The Bollywood story through film posters, lobby cards

January 2, 2014

BollywoodNew Delhi, Jan 2: Bollywood's unseen and lesser known stills capturing action, affection, portraiture and villainy through decades-old film memorabilia like cinema lobby and show cards is now put on show.

Curated by photographer Rahaab Allana as a tribute to 100 years of cinema, these curios are showing at an exhibition he has titled "Filmy Jagat: Shared Universe of Indian Cinema" at the Art Heritage Gallery here.

"The visual culture in India is vast. It was the end of the centenary and I felt in the end, we should talk about sub cultures rather than the mainstream activities going on all the time," Allana told PTI in an interview at the the opening of the exhibition.

The exhibition, says the photographer is an attempt by his team to bring to fore the sub culture of photography that existed in Hindi movies for four decades from 1940 to 1980s but still unknown to the masses.

"For instance, the lobby cards and show cards that would have originally been pinned up in cinema theatres, are some of the most acknowledged forms of photography. We have made them part of the exhibition," he says.

The focal point of the exhibition is a scrap book titled "Filmy Jagat" scribbled in hand on the cover.

Acquired by Allana a year ago, the pre-independence book paved the way for the exhibition. "Working around the streets of Mumbai and picking up material, I came upon this scrap book and I realize that a scrap book is an important sub-culture of photography. I realized that I would like to research it and found out that there was no publication or history around scrapbook so I thought to do one," he says.

Divided into different tropes and styles, the show highlights such film stills dating from a later period in Indian cinema, namely the 1960s-80s, an era that gave way to a global audience for Hindi films. Action, Affection, Portraiture and Villainy are therefore some of the recurring moments that were captured throughout film photography.

The curator of Alkazi Foundation for the Arts. Allana says he had no plans of putting up a show when he acquired the archives. "I had no thought while going for the archives. I acquired them I because liked them," he says.

Allana admits it was a challenging task to acquire all the archives. "It was challenging. Easy as everyone was dedicated to it but difficult for obvious reasons," the curator says.

He hopes that people visit the exhibition and they start "responding to it in their own capacity." Another reason which Allana had for putting up this exhibition was to show his support for offbeat cinema. "If we want to make that kind of cinema supporting this type of exhibition is good," he said.

The exhibition preempts a publication specific to the scrapbook, titled Filmi Jagat Scrapbook: Shared Universe of Indian Cinema, by Niyogi Books with a introduction by Shyam Benegal which will be released early next year. "Yes, we hope to release it in the first quarter of the year," says Allana.

Along with this a parallel exhibition titled Contemporary Artworks, where artists have responded to the "dynamic presence of Bollywood".

M F Husain's "Culture of the Streets", a portfolio of 20 signed photographs printed on Kodak C-Print with foil on photo paper shot in the 1980s, makes it clear that for Husain, the streets of Chennai with their enormous hoardings of South Indian movie stars were a part of the contemporary urban landscape and a part of the artist's visual vocabulary.

Younger artists like Bharti Verma's otherwise vacant streets and homes of New Delhi are dominated by a historic legacy of film posters that are suspended like a giant, silent backdrop in the distance. Sharmistha Dutta creates collages of 1970's film posters pasted on ruined, blood-splattered city walls, against which she arranges interesting and vivid portraits of the common man.

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Agencies
January 5,2020

Los Angeles: Kevin Feige may have confirmed that the Marvel Cinematic Universe (MCU) will be getting its first transgender superhero but the Marvel Studios has said there is no definite timeline for that.

During a Q&A at the New York Film Academy, a fan had asked Feige about whether the studio plans to introduce LGBTQ characters into the MCU, "specifically the trans characters".

To this, the Marvel Studios president had replied, "Yes, absolutely, yes... And very soon. In a movie that we're shooting right now."

But sources in the company clarified to Variety that Feige only confirmed the first part of the comments that a trans character will appear in the MCU in future but he did not give a time period.

Though Feige did not reveal the name of the project that will introduce a LGBTQ character, fans speculate that he may have been referring to "The Eternals".

The film, which will feature an ensemble cast of Richard Madden, Angelina Jolie, Salma Hayek, Kit Harington and others, is set to unveil a gay superhero in the MCU.

Marvel Studios has been making efforts to incorporate more diversity in its films after the success of "Black Panther", which featured a virtually all-black cast, and its first woman-fronted superhero movie "Captain Marvel".

"Avengers: Endgame", which became the highest grossing movie of all-time, had featured the MCU's first gay character, a cameo by director Joe Russo.

In 2020, the studio has two releases -- Scarlett Johansson-starrer "Black Widow" and "The Eternals" -- which have been helmed by women directors.

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News Network
January 23,2020

Jan 23: Calling himself an optimist who believes in the goodness of people, director Kabir Khan says everything these days is being looked at through the prism of religion but India is about more than that.

The director of blockbusters such as Bajrangi Bhaijaan and Ek Tha Tiger said he is happy he has a platform as a filmmaker to present a counterpoint to the prevailing narrative based on religious fault lines.

