Cancer was gift that transformed my life: Manisha Koirala

Agencies
January 1, 2019

New Delhi, Jan 1: Actor Manisha Koirala, who won a tough battle against ovarian cancer, feels the disease came into her life as a gift as her vision is now sharper, mind clearer and her perspective realigned.

As she completes six years of being cancer-free, she shares her story - one marked by apprehensions, disappointments and uncertainties - and the lessons she learnt along the way.

In her memoir "Healed: How Cancer Gave Me a New Life", she talks about her treatment in the US and the care provided by the oncologists there to how she rebuilt her life once she returned home.

Manisha says her book is a result of intense soul-searching and she has plunged deep into the dark, bottomless pit of painful memories and woven a story out of them.

"It has taken a lot of courage to confront and relive my experiences. But I needed to do so in order to become a true storyteller for the readers’ sake as well as my own," she says.

She was diagnosed with ovarian cancer in 2012.

Manisha says for a decade, she had abused her body.

"The poor lifestyle I had been leading made my body susceptible to diseases. Had it not been cancer, some other malady would have struck me. In hindsight, on a dark, lonely night, I still wonder what it could have been and whether it would have been better or worse," the book, co-authored with Neelam Kumar and published by Penguin Random House, says.

"I think cancer came into my life as a gift. My vision is sharper, my mind clearer, my perspective realigned. I have succeeded in transforming my passive-aggressive anger and anxiety into more peaceful expressions," Manisha writes.

She says post-recovery, she has succeeded in transforming her passive-aggressive anger and anxiety into more peaceful expressions.

Born into the prominent Koirala family in Nepal, Manisha made her Bollywood debut with "Saudagar" in 1991 and went on to act in films like "1942: A Love Story", "Akele Hum Akele Tum", "Bombay", "Khamoshi: The Musical", "Dil Se", "Mann", "Lajja" and "Company".

She took a break from acting in 2012 and returned five years later with the coming-of-age drama "Dear Maya", Netflix's "Lust Stories" and "Sanju".

The comeback was not so easy.

"At first it was difficult for me to take on the role of a character artist as I had been used to playing the heroine. Then I saw the blessing in this. Having plunged into the depths of my emotions, I could now express the intricate complexities, deeper nuances and profounder layers of each character."

In her words, she began her "second innings hesitatingly", with a Kannada film.

Manisha looks back at the period just after her foray into films in the early '90s with a "lot of regret and sadness".

When films happened suddenly, she was just 19-years-old and not ready to handle Mumbai.

"Its unfamiliarity and expanse scared me. For a young, unexposed Nepalese girl, Bollywood was a terrifying experience. Unsure of how I should be behaving and interacting on the film set, I hid myself behind books. They protected me from my fear of interacting with everyone who seemed to be so sure of themselves," she says.

She then decided to do something to overcome her shyness and feeling of awkwardness.

"Alcohol came to my rescue. I loved the feeling of confidence it gave me, loosening me up, wiping out my inhibitions. Fortified by drinks, my shyness disappeared and I became quite at ease while socialising. Emboldened, I took to drinking more… and more,” she writes.

Parties became a way of life for her. Either friends would party at her house or she would go over to theirs, Manisha says.

In school, too she was a shy, introverted girl who found solace in books.

"I think reading a lot of books does that to you. I was ahead of my classmates in some ways. While they were enjoying Mills & Boons, I was reading Ayn Rand."

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Agencies
June 28,2020

Paris, Jun 28: More than 10 million cases of the new coronavirus have been officially declared around the world, half of them in Europe and the United States, according to an AFP tally on Sunday based on official sources.

At least 10,003,942 infections, including 498,779 deaths, have been registered globally.

Europe remains the hardest hit continent with 2,637,546 cases including 195,975 fatalities, while the United States has 2,510,323 infections including 125,539 deaths.

The rate of infections worldwide continues to rise, with one million new cases recorded in just six days.

The tallies, using data collected by AFP from national authorities and information from the World Health Organization (WHO), probably reflect only a fraction of the actual number of infections.

Many countries are testing only symptomatic or the most serious cases and some do not have the capacity to carry out widescale testing.

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News Network
February 6,2020

Feb 6: India has been ranked 40th out of 53 countries on a global intellectual property index, even as the country has shown improvement in terms of scores when it comes to the protection of IP and copyright issues, a top American industry body said on Wednesday.

India was placed at 36th position among 50 countries in 2019.

India's score, however, increased from 36.04 per cent (16.22 out of 45) in 2019 to 38.46 per cent (19.23 out of 50) in 2020, a 2.42 per cent jump in an absolute score.

