Yakshagana veteran Chittani Ramachandra Hegde is no more

coastaldigest.com news network
October 3, 2017

Managluru, Oct 3: Veteran Yakshagana artiste Chittani Ramachandra Hegde passed away at a private hospital in Manipal on Tuesday night, due to pneumonia. He was 84.

He was the first among Yakshagana artistes to receive Padma Shri award. A school dropout who studied up to Class 2, Ramachandra Hegde performed Yakshagana for nearly seven decades and won a national award.

He is survived by his wife, three sons and a daughter. The last rites will be conducted at his village Guddekeri, 19 km from Honnavar, in Uttara Kannada on Wednesday.

Ramachandra Hegde became unconscious after performing the role of Shantanu in “Bheeshmotpatti” prasanga (episode) in Bangaramakki on September 26. Later, he was admitted to a hospital in Honnavar from where he was shifted to Kasturba Medical College Hospital in Manipal on September 29.

His illustrious performance became the subject matter for research works. Keshava Hegde, the author of Yaksha Sinchana, said that Ka. Vem. Shree and Vasudha Hegde obtained their Ph. D by writing on the performance of Ramachandra Hegde.

Ramachandra Hegde’s greatest strength was memorising the “prasangas” as he was not well versed in reading and writing. Many artistes of the present generation have been following the Chittani style of dance, Mr. Keshava Hegde said.

A recipient of many awards, including the Rajyotsava award, Mr. Hegde was known for performing the roles of Bhasmasura, Kaurava, Keechaka, Rudrakopa, Kamsa, Magadha and many other villain roles.

His son Subrahmanya Chittani, also a Yakshagana performer, said that Yakshagana was his father’s life.

Mr. Hegde had described Yakshagana as a “collective form” that came alive with everybody, from the veshadhari (artiste) and bhagavata (background singer) to the chande and maddale (percussion) players.

Comments

Vinod acharya
 - 
Wednesday, 4 Oct 2017

Condolence.. God may give strength  for family to bear his loss

Mohan
 - 
Wednesday, 4 Oct 2017

Great artist. Biggest loss for us

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Wafa Sultana
April 4,2020

Over the last couple of days when the world was occupied with unifying efforts to fight the deadly Covid19 pandemic, sections of Indian media provided viewers a familiar scapegoat – the Indian Muslims – who are often stereotyped as a community being constantly at loggerheads with the citizenry and the State. Biased media channels were quick to resort to blaming the entire Muslim community for the spread of the disease in the country, thanks to an ill-timed Tablighi Jamaat gathering at its international headquarters in Delhi’s Nizamuddin. Unsurprisingly, the opprobrium was also marked by a sudden spike in WhatsApp forwards of videos with people wearing skullcaps licking spoons and performing Sufi breathing rituals, suggesting some sort of wild conspiracy on the part of the community to spread the virus.  Some media channels were quick to formulate, hypothesize and provide loose definitions of a newly discovered form of Jihad i.e. ‘Corona Jihad ’ thereby vilifying the Islamic faith and its followers.

While the investigation on the culpability of the organizers of the Nizamuddin event is still ongoing, there is enough information to suggest that the meeting was held before any lockdown was in force, and the problem began when there was no way of getting people out once the curfew was announced. Be that as it may, there is little doubt that organizing a meet of such a scale when there is a global pandemic smacks of gross misjudgment, and definitely the organizers should be held accountable if laws or public orders were defied. Attendees who attempt to defy quarantine measures must be dealt with strictly. However, what is alarming is that the focus and narrative have now shifted from the unfortunate event at Nizamuddin to the Tablighi Jamaat itself.

For those not familiar with the Tablighi Jamaat, the organization was founded in 1926 in Mewat by scholar Maulana Mohammad Ilyas. The Jamaat’s main objective was to get Muslim youth to learn and practice pristine Islam shorn of external influences. This is achieved through individuals dedicating time for moral and spiritual upliftment secluded from the rest of the world for a brief period of time. There is no formal membership process. More senior and experienced participants typically travel from one mosque to other delivering talks on religious topics, inviting local youth to attend and then volunteer for a spiritual retreat for a fixed number of days to a mosque in a nearby town or village to present the message to their co-religionists. Contrary to ongoing Islamophobic rhetoric, the movement does not actively proselytize. The focus is rather on getting Muslims to learn the teachings and practices of Islam.  This grassroots India-based movement has now grown to almost all countries with substantial Muslim populations. Its annual meets, or ‘ijtemas’ are among the largest Islamic congregations in the world after the annual Haj. One of the reasons for its popularity and wide network in the subcontinent and wordwide is the fact that it has eschewed the need for scholarly intervention, focusing on peer learning of fundamental beliefs and practice rather than high-falutin ideological debates. The Tablighi Jamaat also distinguishes itself from other Islamic movements through its strictly apolitical nature, with a focus on individual self-improvement rather than political mobilization. Hardships and difficulty in the world are expected to be face through ‘sabr’ (patience) and ‘dua’ (supplication),  than through quest for political power or influence. In terms of ideology, it is very much based on mainstream Sunni Islamic principles derived from the Deobandi school.

