The birth of ‘Bearywood’

[email protected] (SAFIA NAEEM)
June 14, 2011

With the first ever Beary language movie - ‘Byari’, Director Suveeran, has employed his own techniques to butter popcorn with the landmark movie, which opened simultaneously in Prabhat and Big Cinema in Mangalore.

 

In Suveeran’s own words: “Althaf Hussain, who is producing the film under the banner of Thanneer Films, needs real appreciation for venturing into Beary film-dom,” even though he took up the task, after the Tulu cinema traversed several milestones.

 

Mr Hussain, who is confident that the movie would surely win accolades at national level, says that ‘Byari’ has already received overwhelming appreciation from the audience as well as from the cine-experts when it was screened at International Film Festival of Thrissur (IFFT) and Habitat Film Festival in New Delhi.

 

Moreover, the involvement of renowned actors of South India such as Mamu Koya of Mollywood and ‘My Autograph’ famed Maillika of Kollywood, has naturally raised the eyebrows of the Beary cine-lovers.

 

However, the birth of what could be termed as ‘Bearywood’, is not free from the labour pain, as the controversies remained inseparable from the much vaunted movie, even before it could become a milestone in the robust and rich Beary cultural history.

 

But the filmmakers appeared to be the firm believers in the maxim no publicity is bad publicity.

 

The controversy is all about the central plot of the movie, which, according to renowned Kannada litterateur Sara Aboobaker, is a rip off from her most popular but controversial novel ‘Chandragiriya Theeradalli’.

 

“The same people, who attacked me when I wrote the novel nearly 27 years ago, now stole the story from the same novel to produce a cinema for their own benefit,” fumes Sara. “No other word can be suitable for these people than ‘thieves’. Yes, they are thieves. But they cannot go ahead doing whatever they want, as I have already launched a legal battle against them” the 75-year-old writer thunders.

 

However, Irfan Chokkabettu, the script writer of the film, denies Sara Aboobakar’s claims. He says the entire story of the film is based on a real-life story of a woman who still resides at Chokkabettu near Surathkal. “I was a witness for what happened in that woman’s life during 1998, when the coastal region was rocked by communal riots. The woman is still happily living with her husband and two children in Chokkabettu” he says.

 

“I was familiar with the name Sara Aboobakar. But, I never knew that Sara Aboobakar is a female and she has written a novel called ‘Chandragiriya Theeradalli’,” says Irfan, adding that he came to know the story of her novel only after the shooting of the film had been commenced.

 

The film Byari has a strong message for those who seek divorce on flimsy gounds. If veteran actor Mamu Koya, who is a prominent character in the film, was right, the concepts like Talaq and Iddath are at the centre stage of this film too.

 

Mr Koya also stunned his own team by claiming in a television interview that the story was indeed based on Chandragiriya Theeradalli.

 

The story revolves around Nadira, a young girl whose marriage was fixed with an elderly male as soon as she reached puberty. After initial period of anxiety and apprehension, she settles down with her husband who is thrice her age.

 

In a sudden turn of events, Nadira’s father, for his personal gains, forces her to break her relationship with her husband and brought back to her parental house.

 

It is in this backdrop, ‘Byari’ movie revolves around the sufferings of Nadira and finally the film has a happy ending as she once again unites with her husband.

 

Even though Nadira, is a familiar character for those who have read ‘Chandragiriya Theeradalli’, Mr Irfan questions how could Islamic systems such as ‘Talaq and Iddath’ and a popular name of a girl be a copyright issue for a writer like Sara Aboobaker?

 

Clarifying that the storyline of ‘Byari’ is not against the Holy Qur’an and Shariath law, Mr Irfan says, “We have only picturised the sufferings of a woman who got ‘Talaq’ due to her father’s whims and fancies. The film contains a warning for those who misuse Talaq or Iddath system, unlike Sara Aboobaker’s book that portrays Muslim women as being shackled by religious norms.”

 

The one hour 40 minute-long movie has only one song and has been shot at different localities in and around Mangalore namely Jokatte, Surathkal, Mukka, Bajpe and Thokkottu.

