BAFTA: 'Boyhood' wins top honours, 'The Lunchbox' misses award

February 10, 2015

London, Feb 10: "Boyhood", a coming-of-age story about growing up, Sunday night won the top honours of Best Film and Best Director at the British Academy of Film and Television Arts (BAFTA) Awards, where "The Grand Budapest Hotel" walked away with five trophies.

BAFTA

Directed by Richard Linklater, who was absent from the ceremony, "Boyhood" is a groundbreaking film about growing up which was shot with the same actors a few days at a time over 12 years. It also won the Best Actress nod for Patricia Arquette.

The ceremony saw maximum awards being bagged by "The Grand Budapest Hotel", which was leading the BAFTA nominations list this year with a mention in 11 categories. It won for Costume Design, Production Design, Makeup and Hair, Original Music and Original Screenplay.

India's only hope this year was the Nimrat Kaur and Irrfan Khan starrer critically acclaimed "The Lunchbox" in the Film Not in the English Language category. But it lost to Polish drama "Ida" at the event, the red carpet of which saw Nimrat striking a pose in a pink designer gown.

In the Best Actor category, Eddie Redmayne triumphed for his portrayal of well-known physicist Stephen Hawking in "The Theory of Everything", which also won Outstanding British Film and Best Adapted Screenplay. Hawking also made an appearance at the film awards gala with his family members.

The Best Actress winner at the event, held at the Royal Opera House, was Julianne Moore, for her moving portrayal of a woman succumbing to Alzheimer's in "Still Alice".

Movie "Whiplash" received three awards, including Best Editing, Best Sound and the Best Supporting Actor for J.K. Simmons, who essayed a tyrannical and ruthless music teacher Terence Fletcher in it.

"Birdman" won only one award for Best Cinematography. It went to Emmanuel Lubezki, who has won this category twice previously.

"The Lego Movie" received the BAFTA for Animated Film, and Special Visual Effects Award was presented to "Interstellar".

Meanwhile, the trophy for Best Documentary was won by the team behind "Citizenfour".

Writer Stephen Beresford and Producer David Livingstone received the award for Outstanding Debut by a British Writer, Director or Producer for their first feature film "Pride".

The EE Rising Star Award, voted for by the public, was presented to Jack O'Connell, while the special award for Outstanding British Contribution to Cinema was presented to BBC Films in their 25th year.

Mike Leigh, whose films include "Naked", "Secrets & Lies", "Vera Drake" and "Mr. Turner", received the Fellowship, the highest honour the BAFTA can bestow. It was presented to him by Imelda Staunton and Sally Hawkins.

The ceremony was hosted by Stephen Fry, and it was his tenth year as host.

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News Network
February 10,2020

Feb 10: Bong Joon-ho’s film “Parasite” starts in a dingy, half-basement apartment with a family of four barely able to scratch out a life. There must be no place to go but up, right? Yes and no. There’s nothing predictable when the South Korean director is on his game.

This dark, socially conscious film about the intertwining of two families is an intricately plotted, adult thriller. We can go up, for sure, but Bong can also take us deeper down. There’s always an extra floor somewhere in this masterpiece.

It tells the story of the impoverished four-person Kim family who, one by one, and with careful and devious planning, all get employed by the four-person affluent Park family — as a tutor, an art teacher, a driver and a housekeeper. They are imposters stunned by the way wealth can make things easier: “Money is an iron. It smooths out all the creases,” says the Park patriarch with wonder.

Bong, who directed and wrote the story for “Parasite,” has picked his title carefully, of course. Naturally, he’s alluding to the sycophantic relationship by a clan of scammers to the clueless rich who have unwittingly opened the doors of their home on a hill. But it’s not that simple. The rich family seem incapable of doing anything — from dishes to sex — without help. Who’s scamming who?

Bong’s previous films play with film genres and never hide their social commentary — think of the environmentalist pig-caper “Okja” and the dystopian sci-fi global warming scream “Snowpiercer.” But this time, Bong’s canvas is a thousand times smaller and his focus light-years more intense. There are no CGI train chases on mountains or car chases through cities. (There is also, thankfully, 100% less Tilda Swinton, a frequent, over-the-top Bong collaborator.

