After director Krish, writer Apurva Asrani calls out Kangana Ranaut for hijacking films

Agencies
January 30, 2019

Mumbai, Jan 30: Apurva Asrani has lashed out against Kangana Ranaut following credit controversy that has erupted after Manikarnika – The Queen of Jhansi director Krish claimed that the actor “hijacked” the period drama.

In 2017, Asrani accused Ranaut of discrediting his work on Simran and debunked her claim of converting the movie from “one line screenplay to a full-fledged story”.

Two years and a war of words later, the writer-editor has supported Krish, who has broken silence on his exit from the Rani Lakshmibai biopic, starring Ranaut.

The actor, who turned director with Manikarnika, claimed that she stepped in to fill Krish’s shoes after he was unavailable to re-shoot a chunk of the project.

But the director rubbished the claims, saying they together started and shot the film. He even said that the entire process of the film was done in poor taste.

In a series of tweets, Asrani said Manikarnika had unfortunately gone the Simran way.

The writer warned the director how he will be targeted by Ranaut for speaking up.

“What’s going to hurt more brother Krish is that she will run a vicious smear campaign to destroy your credibility. And worse, a large section of the media, especially the pseudo feminists, will ignore your story like they did when Ketan Mehta and then I claimed she hijacked our films. Sad,” Asrani wrote on Twitter.

The scribe also shared some snippets of Krish’s interview and recalled how Ranaut conspired with the producer to remove him from Simran.

“Director #Krish exposes how #KanganaRanaut hijacked #Manikarnika. This is exactly what she did on ‘Simran’ too. Waited for me to complete the cut (minus patchwork), told me how much she loved it, then had me thrown out by colluding with producer – before she went onto screw up the film,” he recounted.

Krish, in media interviews, has claimed that parts of other actors such as Atul Kulkarni, who plays Tantya Tope in the film, were chopped off to make the movie a one-person show.

Asrani said, watching Krish speak was a “painful, yet cathartic” experience because he had gone through something similar.

“I wrote #Simran with a passion similar to the man in the video (Krish). But an insecure #KanganaRanaut started deleting other actors lines on set and made it about her. Krish explains in frustration how she cut out historical characters from #Manikarnika too,” Asrani added.

The writer-editor also called out his previous frequent collaborator, “Simran” director Hansal Mehta and blamed him along with Ranaut for allegedly triggering his Bell’s Palsy last year.

“Hansal Mehta, THIS is the mindf**k you and Kangana put me through on Simran which led me to a breakdown. If you had the courage to stand up then, we could have weathered many more storms together.

“I salute Krish’s courage and goodness, especially when he talks of his team. #catharsis,” he said.

Director-producer Pooja Bhatt also came to Krish’s defence on the credit row.

“This is so wrong… On every level… This is not the industry I was born to and not the industry I wish to inherit. Eventually it is credit we work for… Money comes and money goes… The first rule of filmmaking is to acknowledge people’s contribution,” she wrote on Twitter.

To this Asrani replied, “Thankyou for finally acknowledging this. I had yearned for your support when she did this to me two years ago too. But still, I’m happy to see this condemnation from you.”

Bhatt went on to apologise for if she came across as “being reticent”.

“The details of that situation, even though spelt out by all seemed murky to me which is why I didn’t jump in. Though I always maintained that Hansal’s silence felt odd and rather unjust,” she added.

Asrani responded to her, claiming even he was duped by Ranaut’s behaviour initially.

“Her game is brutal. She first plays the victim & wins your trust. You give your all, sacrifice all other work, because she seems lovely. Then when you’re ready with a film you nurtured/created, she has you thrown out. Then she uses the press & trolls to character assassinate you,” he said.

Meanwhile, lyricist-dialogue writer of Manikarnika, Prasoon Joshi praised Ranaut for “elevating the film to another level”.

“Kangana hasn’t only given an outstanding performance she’s also elevated the film to another level through her direction and commitment. Let not any controversy take that away from her. It’s been a tough journey and am all for celebrating everyone’s contribution. Here’s to team #Manikarnika,” Joshi tweeted.

Ranaut, who is at the centre of the controversy, is yet to comment on Krish’s remarks.

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News Network
June 16,2020

Mumbai, Jun 16: Filmmaker Dibakar Banerjee remembers Sushant Singh Rajput as a dance loving 'chhokra' from an engineering college who, having made it in Bollywood, was “enthused, sincere and totally focused” on his craft.

Banerjeee said the actor always had “a book or two” with him and took pride in the fact that he had an “inner intellectual life away from the shallower aspects of showbiz”.

Rajput was found dead in his Bandra apartment on Sunday at the age of 34, leaving his friends, colleagues and collaborators in a state of shock.

The Patna-born actor and the director worked together in 2015 film "Detective Byomkesh Bakshy!" when Rajput was a relative newcomer in the industry. Banerjee says it was Rajput's vulnerability and willingness to do different that made him stand out for the role.

In an interview with news agency, the filmmaker looks back at Rajput's sincerity, his love for science and astronomy and how an outsider has to work harder than a "mediocre, unmotivated and entitled establishment elite" to succeed in Bollywood.

