Brett Lee's 'Bollywood goes bogan car crash’ movie shadowed by controversy

August 21, 2016

Mumbai, Aug 21: An Australian film critic described it as a "Bollywood goes bogan car crash" but when UnIndian opened on screens across India this week it was generally to positive reviews.

Brett Lee

‘The breezy love story is realistic and so is the spontaneous humour’ wrote a critic in the Times of India. ‘Brett Lee, the former cricketer-turned-actor, is surprisingly a natural on camera.’

Even a review in the Hindustan Times, which bagged the film’s plot as being ‘lazily drafted, clichéd and poppadum-thin, with one dimensional and stereotypical characters’, praised Mr Lee’s acting abilities.

‘On the performance front, fast bowler Brett Lee is a pleasant surprise,’ the review said. ‘He portrays Will with the natural flair of an actor. He endears you by being transparent with his emotions.’

The film, an Australian Indian co-production, is a romantic comedy set in Sydney in which Mr Lee plays Will Henderson, who teaches Aussie English to migrants.

He falls in love with single mum Meera, played by Indian actor, Tannishtha Chatterjee. Meera’s parents are looking for a good match for their daughter and have their eyes on an Australian-Indian cardiologist.

The film that audiences are watching in India is slightly different from the one released in Australia last year. India’s censorship board insisted the sex scene be toned down and shortened. UnIndian’s director Anupam Sharma was not happy with the decision and reminded journalists that India gave the world the Karma Sutra.

Mr Lee avoided being drawn into the censorship debate during an interview to promote the film, although he did admit to feeling nervous about doing the sex scene. His co-star’s acting experience, he said, helped him deal with his nerves.

“There was this nervous energy, but we got through it. She kept stirring me and going ‘15 minutes ‘til the big scene.’”

Mr Lee was one of the fastest bowlers in the history of cricket, which made him hugely popular in cricket-mad India, and since his retirement he has used his fame to build a successful career on the subcontinent – in advertising and as a commentator.

‘UnIndian’ is part of the scripted plot for his post-cricket career, which includes endorsements for sports centres, motor oils and water purifiers.

And while Mr Lee is keen to endorse products and appear in the media to promote his film, he has so far not responded to any questions about an Indian company called Pearls. Mr Lee was paid almost $300,000 to promote Pearls as its ‘brand ambassador’.

Pearls, it turned out, was operating a Ponzi scam, which had tens of thousands of agents across India selling land packages for land that didn’t exist. Many of those who invested lived in slums or were poor villagers.

The scam ran for many years and Indian police believe that as many as 50 million small-time investors may have been ripped off to the tune of $10 billion.

Money was siphoned off by the Indian directors who are now in jail awaiting trial, and was used to buy real estate in India, and abroad, including the purchase of the Sheraton Mirage hotel on the Gold Coast and other luxury properties.

There is no suggestion that Mr Lee was involved in or knew that Pearls was running a Ponzi scheme, but the Indian investors strongly believe he should return the money he made.

Indian authorities have recently joined an action in the Federal Court in Brisbane to recover more than $130m dollars they say was siphoned off by Pearls and invested in real estate in Australia.

Harish Bijoor, who is a brand consultant in India, said he believes Mr Lee should be talking publicly about his association with Pearls.

“I would have advised Brett Lee to actually get out there and say ‘Hey guys, I didn’t know. Hey guys, I’m sorry. Hey guys, let me do something back for you’,” Mr Bijoor said.

While Indian police have charged the directors with fraud, a committee headed by the former Chief Justice of India, RM Lodha, has been formed to try to recover the billions of dollars stolen.

Australian authorities have promised Indian authorities that they will help them recover the money that ended up in Australia.

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Agencies
August 4,2020

New York, Aug 4: National Award-winning documentary "Son Rise" and Geetu Mohandas-directed "Moothon" were among the films that took home the big honours at the 20th New York Indian Film Festival (NYIFF), which switched to a virtual edition this year amid the ongoing Covid-19 pandemic.

Over 45 feature-length narratives, shorts and documentaries from the Indian subcontinent were showcased at the festival’s virtual edition that ran for 10 days beginning July 24.

The films programmed were in various languages including Assamese, Bengali, Haryanvi, Hindi, English, Ladakhi, Maithili, Malayalam, Marathi, Nepali and Tamil.

The award ceremony for the festival was held virtually Sunday, with the filmmakers, cast, award winners and festival officials joining from across India and the US.

The award for the Best Documentary (Short) went to Saurav Vishnu-directed "Tailing Pond", which highlights the "horrifying effects of uranium extraction on the health of the indigenous population" of Jadugoda, Jharkhand.

"Son Rise" by Vibha Bakshi won the award for Best Documentary (Feature).

The documentary had won the National Award for the Best non-feature film in 2019 and was among the two centrepieces hosted by the festival this year. NYIFF called "Son Rise" “a powerful documentary about patriarchy in Haryana and efforts by a few good men to bring meaningful change in the society.”

The award for Best Short (Narrative) went to Sanat Ganu's "Arabian Nights". The narrative focuses on a child, his imaginary friend and a family that attends a conference where the attendees believe the earth is flat.

Director and scriptwriter Sudhanshu Saria accepted the award for Best Screenplay for "Knock Knock Knock". Saria’s screenplay “explores the lonely life of a man, an unlikely friendship that may or may not be real.”

Sanjana Dipu won the award for Best Child Actor for "Moothon" for her performance of a teenager in search of a brother.

Garggi Ananthan won the Best Actress award for her role as Kalyani in the film "Run Kalyani" and the Best Actor award went to Malayalam star Nivin Pauly for "Moothon". The award for the Best Director went to 23-year old Achal Mishra for "Gamak Ghar".

