The Bollywood story through film posters, lobby cards

January 2, 2014

BollywoodNew Delhi, Jan 2: Bollywood's unseen and lesser known stills capturing action, affection, portraiture and villainy through decades-old film memorabilia like cinema lobby and show cards is now put on show.

Curated by photographer Rahaab Allana as a tribute to 100 years of cinema, these curios are showing at an exhibition he has titled "Filmy Jagat: Shared Universe of Indian Cinema" at the Art Heritage Gallery here.

"The visual culture in India is vast. It was the end of the centenary and I felt in the end, we should talk about sub cultures rather than the mainstream activities going on all the time," Allana told PTI in an interview at the the opening of the exhibition.

The exhibition, says the photographer is an attempt by his team to bring to fore the sub culture of photography that existed in Hindi movies for four decades from 1940 to 1980s but still unknown to the masses.

"For instance, the lobby cards and show cards that would have originally been pinned up in cinema theatres, are some of the most acknowledged forms of photography. We have made them part of the exhibition," he says.

The focal point of the exhibition is a scrap book titled "Filmy Jagat" scribbled in hand on the cover.

Acquired by Allana a year ago, the pre-independence book paved the way for the exhibition. "Working around the streets of Mumbai and picking up material, I came upon this scrap book and I realize that a scrap book is an important sub-culture of photography. I realized that I would like to research it and found out that there was no publication or history around scrapbook so I thought to do one," he says.

Divided into different tropes and styles, the show highlights such film stills dating from a later period in Indian cinema, namely the 1960s-80s, an era that gave way to a global audience for Hindi films. Action, Affection, Portraiture and Villainy are therefore some of the recurring moments that were captured throughout film photography.

The curator of Alkazi Foundation for the Arts. Allana says he had no plans of putting up a show when he acquired the archives. "I had no thought while going for the archives. I acquired them I because liked them," he says.

Allana admits it was a challenging task to acquire all the archives. "It was challenging. Easy as everyone was dedicated to it but difficult for obvious reasons," the curator says.

He hopes that people visit the exhibition and they start "responding to it in their own capacity." Another reason which Allana had for putting up this exhibition was to show his support for offbeat cinema. "If we want to make that kind of cinema supporting this type of exhibition is good," he said.

The exhibition preempts a publication specific to the scrapbook, titled Filmi Jagat Scrapbook: Shared Universe of Indian Cinema, by Niyogi Books with a introduction by Shyam Benegal which will be released early next year. "Yes, we hope to release it in the first quarter of the year," says Allana.

Along with this a parallel exhibition titled Contemporary Artworks, where artists have responded to the "dynamic presence of Bollywood".

M F Husain's "Culture of the Streets", a portfolio of 20 signed photographs printed on Kodak C-Print with foil on photo paper shot in the 1980s, makes it clear that for Husain, the streets of Chennai with their enormous hoardings of South Indian movie stars were a part of the contemporary urban landscape and a part of the artist's visual vocabulary.

Younger artists like Bharti Verma's otherwise vacant streets and homes of New Delhi are dominated by a historic legacy of film posters that are suspended like a giant, silent backdrop in the distance. Sharmistha Dutta creates collages of 1970's film posters pasted on ruined, blood-splattered city walls, against which she arranges interesting and vivid portraits of the common man.

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News Network
February 12,2020

London, Feb 12: Oscar-winning British director Steve McQueen is returning to his art roots with a series of short films at London's Tate Modern art gallery, offering a sensory exploration of black identity.

McQueen, who became the first black director to win the best picture Academy Award in 2014 for "12 Years a Slave", is now based between London and Amsterdam and is focused on championing diversity in the film industry.

Visitors to his new exhibition will be greeted by "Static", a film of New York's Statue of Liberty, scrutinising the iconic symbol from every possible angle at very close range against a deafening backdrop of the helicopter from where the footage was filmed.

"What interests Steve is our view of the world, how humans are trying to represent Liberty," said Fiontan Moran, assistant curator of the exhibition.

"7th Nov, 2001" features a still shot of a body while McQueen's cousin Marcus tells of how he accidentally killed his brother, a particularly traumatic experience for the artist.

"Western Deep" is another visceral work, giving a sense through sights and sounds in an interactive installation of the experiences of miners in South Africa, following them to the bottom of the mine.

"Ashes", meanwhile, is a tribute to a young fisherman from Grenada, the island where McQueen's family originated.

The images of beauty and sweetness filmed from his boat are tragically reversed on the other side of the projection screen, which shows a grave commissioned by McQueen for the eponymous young fisherman, who was killed by drug traffickers.

African-American singer, actor and civil rights activist Paul Robeson (1898-1976) is honoured in "End Credits".