 

Mr Hussain, who claims that he has invested no less than Rs 55 lakh for ‘Byari’, says that the movie, uses a lot of techniques in the scenes now and then to get the message across.

 

The award-winning artistes have also contributed to the quality of the movie with their brilliant acting, he adds.

 

 

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Crew

 

Apart from Mamu Koya and Mallika most of the actors in the movie are local Beary amateur artistes. Producer Hussain himself has stood before camera mingling with fellow actors like Rahim Uchil, Ambika Mohan, Majeed, Riyaz Ashraf, Ashwathi, Prajeesh, Sudarshan, KTS Padanna, Shareef Katipalla, Roopa Varkadi, Asha, Altaf Krishnapura, Samshuddin Paradise, Baby Shatha and Shazin, Asfiya, Annath, Bathisha Puttur and Kabir Katipalla and others. Murali Krishnan is the camera-man.

 

Litterateur’s stance

 

Sara Aboobaker, who has won the highest literary award in the state namely Nadoja, claims that she has gathered sufficient proof to establish that the whole story of the film is based on her novel ‘Chandragiriya Theeradalli’.

 

“The copyright of the novel will exclusively be with the National Film Development Corporation (NFDC) until 2015 and nobody can reproduce it until then,” says Sara, accusing the ‘Byari’ team of using her name and fame for their publicity.

 

“I am aware that during the screening of ‘Byari’ in the International Film Festival of Thrissur (IFFT) in March this year, the crew had announced to the media that the film was based on the storyline of my celebrated novel,” she says.

 

“I have produced the documents of the actor Mamu Koya’s claim, which was aired in a local TV channel, as well as my novel, before the court. I am confident that I would win the battle,” she says.

 

The matter is in lower court and will be moved to district court if needed before releasing the movie in Mangalore, says litterateur.

 

Unforgettable experience

 

Mallika who played the role of Nadira, says that she cannot forget her experience during the shooting of ‘Byari’.

 

“I was so excited when I was approached for ‘Byari’, knowing that it was the first Beary movie. I am so happy that I too have become a part of a history through the first ever film of a regional language”, she says adding that the experience while shooting the movie was unforgettable.

 

“There is a scene where I fight with my father over my marital life. The scene has come so naturally and I always cherish the moments throughout my life”

 

Mamu Koya loves Beary!

 

The national award winning Malayalam comedian Mamu Koya, who has played the role of Nadira’s (Mallika’s) father in ‘Byari’ says that he cultivated love for Beary during the shooting.

 

“I enjoyed the shooting and loved Beary language too”, says Koya, who has already acted in more than 500 Malayalam films.

 

He says “Though my role in ‘Byari’ is quite opposite to that of ‘Perumazhakalam’, where an aging father who was helpless in his daughter’s fight against the odds to save her husband’s life, it gave me opportunities to emote as in ‘Perumazhakalam’”

 

Recalling that ‘Perumazhakalam’ had bagged National Film Award for Best Film in 2005, he says, that you cannot expect awards all the time.

 

However, Mr Koya never forgets to add that the Mangaloreans are so progressive and cooperative. “Yes, I would love to act in Beary language, which is similar to Malayalam, and would not miss opportunities in future also.”

 

Interview

 

Suveeran, an award-winning playwright and director of plays and short films, has made his debut in feature film direction with the very first film of Beary language- ‘Byari’. A product of the School of Drama, Thrissur, and the National School of Drama, New Delhi, the Kerala based director’s first love remains theatre though.

 

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Q: Being a Malayalam director, why did you experiment your first feature film in Beary language?

A: It is just technical. I have already directed almost five short films in Malayalam. When ‘Byari’ project came to me, I initially denied to do it because it was nothing related to me at all and I am basically from theatre. However, my producer, who is a sensible gentleman, gave the script and asked me to rethink on it.

 

Q: How did you feel the transition from theatre to film?

A: Film is just a mechanical production, and it can exist even after my life while drama, which has a life, is a live performance. And, of course like every drama-cum-film director, I too prefer working in drama than film. But I know it is difficult to get an audience to communicate my ideas through the medium of theatre.