So, why is all this background important in the current context? While biased media entities have expectedly brought out their Islamophobic paraphernalia out for full display, more neutral commentators have tried to paint the Tablighi Jamaat as a fringe group and have tried to distance it from 'mainstream Muslims'. While the intent is no doubt innocent, this is a trap we must not fall into. This narrative, unfortunately, is also gaining ground due to apathy some Muslims have for the group, accusing it of being “disconnected from the realities of the world”. Unlike other Muslim organizations and movements, the Tablighi Jamat, by virtue of its political indifference, does not boast of high-profile advocates and savvy spokespersons who can defend it in mainstream or social media.  The use of adjectives such as 'outdated' and 'orthodox' by liberal columnists to describe the Jamaat feeds into the malignant attempt to change the narrative from the control of the spread of the pandemic due to the Nizamuddin gathering to 'raison d'etre' of the organization itself.

A large mainstream religious group like the Tablighi Jamaat with nearly a hundred-year history, normally considered to be peaceful, apolitical and minding its own business is now suddenly being villainized owing to unfortunate circumstances. Biased media reactions filled with disgust and hate seem to feed the Indian public conscience with a danngerous misconception - to be a nominal Muslim is okay but being a practicing one is not.  For those committed to the truth and fighting the spread of Islamophobia, the temptation to throw the entire Tablighi Jamaat under the bus must be resisted.

The writer is a lawyer and research scholar at Qatar University. Her research interests include Islamic law and politics.

Comments

zahoorahmed
 - 
Saturday, 4 Apr 2020

great article! provides a great perspective on tableeg jamat

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News Network
August 4,2020

Bengaluru,  Aug 4: Former Karnataka Chief Minister and Leader of Opposition in the State Assembly, Siddaramaiah on Tuesday said that he has tested positive for COVID-19 and admitted himself to a hospital.

"I have been tested positive for COVID-19 and also been admitted to the hospital on the advice of doctors as a precaution. I request all those who had come in contact with me to check out for symptoms and to quarantine themselves," Siddaramaiah tweeted.

Earlier on Sunday, Karnataka Chief Minister BS Yediyurappa had said that he tested positive for the novel coronavirus.

4,752 new COVID-19 cases and 98 deaths were reported in Karnataka on Monday, taking total cases to 1,39,571 including 62,500 discharges and 2,594 deaths, the State Health Department informed.

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News Network
March 8,2020

Bengaluru, Mar 8: Lieutenant General Milind Hemant Thakur, Director-General of Supply and Transport Corps of the Indian Army, unveiled the renovated Animal Memorial at Agram Grounds in ASC Centre and College here on Saturday.

The animal memorial signifies the contributions of mules and horses of the Indian Army. These animals belonging to the Army Service Corps, who have rendered their services relentlessly during the war in the Himalayas, often paying the highest price of sacrificing their lives in the line of duty have been chronicled in the Memorial.

To ensure that these hoof prints do not get obliterated, on approval by the Government of India, their saga was brought to life in the form of a sculptured monument in the Equestrian Training Area of the ASC Centre and College.

This animal transport memorial has now been extended by constructing two walls supported by Roman pillars on either side.

These walls highlight the role played by the animals in the Indian Army since the British Raj. It gives details of 637 gallantry awards won by the brave muleteers, 49 battle casualties since independence, 14 gallantry awards to mules since independence and 05 military recognitions bestowed by the Chief of the Army Staff and other Army Commanders on AT units, who have been relied upon heavily to fill an important niche in the logistics networks of the Indian Army.

Gen Thakur also declared that 26 September each year has been nominated as the AT Remembrance Day as it was on this day in 1914, that 9th mule Corps, as part of the Indian Expeditionary Force, landed at Marseilles in France, to a most hearty and enthusiastic welcome by the French to support the British and allied armies in World War One.

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