Adnan Sami's first wife’s son Azaan says Pakistan is his home

Agencies
September 4, 2019

Mumbai, Sept 4: Singer-composer Adnan Sami might have opted for Indian citizenship, but his son Azaan Sami Khan insists on calling Pakistan his home. "The reason I have never really spoken about it before is because he is my father. I love him and respect him. He has made certain decisions of where he wants to live and which country he chooses to call home, and I respect that. What I choose to call home now is my choice and I chose to work in Pakistan," said Azaan, in an interview to BBC.

Azaan, a music composer, revealed that although he spent his teenage days in India, he prefers to call Pakistan his home and is proud of the fact.

"I have amazing friends there (in India). I have lived a lot of my life there -- my teen years particularly, but Pakistan is my home. I have grown up there but I feel like the industry in Pakistan is my family. There is immense pride for me, and hope and ambition, that I contribute to an industry which I call home," he said.

Azaan is Adnan Sami's son from from the singer's first wife, Pakistani actress Zeba Bakhtiar.

When Azaan was quizzed on his father's views on the rising tension between India and Pakistan, as well as on the Kashmir issue, he replied, "Yes, there are days when it is very interesting how people around me react when stuff like that happens, because he is my father. Normally, you keep getting messages for different things and there have been days when stuff has happened and there has just been silence."

Asked if he has ever had a debate or discussion with his dad regarding the latter's political views, Azaan replied, "What he and I talk about should remain between us. We have had a very tested relationship over the years. I grew up with my mother. Him and I were more like friends. He is someone I go to for advice. It is a very interesting relationship because we may at times not speak for months but when we do, we just get each other. So, when I say I respect him, I get where he comes from. And as I child I think it is not our place to comment on what our parents do. We can advise, we can suggest, but it is not our place to tell them what to do."

Calling his dad "musically a legend", Azaan shared that Adnan is also one of his best critics. "I share a lot of stuff with him. He is one of the best critics. One thing which I will always be grateful for is that he has never tried to influence my music," he said.

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News Network
January 9,2020

Los Angeles, Jan 9: Actors Salma Hayek and Tiffany Haddish are hopeful about the future for women in Hollywood and now cinema is making films about women because the audience was "neglected".

The duo along with Rose Byrne star in Like a Boss, a comedy directed by Miguel Arteta, which follows best friends Mia and Mel (Haddish and Byrne) who join forces to run their own boutique cosmetics company.

When the prospect of a big buyout offer from a notorious titan of the beauty industry (Hayek) tempts them, their lifelong bond - and their business - is put in jeopardy.

Hayek said she is happy with the increase in female-driven films in Hollywood.

"We're on the right path. And we're not going to stop," the actor told Variety.

"What I can tell you is that a lot more women are directing and acting and writing and producing. And there are a lot more movies made about women and for women because the audience was neglected, she said.

She was speaking at the premiere of the film in New York.

Haddish added that the mantle for change shouldn't be left to the traditional decision-makers.

To get things, one has to sometimes make noise, the actor-author said.

"It's about us putting in the work and creating the projects and creating the opportunities in order to do those things to make it better. I sit back and I listen to people talk sometimes, saying, 'They're not letting us; they're not giving it to us.' Why do we have to ask permission? Why can't we just start putting it together? If they want to come on board with it, come on board. And if not, oh well," Haddish said.

"I'm about creating an opportunity. People say I'm loud and obnoxious, but sometimes it’s the squeaky wheel that gets the oil and gets things done," she added.

The comedy comes on the heels of a year gone by in cinema that featured female protagonists in films like Little Women and Captain Marvel.

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Agencies
August 7,2020

Mumbai, Aug 7: Bhojpuri actress Anupama Pathak has died allegedly by suicide in Dahisar East, her Mumbai residence on August 2.

The police have recovered a suicide note.

Initially, an accidental death case was registered which was later converted into FIR under section 306 (abetment of suicide) of IPC against a person and a company, the police said.

Further investigation by Mumbai's Kashimira Police is underway.

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News Network
June 16,2020

Mumbai, Jun 16: Filmmaker Dibakar Banerjee remembers Sushant Singh Rajput as a dance loving 'chhokra' from an engineering college who, having made it in Bollywood, was “enthused, sincere and totally focused” on his craft.

Banerjeee said the actor always had “a book or two” with him and took pride in the fact that he had an “inner intellectual life away from the shallower aspects of showbiz”.

Rajput was found dead in his Bandra apartment on Sunday at the age of 34, leaving his friends, colleagues and collaborators in a state of shock.

The Patna-born actor and the director worked together in 2015 film "Detective Byomkesh Bakshy!" when Rajput was a relative newcomer in the industry. Banerjee says it was Rajput's vulnerability and willingness to do different that made him stand out for the role.

In an interview with news agency, the filmmaker looks back at Rajput's sincerity, his love for science and astronomy and how an outsider has to work harder than a "mediocre, unmotivated and entitled establishment elite" to succeed in Bollywood.

Excerpts:

You worked with Sushant when he was less than two-year-old in the film industry. What struck you the most in him to cast as Detective Byomkesh Bakshy?

Banerjee: His vulnerability and intensity and the ambition to do different things than the usual Bollywood stuff.

What were your memories of Sushant- the actor and the person?

Banerjee: As an actor he would tense himself up for the scene and then completely plunge in take after take. He would put a lot of value on preparation. He would be up the previous night of the shoot, reading the scene and making notes and land up on the sets all raring to go.

He would be on, ready and give his hundred per cent throughout the shoot of Byomkesh - no matter how hard or long the day. The unit did not really have to worry about him - considering he was the star. That's what I remember - a total pro, enthused, sincere and totally focused.

As a person, he seemed to me a happy dance loving 'chhokra' from an engineering college who had made it in showbiz and now was serious about acting. He was deeply nostalgic about his carefree student days in Delhi. We used to laugh a lot - I remember that quite clearly.

Sushant's friends say that he spoke more about books and his love for astronomy than films and their fate, which is rare for an actor in the industry. Do you also remember him that way?

Banerjee: Totally true. He was a science and astronomy nut. Always had a book or two with him - and was proud of the fact that he had an inner intellectual life away from the shallower aspects of showbiz. I recognized it as a reflex, protective action to prevent the Bollywood swamp sucking him in totally. And also an identity he wanted to protect and project.

Sushant's death has brought to the fore the struggles of outsiders and the alienation they often face from the nepotistic culture of the industry. Did you feel that Sushant was also fighting this battle despite being a successful actor?

Banerjee: We all fight it, day in and out - whether successful or failing. But the trick is to define that success and failure ourselves and not let the narrative constantly forced by the establishment to get to you. Those who know this weather the storm and ultimately survive and thrive.

The biggest unfairness in all this is that it takes double the talent, energy and hard work for an outsider to convince the audience and the industry that he or she is as safe a box office bet as a mediocre, unmotivated and entitled establishment elite.

The media colludes in this by wallowing in family, coterie and celebrity worship. This leads to deep anger and frustration. Those who can let this slide survive. Those who can't - those who hurt a little more or are vulnerable and impressionable - they are at risk.

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