Actors should realise that films are backed by fans, not reviews: Kareena Kapoor Khan

April 4, 2016

Mumbai, Apr 4: Actress Kareena Kapoor Khan says that her recently released film “Ki & Ka” might have not received rave reviews from some critics, but her fans and movie-goers have liked the film. She is happy and content with that because she feels that the views of the “aam janta” (common man) are of utmost importance.

kareenaWhen media caught up with the actress before she walked the Lakme Fashion Week Summer-Resort 2016 ramp as a showstopper for Rohit Bal’s show here, she was asked about how “Ki &Ka” has contributed to her career.

She said: “Well, I think a lot.”

“A lot of the reviews didn’t back the film, but audiences backed the film and I think that’s most important. Actors should realise that the films are backed by your fans, the ‘aam janta’, and that’s more important,” she added.

Bal showcased the finale show at the fashion week and Kareena like a diva in a heavily embroidered lehenga and choli.

Asked how much care she takes for looking good in real life, she said: “I believe that fashion is more in comfort and if you are comfortable, then you will automatically look good. I feel I am always well-dressed.”

So is she ready to experiment with her looks in films?

“I am open in the sense that when I am doing fashion blogs, commercial films and other things… But for films, you have to stick to the character. You can’t just experiment just for the sake of it. You have to do different styles or do strange things to your hair and make-up just because you want to experiment. It has to stick to the character.”

But what if the role demands it?

“I am not going to shave my head if that’s the level of the experimentation,” she said.

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Agencies
July 3,2020

Mumbai, Jul 3: Renowned Bollywood choreographer Saroj Khan died early on Friday morning due to cardiac arrest. She was 71.

The three-time National Award winner, who had choreographed some of the most memorable songs in Hindi cinema, was not keeping well for some time.

She was admitted to Guru Nanak Hospital in Bandra last Saturday after she complained of breathing issues. The mandatory COVID-19 test done at the hospital showed a negative result.

“She passed away due to cardiac arrest at around 2.30 a.m. at the hospital,” Khan’s nephew Manish Jagwani said.

In a career spanning over four decades, Khan is credited with choreographing more than 2,000 songs, including Dola Re Dola from Sanjay Leela Bhansali’s Devdas, Ek Do Teen from Madhuri Dixit-starrer Tezaab and Ye Ishq Haaye from Jab We Met in 2007.

She last choreographed for Tabaah Hogaye, featuring Madhuri from filmmaker Karan Johar’s production Kalank in 2019.

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News Network
January 24,2020

Paris, Jan 24: Rahul Mishra and Imane Ayissi made history on Thursday by becoming the first Indian and black African designers to show their clothes on the elite Paris haute couture catwalk.

Only a little more than a dozen of the world's most prestigious luxury labels -- including Dior, Chanel and Givenchy -- have a right to call their clothes haute couture.

All the clothes must be handmade -- and go on to sell for tens of thousands of euros (dollars) to some of the richest and most famous women in the world.

Mishra, an advocate of ethical "slow fashion" who blames mechanisation for much of the world's ills, said "it felt amazing and very surreal to be the first Indian to be chosen." "They see a great future for us -- which will make us push ourselves even harder," the 40-year-old told AFP after his debut show was cheered by fashionistas.

Both Mishra and Cameroon-born Ayissi, 51, are champions of traditional fabrics and techniques from their homelands and are famous for their classy lines.

Ayissi said his selection was "immense" both for Africa and himself.

"I am so proud that I can show my work and showcase real African fabrics and African heritage," he told AFP backstage as celebrities, including the chic head of Unesco, Audrey Azoulay, congratulated him.

Mishra broke through on the Paris ready-to-wear scene after winning the International Woolmark Prize in 2014, the top award that also launched the careers of such greats as Karl Lagerfeld and Yves Saint Laurent.

The purity of his often white creations with their detailed but understated embroidery has won him many fans, including Vogue's legendary critic Suzy Menkes.

The doyenne of fashion's front row called him an Indian "national treasure".

But this time, Mishra turned up the colour palette somewhat with dresses that subtly evoked the jungle paradises and pristine underwater world off the Maldives he worries that one day we might lose.

Appalled by the smoke and pollution that meant he had to keep his four-year-old daughter indoors in Delhi for nearly 20 days in November, Mishra said he imagined a "pure virginal and untamed planet... with ecosystems crafted out of embroidered flora and fauna".

"I am very emotional about it. Sometimes it makes me cry. All our children should be growing up in a better world," he added.

"When I take Aarna (his daughter) to the foothills of the Himalayas and the sky turns blue, she is so happy.

"Once, when she saw the River Ganges, she said: 'Can you please clean it for us so can go for a swim?'"

Mishra said he was reducing the quantity of clothes he was producing while at the same time increasing their quality, with humming birds, koalas and other animals hidden in the hundreds of hand worked embroidered leaves and flowers of his "jungle dresses".

The designer has won ethical and sustainability awards for his work supporting local crafts people in rural India.

"My objective is to create jobs which help people in their own villages," Mishra said.

"If villages are stronger, you will have a stronger country, a stronger nation, and a stronger world," he added.

Ayissi takes a similar stand, refusing to use wax prints popular in West Africa which he dismisses as "colonial".

Dutch mills flooded Africa with cotton printed with colourful patterns borrowed from Indonesian batik in the 19th century, and still dominate the market.

"When we talk about African fashion, it's always wax, which is a real pity," he told AFP, "because it's killing our own African heritage."

Ayissi, a former dancer who worked with singers such as Sting and Seal, told AFP he wanted to open up "a new path for Africa" and find an "alternative way of doing luxury fashion".

He has gone back to using prestigious local materials, like the strip fabric kente woven by the Akan people of Ghana and the Ivory Coast, which was originally worn only by nobles.

The son of an undefeated African boxing champ and a former Miss Cameroon, he also uses appliqued techniques from Benin and Ghana.

Haute couture shows only take place in Paris and the criteria to enter and remain in fashion's elite club are strictly enforced by French law.

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Agencies
August 4,2020

New Delhi, Aug 4: Almost two months after the demise of late Bollywood actor Sushant Singh Rajput, actor Preity Zinta on Tuesday watched his last film 'Dil Bechara' for the second time and said it was an 'emotional roller coaster'.

The 'Kal Ho Na Ho' actor shared a picture of one of the scenes from the film on Instagram and thanked film director Mukesh Chhabra for doing justice to the 'Kai Po Che!' actor's last film.

"Saw #Dilbechara again Thank you @castingchhabra for doing full justice to Sushant's last movie," she wrote in the caption.
"It was surreal, a tearjerker and an emotional roller coaster all the way," she added.

She also praised Sushant's co-actor Sanjana Sanghi for doing a "fab job" in the film which happens to be her debut flick.

"@sanjanasanghi96 U and the rest of the cast did a fab job. Congratulations to all of you. #Bittersweet #MissU," the 45-year-old actor further wrote.

Produced by Fox Star Studios, 'Dil Bechara' has been adapted from the famous John Green novel 'The Fault In Our Stars.'

Rajput was found dead at his Mumbai's Bandra residence on June 14.

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