Amitabh, Aamir react to Tanushree Dutta's allegations

Agencies
September 27, 2018

Mumbai, Sept 27: Bollywood stars Amitabh Bachchan and Aamir Khan on Thursday evaded a direct answer when asked about actor Tanushree Dutta's claim that Nana Patekar harassed her on the sets of a film in 2008, an allegation that is being seen as Bollywood's #MeToo moment.

"My name is not Tanushree and my name is not Nana Patekar," Bachchan said when asked to react to Dutta's recent TV interview.

Khan said it would not be right for him to comment but "whenever something like this does happens it is really a sad thing".

The two stars were present at the trailer launch of their upcoming film "Thugs of Hindostan".

Khan said it would be unfair on his part to comment on the controversy without knowing the "veracity" or the "details" of the matter.

"I don't think I can comment on it... But whenever something like this does happens it is really a sad thing. Now whether such thing has happened it is for people to investigate it," he said.

In a recent TV interview, Dutta said Patekar misbehaved with her on the sets of "Horn Ok Pleasss" 10 years ago.

The actor, a former Miss India-Universe who is now based in the US, also alleged that Patekar had the tacit support of the film's makers.

Patekar, who had denied the claims at a press conference when Dutta raised the issue in 2008, remained unreachable despite several attempts to contact him for his version of what had happened.

Dutta's allegations have opened a furious debate on sexual harassment in the Hindi film industry with many supporting her but others questioning her motives for raising the issue so many years later.

The actor, who has featured in films such as "Aashiq Banaya Aapne" and "Chocolate", said she spoke about the issue earlier and no one had the right to say anything to her.

R"They called me a slut, an unprofessional.. when I spoke about it eight to ten years back. Nobody has right to say anything to me," Dutta told PTI.

Dutta said there is social stigma and character assassination that a woman goes through when she talks or tries to talk about such incidents.

Recounting the incident and its aftermath, she claimed she tried to escape but the situation went from being a "harassment situation to a mob lynching situation".

"When I tried to escape they called the media, they called some people to mob lynch and attack my car. My parents were there inside and even I was inside, it was horrific. So from harassment situation to a mob lynching situation..."

"They made sure that we did not escape from the studio, they locked the gates and then the cops came and they got us out... So when we filed the police report, they filed a counter complaint and because of the counter FIR, my dad, hairdresser and spot boy had to go through so much harassment over the next couple of years," she said.

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News Network
January 23,2020

Jan 23: Calling himself an optimist who believes in the goodness of people, director Kabir Khan says everything these days is being looked at through the prism of religion but India is about more than that.

The director of blockbusters such as Bajrangi Bhaijaan and Ek Tha Tiger said he is happy he has a platform as a filmmaker to present a counterpoint to the prevailing narrative based on religious fault lines.

"I’m an optimist who believes in the goodness of the people. But yes, there is a certain level of bigotry that has crept in. Everything is being looked at through the prism of religion but India is not about that.

"It sounds like a cliché but when I was growing up, I was not aware of my religion. That was the greatness of this country,” Kabir told news agency.

He said he is a product of a mixed marriage and is pained to see the social fabric being tattered.

“I have celebrated the best that Indian secularism has to offer. But to see the greatness of this country being simplified and broken down into religious fault lines is a painful experience,” he added.

According to Kabir, it is dangerous to see history through the prism of religion, whether in cinema or society. But it is important to revisit history to know what happened and one can always find something that is relevant for the present, he said.

The director, who started as a documentary filmmaker, returns to his roots for a five-episode series on Subhas Chandra Bose's Indian National Army, The Forgotten Army: Azaadi Ke Liye, on Amazon Prime, his most expensive project yet.

Asked whether this is a difficult time for filmmakers, Kabir said he believes art thrives in the time of strife and, as a storyteller, his politics will always reflect in his work.

“Every film has its politics and every filmmaker has to reflect his or her politics. Every film of mine will reflect my politics and it will never change according to the popular mood of the audience. But a film should not be just about that. Politics should be in the layers beneath," he said.

He terms his 2015 Salman Khan-starrer Bajrangi Bhaijaan an "extremely political" film. At face value, it can also be enjoyed as the story of a mute Pakistani girl who drifts into India and is taken back to her homeland by a Hanuman devotee. But there is so much more. The "chicken song", for instance, was a sly reference to the beef ban controversy at the time, he said.

"I won’t say it is a difficult time for me as a filmmaker. It is good that I have a platform where I can talk and present a counterpoint and I refuse to believe that the entire country believes the narrative that is being sent out. There are millions and millions of people, and perhaps the majority, that does not believe. And if I present the counterpoint, they will think about it.”

Discussing his new series, the director said it has always fascinated him that the sacrifice of the men and women who comprised the INA is just a forgotten footnote in history.

