Ant-Man: Scurrying to Join a Superhero Infestation

July 24, 2015

Jul 24: I wish I could assure you that no insects were harmed in the writing of this review, but that would be a lie.

antmanThe ants who are regular summer visitors to my kitchen have lately been sending scouts into the study. One just crawled across my laptop screen, and as I crushed its tiny body between my thumb and forefinger, an alarming thought crossed my mind: They know what I'm up to. Ants are highly intelligent creatures (at least collectively), and are famous for their determination and commitment. Here I was, about to pass judgment on one of their rare forays into popular culture, and here they were, checking up on me.

But to what end? Were they sniffing out bad press in advance, or trying to warn an honest journalist that their species was terribly misrepresented by Ant-Man? In my thoughtless, murderous haste, I hadn't bothered to ask, or to check my victim for a Marvel logo tattooed on its thorax.

So someone else will have to tackle the hot topic of "What Ant-Man Gets Wrong About Ants." Directed by the comedy specialist Peyton Reed (Bring It On, The Break-Up, Yes Man) from a script credited to Edgar Wright, Adam McKay, Joe Cornish and Paul Rudd (who stars), this film is a passable piece of drone work from the ever-expanding Marvel-Disney colony. It provides obligatory, intermittently amusing links to other corporate properties, serving essentially as a sidebar to the Avengers franchise. Like Guardians of the Galaxy, last year's off-brand Marvel hit, Ant-Man dabbles in the bright, playful colors of the superhero spectrum, reveling in moments of cartoonish whimsy and smirky humor.

It's an origin story, which is too bad, but at least relieves a reviewer of tedious explanatory duties. The background is that a brilliant scientist, Dr Hank Pym (Michael Douglas, a fine goateed curmudgeon), has developed a secret particle that makes objects shrink. His onetime protege, Darren Cross (Corey Stoll, a fine bald villain) wants to perfect the invention and put it to nefarious use. A hapless ex-con named Scott Lang (Rudd) gets mixed up with the scientist and his daughter, Hope (Evangeline Lilly), and the next thing you know...

But look at the time! Spoiler alert. OMG and LOL - not so much of the first (unless you are still astonished by the sight of guys in mechanical suits punching each other), but a decent dose of the second. This is mostly thanks to David Dastmalchian, Michael Pena and the rapper TI, who play Scott's buddies with cantankerous Three Stooges energy. Judy Greer and Bobby Cannavale show up as Scott's former wife and her new husband - stepfather to Scott's adorable daughter (Abby Ryder Fortson) - but for fans of these wonderful actors, the main satisfaction will come from the knowledge that they earned some money. (The continued marginalization of the brilliant Greer in expensive studio movies, however, has become a national scandal. Someone needs to convene a task force.)

And Rudd? Well, it's funny. What I mean is that he isn't very funny, which is strange, given his track record in ensemble comedies. He's a pleasant enough hero, registering confusion, amazement and irritation when circumstances require them, but his special charisma gets lost in the suit and drowned out in the hectic noise of the plot.

Ants are not known for individualism, which makes them, in some ways, a less promising platform for superheroism than spiders or bats. When Scott summons swarms of six-legged allies, the effect is underwhelming. But Reed does exploit two important (if obvious) ant characteristics: strength and tininess. Scott's Ant-Man suit allows him to change size instantly, which adds novelty to some of the fight scenes (notably one with Falcon, an Avenger played by Anthony Mackie).

The most ingenious sequence comes near the end, during a climactic battle between two miniaturized dudes, which toggles between their perspective and that of normal-size people. What appears to the combatants to be a noisy, screen-filling, no-holds-barred struggle looks, at human scale, like a minor disturbance in a room full of toys. Perhaps this is a metaphor: Trapped inside this big movie is a small one, trying to get out.

Comments

Add new comment

  • Coastaldigest.com reserves the right to delete or block any comments.
  • Coastaldigset.com is not responsible for its readers’ comments.
  • Comments that are abusive, incendiary or irrelevant are strictly prohibited.
  • Please use a genuine email ID and provide your name to avoid reject.
News Network
January 8,2020

Jan 8: Bollywood star Deepika Padukone on Tuesday visited the Jawaharlal Nehru University (JNU) to express solidarity with the students who were attacked by a mob, but she did not address the crowd.

The actor reached the university campus at around 7.40 pm and attended a public meeting, called by JNU Teacher's Association and JNUSU in response to Sunday's attack on students and teachers by a masked mob armed with sticks and rods.

Deepika stood as former JNUSU president Kanhaiya Kumar was raising azaadi slogans and left by the time current president Aishe Ghosh started speaking.

The actor's decision to not address the crowd prompted Ghosh to comment, "when you are in a position, you should speak up".

"There are many people in Bollywood who do not put forth their views when they are not be aired. They are considered role models. I appeal to them: Make inspiring films after something has happened but when you are in that position, also talk about the story that is currently happening," she said.

Later, Ghosh said that Deepika expressed solidarity with the JNU students.

Deepika is in the capital to promote her upcoming release, Meghna Gulzar-directed "Chhapaak".

