Bollywood has a new lucky charm—and her surname isn’t Khan

December 19, 2014

Alia BhattMumbai, Dec 19: At the beginning of this year, Alia Bhatt was only one film old. Twelve months later, she is shaking the old, established order of Bollywood on her rise to stardom.

Bhatt, who debuted in 2012, scored a neat hat-trick this year with Highway, 2 States and Humpty Sharma Ki Dulhania—with the latter two being among the top 10 highest grossers this year. And the total return on investment from the box-office collections on her three films is greater than that of any of the reigning Khans of Bollywood.

Even Salman Khan.

Top of the charts

A film’s return on investment is the difference between the total cost incurred while making the film and the domestic box-office collections divided by the total cost, multiplied by 100.

In India, a big star’s presence often guarantees good returns. But factors such as a director’s past record, music or promotions also have a hand in a movie’s success—especially when it features newcomers.

Based on net domestic box-office collections, the combined return on Bhatt’s films was over 135%. Her films were all small budget productions, at Rs88 crore ($14.1 million) in total, and these recovered as much as Rs207 crore ($33 million).

On the back of her newfound fame, Bhatt debuted on this year’s Forbes India Celebrity 100 list at number 53. The list is based on estimated entertainment-related earnings of celebrities and their media visibility from October 2013 to September 2014.

Reigning newcomers

Sidharth Malhotra, who started his Bollywood career alongside Bhatt in Student of the Year, had an equally successful run with a 135% return on investment with Ek Villain (starring alongside another male actor Riteish Deshmukh) and Hasee Toh Phasee.

Moreover, the success of Ek Villain, followed by a critically acclaimed Haider, helped Shraddha Kapoor of Aashiqui 2-fame deliver a staggering return on investment of 177%.

Arjun Kapoor and Varun Dhawan were also among the most bankable stars this year.

Kapoor gave two hits this year—2 States and Finding Fanny—while his third release Gunday was an above-average earner at the box office. Meanwhile, Dhawan’s two films recovered Rs130 crore ($20.8 million) after being made on a combined budget of Rs63 crore ($10.1 million).

Winnig loosing

bollywood girls chart

The return on investment does not take into account a film in which an actor did a cameo or an item dance number—or any film that an actor produced, but did not act in. The figure only includes net collections from Bollywood films.

More bankable than the Khans

Superstars Salman Khan’s Kick (Rs233 crore) and Jai Ho (Rs111 crore), Shah Rukh Khan’s Happy New Year (Rs203 crore), Hrithik Roshan’s Bang Bang (Rs181 crore), Ajay Devgn’s Singham Returns (Rs 141 crore) and Akshay Kumar’s Holiday (Rs112 crore) delivered big bucks at the box-office. However, the high cost incurred on the making of these films brought down the return on investment.

For instance, Salman Khan’s movies had a budget of Rs200 crore. The total amount recovered is Rs344 crore, or a return of 72%. Similarly, Hritik Roshan’s film Bang Bang gave a return of 28%.

Deepika Padukone garnered a return of 58%, while female superstar Priyanka Chopra, who starred in Mary Kom and Gunday, gave a return of 87%.

This year, with Happy New Year, eight films have reached the Rs100-crore ($16 million) mark—the elite group of films that make a billion rupees in box-office collections. But the Rs203 crore domestic net box-office against a budget of Rs125 crore fails to show impressive returns. Haider, for instance, cost about Rs37 crore, which is less than the estimated marketing budget of Happy New Year’s.

In Bollywood, the Khans still may be king, but a new clutch of upstarts is giving them a run for their money.

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Agencies
August 4,2020

New York, Aug 4: National Award-winning documentary "Son Rise" and Geetu Mohandas-directed "Moothon" were among the films that took home the big honours at the 20th New York Indian Film Festival (NYIFF), which switched to a virtual edition this year amid the ongoing Covid-19 pandemic.

Over 45 feature-length narratives, shorts and documentaries from the Indian subcontinent were showcased at the festival’s virtual edition that ran for 10 days beginning July 24.

The films programmed were in various languages including Assamese, Bengali, Haryanvi, Hindi, English, Ladakhi, Maithili, Malayalam, Marathi, Nepali and Tamil.

The award ceremony for the festival was held virtually Sunday, with the filmmakers, cast, award winners and festival officials joining from across India and the US.

The award for the Best Documentary (Short) went to Saurav Vishnu-directed "Tailing Pond", which highlights the "horrifying effects of uranium extraction on the health of the indigenous population" of Jadugoda, Jharkhand.

"Son Rise" by Vibha Bakshi won the award for Best Documentary (Feature).

The documentary had won the National Award for the Best non-feature film in 2019 and was among the two centrepieces hosted by the festival this year. NYIFF called "Son Rise" “a powerful documentary about patriarchy in Haryana and efforts by a few good men to bring meaningful change in the society.”

The award for Best Short (Narrative) went to Sanat Ganu's "Arabian Nights". The narrative focuses on a child, his imaginary friend and a family that attends a conference where the attendees believe the earth is flat.