Excerpts:

You worked with Sushant when he was less than two-year-old in the film industry. What struck you the most in him to cast as Detective Byomkesh Bakshy?

Banerjee: His vulnerability and intensity and the ambition to do different things than the usual Bollywood stuff.

What were your memories of Sushant- the actor and the person?

Banerjee: As an actor he would tense himself up for the scene and then completely plunge in take after take. He would put a lot of value on preparation. He would be up the previous night of the shoot, reading the scene and making notes and land up on the sets all raring to go.

He would be on, ready and give his hundred per cent throughout the shoot of Byomkesh - no matter how hard or long the day. The unit did not really have to worry about him - considering he was the star. That's what I remember - a total pro, enthused, sincere and totally focused.

As a person, he seemed to me a happy dance loving 'chhokra' from an engineering college who had made it in showbiz and now was serious about acting. He was deeply nostalgic about his carefree student days in Delhi. We used to laugh a lot - I remember that quite clearly.

Sushant's friends say that he spoke more about books and his love for astronomy than films and their fate, which is rare for an actor in the industry. Do you also remember him that way?

Banerjee: Totally true. He was a science and astronomy nut. Always had a book or two with him - and was proud of the fact that he had an inner intellectual life away from the shallower aspects of showbiz. I recognized it as a reflex, protective action to prevent the Bollywood swamp sucking him in totally. And also an identity he wanted to protect and project.

Sushant's death has brought to the fore the struggles of outsiders and the alienation they often face from the nepotistic culture of the industry. Did you feel that Sushant was also fighting this battle despite being a successful actor?

Banerjee: We all fight it, day in and out - whether successful or failing. But the trick is to define that success and failure ourselves and not let the narrative constantly forced by the establishment to get to you. Those who know this weather the storm and ultimately survive and thrive.

The biggest unfairness in all this is that it takes double the talent, energy and hard work for an outsider to convince the audience and the industry that he or she is as safe a box office bet as a mediocre, unmotivated and entitled establishment elite.

The media colludes in this by wallowing in family, coterie and celebrity worship. This leads to deep anger and frustration. Those who can let this slide survive. Those who can't - those who hurt a little more or are vulnerable and impressionable - they are at risk.

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News Network
March 19,2020

New Delhi, Mar 19: As a precautionary measure to combat the spread of coronavirus, Bollywood actors including Preity Zinda, Sidharth Malhotra, and Shraddha Kapoor are maintaining their social distance, while calling on fans to follow health guidelines and maintain good hygiene.

Joining others in sharing what to do while practicing self-isolation at home, Preity Zinda on Thursday took to Instagram and shared a video where she is giving an oil massage to her mother.

In the shared video, the 45-year-old actor was seen at the comforts of her home, giving a good nice 'Champi' to her mom.

She also encouraged everyone to try 'Champi' at home as she suggested it is good for one's hair.

"To keep our heads cool during this home quarantine it felt right to give mom the classic Champi Making the most of staying home & bonding kyuki sir jo tera chakraye, ya dil dooba jaaye- aaja pyaare paas hamare, kahe ghbraye. This too shall pass #day8 #homequarantine #staysafe #oilmassage #covid19 #Staypositive #Ting," the caption read.

On the other hand, actor Sidharth Malhotra is using the self-isolation period to focus this on things one always wanted to do but could not due to time restrictions.

"It's time to take some time off and focus on things we've always wanted to do but never had enough time for. Let's read, reinvent and live our hobbies, spend time with our family and just try to do all we can to stay safe and keep others around us safe too!"

The 35-year-old actor also urged everybody to take measures to avoid the spread of the disease.

"I love you guys, so please take good care of yourself, stay at home, wash your hands and avoid unnecessary travel," he added.

Meanwhile, Shraddha Kapoor has been posting a series of pictures right from the time of her being at home as a precautionary measure from the spread of the virus.

From reading to having a home-made meal to sharing balcony pictures, the 33-year-old actor has made her presence felt online.

On Thursday, the 'Baaghi' actor shared a picture of Bamboo toothbrush, promoting the use of eco-friendly products.

"Being home #BambooToothbrush #Ecofriendly #MorningRitual," the caption read.

According to official data provided by the Ministry of Health, the country has 169 reported cases of COVID-19.

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News Network
May 18,2020

Washington, May 18: Joining hands with the European Commission, actor Leonardo DiCaprio launched the Virunga Fund with seed money of USD 2 million to support Africa's Virunga National Park.

Since Virunga has lost a significant amount of revenue due to COVID shutdown post-March, the fund will be used to support the national park and the communities around, reported Variety.

The fund is aimed at disease prevention efforts, protection of mountain gorilla, and other species.

"I had the great honor of meeting and supporting Virunga's courageous team in their fight against illegal oil drilling in 2013," Variety quoted DiCaprio as saying.

"Virunga urgently needs funds to protect the endangered mountain gorilla population, to provide support to the rangers and the families of rangers who have fallen in the line of duty, and to help deliver essential disease prevention efforts. It's critical that we rally together during this time of incredible crisis," he added.

The 'Titanic' actor had earlier produced a Netflix documentary film 'Virunga' which is based on the national park.

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