On Monday, the 34-year-old actor told a news channel that she feels proud that people have come out and raised their voice without fear, in reference to the protests against the amended Citizenship Act, the National Register of Citizens and violence in JNU.

"I feel proud to see that we aren't scared to express ourselves... I think the fact that we are thinking about the country and its future.... Whatever may be our point of view, it's nice to see," Deepika told NDTV India.

"I feel proud about it that people are coming out -- be it on the streets or wherever they are -- they are raising their voice and expressing themselves as it is important. If we want to see a change in life and society, it is important that a point of view be put forward," she added.

Comments

Add new comment

  • Coastaldigest.com reserves the right to delete or block any comments.
  • Coastaldigset.com is not responsible for its readers’ comments.
  • Comments that are abusive, incendiary or irrelevant are strictly prohibited.
  • Please use a genuine email ID and provide your name to avoid reject.
Agencies
July 11,2020

New Delhi, Jul 11: The COVID-19 triggered restrictions on cinema exhibition industry have not only disheartened movie goers, but axed several thousand jobs and costed the industry an estimated ₹ 5,000 crore in revenue.

The sector has been one of the hardest hit due to COVID-19 pandemic and the subsequent restrictions implemented to curb its spread.

Presently, cinemas and multiplexes continue to remain in the list of prohibited activities under the Centre's Unlock 2.0 Guidelines.

In an interview to media persons, movie exhibition major Inox Leisure's Chief Executive Alok Tandon said, "The industry on an average collects about ₹ 1,000 crore a month of 'Box Office' and on an average generates about ₹ 500 crore a month of ancillary revenues."

"Keeping in mind that the lockdown has been effective for more than 100 days now, which is about 3.5 months, the cinema exhibition industry would have accumulated losses worth ₹ 5,000 crore so far."

According to Tandon, associated businesses such as pre and post-production, make-up artistes, graphics, film set fabrication, film crew, events, marketing, F&B services have all been impacted due to the restrictions.

"With the production and exhibition of movies coming to a halt, the industry was bound to witness some job losses," he said without divulging any estimates.

As per industry data, the multiplex industry in India employs more than 200,000 people directly and accounts for nearly 60 % of revenues of the film business.

On the way forward, Tandon elaborated that the industry expects to regain business momentum and sentiment post resumption of operations.

"We believe it will be a matter of a couple of blockbusters, and we will be back to our usual operational numbers," he said.

"We are rightfully relying on the unshakeable passion of the Indian movie lovers, who are yearning to step out and spend time enjoying the giant screen experience."

Furthermore, he cited that industry has sent representation to the Centre for immediate re-commencement of operations and a support package.

"We have requested for financial support in the form of salary subsidies during the lockdown period, interest-free loans for three years, exemptions from various taxes and duties, like 'GST, Show tax, LBETs and Property taxes' for a period of one year from the date of operations, waiver on electricity minimum demand charges for one year and auto renewal of licenses and permits for the next one year," he said.

"We have been talking to our mall developer partners and are working together with them to see through this phase."

However, even after re-commencement, the industry anticipates at least 3-6 months before things return anywhere close to normal.

"The cinema ecosystem is such that we will need all the aspects of the business to swing into action and fire together for us to see a resurgence, and we are highly optimistic about the same," he said.

In terms of global experience, Tandon pointed out that cinemas have started operating in more than 25 major countries, and some of those markets are witnessing a healthy response.

"India is a massive movie market and we are confident that the passionate and responsible movie lovers will turn up in huge numbers to enjoy their favourite form of entertainment and also follow the prevention guidelines at the same time, ensuring a safe and steady revival of the cinema exhibition sector," Tandon said.

The film exhibition industry in India is mainly comprised of single screen and multiplexes.

At present there are around 9,527 cinemas across the country, including 6,327 single and 3,200 multiplex screens.

Comments

Add new comment

  • Coastaldigest.com reserves the right to delete or block any comments.
  • Coastaldigset.com is not responsible for its readers’ comments.
  • Comments that are abusive, incendiary or irrelevant are strictly prohibited.
  • Please use a genuine email ID and provide your name to avoid reject.
News Network
February 21,2020

Kolhapur, Feb 21: Voicing against Citizenship (Amendment) Act (CAA), renowned lyrics and thinker Javed Akhtar has said that the act was an assault to secularism and integrity of India and with the ongoing protests, the nation had reached a threshold for an another struggle.

Speaking here on Thursday night at an event organised on the 5th death anniversary of CPI senior leader and progressive leader Com Govind Pansare, Mr Akhtar said the newly amended citizenship act was a plot to split the country.

Mr Javed said that communalism has a deep root in India and it spread after the formation of Hindu Mahasabha and Muslim League in British India. "Muslim league got Pakistan but Hindu Mahasabha is still unsatisfied," he alleged and added that BJP was now 'working as a branch of RSS' and trying to 'split the country' through NRC.

Comments

Add new comment

  • Coastaldigest.com reserves the right to delete or block any comments.
  • Coastaldigset.com is not responsible for its readers’ comments.
  • Comments that are abusive, incendiary or irrelevant are strictly prohibited.
  • Please use a genuine email ID and provide your name to avoid reject.