'Celluloid Man' P K Nair, the legendary archivist, no more

March 4, 2016

Pune, Mar 4: P K Nair, the founder and director of Pune-based National Film Archive of India whose passion and dedication for preserving movies led to the setting up of the NFAI, passed away today after a brief illness.

P K NairNair, 83, breathed his last in a city hospital where he was admitted for old age-related ailments on February 22, hospital sources said.

He is survived by two sons and a daughter.

Fondly called the 'celluloid man' of Indian film industry, Paramesh Krishnan Nair carved a niche for himself as a pioneering archivist who founded the National Film Archives of India (NFAI) to preserve for posterity the country's cinematic heritage.

Hoping to build a film career, he came to Mumbai in 1953 after graduating from the Kerala University. He worked in association with veterans of the time like Mehboob Khan, Bimal Roy and Hrishikesh Mukherjee.

However, later he turned his focus to the academic side of cinema and became an assistant film curator of Pune's Film and Television Institute of India (FTII) in 1965.

It was out of his passion for movies and deep knowledge of Indian film industry that the NFAI was set up. As part of this process, he travelled extensively abroad, including Europe, America and the then Soviet Union.

After starting his quest for films as a research assistant at the FTII, Nair founded NFAI in 1964 which he built brick-by-brick with acquisition of rare films prints and served as its director for a decade.

Like a haunted man consumed by the cause dear to his heart, Nair acquired over 12,000 films, including 8,000 Indian movies and the rest foreign, which he preserved in NFAI.

He avidly screened and watched the old films in the NFAI's mini-theatre which he could recount reel by reel with its contents.

NFAI's present director Prakash Magdum paid tributes to Nair, saying his contribution to the archives was immense.

"He took films to the common man and encouraged formation of film societies to promote appreciation of cinema", he told PTI.

The mortal remains of Nair will be kept at NFAI tomorrow morning before cremation for the people to pay their respects, Magdum said.

A notable feature of his work was the nine silent movies made in India which he acquired and archived notwithstanding the ravages of time that had taken toll on the film prints.

These included "Raja Harishchandra" and "Kalia Mardan" made by father of Indian film industry Dadasaheb Phalke.

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News Network
June 16,2020

Mumbai, Jun 16: Filmmaker Dibakar Banerjee remembers Sushant Singh Rajput as a dance loving 'chhokra' from an engineering college who, having made it in Bollywood, was “enthused, sincere and totally focused” on his craft.

Banerjeee said the actor always had “a book or two” with him and took pride in the fact that he had an “inner intellectual life away from the shallower aspects of showbiz”.

Rajput was found dead in his Bandra apartment on Sunday at the age of 34, leaving his friends, colleagues and collaborators in a state of shock.

The Patna-born actor and the director worked together in 2015 film "Detective Byomkesh Bakshy!" when Rajput was a relative newcomer in the industry. Banerjee says it was Rajput's vulnerability and willingness to do different that made him stand out for the role.

In an interview with news agency, the filmmaker looks back at Rajput's sincerity, his love for science and astronomy and how an outsider has to work harder than a "mediocre, unmotivated and entitled establishment elite" to succeed in Bollywood.

Excerpts:

You worked with Sushant when he was less than two-year-old in the film industry. What struck you the most in him to cast as Detective Byomkesh Bakshy?

Banerjee: His vulnerability and intensity and the ambition to do different things than the usual Bollywood stuff.

What were your memories of Sushant- the actor and the person?

Banerjee: As an actor he would tense himself up for the scene and then completely plunge in take after take. He would put a lot of value on preparation. He would be up the previous night of the shoot, reading the scene and making notes and land up on the sets all raring to go.

He would be on, ready and give his hundred per cent throughout the shoot of Byomkesh - no matter how hard or long the day. The unit did not really have to worry about him - considering he was the star. That's what I remember - a total pro, enthused, sincere and totally focused.

As a person, he seemed to me a happy dance loving 'chhokra' from an engineering college who had made it in showbiz and now was serious about acting. He was deeply nostalgic about his carefree student days in Delhi. We used to laugh a lot - I remember that quite clearly.

Sushant's friends say that he spoke more about books and his love for astronomy than films and their fate, which is rare for an actor in the industry. Do you also remember him that way?

Banerjee: Totally true. He was a science and astronomy nut. Always had a book or two with him - and was proud of the fact that he had an inner intellectual life away from the shallower aspects of showbiz. I recognized it as a reflex, protective action to prevent the Bollywood swamp sucking him in totally. And also an identity he wanted to protect and project.

Sushant's death has brought to the fore the struggles of outsiders and the alienation they often face from the nepotistic culture of the industry. Did you feel that Sushant was also fighting this battle despite being a successful actor?

Banerjee: We all fight it, day in and out - whether successful or failing. But the trick is to define that success and failure ourselves and not let the narrative constantly forced by the establishment to get to you. Those who know this weather the storm and ultimately survive and thrive.

The biggest unfairness in all this is that it takes double the talent, energy and hard work for an outsider to convince the audience and the industry that he or she is as safe a box office bet as a mediocre, unmotivated and entitled establishment elite.

The media colludes in this by wallowing in family, coterie and celebrity worship. This leads to deep anger and frustration. Those who can let this slide survive. Those who can't - those who hurt a little more or are vulnerable and impressionable - they are at risk.

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News Network
July 5,2020

Nalgonda,  Jul 5: Bollywood filmmaker Ram Gopal Varma has been booked in connection with his upcoming film 'Murder' which is based on Pranay Kumar's murder in Nalgonda district.

Ram Gopal Varma was booked following Nalgonda court's directive on a petition filed by father of a man who was killed in an alleged honour killing incident in Miryalaguda in 2018.

"We have booked filmmaker Ram Gopal Varma following a court order for his upcoming movie 'Murder', which is based on sensational caste-based Pranay Kumar's murder that occurred in Miryalguda, Nalgonda District in September 2018, " Police said.

On June 21, the filmmaker has released the poster of 'Murder', based on a true story.
Police said, "Pranay's father Balaswamy has filed a petition in Nalgonda Court stating that the film will affect the on-going trial of Pranay's murder case and the film should be stalled."

"We've registered a case under relevant section of SC/ST (Prevention of Atrocities) Amendment Act and taken up investigation."

"The court has ordered Nalgonda police to register a case against the film director Ram Gopal Varma and the producer," added the police.

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Agencies
February 29,2020

Ernakulam, Feb 29: A court here on Friday issued a bailable arrest warrant against Malayalam actor Kunchacko Boban for failing to appear before it for witness examination in an assault case filed by an actress.

Ernakulam Additional Sessions Judge Honey M Varghese issued the arrest warrant.

As per the court's direction, Boban can take bail from police station and appear before court on March 4.

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