After director Krish, writer Apurva Asrani calls out Kangana Ranaut for hijacking films

Agencies
January 30, 2019

Mumbai, Jan 30: Apurva Asrani has lashed out against Kangana Ranaut following credit controversy that has erupted after Manikarnika – The Queen of Jhansi director Krish claimed that the actor “hijacked” the period drama.

In 2017, Asrani accused Ranaut of discrediting his work on Simran and debunked her claim of converting the movie from “one line screenplay to a full-fledged story”.

Two years and a war of words later, the writer-editor has supported Krish, who has broken silence on his exit from the Rani Lakshmibai biopic, starring Ranaut.

The actor, who turned director with Manikarnika, claimed that she stepped in to fill Krish’s shoes after he was unavailable to re-shoot a chunk of the project.

But the director rubbished the claims, saying they together started and shot the film. He even said that the entire process of the film was done in poor taste.

In a series of tweets, Asrani said Manikarnika had unfortunately gone the Simran way.

The writer warned the director how he will be targeted by Ranaut for speaking up.

“What’s going to hurt more brother Krish is that she will run a vicious smear campaign to destroy your credibility. And worse, a large section of the media, especially the pseudo feminists, will ignore your story like they did when Ketan Mehta and then I claimed she hijacked our films. Sad,” Asrani wrote on Twitter.

The scribe also shared some snippets of Krish’s interview and recalled how Ranaut conspired with the producer to remove him from Simran.

“Director #Krish exposes how #KanganaRanaut hijacked #Manikarnika. This is exactly what she did on ‘Simran’ too. Waited for me to complete the cut (minus patchwork), told me how much she loved it, then had me thrown out by colluding with producer – before she went onto screw up the film,” he recounted.

Krish, in media interviews, has claimed that parts of other actors such as Atul Kulkarni, who plays Tantya Tope in the film, were chopped off to make the movie a one-person show.

Asrani said, watching Krish speak was a “painful, yet cathartic” experience because he had gone through something similar.

“I wrote #Simran with a passion similar to the man in the video (Krish). But an insecure #KanganaRanaut started deleting other actors lines on set and made it about her. Krish explains in frustration how she cut out historical characters from #Manikarnika too,” Asrani added.

The writer-editor also called out his previous frequent collaborator, “Simran” director Hansal Mehta and blamed him along with Ranaut for allegedly triggering his Bell’s Palsy last year.

“Hansal Mehta, THIS is the mindf**k you and Kangana put me through on Simran which led me to a breakdown. If you had the courage to stand up then, we could have weathered many more storms together.

“I salute Krish’s courage and goodness, especially when he talks of his team. #catharsis,” he said.

Director-producer Pooja Bhatt also came to Krish’s defence on the credit row.

“This is so wrong… On every level… This is not the industry I was born to and not the industry I wish to inherit. Eventually it is credit we work for… Money comes and money goes… The first rule of filmmaking is to acknowledge people’s contribution,” she wrote on Twitter.

To this Asrani replied, “Thankyou for finally acknowledging this. I had yearned for your support when she did this to me two years ago too. But still, I’m happy to see this condemnation from you.”

Bhatt went on to apologise for if she came across as “being reticent”.

“The details of that situation, even though spelt out by all seemed murky to me which is why I didn’t jump in. Though I always maintained that Hansal’s silence felt odd and rather unjust,” she added.

Asrani responded to her, claiming even he was duped by Ranaut’s behaviour initially.

“Her game is brutal. She first plays the victim & wins your trust. You give your all, sacrifice all other work, because she seems lovely. Then when you’re ready with a film you nurtured/created, she has you thrown out. Then she uses the press & trolls to character assassinate you,” he said.

Meanwhile, lyricist-dialogue writer of Manikarnika, Prasoon Joshi praised Ranaut for “elevating the film to another level”.

“Kangana hasn’t only given an outstanding performance she’s also elevated the film to another level through her direction and commitment. Let not any controversy take that away from her. It’s been a tough journey and am all for celebrating everyone’s contribution. Here’s to team #Manikarnika,” Joshi tweeted.

Ranaut, who is at the centre of the controversy, is yet to comment on Krish’s remarks.

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News Network
May 12,2020

Mumbai, May 12: Superstar Salman Khan on Tuesday released his latest romantic single "Tere Bina" featuring Jacqueline Fernandez while in quarantine at his Panvel farm house.

The actor, along with close family and friends from the industry, including Iulia Vantur, Waluscha De Sousa, is living in the farm house. This is the second song Salman has released amid the coronavirus pandemic, after "Pyaar Karona."

"About seven weeks ago, when we came to the farm, we didn't know we will be here under a lockdown. So we wanted to do things to keep ourselves busy. That's when we decided to do these songs. We launched 'Pyaar Karona' and now, we are launching 'Tere Bina'," Salman said in a statement.

The song, sung and directed by Salman, is composed by his friend Ajay Bhatia and written by Shab bir Ahmed.

The actor said he had the song "Tere Bina" with him for quite a while but because it wasn't fitting into any of his film, he decided to release it now.

Jacqueline said she didn't think they would be able to shoot the song, which they finished in four days of evening shoots, with such limitations.

"We are used to shooting songs on a large stage with grand production costs. There are costumes, hair, make up. All of a sudden, we find ourselves with a team of three people. For the first time, I was checking lighting and moving props around. It was a great experience and it taught us how to make the most of what we have," she said.

Salman recently sent out food packets and ration from his farm house to those affected by the lockdown.

