Actress and author Carrie Fisher dies at age 60

December 28, 2016

Los Angeles, Dec 27: Carrie Fisher, the daughter of Hollywood royalty who played Princess Leia in the original "Star Wars" and turned her experiences with addiction and mental illness into bestselling books, a hit film and popular stage performances, died today after suffering a medical emergency aboard a flight on Friday. She was 60.

Carrie

Her daughter, Billie Lourd, released a statement through her spokesman announcing Fisher's death.

"It is with a very deep sadness that Billie Lourd confirms that her beloved mother Carrie Fisher passed away at 8:55 this morning," read the statement from publicist Simon Halls. "She was loved by the world and she will be missed profoundly."

Fisher, the daughter of actress Debbie Reynolds and crooner Eddie Fisher, had been hospitalized since Friday, when paramedics responded to a patient in distress at Los Angeles International Airport. Fisher's family said she was in intensive care Friday evening.

She made her feature film debut opposite Warren Beatty in the 1975 hit "Shampoo." She also appeared in "Austin Powers," ''The Blues Brothers," ''Charlie's Angels," ''Hannah and Her Sisters," ''Scream 3" and "When Harry Met Sally ..."

But Fisher is best remembered as Princess Leia in the original "Star Wars" in 1977, with her now-iconic braided buns, who uttered the immortal phrase, "Help me Obi-Wan Kenobi, you're my only hope." Fisher played a part in which she was tough, feisty and powerful, even if at one point she was chained to Jabba the Hutt.

(She reprised the role in Episode VII of the series, "Star Wars: The Force Awakens" in 2015, and her digitally rendered image appears in "Rogue One: A Star Wars Story.")

"No words #Devastated," actor Mark Hamill posted on Twitter today. Fisher long battled drug addiction and mental illness. She said she smoked pot at age 13, used LSD by 21 and was first diagnosed as bipolar at age 24. She was treated with electroconvulsive therapy and medication.

In 1987, her thinly veiled autobiography "Postcards From the Edge" became a best seller. It was adapted into a 1990 film starring Shirley MacLaine and Meryl Streep. More books followed: "Delusions of Grandma," ''Surrender the Pink," ''The Best Awful," ''Shockaholic" and this year's autobiography, "The Princess Diarist," in which she revealed that she and co-star Harrison Ford had an affair on the set of "Star Wars."

Ever ready to satirize herself, she has even played Carrie Fisher a few times, as in David Cronenberg's dark Hollywood sendup "Maps to the Stars" and in an episode of "Sex and the City." In the past 15 years, Fisher also had a somewhat prolific career as a television guest star, recently in the Amazon show "Catastrophe" as the mother of Rob Delaney's lead, and perhaps most memorably as a has-been comedy legend on "30 Rock."

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News Network
March 6,2020

Los Angeles, Mar 6: Filmmaker-writer Taika Waititi is set to direct two animated series based on Roald Dahl's "Charlie and the Chocolate Factory" for Netflix.

Waititi, who won an Academy Award in February for his adapted screenplay, "Jojo Rabbit", will also serve as the writer and producer on the animated series.

According to Deadline, the first series will be based on the world of "Charlie and the Chocolate Factory", while the second will be an original take on the Oompa-Loompa characters from the book.

The Oompa-Loompas are little humans who were preyed upon in Loompaland before Wonka invited them to work at his chocolate factory. They are paid in cocoa beans and love practical jokes and singing songs.

Netflix said the animation series would "retain the quintessential spirit and tone of the original story while building out the world and characters far beyond the pages of the Dahl book for the very first time."

The series will follow in the footsteps of Gene Wilder's 1971 portrayal of Willy Wonka and Johnny Depp's 2005 interpretation.

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News Network
January 24,2020

Paris, Jan 24: Rahul Mishra and Imane Ayissi made history on Thursday by becoming the first Indian and black African designers to show their clothes on the elite Paris haute couture catwalk.

Only a little more than a dozen of the world's most prestigious luxury labels -- including Dior, Chanel and Givenchy -- have a right to call their clothes haute couture.

All the clothes must be handmade -- and go on to sell for tens of thousands of euros (dollars) to some of the richest and most famous women in the world.

Mishra, an advocate of ethical "slow fashion" who blames mechanisation for much of the world's ills, said "it felt amazing and very surreal to be the first Indian to be chosen." "They see a great future for us -- which will make us push ourselves even harder," the 40-year-old told AFP after his debut show was cheered by fashionistas.

Both Mishra and Cameroon-born Ayissi, 51, are champions of traditional fabrics and techniques from their homelands and are famous for their classy lines.

