Copyright case against Rangoon

February 23, 2017

Mumbai, Feb 23: It may be a nail biting finish for Rangoon, the Kangana Ranaut-Saif Ali Khan-Shahid Kapoor starrer, in the Bombay high court ahead of its scheduled release date of February 24. Its director Vishal Bhardwaj is defending allegations that the film's swashbuckling 1940s movie star character is copyright violation of 'Fearless Nadia' a stunt actor of the 1930s and '40s.

rangoon

A production house, Wadia Movietone Pvt. Ltd, has claimed that Miss Julia, the character of Ranaut, is based on real-life Australian stunt actor Mary Evans, better known globally as Fearless Nadia. The firm said it holds rights to all scripts, publicity material and posters for the Fearless Nadia films which it had produced. The Wadias' suit alleges that the makers of Rangoon have infringed on the copyrighted Fearless Nadia's characters, costumes, persona and even her signature phrase.

But seeking dismissal of the suit as being baseless, Bhardwaj's lead counsel Ravi Kadam argued on Wednesday that there is no copyright on historical characters and it is well known that in that era there were a large number of stunt women who would perform their own stunts. More importantly, he said that Fearless Nadia was the name of the actress and not a character in any of their films. The Wadia films "reflect the genre of the 1940s and not any individual", he said.

Justice K R Sriram, who is hearing the matter, will continue to hear Kadam at 10 am on Thursday. Earlier Wadia's counsel Navroz Seervai had argued how Bhardwaj, Nadiadwala Grandson, Viacom 18 Media, Sabrina Dhawan and others were in violation of the copyright law.

Dragged to the HC by Roy Wadia is also US-based award winning 73-year-old scriptwriter Mathew Robbins. As a co-scriptwriter of Rangoon, he denied all allegations and his reply said that the character of Julia is "based on independent research...where we discovered that in the year 1930s-40s numerous films were made by various production houses where female protagonist was a stunt woman, who would wear western clothes, would carry a weapon like a sword, pistol or whip and that 'Nadia' was just one of those several stunt actresses which featured in multiple films projecting empowered and strong women.''

His affidavit also said that the get up of stunt heroine Nadia herself in her films of yore were an "exact replica of the internationally well-known film character 'Zorro' with the eye-mask, whip and hat."

"The claim set up in favour of the late JBH Wadia is not only erroneous but incorrectly claims 'proprietary rights' over several 'features' which were not only common but which due to their use as part of the trend virtually are stock features used commonly by all film producers during the period of the 1930s to the late 40s,'' said the reply.

The defendants' case is also that the late JBH Wadia did nothing to seek to assert such rights by suits during the period against other film makers when the Fearless Nadia films, as per claims of Wadia, were at the very height of their popularity. The defendant said, "Wadia did nothing because he was aware that the film industry followed trends and that at the time swashbuckling, stunt woman characters."

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News Network
May 26,2020

New Delhi, May 26: As the country celebrated Eid-ul-Fitr in the testing times of coronavirus this year, megastar Shah Rukh Khan's greetings reflected of blessings from the almighty to help the countrymen sail through the tough times.

The 54-year-old actor took to Twitter to extend Eid greetings to his fans.

"May the blessings of Allah see us through these times," he wrote in the tweet.

"In the end, it's Faith that keeps us going... Eid Mubarak to all. May He shower all with love, peace and prosperity always," Khan's tweet further read.

Eid-ul-Fitr marks the conclusion of the holy month of Ramzan, which is a month of fasting and prayer for the Muslim community.

This year, Eid is being celebrated amid a nationwide lockdown imposed as a precautionary measure to contain the spread of COVID-19.

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News Network
February 10,2020

Feb 10: Bong Joon-ho’s film “Parasite” starts in a dingy, half-basement apartment with a family of four barely able to scratch out a life. There must be no place to go but up, right? Yes and no. There’s nothing predictable when the South Korean director is on his game.

This dark, socially conscious film about the intertwining of two families is an intricately plotted, adult thriller. We can go up, for sure, but Bong can also take us deeper down. There’s always an extra floor somewhere in this masterpiece.

It tells the story of the impoverished four-person Kim family who, one by one, and with careful and devious planning, all get employed by the four-person affluent Park family — as a tutor, an art teacher, a driver and a housekeeper. They are imposters stunned by the way wealth can make things easier: “Money is an iron. It smooths out all the creases,” says the Park patriarch with wonder.