"I’m an optimist who believes in the goodness of the people. But yes, there is a certain level of bigotry that has crept in. Everything is being looked at through the prism of religion but India is not about that.

"It sounds like a cliché but when I was growing up, I was not aware of my religion. That was the greatness of this country,” Kabir told news agency.

He said he is a product of a mixed marriage and is pained to see the social fabric being tattered.

“I have celebrated the best that Indian secularism has to offer. But to see the greatness of this country being simplified and broken down into religious fault lines is a painful experience,” he added.

According to Kabir, it is dangerous to see history through the prism of religion, whether in cinema or society. But it is important to revisit history to know what happened and one can always find something that is relevant for the present, he said.

The director, who started as a documentary filmmaker, returns to his roots for a five-episode series on Subhas Chandra Bose's Indian National Army, The Forgotten Army: Azaadi Ke Liye, on Amazon Prime, his most expensive project yet.

Asked whether this is a difficult time for filmmakers, Kabir said he believes art thrives in the time of strife and, as a storyteller, his politics will always reflect in his work.

“Every film has its politics and every filmmaker has to reflect his or her politics. Every film of mine will reflect my politics and it will never change according to the popular mood of the audience. But a film should not be just about that. Politics should be in the layers beneath," he said.

He terms his 2015 Salman Khan-starrer Bajrangi Bhaijaan an "extremely political" film. At face value, it can also be enjoyed as the story of a mute Pakistani girl who drifts into India and is taken back to her homeland by a Hanuman devotee. But there is so much more. The "chicken song", for instance, was a sly reference to the beef ban controversy at the time, he said.

"I won’t say it is a difficult time for me as a filmmaker. It is good that I have a platform where I can talk and present a counterpoint and I refuse to believe that the entire country believes the narrative that is being sent out. There are millions and millions of people, and perhaps the majority, that does not believe. And if I present the counterpoint, they will think about it.”

Discussing his new series, the director said it has always fascinated him that the sacrifice of the men and women who comprised the INA is just a forgotten footnote in history.

“I wanted to make something that stands the test of time. It goes down in posterity,” Khan, who first explored the subject in a Doordarshan documentary 20 years ago, said.

For the documentary, he traveled with former INA officers Captain Lakshmi Sahgal and Captain Gurbaksh Singh Dhillon from Singapore to India via erstwhile Burma, retracing the route that the INA followed.

“The documentary got me a lot of attention and acclaim but the story just never left me. It's actually the first script I ever wrote and I landed up with that script in Bombay from Delhi. I realised very soon that nobody's going to give me a budget of this size to make my first film.

"And then after every film, I would pick up the script and say, ‘Okay, this is the one I want to make’, because this is the story that made me want to become a filmmaker. On the way, I ended up making eight other films but this is really the story that I wanted to make,” he said.

Kabir is happy that the story has come out as a series, not a film, as it would have required to compromise with the budget and other elements.

"Without giving any numbers, this is the most expensive project I have ever worked on… It required that kind of budget."

Kabir believes the INA was responsible for bringing down the morale of the British establishment, which realised it would be impossible to keep the country colonised without the support of the local army.

"There are a lot of debates and discussions about what happened with the INA and the controversies around it. The whole point is that, if you want to judge what the Army did, sure that's your prerogative, but at least get to know what they did. Nobody knows what happened with the Army from 1942 to 1945."

He added that 55,000 men and women of the INA fought for independence and 47,000 of them died.

"Not a single person from that Army was ever taken back into the independent Army, which is such an amazing fact... the fact that the British called them traitors became the narrative and we also started assuming that they were traitors."

"They were the only women's regiment in the whole world 70 years ago. That's what they thought about women's importance in society. I don't know whether they will be happy with what the current situation is," he said.

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Agencies
June 17,2020

Mumbai, Jun 17: A lawyer on Wednesday moved a criminal complaint against 8 persons, including Bollywood superstar Salman Khan and producer-director Karan Johar, in a local court regarding the death of Bollywood actor Sushant Singh Rajput.

The court had fixed July 3 as the next date of hearing.

In his complaint filed in the court of Chief Judicial Magistrate, advocate Sudhir Kumar Ojha alleged that these eight persons forced Sushant to commit suicide under a conspiracy which, he pleaded, amounted to murder.

Others named in the complaint are Aditya Chopra, Sajid Nadiadwala, Sanjay Leela Bhansali, Bhushan Kumar, Ekta Kapoor, and director Dinesh.

The complainant claimed that these persons did not let Sushant's movies get released under a conspiracy and the late actor was not even invited to film functions because of these people.

Ojha said that Sushant Singh Rajput's death had not only hurt the people of Bihar but the entire country.

He said the complaint had been filed under Sections 306, 109, 504 and 506 and Bollywood actor Kangana Ranawat had been listed as a witness in the case.

Sushant Singh Rajput had allegedly committed suicide at his Bandra flat in Mumbai on Sunday.

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