 

Q: Would you like to work in Beary language again?

A: I will certainly work if a project like ‘Byari’ comes up again, but so far there is no other project in Beary language.

 

Q: ‘Byari’ bagged appreciation in Film festivals in Thrissur and New Delhi. To whom should the credit go?

A: To everyone who worked for it. The whole team has given 100 per cent for ‘Byari’

 

Que: How does the film appeal the audience in terms of cinematic aesthetics?

Ans: ‘Byari’ is an art movie. An art is just a self-expression. I don’t care about the reaction of the audience, as they are independent. Whether ‘Byari’ appeals you or not is dependent of how you see the life or the world or any other thing.

 

 

 

 

 

Comments

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Ram Puniyani
January 26,2020

During last couple of decades we have been witnessing the coming up of various statues in different parts of the country. There is diverse political logic and different set of political tendencies for erecting these statues. When Mayawati was UP CM, she got multiple of her own statues made, in addition to many statues of major dalit icons, irrespective of the criticism against that act. As per her strategy it was a symbol of identity of dalit assertion. The biggest statue to come up was that of Sardar Vallabh Bhai Patel, a lifelong Congressman, whom RSS combine is trying to appropriate. This statue of Unity was ‘Made in China’. The clever trick was that the same forces were behind this statue, which was banned by Patel in the aftermath of Gandhi murder. Interestingly while currently BJP is blaming Congress for Partition of India, ironically it was Sardar Patel who was in the committee which gave final stamp of approval for the partition of India.

There is also a talk in UP, where the Ram temple campaign yielded rich electoral dividends for BJP, to have tallest statue of Lord Ram in Ayodhya. In a state where children are dying in hospitals due to lack of Oxygen cylinders, a huge budgetary allocation will be required for such project. While on statues one should also remember that in Maharashtra a tall statue of Chatrapati Shivaji Maharaj is underway in Arabian Sea, near Mumbai. Only few voices of protest against it came up, e.g. that of renowned journalist, now, MP, Kumar Ketkar, whose house was vandalised for his opposing the move on the grounds that same massive amount can be utilized for welfare-development activities in the state.

On the back of this comes a comparatively low budget 114 feet tall statue of Jesus Christ in Karnataka, in Kappala hills Harobele village, where Christian pilgrims have been thronging from last several centuries. The land for this has been donated by Congress leader Shivaprasad and his brother, a Congress MP. It is planned to be carved out from a single rock. The plan of this statue is being opposed by those who have been behind most of the statue projects so far. Hindu Jagran Vedike, VHP, RSS are up in arms saying that they will not let this come up. There are various arguments cited for this opposition. It is being said that this was a place of worship of Lord Munnieshwara (a form of Lord Shiva).

More than this it is being argued that Shivakumar is trying to please his Italian boss in the party. Also that this will bring back the period of slavery of foreign rule, the colonial rule of British. As such this opposition is more in tune with the ideology of RSS combine, which has been for a statue here and a statue there. Their politics regards Christianity as a ‘foreign religion’! It is true that in Citizenship Amendment Act, they have not excluded Christianity while other religion, which they regard as ‘Foreign’ i.e. Islam. Here they are using a different logic, that the countries from where persecuted minorities are coming, are Muslim countries, Pakistan, Afghanistan and Bangla Desh.

In India the major targeting by RSS combine has been against Muslims, but Christians are also not spared. Starting in the decade of 1980, an intense propaganda has been going on that Christian Missionaries are converting. As RSS affiliate Vanvasi Kalyan Ashram became active in Adivasi areas, the likes of Swami Aseemanand, Swami Laxmanand and followers of Aasaram bapu spread out in Tribal areas. They started their programs to popularise Shabri and Hanuman, with congregations like Shabri Kumbh being regularly organized in these areas. The aim was to Hinduize the people in those areas.

