Both will appear similar to the inexperienced eye: Richa on ‘Shakeela’ being compared to ‘Dirty Picture’

Agencies
November 1, 2018

Bengaluru, Nov 1: Richa Chadda despises the term “female-oriented” films but the actor says the phrase will continue to be relatively novel till such movies become a norm.

The 31-year-old actor says she started hearing the term when Sridevi’s English Vinglish released in 2012 but adds actors like Nutan to Rani Mukerji have been the face of their films from a long time.

“I never buy this ‘women-oriented’ term. I don’t like it. I have been hearing this term since 2012 that ‘English Vinglish’ is coming. I always turn around and say ‘You never call the other things male-oriented’. But I guess it’ll be a thing, till it becomes a norm.

“Be it Nutan, Nargis Sridevi or Rani (Mukerji), these women have done films which they have carried on their shoulders completely. There was an entire alternate cinema movement with Smita Patil, Shabana Azmi, Deepti Naval, Mita Vashisht and Neena Gupta… These are great actresses and they have done some excellent work,” Chadha told PTI in an interview here.

The actor is currently in the city shooting for her next, Shakeela, the eponymous biopic on the popular Malayalam adult star.

Directed by Indrajit Lankesh, the film narrates the rags-to-riches-to-rags story of Shakeela Khan, who ruled the South Indian cinema of the ’90s. She has acted in several adult films in languages spanning Tamil, Telugu, Malayalam and Kannada.

Year 2018 saw films like Padmaavat and Raazi, fronted by women, emerge as some of the biggest money-spinners and Chadha says the audience has always been ready for a female star who would drive the crowd towards the theatres.

“I think it’s the producers, distributors and exhibitors who have not been ready. It is an issue.

“Men control the business and they say the film is female-oriented and it won’t work till its ti*s and as*. But you don’t know, a good story connects somewhere,” she adds.

“Shakeela” is already being compared to Vidya Balan’s critically-acclaimed hit Dirty Picture.

Inspired by southern star Silk Smitha’s life, the 2011 film explored the journey of a woman who dreams to be a star, goes on to become a sex symbol and following repeated failures, commits suicide.

Many claim that Shakeela, the film appears to have been cut from the same cloth but Chadha disagrees.

“Comparisons will happen but we can’t do anything about it. I can’t escape that. I thought about it but now I’m not going to fight it. Shakeela became a star when Silk Smitha killed herself. Within two years of Silk’s death, Shakeela was a superstar.

“She was a ready replacement of somebody who had just passed away. It’s the same period, the aesthetics, the visuals and technically too things are same. The two films will appear similar to the inexperienced eye. But the two are very different. It’s in a different zone. At least they will compare me to Vidya Balan and the film to a blockbuster like ‘Dirty Picture’.”

The actor says Shakeela, who has been an integral part of the biopic from the outset, is a living example of feminism in practice.

“She knows her career and personal life have suffered because of the courageous decisions she has taken to stand up against oppression of any kind. She knows she’s paying the price for it.

“I could imagine any person in her place as being bitter, angry, suicidal or dependent. Going to school and learning feminism is one thing and living feminism is another. She has done the latter.”

Shakeela will also have a cameo in the movie. The film also stars Pankaj Tripathi and the makers are eyeing a release date post March 2019.

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Agencies
August 4,2020

New York, Aug 4: National Award-winning documentary "Son Rise" and Geetu Mohandas-directed "Moothon" were among the films that took home the big honours at the 20th New York Indian Film Festival (NYIFF), which switched to a virtual edition this year amid the ongoing Covid-19 pandemic.

Over 45 feature-length narratives, shorts and documentaries from the Indian subcontinent were showcased at the festival’s virtual edition that ran for 10 days beginning July 24.

The films programmed were in various languages including Assamese, Bengali, Haryanvi, Hindi, English, Ladakhi, Maithili, Malayalam, Marathi, Nepali and Tamil.

The award ceremony for the festival was held virtually Sunday, with the filmmakers, cast, award winners and festival officials joining from across India and the US.

The award for the Best Documentary (Short) went to Saurav Vishnu-directed "Tailing Pond", which highlights the "horrifying effects of uranium extraction on the health of the indigenous population" of Jadugoda, Jharkhand.

"Son Rise" by Vibha Bakshi won the award for Best Documentary (Feature).

The documentary had won the National Award for the Best non-feature film in 2019 and was among the two centrepieces hosted by the festival this year. NYIFF called "Son Rise" “a powerful documentary about patriarchy in Haryana and efforts by a few good men to bring meaningful change in the society.”

The award for Best Short (Narrative) went to Sanat Ganu's "Arabian Nights". The narrative focuses on a child, his imaginary friend and a family that attends a conference where the attendees believe the earth is flat.

Director and scriptwriter Sudhanshu Saria accepted the award for Best Screenplay for "Knock Knock Knock". Saria’s screenplay “explores the lonely life of a man, an unlikely friendship that may or may not be real.”

Sanjana Dipu won the award for Best Child Actor for "Moothon" for her performance of a teenager in search of a brother.