"Moothon" won the award for Best Film and its director Mohandas accepted the award for the film, which is "about love and loss that travels from the quiet, lush beaches of Lakshadweep to the mad hustle-bustle of the streets of Mumbai."

Produced by award-winning Indian film director and writer Anurag Kashyap, "Moothon" had premiered at last year’s Toronto International Film Festival.

NYIFF festival director Aseem Chhabra said that the process of searching for films for the festival began last fall and they were ready to showcase them to audiences in New York in April but had to change plans for the festival due to the pandemic.

"I know the best way to enjoy films is in a theatre with the audience and have live interactions, conversations. But the virtual festival is the next best option and in the process, we have been able to reach out to a much larger audience in the US, North America as well in several other countries.”

NYIFF said that a virtual edition expanded the reach of the festival and audiences from 95 countries were able to access and view the films.

Dr Nirmal Mattoo, Chairman of the Indo-American Arts Council, co-founder and owner of Atlantic Dialysis Management services, the largest private dialysis provider in New York State, said NYIFF works with an independent jury - filmmakers, film professors, writers and critics.

Indo-American Arts Council (IAAC), the leading cultural organisation, presents the festival.

"The Covid-19 pandemic has forced the closure of theatres but we believe that in such trying times arts, including films are even more important for the community’s well-being. So, this year we have decided to bring the films directly into your living rooms.” IAAC Vice-Chairman Rakesh Kaul had said.

The New York Indian Film Festival is the oldest Indian film event in North America. Over the years, the festival has held New York premieres of a wide range of films, many of them critically acclaimed, including "Monsoon Wedding", "The Namesake", "Slumdog Millionaire", "Shahid", "Dum Laga Ke Haisha" and "Gangs of Wasseypur". 

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News Network
June 15,2020

Thiruvananthapuram, Jun 15: Kerala Chief Minister Pinarayi Vijayan has condoled the death of actor Sushant Singh Rajput and recalled his support to the state during the floods in 2018.

The 34-year old Bollywood actor was found hanging at his apartment in Mumbai on Sunday.

"We are deeply saddened to hear of the death of Sushant Singh Rajput. His early demise is a great loss to the Indian Film industry. Our heartfelt condolences to his family, friends and supporters," Vijayan said in a tweet.

"We take a moment to remember his support during the time of Kerala floods

During the deluge in August, 2018, a fan had tagged him in a comment on his Instagram post and said, he don't have the money, but wanted to donate some food.

The actor, who spotted the comment, replied that he will donate Rs one crore in his fan's name.

Rajput donated Rs one crore to CMDRF in the name of his fan and uploaded the screenshot saying, My Kerala.

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News Network
June 16,2020

Mumbai, Jun 16: Filmmaker Dibakar Banerjee remembers Sushant Singh Rajput as a dance loving 'chhokra' from an engineering college who, having made it in Bollywood, was “enthused, sincere and totally focused” on his craft.

Banerjeee said the actor always had “a book or two” with him and took pride in the fact that he had an “inner intellectual life away from the shallower aspects of showbiz”.

Rajput was found dead in his Bandra apartment on Sunday at the age of 34, leaving his friends, colleagues and collaborators in a state of shock.

The Patna-born actor and the director worked together in 2015 film "Detective Byomkesh Bakshy!" when Rajput was a relative newcomer in the industry. Banerjee says it was Rajput's vulnerability and willingness to do different that made him stand out for the role.

In an interview with news agency, the filmmaker looks back at Rajput's sincerity, his love for science and astronomy and how an outsider has to work harder than a "mediocre, unmotivated and entitled establishment elite" to succeed in Bollywood.

Excerpts:

You worked with Sushant when he was less than two-year-old in the film industry. What struck you the most in him to cast as Detective Byomkesh Bakshy?

Banerjee: His vulnerability and intensity and the ambition to do different things than the usual Bollywood stuff.

What were your memories of Sushant- the actor and the person?

Banerjee: As an actor he would tense himself up for the scene and then completely plunge in take after take. He would put a lot of value on preparation. He would be up the previous night of the shoot, reading the scene and making notes and land up on the sets all raring to go.

He would be on, ready and give his hundred per cent throughout the shoot of Byomkesh - no matter how hard or long the day. The unit did not really have to worry about him - considering he was the star. That's what I remember - a total pro, enthused, sincere and totally focused.

As a person, he seemed to me a happy dance loving 'chhokra' from an engineering college who had made it in showbiz and now was serious about acting. He was deeply nostalgic about his carefree student days in Delhi. We used to laugh a lot - I remember that quite clearly.

Sushant's friends say that he spoke more about books and his love for astronomy than films and their fate, which is rare for an actor in the industry. Do you also remember him that way?

Banerjee: Totally true. He was a science and astronomy nut. Always had a book or two with him - and was proud of the fact that he had an inner intellectual life away from the shallower aspects of showbiz. I recognized it as a reflex, protective action to prevent the Bollywood swamp sucking him in totally. And also an identity he wanted to protect and project.

Sushant's death has brought to the fore the struggles of outsiders and the alienation they often face from the nepotistic culture of the industry. Did you feel that Sushant was also fighting this battle despite being a successful actor?

Banerjee: We all fight it, day in and out - whether successful or failing. But the trick is to define that success and failure ourselves and not let the narrative constantly forced by the establishment to get to you. Those who know this weather the storm and ultimately survive and thrive.

The biggest unfairness in all this is that it takes double the talent, energy and hard work for an outsider to convince the audience and the industry that he or she is as safe a box office bet as a mediocre, unmotivated and entitled establishment elite.

The media colludes in this by wallowing in family, coterie and celebrity worship. This leads to deep anger and frustration. Those who can let this slide survive. Those who can't - those who hurt a little more or are vulnerable and impressionable - they are at risk.

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