Court reserves order on complaint against Shah Rukh Khan, Salman Khan

June 2, 2016

Mumbai, Jun 2: A Delhi court today reserved its order on a criminal complaint filed against actors Shah Rukh Khan and Salman Khan for allegedly hurting religious sentiments by entering the sets of a temple wearing shoes while shooting for reality show " Bigg Boss 9 ".

Additional Chief Metropolitan Magistrate Vandana Jain reserved the verdict after hearing arguments of the complainant who questioned the action taken report (ATR) filed by Delhi Police in which the megastars were given a clean chit.

srkbhIn the ATR, police had earlier said that Shah Rukh and Salman were shooting at a makeshift temple, which was part of the sets in a studio for the reality show, and had no intention to hurt religious sentiments.

The report was filed following court order on the complaint lodged by advocate Gaurav Gulati who sought registration of an FIR against the two actors, Colors channel and director and producer of "Bigg Boss 9" for alleged offences under sections 295A (deliberate and malicious acts intended to outrage religious feelings), 298(uttering words with deliberate intent to wound religious feelings) and 34 (common intention) of IPC.

The complaint alleged that in a video being circulated, Shah Rukh and Salman were seen wearing shoes on the sets of the temple while shooting for an episode of "Bigg Boss 9" where the idol can be seen in the background.

"It is a disrespect to the Hindu religion and its belief as it is strictly prohibited to come in the temple with shoes and also they were showing their back to the idol which is also deemed to be an insult to the Hindu goddess... (sic)," it alleged, claiming it seemed to be a "well-planned malicious act to outrage Hindu feelings".

However, the report forwarded by SHO of Roop Nagar Police Station in February, had said "No cognisable offence is made out. The promo was not shot to disturb the sanctity of a religious place or disturb or hurt the religious sentiments of any individual, group, community or section of the society."

It its report, the police also mentioned that a similar complaint was filed in a Meerut court, which has already dismissed it.

"As they (actors) had met after a long time, the director thought of an idea of showing them reuniting on the sets of 'Kali Mandir' in a similar manner as they had reunited in the movie 'Karan Arjun' in such a temple after their 're-birth' in the film.

"This idea was not motivated by any intention of hurting any religious sentiments of any religious group and shooting of the promo was done in a studio and the incident never took place," police had said, citing the channel's reply.

Comments

ali
 - 
Thursday, 2 Jun 2016

Install idols in public toilet, let them remove shoes while entering toilets.
Base less allegation from stupid people.

Indian
 - 
Thursday, 2 Jun 2016

What if police walks inside masjid with shoes , who will make FIR , it has happened so many times in coastal Karnataka .

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News Network
January 9,2020

Mumbai, Jan 9: Actor Juhi Chawla on Wednesday said instead of constantly criticising the government, one should reflect on own conduct and talk about uniting rather than dividing.

The actor attended an event which aimed to counter "Free Kashmir (narrative), anti-India slogans, false propaganda and clear the misconception."

Juhi said as artistes, it's unfair to be questioned about incidents "just for a reaction" when they should be given time to truly understand the situation.

"We are going to work, thinking how to execute our task, then some incident happens somewhere and suddenly the media asks, 'what do you think about this?' We haven't understood the matter, people haven't understood the matter but you need a reaction.

"Let people understand, whether it's NRC or CAA, and what's is it about, why is this being talked about," Juhi told reporters.

The actor said it is sad that people talk about division more than unity.

"Everyone is quick to talk about dividing. Why don't we talk about uniting? Why does everyone say 'what is the government doing, why is it doing this?' but I say if you point one finger there then three fingers are at you.

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News Network
June 16,2020

Mumbai, Jun 16: Filmmaker Dibakar Banerjee remembers Sushant Singh Rajput as a dance loving 'chhokra' from an engineering college who, having made it in Bollywood, was “enthused, sincere and totally focused” on his craft.

Banerjeee said the actor always had “a book or two” with him and took pride in the fact that he had an “inner intellectual life away from the shallower aspects of showbiz”.

Rajput was found dead in his Bandra apartment on Sunday at the age of 34, leaving his friends, colleagues and collaborators in a state of shock.

