'Chauthi Koot', Nawazuddin's 'Haraamkhor' win big at MAMI

November 6, 2015

Mumbai, Nov 6: Gurvinder Singh's "Chauthi Koot", India's official entry at Cannes this year, bagged the best film award, while actor Nawazuddin Siddiqui-starrer teacher-student love story "Haraamkhor" won the runners up trophy at the closing ceremony of Jio MAMI 17th Mumbai Film Festival.

NawazuddinThe two films were screened in the India Gold section category of competition held during the seven-day festival, which showcased over 200 movies from 58 countries across the world.

"Chauthi Koot" ('Fourth Direction'), set during the Sikh separatist movement of the 1980s, won the Golden Gateway Award for India Gold.

Debutant filmmaker Shlok Sharma's "Haraamkhor" won the Silver Gateway Award in the same section.

Jammu & Kashmir Chief Minister Mufti Mohammad Sayeed was the special guest of the evening. He along with filmmaker Vidhu Vinod Chopra was accompanied by the young adults from Jammu & Kashmir, who were flown in to Mumbai to attend the festival.

Superstar Salman Khan, Saif Ali Khan, Riteish Deshmukh, Vidya Balan, Siddharth Roy Kapur, Kiran Rao, Dibakar Banerjee, Jackie Shroff, Radhika Apte and Pan Nalin were among the celebrities, who attended the final night of the festival, hosted by actress Kalki Koechlin.

In the international competition section, Guatemalan- French drama film "Ixcanul" ('Volcano') by Jayro Bustamante, won the top award— The Golden Gateway Award.

The film is also Gautemala's entry for the Best Foreign Language Film at the 88th Academy Awards.

Bengaluru based director Raam Reddy's debut movie "Thithi" bagged the Jury Grand Prize for international competition.

Special jury mention for achievement in directing was awarded to Cesar Augusto Acevedo for "Land and Shade".

"Ixcanul" actress Maria Telon and Farzana Nawabi ("Mina Walking") got the special jury mention for achievement in acting.

In Dimensions Mumbai, Dhruv Saigal's "Kunal" won the best film honour.

Director Jayaraj won the film for social impact award for his movie "Ottal", which also bagged the Golden Gateway Award for children's feature. French romantic-comedy "One Plus One" ('Un plus une'), directed by Claude Lelouch, brought the curtains down on the festival.

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News Network
February 10,2020

Feb 10: Bong Joon-ho’s film “Parasite” starts in a dingy, half-basement apartment with a family of four barely able to scratch out a life. There must be no place to go but up, right? Yes and no. There’s nothing predictable when the South Korean director is on his game.

This dark, socially conscious film about the intertwining of two families is an intricately plotted, adult thriller. We can go up, for sure, but Bong can also take us deeper down. There’s always an extra floor somewhere in this masterpiece.

It tells the story of the impoverished four-person Kim family who, one by one, and with careful and devious planning, all get employed by the four-person affluent Park family — as a tutor, an art teacher, a driver and a housekeeper. They are imposters stunned by the way wealth can make things easier: “Money is an iron. It smooths out all the creases,” says the Park patriarch with wonder.

Bong, who directed and wrote the story for “Parasite,” has picked his title carefully, of course. Naturally, he’s alluding to the sycophantic relationship by a clan of scammers to the clueless rich who have unwittingly opened the doors of their home on a hill. But it’s not that simple. The rich family seem incapable of doing anything — from dishes to sex — without help. Who’s scamming who?

Bong’s previous films play with film genres and never hide their social commentary — think of the environmentalist pig-caper “Okja” and the dystopian sci-fi global warming scream “Snowpiercer.” But this time, Bong’s canvas is a thousand times smaller and his focus light-years more intense. There are no CGI train chases on mountains or car chases through cities. (There is also, thankfully, 100% less Tilda Swinton, a frequent, over-the-top Bong collaborator.

The two Korean families first make contact when a friend of the Kim’s son asks him to take over English lessons for the Park daughter. Soon the son (a dreamy Choi Woo-sik) convinces them to hire his sister (the excellent Park So-dam) as an art teacher, but doesn’t reveal it’s his sis. She forges her diploma and spews arty nonsense she learned on the internet, impressing the polite but firm Park matriarch (a superb Jo Yeo-jeong.)

The Park’s regular chauffer is soon let go and replaced by the Kim patriarch (a steely Lee Sun-kyun). Ditto the housemaid, who is dumped in favor of the Kims’ mother (a feisty Jang Hye-jin.) All eight people seem happy with the new arrangement until Bong reveals a twist: There are more parasites than you imagined. The clean, impeccably furnished Park home will have some blood splashing about.

Bong’s trademark slapstick is still here but the rough edges of his often too-loud lessons are shaved down nicely and his actors step forward. “Keep it focused,” the Kim’s son counsels his father at one point. Bong has followed that advice.

There are typically dazzling Bong touches throughout. Just look for all the insect references — stink bugs at the beginning to flies at the end, and a preoccupation with odor across the frames. And there’s a scene in which the rich matriarch skillfully winds noodles in a bowl while, in another room, duct tape is being wrapped around a victim and classical music plays.

Bong could have been more strident in his social critique but hasn’t. There are no villains in “Parasite” — and also no heroes. Both families are forever broken after chafing against each other, a bleak message about the classes ever really co-existing (Take that, “Downton Abbey”).

“Parasite” is a worthy winner of the Palme d’Or at the Cannes Film Festival, the first South Korean movie to win the prestigious top prize. The director has called it an “unstoppably fierce tragicomedy.” We just call it brilliant.

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Agencies
June 14,2020

Chennai, Jun 14: Tamil Nadu Police has recovered about 100 bottles of liquor from the car of actor Ramya Krishnan, who had starred in movies like Bahubali, Padaiappa and others.

According to the police, the actor was traveling in the car at the time on the East Coast Road (ECR) where they were carrying out vehicle checks on Thursday.

The police found about 100 liquor bottles in the car boot and when queried Ramya Krishnan said she was unaware of the bottles.

Later the police confiscated the bottles and arrested the driver Selvakumar who said the liquor was bought at the Tamil Nadu government-run liquor shop.

The government has not allowed the opening of the Tasmac shops in Chennai.

Another driver came and drove the actor back to Chennai.

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News Network
April 14,2020

New Delhi, Apr 14: Legendary singer Lata Mangeshkar on Tuesday paid tributes to Dr BR Ambedkar on his birth anniversary.

The 90-year-old singer took to Twitter to extend her greetings on the occasion of Ambedkar Jayanti and also expressed gratitude for being able to get the chance to meet him.

"Namaskar. Bhartiya Savidhan ke janak mahamanav Bharat Ratna Dr BR Ambedkar Ji ki Jayanti par main unko koti koti vandan karti hu. (Namaskar. On the birth anniversary of Dr. BR Ambedkar, the father of the great Indian Constitution, I offer him a ceremonial offering)" she tweeted.

"Main unko pratyaksh roop se mil saki ye mera sobhagya hai. (It is my good fortune that I got the chance to meet him)," her tweet further read.
Ambedkar, commonly known as Babasaheb, dedicated his life to working for the upliftment of Dalits, women and the underprivileged.

Born into a poor Dalit family on April 14, 1891, Ambedkar became independent India's first law minister, the principal architect of the Indian Constitution and a founding father of the Republic of India.

He also campaigned against the social discrimination faced by Dalits and inspired the Dalit Buddhist Movement in 1956. Ambedkar was awarded the Bharat Ratna posthumously in 1990.

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