'Avengers: Endgame' breaks all-time box office record

Agencies
July 22, 2019

Los Angeles, Jul 22: Superhero blockbuster Avengers: Endgame has officially become the biggest movie of all time, Disney confirmed Sunday, ending the 10-year reign of James Cameron's Avatar atop the global box office.

The epic finale to Disney-owned Marvel's 22-movie 'Infinity Saga' story-arc took in an estimated $1.5 million at home and abroad in its 13th weekend to bring its total since its April 26 release to $2.7902 billion.

Avatar, released in 2009, made $2.7897 billion, including its original theatrical run and various re-releases.

Marvel Studios and its parent company pre-empted the announcement on Saturday, revealing that Endgame was just $500,000 behind as of Friday, and would "close this gap by tomorrow."

The coronation of Endgame was timed to coincide with the appearance of Marvel president Kevin Feige at San Diego Comic-Con, the world's biggest pop culture fan convention.

"You have to shout out to James Cameron, who held that title for a long time," Feige said.

"If you adjust for inflation he still holds the title, and he'll probably get the title again as soon as he puts out another movie. But for right now... Avengers: Endgame is the biggest film of all time."

Both films are now owned by Disney following its takeover of 21st Century Fox.

Endgame drew a sky-high 94 per cent rating on the Rotten Tomatoes website and features a star-studded cast including Robert Downey Jr., Chris Evans, Mark Ruffalo, Chris Hemsworth, Scarlett Johansson, Bradley Cooper and Josh Brolin.

The fourth chapter in the team-up adventures of Iron Man, Hulk, Thor and company cost around $500 million to make, including marketing costs.

It set a new standard for Hollywood blockbusters in its opening weekend with stunning hauls of $357 million in North America and $1.2 billion worldwide.

Packed with spectacular fight scenes, special effects, gags and tear-jerking moments, it almost doubled the previous world record opening weekend take held by its predecessor, Avengers: Infinity War.

Among the many other superlatives thrown in Marvel's direction, Endgame was the widest release in North American history, showing on 4,662 screens in the US and Canada.

Disney co-chairman Alan Horn thanked "fans around the world who lifted Avengers: Endgame to these historic heights."

"Of course, even with the passage of a decade, the impact of James Cameron's Avatar remains as powerful as ever, and the astonishing achievements of both of these films are ongoing proof of the power of movies," he added.

Back on Earth, the roar of The Lion King rattled the cinematic world as the new Disney film scored a huge debut in North American theatres with an estimated $185 million for the three-day weekend, industry watcher Exhibitor Relations reported.

The Lion King, director Jon Favreau's update of the classic 1994 animated film, notched the biggest domestic launch ever for a PG-rated film, and an all-time record for a July release, the Hollywood Reporter said. Worldwide, the movie has passed the half-billion-dollar mark.

The film employs hyper-realistic computer-generated images and has a voice cast including Donald Glover as Simba and Beyonce as Nala, as well as Seth Rogen, Chiwetel Ejiofor and James Earl Jones.

Well back in second place was Sony's Spider-Man: Far From Home at $21 million. The latest instalment in the blockbuster franchise picks up where Avengers: Endgame left off, with Tom Holland as Peter Parker/Spider-Man atop a cast including Samuel L. Jackson, Zendaya, Jake Gyllenhaal -- and Favreau.

In third was Toy Story 4, taking in $14.6 million in its fifth week out while the fourth spot went to Paramount's Crawl, at $6 million.

The disaster thriller tells the story of a father and daughter (Barry Pepper and Kaya Scodelario) battling hungry gators after a hurricane hits their Florida town.

And in fifth was Universal's Yesterday, at $5.1 million. The sweet comedy is based on the entertaining if fantastic premise of a struggling musician (Himesh Patel) suddenly becoming one of the only people on Earth who remembers the Beatles.

Rounding out the weekend's top 10 were:

Stuber ($4 million)

Aladdin ($3.8 million)

Annabelle Comes Home ($2.7 million)

Midsommar ($1.6 million)

The Secret Life of Pets 2 ($1.5 million)

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Agencies
March 3,2020

Chennai, Mar 3: Makkal Needhi Maiyam president and actor Kamal Hassan on Tuesday appeared before Chennai Police on Tuesday in connection the deaths last month of three people on the set of the movie, 'Indian 2'.

Hassan appeared before Chennai Police Commissioner in Egmore to record his statement.

Three people died while around 10 suffered injuries when a crane collapsed while shooting of the film was underway in Chennai at EVP Studios on February 19.

Madhu, personal assistant to director Shankar, Krishna, assistant director, and a staffer Chandran, lost their lives in the incident.