Garggi Ananthan won the Best Actress award for her role as Kalyani in the film "Run Kalyani" and the Best Actor award went to Malayalam star Nivin Pauly for "Moothon". The award for the Best Director went to 23-year old Achal Mishra for "Gamak Ghar".

"Moothon" won the award for Best Film and its director Mohandas accepted the award for the film, which is "about love and loss that travels from the quiet, lush beaches of Lakshadweep to the mad hustle-bustle of the streets of Mumbai."

Produced by award-winning Indian film director and writer Anurag Kashyap, "Moothon" had premiered at last year’s Toronto International Film Festival.

NYIFF festival director Aseem Chhabra said that the process of searching for films for the festival began last fall and they were ready to showcase them to audiences in New York in April but had to change plans for the festival due to the pandemic.

"I know the best way to enjoy films is in a theatre with the audience and have live interactions, conversations. But the virtual festival is the next best option and in the process, we have been able to reach out to a much larger audience in the US, North America as well in several other countries.”

NYIFF said that a virtual edition expanded the reach of the festival and audiences from 95 countries were able to access and view the films.

Dr Nirmal Mattoo, Chairman of the Indo-American Arts Council, co-founder and owner of Atlantic Dialysis Management services, the largest private dialysis provider in New York State, said NYIFF works with an independent jury - filmmakers, film professors, writers and critics.

Indo-American Arts Council (IAAC), the leading cultural organisation, presents the festival.

"The Covid-19 pandemic has forced the closure of theatres but we believe that in such trying times arts, including films are even more important for the community’s well-being. So, this year we have decided to bring the films directly into your living rooms.” IAAC Vice-Chairman Rakesh Kaul had said.

The New York Indian Film Festival is the oldest Indian film event in North America. Over the years, the festival has held New York premieres of a wide range of films, many of them critically acclaimed, including "Monsoon Wedding", "The Namesake", "Slumdog Millionaire", "Shahid", "Dum Laga Ke Haisha" and "Gangs of Wasseypur". 

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Agencies
July 3,2020

Mumbai, Jul 3: Renowned Bollywood choreographer Saroj Khan died early on Friday morning due to cardiac arrest. She was 71.

The three-time National Award winner, who had choreographed some of the most memorable songs in Hindi cinema, was not keeping well for some time.

She was admitted to Guru Nanak Hospital in Bandra last Saturday after she complained of breathing issues. The mandatory COVID-19 test done at the hospital showed a negative result.

“She passed away due to cardiac arrest at around 2.30 a.m. at the hospital,” Khan’s nephew Manish Jagwani said.

In a career spanning over four decades, Khan is credited with choreographing more than 2,000 songs, including Dola Re Dola from Sanjay Leela Bhansali’s Devdas, Ek Do Teen from Madhuri Dixit-starrer Tezaab and Ye Ishq Haaye from Jab We Met in 2007.

She last choreographed for Tabaah Hogaye, featuring Madhuri from filmmaker Karan Johar’s production Kalank in 2019.

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News Network
June 8,2020

Jun 8: The Shiv Sena has sought to take a different stand on Bollywood actor Sonu Sood’s help in ferrying migrants back home in the midst of the nationwide lockdown induced by the coronavirus pandemic. On Sunday evening, the actor met Maharashtra Chief Minister Uddhav Thackeray at his residence ‘Matoshree’. The CM’s son and Maharashtra minister Aaditya Thackeray and MLA Aslam Shaikh were also present during the meeting.

Sonu Sood’s visit to the Shiv Sena supremo’s residence came after Sanjay Raut, one of the most vocal leaders of the party, criticised the actor and sought to draw a BJP link to his help to migrants in order to show the ruling dispensation in poor light.

“Sood is an actor whose profession is to deliver dialogues scripted by someone else and make a living out of it. There are many people like Sood who would promote any political party if paid well,” Raut wrote in Shiv Sena mouthpiece Saamna.

Referring to the actor’s help to migrants, Raut wondered if the sudden generosity of “Mahatma” Sood in Mumbai was at BJP’s behest and said that he would “soon meet Prime Minister Narendra Modi and become the celebrity manager of Mumbai.”

As Raut’s remarks fuelled a controversy in political circles, Aaditya Thackeray tweeted in praise of Sood in an apparent attempt to distance the party and its leadership from the leader’s remarks.

“This evening Sonu Sood met up with Maharashtra CM Uddhav Thackeray ji along with Minister Aslam Shaikh ji and me. Better Together, Stronger Together to assist as many people through as many people. Good to have met a good soul to work for the people together.”

“The CM was glad to meet Sonu Sood and discussed the work everyone is doing for the people during covid relief. Misunderstandings don’t exist but what does is a commitment to help people,” Aaditya tweeted.

Sonu Sood too sought to downplay Raut’s remarks and expressed gratitude to all political parties for having supported him. “They (Shiv Sena) are also supporting it and it’s not about any particular party. We have to support all the people who are suffering. Every party from Kashmir to Kanya Kumari has supported me,” the actor told reporters after his meeting with the Chief Minister.

Sonu Sood has earned immense praise for providing help to stranded migrant workers during the Covid-19 lockdown. He has launched a helpline for migrants and has helped hundreds of migrants return to their native places in Bihar, Uttar Pradesh, Jharkhand and Karnataka.

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