However, India's relative score increased by 6.71 per cent, according to the International IP Index released by Global Innovation Policy Center or GIPC of the US Chambers of Commerce.

This year, it finds itself on the 40th place among 53 countries. Two new Index economies (Greece and the Dominican Republic) scored ahead of India. The Philippines, and Ukraine leapfrogged India.

"Since the release of the 2016 National IPR Policy, the government of India has made a focused effort to support investments in innovation and creativity through increasingly robust IP protection and enforcement," the GIPC said.

Since 2016, India has improved the speed of processing for patent and trademark applications, increased awareness of IP rights among Indian innovators and creators, and facilitated the registration and enforcement of those rights, it added.

According to the eighth edition of the annual report, India's score on the Chamber's International IP Index demonstrates the country's growing investment in IP-driven innovation and creativity. The Index specifically highlights a number of reforms over the last year that strengthen India's overall IP ecosystem, it said.

"In 2019, the Delhi High Court used dynamic injunctions to disable access to copyright-infringing content online, resulting in an increase in India's score on two of the copyright-related indicators," it said.

"The use of these injunctions places India alongside global leaders in copyright enforcement, including Singapore and the UK. As a result, India scores ahead of 24 other economies in the copyright indicators," the report said.

The Delhi High Court also issued a series of judgements that provide clarity on existing statutes related to trademark protection online, resulting in a score increase on one of the trademark-related indicators, it added.

The courts issued two precedential rulings that raised the bar for the damages awarded in IP-infringement cases and may provide a deterrent for future infringement. This resulted in an increase in score on one of the trademark-related indicators, it said.

Global Innovation Policy Center or GIPC said India also continues to score well in the Systemic Efficiency indicator, scoring ahead of 28 other economies in these indicators.

"This is a result of a concerted effort by the Indian government to consult with stakeholders during IP policy formation and create greater awareness about the importance of IP protection,” it said adding that India also remains a leader in the use of targeted incentives and IP assets for small and medium-sized enterprises (SMEs).

“To continue this upward trajectory, much work remains to be done to introduce transformative changes to India’s overall IP framework and take serious steps to consistently implement strong IP standards," the report said.

GIPC has identified several challenges for India. Prominent among them being patentability requirements, patent enforcement, compulsory licensing, patent opposition, regulatory data protection, transparency in reporting seizures by customs, and Singapore Treaty of Law of TMs and Patent Law Treaty.

"We are encouraged that Indian policymakers seem to recognize this Index as a valuable resource in their efforts to strengthen the country’s promising innovation ecosystem and enhance its competitiveness in an increasingly knowledge-based global economy,” the report said.

Observing that no other economy stands to gain more from strong Indian IP than India itself, the report said for example, no industry has been hurt more by copyright violations in India than the country’s own Bollywood industry, which loses almost USD3 billion to piracy each year.

"The number one way the Modi administration can demonstrate its commitment to the success of the Atal Innovation Mission, Accelerating Growth for New India’s Innovations, Make in India, Digital India, and Startup India is to strengthen its IP framework in ways that promote the legal and regulatory certainty necessary for greater R&D investment, high-value jobs, and greater innovative and creative outputs,” it said.

"Strong IP standards can further solidify India's position as the world’s fastest-growing economy, bolstering its reputation as a destination for doing business, foreign businesses’ ability to invest and make in India, thereby supporting the growth of India’s own innovative and creative industries," the report said.

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Agencies
January 4,2020

Mumbai, Jan 4: After the Indian Institute of Technology (IIT) Kanpur constituted a panel to decide whether legendary poet Faiz Ahmed Faiz's poem 'Hum Dekhenge' is offensive to Hindu sentiments, filmmaker Shoojit Sircar had a cryptic take on the burning controversy.

"Best time for the rich & small businesses to make money as most of the population are engaged with a revolutionary poet named Faiz," Sircar said in a tweet.

The poem, penned down by the iconic poet in 1979, came into limelight again recently during the protests against CAA and NRC in IIT Kanpur.

Earlier on Thursday, senior lyricist Javed Akhtar rejected the claims about the poem being 'anti-Hindu'.

IIT Kanpur on Thursday had set up a committee to look into the issue.

The move came after a complaint that the students who took out a peaceful march in the campus on December 17 against the Citizenship Amendment Act and in solidarity with Jamia Millia Islamia students, sung it as a mark of protest, which hurt the sentiments of other communities.

The CAA grants citizenship to Hindus, Sikhs, Jains, Parsis, Buddhists and Christians who faced religious persecution in Pakistan, Afghanistan, and Bangladesh and came to India on or before December 31, 2014.

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