The first major anti Christian violence came up in the ghastly form of burning alive of Pastor Graham Steward Stains along with his two minor sons Timothy and Philip. RSS affiliate Bajrang Dal's Dara Siingh aka Rajendra Pal was behind this and he is serving the life term for that. At the same time Wadhva Commission was appointed to investigate this crime which shook the country and President K.R. Narayan termed it as the one belonging to the inventory of the black deeds of human history.

The Wadhva commission report pointed out that there was no statistical significant change in the region where the pastor was working. Similarly the national figures tell us that the Christian population, if at all, has marginally declined in last five decades as per the census figures. They stand like this, percentage of Christians in population, 1971-2.60, 1981- 2.44, 1991-2.34, 2001-2.30 and 2011-2.30. There are arguments that some people are converting to Christianity but are not revealing their religion. This may be true in case of miniscule percentage of dalits, who may not reveal there conversion, as they stand to loose reservation provisions if they convert.

The anti Christian violence is scattered and is below the radar most of the places. There was massive valence in Kandhamal, Orissa, when on the pretext that Christians have murdered Swami Laxmananand, a massive violence was unleashed in 2008. On regular basis prayer meetings of Christians are attacked on the pretext that these are attempts at conversion. While there is a huge demand for the schools and colleges run by Christian groups, in Adivasis areas and remote areas the work of Swamis is on.

Now the trend is to dump Christian traditions. Since Ramnath Kovind became President, the usual practice of Carol Singers visiting Rashtrapati Bhavan has been stopped. In the army retreat so far ‘Abide with me’ by Scottish poet, Henri Francis Lyte, a Christian song, a favourite of Gandhi, has been dropped. The Christian minorities have perceived the threat in various forms. Currently they are as much part of the protests against CAA, NPR and NRIC as any other community.

While statues and identity issues cannot have primacy over the social development issues, it cannot be selective. To oppose Jesus Christ statue while spending fortunes for other statues is a part of the agenda of RSS combine, which is unfolding itself in various forms. opposition to Jesus Christ statue being yet another step in the direction.

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Ram Puniyani
July 20,2020

As Covid 19 has created havoc all rounds, the rulers of certain countries are using it to further intensify their set agendas. The democratic freedoms are being curtailed in certain forms, the reaction to which has come in America in the form of a campaign, which is opposing “stifling” cultural climate that is imposing “ideological conformity” and weakening “norms of open debate and toleration of differences”. In India similar intimidations have been intensified. In addition the occasion has been used by the sectarian forces first to link the spread of Corona to Muslim community and now in the name of reducing the burden of curriculum certain chapters on core concepts related to Indian nationalism are being deleted from the text books.

It has been reported that chapters on federalism, citizenship, nationalism, secularism, Human Rights, Legal Aid and Local Self Government and the like are being dropped. Education has been an important area for communal forces and they constantly keep saying that leftists have dominated the curriculum content, it suffers from the impact of Macaulay, Marx and Mohammad and so needs to be Indianized. The first such attempt was done when BJP came to power in 1998 as NDA and had Murli Manohar Joshi as the MHRD minister. He brought the changes which were termed as ‘saffronization of education’. Their focus is more on social science. Some of the highlights of this were introduction of subjects like Astrology and Paurohitya, and chapters defending caste system, nationalism of the type of Hitler was praised.

With defeat of NDA in 2004, the UPA did try to rectify some of these distortions. Again after 2014 the RSS affiliates working in the area of education have been active, interacting with MHRD officials to impress upon them the need to change the curriculum matching with their Hindu nationalist agenda. Its ‘Shiksha Sanskriti Utthan Nyas’ has been asking for removal of English, Urdu words in the texts. It has asked for removal of thoughts of Rabindranath Tagore on Nationalism, extracts of autobiography of M F Husain, references to benevolence of Muslim rulers, references to BJP being Hindu party, apology of Dr. Manmohan Singh for anti Sikh pogrom of 1984, the reference to killings of Gujarat carnage in 2002 among others. This they call as Bhartiykaran of syllabus.

