Copyright case against Rangoon

February 23, 2017

Mumbai, Feb 23: It may be a nail biting finish for Rangoon, the Kangana Ranaut-Saif Ali Khan-Shahid Kapoor starrer, in the Bombay high court ahead of its scheduled release date of February 24. Its director Vishal Bhardwaj is defending allegations that the film's swashbuckling 1940s movie star character is copyright violation of 'Fearless Nadia' a stunt actor of the 1930s and '40s.

rangoon

A production house, Wadia Movietone Pvt. Ltd, has claimed that Miss Julia, the character of Ranaut, is based on real-life Australian stunt actor Mary Evans, better known globally as Fearless Nadia. The firm said it holds rights to all scripts, publicity material and posters for the Fearless Nadia films which it had produced. The Wadias' suit alleges that the makers of Rangoon have infringed on the copyrighted Fearless Nadia's characters, costumes, persona and even her signature phrase.

But seeking dismissal of the suit as being baseless, Bhardwaj's lead counsel Ravi Kadam argued on Wednesday that there is no copyright on historical characters and it is well known that in that era there were a large number of stunt women who would perform their own stunts. More importantly, he said that Fearless Nadia was the name of the actress and not a character in any of their films. The Wadia films "reflect the genre of the 1940s and not any individual", he said.

Justice K R Sriram, who is hearing the matter, will continue to hear Kadam at 10 am on Thursday. Earlier Wadia's counsel Navroz Seervai had argued how Bhardwaj, Nadiadwala Grandson, Viacom 18 Media, Sabrina Dhawan and others were in violation of the copyright law.

Dragged to the HC by Roy Wadia is also US-based award winning 73-year-old scriptwriter Mathew Robbins. As a co-scriptwriter of Rangoon, he denied all allegations and his reply said that the character of Julia is "based on independent research...where we discovered that in the year 1930s-40s numerous films were made by various production houses where female protagonist was a stunt woman, who would wear western clothes, would carry a weapon like a sword, pistol or whip and that 'Nadia' was just one of those several stunt actresses which featured in multiple films projecting empowered and strong women.''

His affidavit also said that the get up of stunt heroine Nadia herself in her films of yore were an "exact replica of the internationally well-known film character 'Zorro' with the eye-mask, whip and hat."

"The claim set up in favour of the late JBH Wadia is not only erroneous but incorrectly claims 'proprietary rights' over several 'features' which were not only common but which due to their use as part of the trend virtually are stock features used commonly by all film producers during the period of the 1930s to the late 40s,'' said the reply.

The defendants' case is also that the late JBH Wadia did nothing to seek to assert such rights by suits during the period against other film makers when the Fearless Nadia films, as per claims of Wadia, were at the very height of their popularity. The defendant said, "Wadia did nothing because he was aware that the film industry followed trends and that at the time swashbuckling, stunt woman characters."

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News Network
February 12,2020

London, Feb 12: Oscar-winning British director Steve McQueen is returning to his art roots with a series of short films at London's Tate Modern art gallery, offering a sensory exploration of black identity.

McQueen, who became the first black director to win the best picture Academy Award in 2014 for "12 Years a Slave", is now based between London and Amsterdam and is focused on championing diversity in the film industry.

Visitors to his new exhibition will be greeted by "Static", a film of New York's Statue of Liberty, scrutinising the iconic symbol from every possible angle at very close range against a deafening backdrop of the helicopter from where the footage was filmed.

"What interests Steve is our view of the world, how humans are trying to represent Liberty," said Fiontan Moran, assistant curator of the exhibition.

"7th Nov, 2001" features a still shot of a body while McQueen's cousin Marcus tells of how he accidentally killed his brother, a particularly traumatic experience for the artist.

"Western Deep" is another visceral work, giving a sense through sights and sounds in an interactive installation of the experiences of miners in South Africa, following them to the bottom of the mine.

"Ashes", meanwhile, is a tribute to a young fisherman from Grenada, the island where McQueen's family originated.