Bong, who directed and wrote the story for “Parasite,” has picked his title carefully, of course. Naturally, he’s alluding to the sycophantic relationship by a clan of scammers to the clueless rich who have unwittingly opened the doors of their home on a hill. But it’s not that simple. The rich family seem incapable of doing anything — from dishes to sex — without help. Who’s scamming who?

Bong’s previous films play with film genres and never hide their social commentary — think of the environmentalist pig-caper “Okja” and the dystopian sci-fi global warming scream “Snowpiercer.” But this time, Bong’s canvas is a thousand times smaller and his focus light-years more intense. There are no CGI train chases on mountains or car chases through cities. (There is also, thankfully, 100% less Tilda Swinton, a frequent, over-the-top Bong collaborator.

The two Korean families first make contact when a friend of the Kim’s son asks him to take over English lessons for the Park daughter. Soon the son (a dreamy Choi Woo-sik) convinces them to hire his sister (the excellent Park So-dam) as an art teacher, but doesn’t reveal it’s his sis. She forges her diploma and spews arty nonsense she learned on the internet, impressing the polite but firm Park matriarch (a superb Jo Yeo-jeong.)

The Park’s regular chauffer is soon let go and replaced by the Kim patriarch (a steely Lee Sun-kyun). Ditto the housemaid, who is dumped in favor of the Kims’ mother (a feisty Jang Hye-jin.) All eight people seem happy with the new arrangement until Bong reveals a twist: There are more parasites than you imagined. The clean, impeccably furnished Park home will have some blood splashing about.

Bong’s trademark slapstick is still here but the rough edges of his often too-loud lessons are shaved down nicely and his actors step forward. “Keep it focused,” the Kim’s son counsels his father at one point. Bong has followed that advice.

There are typically dazzling Bong touches throughout. Just look for all the insect references — stink bugs at the beginning to flies at the end, and a preoccupation with odor across the frames. And there’s a scene in which the rich matriarch skillfully winds noodles in a bowl while, in another room, duct tape is being wrapped around a victim and classical music plays.

Bong could have been more strident in his social critique but hasn’t. There are no villains in “Parasite” — and also no heroes. Both families are forever broken after chafing against each other, a bleak message about the classes ever really co-existing (Take that, “Downton Abbey”).

“Parasite” is a worthy winner of the Palme d’Or at the Cannes Film Festival, the first South Korean movie to win the prestigious top prize. The director has called it an “unstoppably fierce tragicomedy.” We just call it brilliant.

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News Network
July 26,2020

A gang has been spreading rumours about me in the Hindi film industry that is preventing him from getting work, says Academy award-winning music director A R Rahman.

Collaborations between him and the Hindi film industry have reduced as a result, he adds

The maestro had composed music for Sushant Singh Rajput's Dil Bechara said that the reason he is not doing a lot of work is that a gang has been spreading rumours about him which resulted in him getting fewer projects.

Rahman's comments come amidst a raging insider versus outsider debate in Bollywood following actor Sushant Singh Rajput's untimely demise last month.

During an interview with Radio Mirchi, the Oscar-winning music director was asked the reason for doing less Hindi films.

Rahman said there has been "misunderstanding" between him and filmmakers as some people have been spreading "false rumours" about him in the industry.

"See, I don’t say no to good movies, but I think there is a gang, which, due to misunderstandings, is spreading some false rumours. So when Mukesh Chhabra came to me, I gave him four songs in two days. He said, 'Sir, how many people said don’t go, don’t go (to him). They told me stories after stories'," he said.

"I heard that, and I said, 'yeah okay, now I understand why I am doing less (work) and why the good movies are not coming to me.' I am doing dark movies, because there is a whole gang working against me, without them knowing that they are doing harm," the composer added.

Rahman has composed the music for Rajput's last movie "Dil Bechara", which premiered on Disney+ Hotstar on Friday. The film, directed by Mukesh Chhabra, also features Sanjana Sanghi and Saif Ali Khan.

The composer further said that he is aware of people's expectations from him but the "gang" is getting in his way.

"People are expecting me to do stuff, but there is another gang of people preventing that from happening. It is fine because I believe in destiny. I believe that everything comes from God.

"So, I am taking my own movies and doing my other stuff. But all of you are welcome to come to me. You make beautiful movies, and you are welcome to come to me," Rahman added.

Dubbed ‘Mozart of Madras’, A R Rahman has composed soundtracks for movies like Swades, Dil Se, Guru, Rockstar and more recently Sushant Singh Rajput’s Dil Bechara. 

The composer won two Academy Awards in 2009 for his songs in the popular Hollywood movie, Slumdog Millionaire. The composer also received a Golden Globes Award for his work in this movie.

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