“I wanted to make something that stands the test of time. It goes down in posterity,” Khan, who first explored the subject in a Doordarshan documentary 20 years ago, said.

For the documentary, he traveled with former INA officers Captain Lakshmi Sahgal and Captain Gurbaksh Singh Dhillon from Singapore to India via erstwhile Burma, retracing the route that the INA followed.

“The documentary got me a lot of attention and acclaim but the story just never left me. It's actually the first script I ever wrote and I landed up with that script in Bombay from Delhi. I realised very soon that nobody's going to give me a budget of this size to make my first film.

"And then after every film, I would pick up the script and say, ‘Okay, this is the one I want to make’, because this is the story that made me want to become a filmmaker. On the way, I ended up making eight other films but this is really the story that I wanted to make,” he said.

Kabir is happy that the story has come out as a series, not a film, as it would have required to compromise with the budget and other elements.

"Without giving any numbers, this is the most expensive project I have ever worked on… It required that kind of budget."

Kabir believes the INA was responsible for bringing down the morale of the British establishment, which realised it would be impossible to keep the country colonised without the support of the local army.

"There are a lot of debates and discussions about what happened with the INA and the controversies around it. The whole point is that, if you want to judge what the Army did, sure that's your prerogative, but at least get to know what they did. Nobody knows what happened with the Army from 1942 to 1945."

He added that 55,000 men and women of the INA fought for independence and 47,000 of them died.

"Not a single person from that Army was ever taken back into the independent Army, which is such an amazing fact... the fact that the British called them traitors became the narrative and we also started assuming that they were traitors."

"They were the only women's regiment in the whole world 70 years ago. That's what they thought about women's importance in society. I don't know whether they will be happy with what the current situation is," he said.

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News Network
February 6,2020

Los Angeles, Feb 6: U.S. silver screen legend Kirk Douglas, the son of Jewish Russian immigrants who rose through the ranks to become one of Hollywood's biggest stars, has died, his family said Wednesday. He was 103.

One of the last survivors of the golden age of cinema and the father of Oscar-winning actor and film-maker Michael Douglas, the Spartacus actor was renowned for the macho tough guy roles he took on in around 90 movies over a six-decade career.

"It is with tremendous sadness that my brothers and I announce that Kirk Douglas left us today at the age of 103," Michael Douglas said in a statement posted to Facebook.

"To the world he was a legend, an actor from the golden age of movies who lived well into his golden years, a humanitarian whose commitment to justice and the causes he believed in set a standard for all of us to aspire to."

Douglas was Oscar-nominated for his roles as a double-crossing and womanizing boxer in Champion (1949), a ruthless movie producer in The Bad and the Beautiful (1952) and tortured artist Vincent Van Gogh in Lust for Life (1956).

But his only Academy Award came in 1995 -- an honorary lifetime achievement statuette "for 50 years as a creative and moral force in the motion picture community."

Douglas is survived by second wife Anne Buydens, 100, and three sons. A fourth child, Eric, died of a drug overdose in his 40s, in 2004.

"(To) me and my brothers Joel and Peter he was simply Dad, to Catherine (Zeta-Jones), a wonderful father-in-law, to his grandchildren and great grandchild their loving grandfather, and to his wife Anne, a wonderful husband," said Michael.

"Kirk's life was well lived, and he leaves a legacy in film that will endure for generations to come, and a history as a renowned philanthropist who worked to aid the public and bring peace to the planet."

Kirk Douglas rose to the heights of Hollywood from an impoverished childhood as the son of Jewish Russian immigrants.

He was one of the last survivors of the golden age of cinema, often portraying the macho and not-always-likeable tough guy in around 90 movies over a six-decade career.

With charming dimples and a cleft chin, Douglas was a renowned ladies' man but also admitted to being angry into adulthood because of his difficult New York childhood.

"I still have anger in me," he said in a New York Times article in 1988 after the release of his first autobiography.

"I think I'm loath to let it go because I think that anger was the fuel I used in accomplishing what I wanted to do; you see it in my films, you see it in imitations people do of me."

Screen legend

The role that perhaps immortalized him as a star was that of a rebellious Roman Empire slave turned gladiator in the 1960 epic Spartacus.

Douglas also produced the film, which took four Oscars. He won praise for listing in the credits the real name of Hollywood screenwriter Dalton Trumbo, who was blacklisted for his Communist sympathies and wrote under a pen name.

There were Oscar nominations for his roles as a double-crossing and womanizing boxer in Champion (1949), a ruthless movie producer in The Bad and the Beautiful (1952) and of tortured artist Vincent Van Gogh in Lust for Life (1956).

But his only Oscar came in 1995 as an honorary lifetime achievement award "for 50 years as a creative and moral force in the motion picture community."