Ayissi said his selection was "immense" both for Africa and himself.

"I am so proud that I can show my work and showcase real African fabrics and African heritage," he told AFP backstage as celebrities, including the chic head of Unesco, Audrey Azoulay, congratulated him.

Mishra broke through on the Paris ready-to-wear scene after winning the International Woolmark Prize in 2014, the top award that also launched the careers of such greats as Karl Lagerfeld and Yves Saint Laurent.

The purity of his often white creations with their detailed but understated embroidery has won him many fans, including Vogue's legendary critic Suzy Menkes.

The doyenne of fashion's front row called him an Indian "national treasure".

But this time, Mishra turned up the colour palette somewhat with dresses that subtly evoked the jungle paradises and pristine underwater world off the Maldives he worries that one day we might lose.

Appalled by the smoke and pollution that meant he had to keep his four-year-old daughter indoors in Delhi for nearly 20 days in November, Mishra said he imagined a "pure virginal and untamed planet... with ecosystems crafted out of embroidered flora and fauna".

"I am very emotional about it. Sometimes it makes me cry. All our children should be growing up in a better world," he added.

"When I take Aarna (his daughter) to the foothills of the Himalayas and the sky turns blue, she is so happy.

"Once, when she saw the River Ganges, she said: 'Can you please clean it for us so can go for a swim?'"

Mishra said he was reducing the quantity of clothes he was producing while at the same time increasing their quality, with humming birds, koalas and other animals hidden in the hundreds of hand worked embroidered leaves and flowers of his "jungle dresses".

The designer has won ethical and sustainability awards for his work supporting local crafts people in rural India.

"My objective is to create jobs which help people in their own villages," Mishra said.

"If villages are stronger, you will have a stronger country, a stronger nation, and a stronger world," he added.

Ayissi takes a similar stand, refusing to use wax prints popular in West Africa which he dismisses as "colonial".

Dutch mills flooded Africa with cotton printed with colourful patterns borrowed from Indonesian batik in the 19th century, and still dominate the market.

"When we talk about African fashion, it's always wax, which is a real pity," he told AFP, "because it's killing our own African heritage."

Ayissi, a former dancer who worked with singers such as Sting and Seal, told AFP he wanted to open up "a new path for Africa" and find an "alternative way of doing luxury fashion".

He has gone back to using prestigious local materials, like the strip fabric kente woven by the Akan people of Ghana and the Ivory Coast, which was originally worn only by nobles.

The son of an undefeated African boxing champ and a former Miss Cameroon, he also uses appliqued techniques from Benin and Ghana.

Haute couture shows only take place in Paris and the criteria to enter and remain in fashion's elite club are strictly enforced by French law.

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Agencies
August 1,2020

Mumbai, Aug 1: Maharashtra Chief Minister Uddhav Thackeray has said that Sushant Singh Rajput case should not be politicised or used to create friction between Maharashtra and Bihar.

Amid the ongoing criticism faced by the Mumbai Police following an investigation into Rajput's death case, the Chief Minister stressed that Mumbai Police is not "inefficient" while appealing those who have any evidence in regard to the case to step forward.

"Mumbai Police is not inefficient. If anyone has any evidence they can bring it to us and we will interrogate and punish the guilty. Please do not use this case (Sushant Singh Rajput death case) as an excuse to create friction between Maharashtra and Bihar," Thackeray said on Friday.

"Bringing politics in the case is the most deplorable thing to do," he added.

Maharashtra government has filed a caveat before the Supreme Court in the Rajput's death case.

Earlier, Bihar government and Rajput's family have filed caveats in the top court seeking to challenge actor Rhea Chakraborty's petition that sought transfer of the FIR registered in Patna to Mumbai in the actor's death case.

"After Bihar government and Rajput's family filed a caveat in the Supreme Court, Maharashtra government has filed a caveat before the SC today to ensure that no order is passed in Rhea Chakraborty's petition case without hearing its (Maharashtra) side," said Sachin Patil, standing counsel for Maharashtra Government.

A caveat is a legal process, in which the party which had filed it before the concerned court, shall have to be heard definitely before the concerned court passes any order in future.

Bihar Police has sought the assistance of Mumbai police to probe the Sushant Singh Rajput case, Mumbai police Crime Branch officials told ANI. However, the Police are still considering their request.

Bihar Police team reached after an FIR was filed by late actor's father KK Singh against Chakraborty in Bihar under several sections including abetment of suicide.

Rajput was found dead in his Mumbai residence on June 14.

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