As RSS is a multithreaded hydra one of its pracharak Dinanath Batra has set up ‘Shiksha Bachao Abhiyan Samiti’ which has been pressurizing various publishers to drop the books which are not conforming to their ideology. One recalls their pressuring withdrawal of Wendy Doniger’s ‘The Hindus’, as it does present the ancient India through the concerns of dalits and women. Mr. Batra has already come out with a set of nine books for school curriculum, giving the RSS view of the past and RSS understanding of social sciences. These have already been translated into Gujarati and thousands of the sets of these books are being used in Gujarat Schools.

The present step of deleting parts of curriculum which gives the basics of Indian Nationalism, secularism and human rights is a further step in the same direction. These are the topics which have made the Hindu nationalists uncomfortable during last few years. They have been defaming secularism. They removed it from the preamble of Indian constitution, when they put out an ad on the eve of Republic day in 2015. From last few decades since the Ram Temple movement was brought up, simultaneously the secular ethos of India’s freedom movement and secular values of Indian constitution have been constantly criticized. Many an RSS ideologues and BJP leaders have been asking for change of Indian Constitution for this very reason.

Secularism is part of the concept of Indian nationalism. In the name of religious nationalism, sectarian divisive nationalism they have been attacking various student leaders in particular. When we study Nationalism, the very genesis of Indian nationalism tells us the plurality of our freedom movement with its anti colonial roots. The struggle was for Indian nationalism and so the Muslims and Hindu communalists kept aloof from this great struggle against colonial masters, it was this struggle which built the Indian nation with all its diversity.

Similarly as we have equal rights as citizens the chapters on citizenship are being dropped. Federalism has been the core part of India’s administrative and political structure. As the dictatorial tendencies are becoming stronger, federalism is bound to suffer and that explains the dropping of this subject. Democracy is decentralization of power. Power reaching the lowermost part of the system, the villages and average citizens. This got reflected in Local self Government. The power is distributed among villages, cities, state and center. By removing chapters on federalism and local self government, the indications of the ideology of ruling party are on display.

While we are not dealing with all the portents of the planned omissions, one more aspect that related to dropping of chapter on Human rights needs our attention. The concept of Human rights and dignity are interlinked. This concept of Human rights also has international ramifications. India is signatory to many an UN covenants related to Human rights. The indications are clear that now rights will be for the few elite and ‘duties’ for the large deprived sections will be put on the forefront.

In a way this incidental ‘Corona gifted opportunity’ to the ruling Government is being fully used to enhance the agenda of ruling party in the arena of Educational Curriculum. The part of curriculum with which the ruling party is uncomfortable is being removed. This act of omission does supplement their other acts of commission in changing the shape of educational curriculum, which are reflected in RSS affiliates’ suggestions to MHRD regarding Bhartiyakaran of contents of syllabus. As per this the things like regarding the great epics like Ramayana and Mahabharata as History, the things like India having all the stem cell technology, plastic surgery, aviation science etc. will have a place in the changes planned by communal forces!

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Ram Puniyani
August 9,2020

Contrary to present impression that Muslims are separatists due to whom the partition of India took place, the truth is that Muslims contributed to freedom movement and upheld India’s composite culture in equal measure. The partition process, mainly due to British policy of ‘divide and rule’ well assisted by Hindu and Muslim communalists is being hidden from the popular vision in India and Muslims in general are held responsible for the same. Not only that the communal historiography introduced by British to pursue their policies has become the bedrock of communal politics and worsening of the perceptions about Muslims is in progress in India.

Yet another example of this has been a series of tweets by the bureaucrat, who is close to retirement, K. Nageshwar Rao. Contrary to the service rules he has made statements, through his tweets which are appreciative of RSS-BJP and demonise the stalwarts Muslim leaders who not only contributed to the freedom movement but also later gave valuable service in laying the foundation of Independent India. As per Rao, his tweets he accuses Maulana Azad and the other Muslim Education ministers of “deracination of Hindus”. After naming “Maulana Abul Kalam Azad — 11 years (1947-58)”; “Humayun Kabir, M C Chagla & Fakruddin Ali Ahmed — 4 years (1963-67)”; and, “Nurul Hassan — 5 years (1972-77)”, he posts: “Remaining 10 years other Leftists like VKRV Rao.”