The film shows censored FBI documents detailing the agency's surveillance of Robeson, read by a voice-over artist, for five hours.

"He is... testing the limits of how people can be documented in an era of mass surveillance," said Moran.

In a similarly militant vein, the exhibition features the sculpture "Weight", which was first shown in the prison cell where the writer and playwright Oscar Wilde was imprisoned.

It depicts a golden mosquito net draped over a metal prison bed frame, addressing the theme of confinement and the power of the imagination to break free.

The show runs alongside an exhibition of McQueen's giant portraits of London school classes, many of which appeared on the streets of London last year.

"I remember my first school trip to Tate when I was an impressionable eight-year-old, which was really the moment I gained an understanding that anything is possible," said McQueen, adding it was "where in some ways my journey as an artist first began".

He recently told the Financial Times newspaper the difference between his art films and his feature films was that the former were poetry, the latter like a novel.

"Poetry is condensed, precise, fragmented," he said. "The novel is the yarn".

The exhibition opens on February 13 and runs until May 11.

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Agencies
April 25,2020

Thiruvananthapuram, Apr 25: Malayalam actor Ravi Vallathol, well-known for his acting in television serials and movies, passed away on Saturday at a hospital here, family sources said.

Vallathol, son of drama legend T N Gopinathan Nair and Soudamini, was the nephew of the famous Malayalam poet Vallathol Narayana Menon.

The veteran actor had appeared in around 50 Malayalam movies and more than 50 television serials starting from1986 with the serial 'Vaitharani' on Doordarshan.

Kerala Chief Minister Pinarayi VIjayan expressed condolences on the passing away of the actor.

"He had an extraordinary ability to immortalise the characters with a wide range of emotions," Vijayan said, adding that, his demise was a loss to both theatre, film and TV serial industry.

Opposition Congress leader Ramesh Chennithala also condoled the demise of the Vallathol.

Chennithala remembered Vallathol as a brilliant writer and social activist. Vallathol made his film debut in 'Swathi Thirunal' directed by the late Lenin Rajendran in 1987.

He had also played versatile characters in hit movies movies including Godfather, Mathilukal, Sargam, Vidheyan, Kottayam Kunjachan, Naalu Penningal, Idukki Gold among others.

He has penned more than 25 short stories among which two were adapted into television series.

He is survived by his wife Geethalakshmi.

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News Network
February 3,2020

Feb 3: Actor-cum-activist Swara Bhaskar on Sunday targetted the Central government over granting Padma Shri to Pakistan-origin singer Adnan Sami who became an Indian citizen in 2016.

Addressing "Save the Constitution, Save the Country" rally here in Madhya Pradesh, Bhaskar said that passing the new citizenship amendment act tantamount to "betrayal" of the Constitution.

Sami, born in London to a Pakistani Air force veteran, applied for Indian citizenship in 2015 and became a citizen of the country in January 2016.

He was one of the 118 people chosen for the Padma Shri awards by the Centre last month.

"The legal process to grant citizenship to refugees and arrest infiltrators already exists in India. You (the government) have granted Indian citizenship to Adnan Sami and now selected him for Padma Shri through that process. (If this is the case) What is the need and justification for the Citizenship Amendment Act?" Bhaskar asked.

"On the one hand you abuse us (anti-CAA protesters), cane-charge us, slap us, hurl teargas shells at us and on the other hand you award Padma Shri to a Pakistani," she said

Bhaskar said the government labels some people as the members of "tukde-tukde gang" and anti-nationals" as per its convenience.

"Supporters of the CAA and the NRC keep harping about the so-called infiltrators having entered our country. If that is the case then why are we unable to see these intruders?" she asked.

"The problem is that they have intruded into the minds of the government and the ruling party," she said.

Bhaskar said the government seems to have "fallen in love with Pakistan".

"It sees Pakistan everywhere. My devout grandmother doesn't chant Hanuman Chalisa as often as this government keeps chanting the Pakistan mantra," she said.

Without naming the RSS, the actor said, "Sitting in Nagpur, these people are spreading politics of hatred".

Bhaskar said Pakistan chose to become a religious nation after the Partition in 1947 unlike India which opted to become a "secular republic where one's religion has nothing to do with citizenship".

"(Pakistan founder Mohammad Ali) Jinnah died a long ago, but his admirers want to divide the country again in the name of a religion," Bhaskar said.

She criticised BJP national general secretary Kailash Vijayvargiya for his controversial remarks about the 'presence' of Bangladeshi infiltrators in Indore, after some labourers were found eating poha and not rotis.

"If poha is Bangladeshi cuisine, then Kailash Vijayvariya, who grew up eating poha (in Indore), should be required to show his Indian citizenship papers," she demanded.

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