The images of beauty and sweetness filmed from his boat are tragically reversed on the other side of the projection screen, which shows a grave commissioned by McQueen for the eponymous young fisherman, who was killed by drug traffickers.

African-American singer, actor and civil rights activist Paul Robeson (1898-1976) is honoured in "End Credits".

The film shows censored FBI documents detailing the agency's surveillance of Robeson, read by a voice-over artist, for five hours.

"He is... testing the limits of how people can be documented in an era of mass surveillance," said Moran.

In a similarly militant vein, the exhibition features the sculpture "Weight", which was first shown in the prison cell where the writer and playwright Oscar Wilde was imprisoned.

It depicts a golden mosquito net draped over a metal prison bed frame, addressing the theme of confinement and the power of the imagination to break free.

The show runs alongside an exhibition of McQueen's giant portraits of London school classes, many of which appeared on the streets of London last year.

"I remember my first school trip to Tate when I was an impressionable eight-year-old, which was really the moment I gained an understanding that anything is possible," said McQueen, adding it was "where in some ways my journey as an artist first began".

He recently told the Financial Times newspaper the difference between his art films and his feature films was that the former were poetry, the latter like a novel.

"Poetry is condensed, precise, fragmented," he said. "The novel is the yarn".

The exhibition opens on February 13 and runs until May 11.

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News Network
February 9,2020

New Delhi, Feb 9: Senior Bharatiya Janata Party (BJP) leader LK Advani got emotional while watching the movie "Shikara: The Untold Story Of Kashmiri Pandits". It is a Hindi-language period film produced and directed by Vidhu Vinod Chopra, based on the exodus of Kashmiri Pandits from Kashmir.

In a video clip, the political veteran is seen trying to hold back his tears at the end of the film while Mr Chopra rushes to console him. Other people around them were also seen getting emotional and congratulating the filmmaker for the movie.

"Shikara" is about how Kashmiri Pandits were forced to flee from their houses in the Kashmir Valley in early 1990, in the wake of insurgency. The filmmaker said the film showcases how Kashmiri Pandits rebuilt their lives in the aftermath of the tragic event.

Featuring Aadil Khan and Sadia, Shikara released on February 7. Vidhu Vinod Chopra, who is from Kashmir, dedicates his movie to his mother, who died in 2007.

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Abdul Gaffar Bolar
 - 
Monday, 10 Feb 2020

Does this man know the trouble and pain of humans???

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Agencies
March 16,2020

Mumbai, Mar 16: In the wake of the ongoing coronavirus pandemic, all filmmaking and producing bodies have unanimously decided to stop shooting for all kinds of entertainment formats temporarily.

A notification unanimously issued by the Indian Motion Pictures Producers' Association, Federation of Western India Cine Employees and other similar bodies have ordered that shooting for films, TV shows, digital and other kinds of entertainment format will have to remain suspended between March 19 to 31.

The notification reads: "In view of the epidemic spread of COVID-19 throughout the world including India, an urgent joint meeting of IMPPA- WIPFA-IFTPC-IFTDA-FWICE held on 15-3-2020 unanimously decided to stop shooting of films, TV serials, web series and all other entertainment, including digital formats from 19-3-2020 till 31-3-2020 as a result of health advisory, closure of all cinema halls, all sporting, educational institutes and entertainment events by the Government of India which has declared a medical emergency over the coronavirus. We appreciate and support all the steps taken by the Government of India to control the virus."

"All units shooting till the stoppage comes into force have been strictly advised to follow all precautionary and preventive measures without fail."

"Decision about re-starting shootings shall be taken on 30-3-2020 after considering the prevailing situation."

It was reported only yesterday that superstar Salman Khan is continuing shooting in the city for his upcoming flick 'Radhe: Your Most Wanted Bhai' even though the makers insist they are strictly adhering to the safety norms of World Health Organisation (WHO).

Meanwhile, Bollywood megastar Amitabh Bachchan tweeted this morning requesting his fans not to gather outside the gate of his bungalow Jalsa for their weekly meet and suggested them to stay safe.

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