The Patna-born actor and the director worked together in 2015 film "Detective Byomkesh Bakshy!" when Rajput was a relative newcomer in the industry. Banerjee says it was Rajput's vulnerability and willingness to do different that made him stand out for the role.

In an interview with news agency, the filmmaker looks back at Rajput's sincerity, his love for science and astronomy and how an outsider has to work harder than a "mediocre, unmotivated and entitled establishment elite" to succeed in Bollywood.

Excerpts:

You worked with Sushant when he was less than two-year-old in the film industry. What struck you the most in him to cast as Detective Byomkesh Bakshy?

Banerjee: His vulnerability and intensity and the ambition to do different things than the usual Bollywood stuff.

What were your memories of Sushant- the actor and the person?

Banerjee: As an actor he would tense himself up for the scene and then completely plunge in take after take. He would put a lot of value on preparation. He would be up the previous night of the shoot, reading the scene and making notes and land up on the sets all raring to go.

He would be on, ready and give his hundred per cent throughout the shoot of Byomkesh - no matter how hard or long the day. The unit did not really have to worry about him - considering he was the star. That's what I remember - a total pro, enthused, sincere and totally focused.

As a person, he seemed to me a happy dance loving 'chhokra' from an engineering college who had made it in showbiz and now was serious about acting. He was deeply nostalgic about his carefree student days in Delhi. We used to laugh a lot - I remember that quite clearly.

Sushant's friends say that he spoke more about books and his love for astronomy than films and their fate, which is rare for an actor in the industry. Do you also remember him that way?

Banerjee: Totally true. He was a science and astronomy nut. Always had a book or two with him - and was proud of the fact that he had an inner intellectual life away from the shallower aspects of showbiz. I recognized it as a reflex, protective action to prevent the Bollywood swamp sucking him in totally. And also an identity he wanted to protect and project.

Sushant's death has brought to the fore the struggles of outsiders and the alienation they often face from the nepotistic culture of the industry. Did you feel that Sushant was also fighting this battle despite being a successful actor?

Banerjee: We all fight it, day in and out - whether successful or failing. But the trick is to define that success and failure ourselves and not let the narrative constantly forced by the establishment to get to you. Those who know this weather the storm and ultimately survive and thrive.

The biggest unfairness in all this is that it takes double the talent, energy and hard work for an outsider to convince the audience and the industry that he or she is as safe a box office bet as a mediocre, unmotivated and entitled establishment elite.

The media colludes in this by wallowing in family, coterie and celebrity worship. This leads to deep anger and frustration. Those who can let this slide survive. Those who can't - those who hurt a little more or are vulnerable and impressionable - they are at risk.

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Agencies
July 27,2020

Mumbai, Jul 27: Action director Parvez Khan, known for his work in films like Sriram Raghavan's Andhadhun and Badlapur, died on Monday after suffering a massive heart attack. He was 55. 

Parvez, who worked in the industry since 1986, was rushed to Ruby Hospital after he complained of chest pain, his longtime associate Nishant Khan told PTI. "He suffered a major heart attack in the morning. He was rushed to the hospital but was pronounced dead. He didn't have any health issues but felt chest pain last night," Nishant said.

Filmmaker Hansal Mehta, who worked with Parvez in the National Award winning 2013 drama Shahid, said the action director was extremely skilled. "Just heard that action director Parvez Khan is no more. We had worked together in Shahid where he executed the riots sequence in a single take. Very skilful, energetic and a good man. RIP Parvez. Your voice still rings in my ears," Hansal tweeted. 

Parvez started his career by assisting action director Akbar Bakshi in films like Akshay Kumar's Khiladi (1992), Shah Rukh Khan's Baazigar (1993) and Bobby Deol-starrer Soldier in 1998. It was with Ram Gopal Varma's Ab Tak Chhappan in 2004 that he started working independently and went on to have a long-standing collaboration with filmmaker Sriram Raghavan in films such as Johnny Gaddaar (2007), Saif Ali Khan-starrer Agent Vinod in 2012 and Badlapur, featuring Varun Dhawan. He is survived by wife, son, daughter-in-law and a granddaughter.

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