Amitabh Bachachan turns storyteller; discusses women empowerment

November 30, 2013

Amitabh_BachachanNew Delhi, Nov 30: Megastar Amitabh Bachchan wove his cinematic magic at the Penguin annual lecture here where he spoke about women's empowerment, Hindi cinema, his father and much more to an awestruck audience in a floodlight sports stadium.

Arriving with a couple of fat books with bookmarks peeking through it, the 71-year-old actor, dressed in a deep blue suit, took to the stage with a 'namaste'.

"Never trust anyone without a book in his hand," said the veteran actor before plunging into his talk a "novel departure" to "bring some others script to life" and "entertain thoughts than merely amuse."

He dipped into memories of his father and "literary giant" the legendary poet Harivansh Rai Bachchan, whose birth anniversary was just two days ago.

Bachchan said his father had called him his greatest poetry but "my biggest problem in my life I do not know whether I am a free verse or a couplet, a chaupai or a shloka."

The veteran actor said he remains puzzled by his father's habit in his last days of watching Hindi films rather than turning to his greatest companion his beloved books.

"I don't know what he saw in the flickering darkness it had to be more than Hindi cinema's excessive poetic justice in three hours!"

"Did he see a flame that burns itself up lighting up the fire of the written word within...?

He called Indian cinema older than Hollywood, now in its centenary year as monster.

"We are our own monster an animal of many animal parts..."

Replying to audience questions, the actor even expressed his wish to play the character "my father played in his autobiography."

In his speech, Bachchan, an ambassador of the United Nations, often quoted statistics to emphasise the lesser literacy rates among woman in parts of India like his native Uttar Pradesh and Bihar, about female infanticide, bride burning about misogyny, dowry deaths, rape cases, prostitution, acid attacks and other issues affecting women.

Bachchan said he would try and "build a girls' school again."

He said, "True equality can only exist if the whole society embraces it."

Bachchan referred to feature films as the "great passion of India" cutting across all other performing arts and the Indian film industry as absorbing all religions, languages and cultures in it.

"The filmy ambrosia's nectar so intoxicating that it has achieved what that no Indian politician has ever done," said Bachchan before posing the question "In our cinema bad guys always come to no good what about in India itself?

"Indian cinema has no nuclear bomb never suffers a recession" but, said the actor "people call it it is degenerate, trebling, trashy, flashy hocus-focus," said the actor . Bachchan went on to deliver the "Because the whole country is a juxtaposition of .." dialogue from his film "Amar Akbar Anthony" to a round of applause.

In a sit down talk with Rajdeep Sardesai, Bachchan said previously cinema was looked upon as "something infra dig below the dignity of any society."

"It has become a culture. I would never imagine 50 years ago that a publishing house would invite a film actor to speak.... We should have many more people in the arts coming so that they come to know they are not isolated and their thinking is for the betterment of humanity and the betterment of society."

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News Network
May 14,2020

Mumbai, Mar 14: Animal Planet has announced a new documentary "The Zoo: COVID-19 And Animals", which seeks to explore the effects of coronavirus on animals.

The special will see Dave Salmoni, Animal Planet’s big cat expert, talking to a number of experts, from the World Health Organization to wildlife biologists, in order to find out how COVID-19 is affecting animals and what pet owners can do to safeguard them.

The issue came to forefront when a four-year-old Malayan tiger tested positive for COVID-19 at Bronx Zoo in New York.

The documentary will feature chief veterinarian of Bronx Zoo, who will give an update on the big cats and their treatment, and also Dr Peter Embarek from WHO's COVID-19 Task Force, who works particularly on all aspects of the virus related to animals.

In a statement, Salmoni said, "When news about Nadia the tiger came out the questions immediately began; what about my pets? How do I keep my animals and family safe? We’re going to answer these questions and more through this documentary."

"We're speaking to a wide range of experts from the World Health Organization, to wildlife biologists, to veterinarians. We are at war with this disease and so we get down to the nitty-gritty, and discuss practical questions about daily lives with our pets," he added.

Sai Abishek, Director – Content, Factual & Lifestyle Entertainment – South Asia, Discovery, said, "We have been the forefront of busting myths around novel coronavirus with international documentaries. With this latest film, we take a hard look at how animals are being treated during such a crisis and the safety measures that can be taken to keep both, the people and their pets healthy."

"The Zoo: COVID-19 And Animals" will premiere on May 17 on Animal Planet, Animal Planet HD and Discovery Plus app.