Director and scriptwriter Sudhanshu Saria accepted the award for Best Screenplay for "Knock Knock Knock". Saria’s screenplay “explores the lonely life of a man, an unlikely friendship that may or may not be real.”

Sanjana Dipu won the award for Best Child Actor for "Moothon" for her performance of a teenager in search of a brother.

Garggi Ananthan won the Best Actress award for her role as Kalyani in the film "Run Kalyani" and the Best Actor award went to Malayalam star Nivin Pauly for "Moothon". The award for the Best Director went to 23-year old Achal Mishra for "Gamak Ghar".

"Moothon" won the award for Best Film and its director Mohandas accepted the award for the film, which is "about love and loss that travels from the quiet, lush beaches of Lakshadweep to the mad hustle-bustle of the streets of Mumbai."

Produced by award-winning Indian film director and writer Anurag Kashyap, "Moothon" had premiered at last year’s Toronto International Film Festival.

NYIFF festival director Aseem Chhabra said that the process of searching for films for the festival began last fall and they were ready to showcase them to audiences in New York in April but had to change plans for the festival due to the pandemic.

"I know the best way to enjoy films is in a theatre with the audience and have live interactions, conversations. But the virtual festival is the next best option and in the process, we have been able to reach out to a much larger audience in the US, North America as well in several other countries.”

NYIFF said that a virtual edition expanded the reach of the festival and audiences from 95 countries were able to access and view the films.

Dr Nirmal Mattoo, Chairman of the Indo-American Arts Council, co-founder and owner of Atlantic Dialysis Management services, the largest private dialysis provider in New York State, said NYIFF works with an independent jury - filmmakers, film professors, writers and critics.

Indo-American Arts Council (IAAC), the leading cultural organisation, presents the festival.

"The Covid-19 pandemic has forced the closure of theatres but we believe that in such trying times arts, including films are even more important for the community’s well-being. So, this year we have decided to bring the films directly into your living rooms.” IAAC Vice-Chairman Rakesh Kaul had said.

The New York Indian Film Festival is the oldest Indian film event in North America. Over the years, the festival has held New York premieres of a wide range of films, many of them critically acclaimed, including "Monsoon Wedding", "The Namesake", "Slumdog Millionaire", "Shahid", "Dum Laga Ke Haisha" and "Gangs of Wasseypur". 

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News Network
March 10,2020

Washington, Mar 10: British adventurer Bear Grylls on Monday shared the power-packed trailer of `Into The Wild` episode featuring South Indian superstar Rajinikanth.

The video captures Rajinikanth driving through the forests of Bandipur in Karnataka, where the episode has been filmed. The 45-year-old adventurer shared the daredevil video on Twitter featuring Rajinikanth amid the woods and in the background, Grylls is heard saying "He`s faced a lot of fears, but he never gives up. He`s relentlessly positive."

He captioned the post on Twitter and wrote: "Superstar @Rajinikanth`s relentless positivity and never giving up spirit was so visible in the wild as he embraced every challenge thrown at him. Respect! Watch Into The Wild with @BearGryllson March 23 at 8:00 pm. @DiscoveryIN#ThalaivaOnDiscovery."

The video shows the Padma Bhushan actor and Grylls climbing hills and wading through gorges and ravine. The duo is seen driving through the Deccan forest. Amid the video, Grylls is seen addressing Rajinikanth as a "superhero." The actor is seen pulling off his signature `sunglass` move.

Earlier in February, the adventure show host shared an intriguing motion poster marking superstar Rajinikanth`s blockbuster TV debut in Discovery`s `Into the Wild`. Grylls also shared that it was a special experience for him to work with the Rajinikanth.

In January, Rajinikanth suffered minor injuries while shooting for the special episode of `Man vs Wild` Bandipur forest in Karnataka.

After Prime Minister Narendra Modi, Rajinikanth becomes the second Indian personality to be featured on Grylls` survival show.

The episode with Prime Minister Modi was aired last year in August and became quite an attraction among viewers.

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News Network
June 15,2020

Mumbai, Jun 15: Maharashtra police's cyber department has asked people to refrain from circulating online pictures of the body of actor Sushant Singh Rajput, who was found hanging in his apartment in Mumbai's Bandra area.

Terming it as a "disturbing trend", it warned that circulation of such pictures could attract legal action.

Rajput, 34, was found hanging in his apartment on Sunday, sending shockwaves rippling through the Hindi film industry and elsewhere.

Later, some people circulated pictures of the actor's body on social media platforms, following which the state police's cyber department said it was in "bad taste".

A disturbing trend has been observed on Social Media platforms by Maharashtra Cyber that pictures of deceased actor Sushant Singh Rajput are being circulated, which are disturbing and in bad taste," it tweeted late Sunday night.

"It is emphasised that circulation of such pictures is against legal guidelines and court directions, and are liable to invite legal action," it added.

Urging netizens to refrain from posting such photos, the cyber department said the pictures already circulated should be deleted henceforth.

"In the digital age, every piece of information we read or watch needs to be cross-checked, verified and we all have to be careful before believing or forwarding them," it said.

After the actor's death, police said no note was found at the spot.

Police sources also said they did not find any foul play in their initial investigation.

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