life.

According to the photo-video sharing website, no one can log into a memorialised account. The posts the deceased person shared, including photos and videos, stay on their page and are visible to the users they were shared with.

Also, once the account is memorialised, no one will be able to make changes to any of the existing posts or information.

The actor’s last post on the social media platform was a tribute to his late mother on June 3.

Rajput’s death is being investigated by the Mumbai Police and so far statements of over 13 people, including actor’s family members and close friends, including actor Rhea Chakraborty and casting director Mukesh Chhabra, have been recorded.

The police have also sent a letter to Yash Raj Films seeking details of the contracts it had signed with him.

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Agencies
January 11,2020

New Delhi, Jan 11: The Delhi High Court on Saturday restrained from releasing Deepika Padukone-starrer 'Chhapaak' movie without due credits to the lawyer who represented the acid attack survivor, Lakshmi Agarwal, in her legal battle.

The restraint will be effective from January 15 in multiplexes and live streaming and for others from January 17.

The court directed filmmaker Meghna Gulzar to give due credit to lawyer Aparna Bhat who fought the criminal case for the acid survivor on whose life the movie is based.

It passed the order on a petition filed by Fox Studio challenging a trial court order which had directed the filmmakers to give credit to Bhat.

Delhi's Patiala House Court had earlier this week passed an order granting an ex-parte interim mandatory injunction directed that the filmmaker has to carry a line "Aparna Bhat continues to fight cases of sexual and physical violence against women" during the screening of the film.

Fox Studios then requested the Delhi High Court to set aside the trial court order.

The petitioner submitted that if the order passed in a suit filed just one day before the release of the film, is not vacated, varied or modified, then the petitioner will suffer grave injustice and irreparable harm and injury.

The movie, which hit the cinemas yesterday, is based on Laxmi's life. In 2005, at the age of 15, she was allegedly attacked by a spurned lover.

Laxmi had to undergo several surgeries. Later, she started helping other acid attack survivors and promoted campaigns to stop such gruesome attacks.

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Agencies
July 11,2020

New Delhi, Jul 11: The COVID-19 triggered restrictions on cinema exhibition industry have not only disheartened movie goers, but axed several thousand jobs and costed the industry an estimated ₹ 5,000 crore in revenue.

The sector has been one of the hardest hit due to COVID-19 pandemic and the subsequent restrictions implemented to curb its spread.

Presently, cinemas and multiplexes continue to remain in the list of prohibited activities under the Centre's Unlock 2.0 Guidelines.

In an interview to media persons, movie exhibition major Inox Leisure's Chief Executive Alok Tandon said, "The industry on an average collects about ₹ 1,000 crore a month of 'Box Office' and on an average generates about ₹ 500 crore a month of ancillary revenues."

"Keeping in mind that the lockdown has been effective for more than 100 days now, which is about 3.5 months, the cinema exhibition industry would have accumulated losses worth ₹ 5,000 crore so far."

According to Tandon, associated businesses such as pre and post-production, make-up artistes, graphics, film set fabrication, film crew, events, marketing, F&B services have all been impacted due to the restrictions.

"With the production and exhibition of movies coming to a halt, the industry was bound to witness some job losses," he said without divulging any estimates.

As per industry data, the multiplex industry in India employs more than 200,000 people directly and accounts for nearly 60 % of revenues of the film business.

On the way forward, Tandon elaborated that the industry expects to regain business momentum and sentiment post resumption of operations.

"We believe it will be a matter of a couple of blockbusters, and we will be back to our usual operational numbers," he said.

"We are rightfully relying on the unshakeable passion of the Indian movie lovers, who are yearning to step out and spend time enjoying the giant screen experience."

Furthermore, he cited that industry has sent representation to the Centre for immediate re-commencement of operations and a support package.

"We have requested for financial support in the form of salary subsidies during the lockdown period, interest-free loans for three years, exemptions from various taxes and duties, like 'GST, Show tax, LBETs and Property taxes' for a period of one year from the date of operations, waiver on electricity minimum demand charges for one year and auto renewal of licenses and permits for the next one year," he said.

"We have been talking to our mall developer partners and are working together with them to see through this phase."

However, even after re-commencement, the industry anticipates at least 3-6 months before things return anywhere close to normal.

"The cinema ecosystem is such that we will need all the aspects of the business to swing into action and fire together for us to see a resurgence, and we are highly optimistic about the same," he said.

In terms of global experience, Tandon pointed out that cinemas have started operating in more than 25 major countries, and some of those markets are witnessing a healthy response.

"India is a massive movie market and we are confident that the passionate and responsible movie lovers will turn up in huge numbers to enjoy their favourite form of entertainment and also follow the prevention guidelines at the same time, ensuring a safe and steady revival of the cinema exhibition sector," Tandon said.

The film exhibition industry in India is mainly comprised of single screen and multiplexes.

At present there are around 9,527 cinemas across the country, including 6,327 single and 3,200 multiplex screens.

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