The two Korean families first make contact when a friend of the Kim’s son asks him to take over English lessons for the Park daughter. Soon the son (a dreamy Choi Woo-sik) convinces them to hire his sister (the excellent Park So-dam) as an art teacher, but doesn’t reveal it’s his sis. She forges her diploma and spews arty nonsense she learned on the internet, impressing the polite but firm Park matriarch (a superb Jo Yeo-jeong.)

The Park’s regular chauffer is soon let go and replaced by the Kim patriarch (a steely Lee Sun-kyun). Ditto the housemaid, who is dumped in favor of the Kims’ mother (a feisty Jang Hye-jin.) All eight people seem happy with the new arrangement until Bong reveals a twist: There are more parasites than you imagined. The clean, impeccably furnished Park home will have some blood splashing about.

Bong’s trademark slapstick is still here but the rough edges of his often too-loud lessons are shaved down nicely and his actors step forward. “Keep it focused,” the Kim’s son counsels his father at one point. Bong has followed that advice.

There are typically dazzling Bong touches throughout. Just look for all the insect references — stink bugs at the beginning to flies at the end, and a preoccupation with odor across the frames. And there’s a scene in which the rich matriarch skillfully winds noodles in a bowl while, in another room, duct tape is being wrapped around a victim and classical music plays.

Bong could have been more strident in his social critique but hasn’t. There are no villains in “Parasite” — and also no heroes. Both families are forever broken after chafing against each other, a bleak message about the classes ever really co-existing (Take that, “Downton Abbey”).

“Parasite” is a worthy winner of the Palme d’Or at the Cannes Film Festival, the first South Korean movie to win the prestigious top prize. The director has called it an “unstoppably fierce tragicomedy.” We just call it brilliant.

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News Network
July 2,2020

Mumbai, Jul 2: The Mumbai police have summoned noted filmmaker Sanjay Leela Bhansali for questioning in connection with the Sushant Singh Rajput suicide case. According to several reports, casting director Shanoo Sharma too might be questioned in connection with the star’s death.

Reports also state that Kangana Ranaut and Shekhar Kapur, who are not directly involved with the investigation, are likely to be asked to record their statements.

The development comes days after the cops had asked for the details of SSR’s contract with Yashraj Films. The MS Dhoni actor had starred in Shuddh Desi Romance and Detective Byomkesh Bakshi, which were backed by the banner. He was supposed to team up with YRF for Paani, directed by Kapur, but the movie was on hold due to creative differences between the Mr India helmer and the production house.

Sushant died by suicide on June 14, leaving his near and dear ones in a state of shock. Following his demise, fans alleged that several Bollywood biggies had tried to sabotage his career as he was an ‘outsider’, reigniting the nepotism debate.

SSR, who hailed from Patna, made an impact in the TV industry before entering Bollywood with the sleeper hit Kai Po Che. He impressed fans with his performances in PK and Shuddh Desi Romance, consolidating his standing in the industry. It was, however, MS Dhoni that established him as a bankable star. Chhichore was his last theatrical release before his death. Drive, backed by Karan Johar, released directly on Netflix. His last film Dil Bechara is slated to release on Disney+ Hotstar on July 24.

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News Network
June 15,2020

Mumbai, Jun 15: Actor Sushant Singh Rajput, who was found hanging in his Bandra apartment on Sunday, was battling depression, police said on Monday.

According to the police official, Mumbai Police found out during the probe that the 34-year-old actor was under medication for depression.

No suicide note was found from the spot, the official added.

Mumbai Police as well as the crime branch officials visited his rented flat on Sunday, but nothing suspicious was found. Rajput had been living with two cooks and a house help.

Autopsy reveals asphyxia as provisional cause of death

The provisional post mortem report of Sushant Singh Rajput has revealed that the provisional cause of death was asphyxia due to hanging, Deputy Commissioner of Police (DCP) Abhishek Trimukhe said on Monday.

"Provisional postmortem report has been submitted by doctors at Bandra Police Station. A team of three doctors conducted the autopsy of Sushanth Singh Rajput. The provisional cause of death is asphyxia due to hanging," Trimukhe said.

The post mortem has been conducted at Dr RN Cooper Municipal General Hospital in Mumbai.

The untimely death of the versatile actor has sent shock waves among celebrities and his fans alike. Scores of actors and politicians from across the nation have taken it online to share their grief and sorrow with the untimely demise of the young actor.
 

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