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News Network
February 10,2020

Feb 10: Bong Joon-ho’s film “Parasite” starts in a dingy, half-basement apartment with a family of four barely able to scratch out a life. There must be no place to go but up, right? Yes and no. There’s nothing predictable when the South Korean director is on his game.

This dark, socially conscious film about the intertwining of two families is an intricately plotted, adult thriller. We can go up, for sure, but Bong can also take us deeper down. There’s always an extra floor somewhere in this masterpiece.

It tells the story of the impoverished four-person Kim family who, one by one, and with careful and devious planning, all get employed by the four-person affluent Park family — as a tutor, an art teacher, a driver and a housekeeper. They are imposters stunned by the way wealth can make things easier: “Money is an iron. It smooths out all the creases,” says the Park patriarch with wonder.

Bong, who directed and wrote the story for “Parasite,” has picked his title carefully, of course. Naturally, he’s alluding to the sycophantic relationship by a clan of scammers to the clueless rich who have unwittingly opened the doors of their home on a hill. But it’s not that simple. The rich family seem incapable of doing anything — from dishes to sex — without help. Who’s scamming who?

Bong’s previous films play with film genres and never hide their social commentary — think of the environmentalist pig-caper “Okja” and the dystopian sci-fi global warming scream “Snowpiercer.” But this time, Bong’s canvas is a thousand times smaller and his focus light-years more intense. There are no CGI train chases on mountains or car chases through cities. (There is also, thankfully, 100% less Tilda Swinton, a frequent, over-the-top Bong collaborator.

The two Korean families first make contact when a friend of the Kim’s son asks him to take over English lessons for the Park daughter. Soon the son (a dreamy Choi Woo-sik) convinces them to hire his sister (the excellent Park So-dam) as an art teacher, but doesn’t reveal it’s his sis. She forges her diploma and spews arty nonsense she learned on the internet, impressing the polite but firm Park matriarch (a superb Jo Yeo-jeong.)

The Park’s regular chauffer is soon let go and replaced by the Kim patriarch (a steely Lee Sun-kyun). Ditto the housemaid, who is dumped in favor of the Kims’ mother (a feisty Jang Hye-jin.) All eight people seem happy with the new arrangement until Bong reveals a twist: There are more parasites than you imagined. The clean, impeccably furnished Park home will have some blood splashing about.

Bong’s trademark slapstick is still here but the rough edges of his often too-loud lessons are shaved down nicely and his actors step forward. “Keep it focused,” the Kim’s son counsels his father at one point. Bong has followed that advice.

There are typically dazzling Bong touches throughout. Just look for all the insect references — stink bugs at the beginning to flies at the end, and a preoccupation with odor across the frames. And there’s a scene in which the rich matriarch skillfully winds noodles in a bowl while, in another room, duct tape is being wrapped around a victim and classical music plays.

Bong could have been more strident in his social critique but hasn’t. There are no villains in “Parasite” — and also no heroes. Both families are forever broken after chafing against each other, a bleak message about the classes ever really co-existing (Take that, “Downton Abbey”).

“Parasite” is a worthy winner of the Palme d’Or at the Cannes Film Festival, the first South Korean movie to win the prestigious top prize. The director has called it an “unstoppably fierce tragicomedy.” We just call it brilliant.

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News Network
July 26,2020

A gang has been spreading rumours about me in the Hindi film industry that is preventing him from getting work, says Academy award-winning music director A R Rahman.

Collaborations between him and the Hindi film industry have reduced as a result, he adds

The maestro had composed music for Sushant Singh Rajput's Dil Bechara said that the reason he is not doing a lot of work is that a gang has been spreading rumours about him which resulted in him getting fewer projects.

Rahman's comments come amidst a raging insider versus outsider debate in Bollywood following actor Sushant Singh Rajput's untimely demise last month.

During an interview with Radio Mirchi, the Oscar-winning music director was asked the reason for doing less Hindi films.

Rahman said there has been "misunderstanding" between him and filmmakers as some people have been spreading "false rumours" about him in the industry.

"See, I don’t say no to good movies, but I think there is a gang, which, due to misunderstandings, is spreading some false rumours. So when Mukesh Chhabra came to me, I gave him four songs in two days. He said, 'Sir, how many people said don’t go, don’t go (to him). They told me stories after stories'," he said.

"I heard that, and I said, 'yeah okay, now I understand why I am doing less (work) and why the good movies are not coming to me.' I am doing dark movies, because there is a whole gang working against me, without them knowing that they are doing harm," the composer added.

Rahman has composed the music for Rajput's last movie "Dil Bechara", which premiered on Disney+ Hotstar on Friday. The film, directed by Mukesh Chhabra, also features Sanjana Sanghi and Saif Ali Khan.

The composer further said that he is aware of people's expectations from him but the "gang" is getting in his way.

"People are expecting me to do stuff, but there is another gang of people preventing that from happening. It is fine because I believe in destiny. I believe that everything comes from God.

"So, I am taking my own movies and doing my other stuff. But all of you are welcome to come to me. You make beautiful movies, and you are welcome to come to me," Rahman added.

Dubbed ‘Mozart of Madras’, A R Rahman has composed soundtracks for movies like Swades, Dil Se, Guru, Rockstar and more recently Sushant Singh Rajput’s Dil Bechara. 

The composer won two Academy Awards in 2009 for his songs in the popular Hollywood movie, Slumdog Millionaire. The composer also received a Golden Globes Award for his work in this movie.

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