In an open letter, "Indian 2" Director S Shankar announced Rs 1 crore as financial assistance to the kin of the deceased.

'Indian 2' stars Kamal Haasan, Kajal Agarwal, Rakul Preet, Siddharth, Priya Bhavani Shankar, Delhi Ganesh and Nedumudi Venu in prominent roles.

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News Network
July 19,2020

New Delhi, Jul 19: Actor Deepika Padukone on Sunday confirmed the news of her teaming up with 'Baahubali' actor Prabhas for an upcoming project.

Padukone stated that she is "beyond thrilled" for her the project, which will be helmed by Nag Ashwin, who is known for delivering some hit Telugu movies.

He is known for directing the National-Award winning biopic 'Mahanati'. The forthcoming flick will be under the banner of Vyjayanthi Movies.

The 34-year-old star shared a video by the production house revealing the news, and wrote: "Beyond Thrilled! Cannot wait for what we believe is going to be an incredible journey ahead.."

In the video, the makers of the movie addressed their pride in collaborating with Deepika Padukone and Prabhas. The yet-to-be-titled movie will be the first film to see the two actors sharing the screen-space.

However, other details of the project are yet to be officially revealed.

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News Network
January 24,2020

Paris, Jan 24: Rahul Mishra and Imane Ayissi made history on Thursday by becoming the first Indian and black African designers to show their clothes on the elite Paris haute couture catwalk.

Only a little more than a dozen of the world's most prestigious luxury labels -- including Dior, Chanel and Givenchy -- have a right to call their clothes haute couture.

All the clothes must be handmade -- and go on to sell for tens of thousands of euros (dollars) to some of the richest and most famous women in the world.

Mishra, an advocate of ethical "slow fashion" who blames mechanisation for much of the world's ills, said "it felt amazing and very surreal to be the first Indian to be chosen." "They see a great future for us -- which will make us push ourselves even harder," the 40-year-old told AFP after his debut show was cheered by fashionistas.

Both Mishra and Cameroon-born Ayissi, 51, are champions of traditional fabrics and techniques from their homelands and are famous for their classy lines.

Ayissi said his selection was "immense" both for Africa and himself.

"I am so proud that I can show my work and showcase real African fabrics and African heritage," he told AFP backstage as celebrities, including the chic head of Unesco, Audrey Azoulay, congratulated him.

Mishra broke through on the Paris ready-to-wear scene after winning the International Woolmark Prize in 2014, the top award that also launched the careers of such greats as Karl Lagerfeld and Yves Saint Laurent.

The purity of his often white creations with their detailed but understated embroidery has won him many fans, including Vogue's legendary critic Suzy Menkes.

The doyenne of fashion's front row called him an Indian "national treasure".

But this time, Mishra turned up the colour palette somewhat with dresses that subtly evoked the jungle paradises and pristine underwater world off the Maldives he worries that one day we might lose.

Appalled by the smoke and pollution that meant he had to keep his four-year-old daughter indoors in Delhi for nearly 20 days in November, Mishra said he imagined a "pure virginal and untamed planet... with ecosystems crafted out of embroidered flora and fauna".

"I am very emotional about it. Sometimes it makes me cry. All our children should be growing up in a better world," he added.

"When I take Aarna (his daughter) to the foothills of the Himalayas and the sky turns blue, she is so happy.

"Once, when she saw the River Ganges, she said: 'Can you please clean it for us so can go for a swim?'"

Mishra said he was reducing the quantity of clothes he was producing while at the same time increasing their quality, with humming birds, koalas and other animals hidden in the hundreds of hand worked embroidered leaves and flowers of his "jungle dresses".

The designer has won ethical and sustainability awards for his work supporting local crafts people in rural India.

"My objective is to create jobs which help people in their own villages," Mishra said.

"If villages are stronger, you will have a stronger country, a stronger nation, and a stronger world," he added.

Ayissi takes a similar stand, refusing to use wax prints popular in West Africa which he dismisses as "colonial".

Dutch mills flooded Africa with cotton printed with colourful patterns borrowed from Indonesian batik in the 19th century, and still dominate the market.

"When we talk about African fashion, it's always wax, which is a real pity," he told AFP, "because it's killing our own African heritage."

Ayissi, a former dancer who worked with singers such as Sting and Seal, told AFP he wanted to open up "a new path for Africa" and find an "alternative way of doing luxury fashion".

He has gone back to using prestigious local materials, like the strip fabric kente woven by the Akan people of Ghana and the Ivory Coast, which was originally worn only by nobles.

The son of an undefeated African boxing champ and a former Miss Cameroon, he also uses appliqued techniques from Benin and Ghana.

Haute couture shows only take place in Paris and the criteria to enter and remain in fashion's elite club are strictly enforced by French law.

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