He points out that their policies were meant to “1. Deny Hindus their knowledge, 2. Vilify Hinduism as collection of superstitions, 3. Abrahamise Education, 4. Abrahamise Media & Entertainment, 5. Shame Hindus about their identity!  and 6. Bereft of the glue of Hinduism Hindu society dies.”

Then he goes on to praise RSS-BJP for bringing the glory back to Hindus. These statements of his on one hand promote the Hate and on the other tantamount to political statement, which civil servants should not by making. CPM politburo member Brinda Karat has written a letter to Home Minister Amit Shah to take suitable action against the erring bureaucrat.

Rao begins with Maulana Abul kalam Azad. Surely Azad was one of the major leaders of freedom movement, who was also the youngest President of INC, in 1923 and later between 1940 to 1945. He opposed the partition process tooth and nail till the very last. As the Congress President in 1923 he wrote a remarkable Para, symbolizing the urge for Hindu Muslim unity, “If an angel descends from heaven and offers me Swaraj in 24 hours on condition that I give up Hindu Muslim Unity, I will refuse. Swaraj we will get sooner or later; its delay will be a loss for India, but loss of Hindu Muslim unity will be a loss for human kind”. His biographer Syeda Hamid points out “He spoke without an iota of doubt about how debacle of Indian Muslims has been the result of the colossal mistakes committed by Muslim League’s misguided leadership. He exhorted Muslims to make common cause with their Hindu, Sikh, Christian fellow countrymen.” He was the one who promoted the translation of Hindu scriptures Ramayan and Mahabharat in to Persian.

Surely Mr. Rao, neither has read Azad or read about him nor knows his contributions to making of Modern India. While today, the ideological formation to which Mr. Rao seems to be pledging his commitment is critical of all that happened during Nehru era, it was during this period when as education minister Azad was shepherding the formations of IITs, Academies of Science, Lalit kala Academies. It was during this period that the efforts to promote Indian composite culture were undertaken through various steps.

The other stalwarts who are under the hammer have been outstanding scholars and giants in their own field of education. Humayun Kabir, Nurul Hasan, Dr.Zakir Husssain gave matchless ideas and practical contributions in different fields of education. One can say that contrary to the accusations, India could match up to the Computer era, software and associate things, due to creation of large manpower in these areas mainly due to these foundations which were laid down particularly in the field of education during this period.

The charge that these ‘Muslim’ education ministers white washed the bloody Islamic rule is a blind repetition of the offshoot of communal historiography introduced by British. While Kings were ruling for power and wealth, their courts had Hindus and Muslim both officers. The jaundiced vision sees this as a bloody Islamic rule but as a matter of fact the syncretic culture and traditions developed precisely this period. It was during this period that Bhakti Traidtion with Kabir, Tukaram, Namdeo, Tulsidas flourished. It was during this period that humane values of Sufi saints reached far and wide. It was during this period that poets like Rahim and Raskhan produced their classic literature n praise of Hindu Gods.

We also need to remind ourselves that large number of Muslims participated in the freedom Movement. Two scholars Shamsul Islam and Nasir Ahmad have come out with books on the myriad such freedom fighters, to recall just a few names. Khan Abdul Gaffar Khan, Zakir Hussain, Syed Mohammad Sharfuddin Kadri, Bakht Khan, Muzzafar Ahmad, Mohammad Abdir Rahman,, Abbas Ali, Asaf Ali, Yusuf Mehrali, Maulana Mazahrul Hague.

These are just a few of the names. The movement, led by Gandhi, definitely laid the foundations where composite Indian culture and respect for all religions, others’ religion was paramount and this is what created Indian fraternity, one of the values which finds its place in the preamble of Indian Constitution.

This blaming of Education ministers who were Muslims is an add-on to the process of Islamophobia in India. So for there have been many actions of Muslim kings which are selectively presented as being bloody, now the post Independent History, where glorious contributions have been made by Muslim leaders are being used to further deepen the divisive process. We need to pay respects to builders of modern India, irrespective of their religion.

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