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News Network
July 27,2020

Mumbai, Jul 27: Reel life villain Sonu Sood turned real life hero once again, this time by gifting a tractor on Sunday to a farmer in a remote village in Andhra Pradesh to help him till the land. The actor came up with the gift after coming through a video clip on Twitter wherein a tomato farmer in Madanapalle in Chittoor district was seen ploughing the land with his two daughters carrying the yoke on their shoulders.

In his instant reaction, Sood promised a pair of ox to the farmer, but later said the family deserved a tractor. "So sending you one. By evening a tractor will be ploughing your fields. Stay blessed," Sood, who acted as a villain in numerous Telugu films, said in a tweet.

True to his word, a new tractor was delivered to the elated farmer Nageswara Rao at his Mahalrajupalle village by Sunday night. Telugu Desam Party president N Chandrababu Naidu, who belongs to Chittoor district, hailed the actor's gesture.

"Spoke with @sonusood ji and applauded him for his inspiring effort to send a tractor to Nageswara Rao's family in Chittoor district. Moved by the plight of the family, I have decided to take care of the education of the two daughters and help them pursue their dreams," Naidu said in a tweet.

Rao's elder daughter completed her Intermediate while the second one passed Class 10. Rao used to run a tea stall in Madanapalle before coronavirus left him out of business. He returned to his native Mahalrajupalle village to take up agriculture once again.

Given his penury, he could not hire either a pair of bulls or a tractor to till the land, when his daughters volunteered to help him on the chores. Their plight went viral on social media following which the actor stepped in with help.

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News Network
June 16,2020

Mumbai, Jun 16: Filmmaker Dibakar Banerjee remembers Sushant Singh Rajput as a dance loving 'chhokra' from an engineering college who, having made it in Bollywood, was “enthused, sincere and totally focused” on his craft.

Banerjeee said the actor always had “a book or two” with him and took pride in the fact that he had an “inner intellectual life away from the shallower aspects of showbiz”.

Rajput was found dead in his Bandra apartment on Sunday at the age of 34, leaving his friends, colleagues and collaborators in a state of shock.

The Patna-born actor and the director worked together in 2015 film "Detective Byomkesh Bakshy!" when Rajput was a relative newcomer in the industry. Banerjee says it was Rajput's vulnerability and willingness to do different that made him stand out for the role.

In an interview with news agency, the filmmaker looks back at Rajput's sincerity, his love for science and astronomy and how an outsider has to work harder than a "mediocre, unmotivated and entitled establishment elite" to succeed in Bollywood.

Excerpts:

You worked with Sushant when he was less than two-year-old in the film industry. What struck you the most in him to cast as Detective Byomkesh Bakshy?

Banerjee: His vulnerability and intensity and the ambition to do different things than the usual Bollywood stuff.

What were your memories of Sushant- the actor and the person?

Banerjee: As an actor he would tense himself up for the scene and then completely plunge in take after take. He would put a lot of value on preparation. He would be up the previous night of the shoot, reading the scene and making notes and land up on the sets all raring to go.

He would be on, ready and give his hundred per cent throughout the shoot of Byomkesh - no matter how hard or long the day. The unit did not really have to worry about him - considering he was the star. That's what I remember - a total pro, enthused, sincere and totally focused.

As a person, he seemed to me a happy dance loving 'chhokra' from an engineering college who had made it in showbiz and now was serious about acting. He was deeply nostalgic about his carefree student days in Delhi. We used to laugh a lot - I remember that quite clearly.

Sushant's friends say that he spoke more about books and his love for astronomy than films and their fate, which is rare for an actor in the industry. Do you also remember him that way?

Banerjee: Totally true. He was a science and astronomy nut. Always had a book or two with him - and was proud of the fact that he had an inner intellectual life away from the shallower aspects of showbiz. I recognized it as a reflex, protective action to prevent the Bollywood swamp sucking him in totally. And also an identity he wanted to protect and project.

Sushant's death has brought to the fore the struggles of outsiders and the alienation they often face from the nepotistic culture of the industry. Did you feel that Sushant was also fighting this battle despite being a successful actor?

Banerjee: We all fight it, day in and out - whether successful or failing. But the trick is to define that success and failure ourselves and not let the narrative constantly forced by the establishment to get to you. Those who know this weather the storm and ultimately survive and thrive.

The biggest unfairness in all this is that it takes double the talent, energy and hard work for an outsider to convince the audience and the industry that he or she is as safe a box office bet as a mediocre, unmotivated and entitled establishment elite.

The media colludes in this by wallowing in family, coterie and celebrity worship. This leads to deep anger and frustration. Those who can let this slide survive. Those who can't - those who hurt a little more or are vulnerable and impressionable - they are at risk.

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