Other major acting roles were as a French private in a botched suicidal mission in World War I in Paths of Glory (1957) and American Western legend Doc Holliday in Gunfight at the O.K. Corral (1957).

"Often cast as a villain, amoral climber or self-obsessed grabber, Kirk Douglas took care to color his hard edges with suggestions of pain, wit and sympathy," says American Film Institute, which ranks him as 17th on its list of the greatest male screen legends.

In the 1970s he stood behind the camera, directing Scalawag (1973) and Posse (1975).

He also took up writing, penning his first autobiography The Ragman's Son in 1988 and following with around 10 other titles.

In the autobiography, Douglas writes: "I always worked in the theory that when you play a weak character, find a moment when he's strong. And if you're playing a strong character, find a moment when he's weak."

Tough childhood

Douglas was born in New York on December 9, 1916 to illiterate Jewish Russian immigrants, an only boy with six sisters.

He started out as Issur Danielovitch, later Izzy Demsky. It was tough, he recounted later, with the family poor, anti-Semitism rife and his distant alcoholic father forced to earn a living as a ragman.

"In a sense, I've always felt on the outside, looking in," he said in the New York Times article.

"It's my background, damn it. My father was an illiterate Russian immigrant, a ragman, the lowest rung on the economic scale."

His dream of a way out was through acting and he started in high school, eventually entering the American Academy of Dramatic Arts and changing his name along the way.

To survive he took jobs as a waiter, labourer and porter. In 1941 he hit Broadway but his budding career was interrupted by service in the Navy. After the war, he headed for Hollywood.

His romantic conquests were many, although he once said he had never counted, and included starls such as Rita Hayworth, Marlene Dietrich, Joan Crawford and Ava Gardner.

Douglas' four sons followed him into cinema.

Oscar-winning actor and producer Michael and Joel were from a marriage to actress Diana Webster, whom he divorced in 1951.

Three years later he married Belgian-American Anne Buydens, having Peter and then Eric, who died in 2004 from an accidental overdose.

Douglas has also brushed death: he survived a helicopter crash in 1991 and a massive stroke in 1996 that nearly robbed him of speech.

Around the time of his 100th birthday in 2016, he attributed his remarkable longevity to his second marriage.

"I was lucky enough to find my soulmate 63 years ago, and I believe our wonderful marriage and our nightly 'golden hour' chats have helped me survive all things," he said in celebrity magazine Closer Weekly.

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News Network
February 19,2020

Washington, Feb 19: Popular Indian-American stand-up comedian Hasan Minhaj, who has been critical of both US President Donald Trump and Prime Minister Narendra Modi, would perform at the annual dinner of the White House Correspondents Association.

Hasan Minhaj, whose parents come from Aligarh in Uttar Pradesh, will serve as the entertainer at the event.

Kenan Thompson, the actor, and longest-tenured Saturday Night Live cast-member will serve as the host for the annual White House Correspondents Association's (WHCA) dinner on April 25.

"Hasan Minhaj, the Peabody award-winning host of Netflix's Patriot Act with Hasan Minhaj, will return to the dinner as featured entertainer," the WHCA announced.

"Kenan and Hasan are two of the most engaged and engaging entertainers in America. I'm thrilled they'll help us celebrate the role of a free press in our democracy," said Jonathan Karl, Chief White House Correspondent for ABC News and president of the WHCA.

"We're looking forward to a lively evening honouring the most important political journalism of the past year," he said.

President Trump who has skipped the WHCA dinner for the last three years is unlikely to attend this time as well.

Hasan Minhaj has hosted his Netflix show since 2018, drawing critics' raves, including a Peabody award in 2019, for his humorous and informed examination of issues of domestic and global import.

He was the entertainer at the 2017 WHCA Dinner when he was a senior correspondent on The Daily Show. His one-hour Netflix comedy special Hasan Minhaj: Homecoming King was released in 2017, for which he won his first Peabody Award in 2018.

Kenan Thompson began his career as a member of Nickelodeon's sketch series All That. Kenan Thompson is currently in his 17th season on SNL where he has set a record for the most celebrity impressions performed on the show.

In 2018, he received an Emmy Award for Outstanding Original Music and Lyrics and a nomination for Outstanding Supporting Actor in a Comedy Series.

At its annual dinner, WHCA will be presenting two new awards at the 2020 dinner: The Katharine Graham Award for Courage and Accountability and the Award for Excellence in Presidential News Coverage by Visual Journalists.

These are in addition to the longstanding Aldo Beckman Award for Overall Excellence in White House Coverage and Merriman Smith Award for Excellence in Presidential News Coverage Under Deadline Pressure.

This year's dinner will also include the inaugural presentation of the Collier Prize for State Government Accountability, administered by the University of Florida''s College of Journalism and Communications to recognize outstanding statehouse reporting.

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