Dealing with body, mental health issues biggest struggle, working on them: Ileana

Agencies
March 19, 2018

Mumbai, Mar 19: In her six-year-long Bollywood career, Ileana D'Cruz has been a part of a fair amount of successful films, but the actor says that has not lessened her insecurity as an actor, owing to the highly competitive and unsparing ways of the film industry.

Ileana, who has been a part of films like 'Barfi!', 'Happy Ending' and 'Rustom', says many times she looks at others' work and doubts if she will ever get "such good stuff".

"I am trying to keep myself positive because this industry can sort of engulf you and pull you down, and cause so much of negativity where it can just cause you to doubt yourself as an actor, doubt yourself whether you are worth having those offers come your way, because there are so many other people," the actor said.

"It is such a competitive place and sometimes you see films come out, and you feel, 'Am I ever going to get a film like that? Or a role like that?' It's like grass is always greener on the other side. You always feel the other person is getting better stuff..." she added.

The actor's recent release is Ajay Devgn-starrer 'Raid'. Ileana says she is in no rush, and would not pick anything and everything that comes her way.

"I am not willing to do just anything and hence, I am waiting for a good role or a good script to come my way. I have got some really interesting offers. The question is... 'Am I ready to take a risk?' because some offers (require me) to be in a difficult space."

The 30-year-old actor says she is happy she never had "massive expectations" as it could have made things tough for her.

"I don't have expectations of what I wanted to be or where I wanted to be in five years ago. In a way, it helped because if I had these massive expectations and if I didn't reach there it would have been fairly disappointing.

"I didn't have any such goals. I just wanted to do good films and not be written off, which is good because I haven't been written off and have got good roles."

The fear of being written off, as Ileana says, is due to "the unpredictability of the industry" which keeps her on her toes.

"It is like every Friday that your film comes out, it is like a test, that have I passed this one or not. Everything that you have done in the past may not matter anymore, it is just this one film. So, I feel like you have to constantly improve yourself, and it is great, it is a good drive that keeps you going, but at the same time it is a little stressful."

For her, however, the biggest struggle is not in the professional space but more in personal and physical health issues, that she has been battling for some time now.

"My biggest struggle would be dealing with my personal issues, like I have had major body and mental health issues, and that's something I continue to work upon, and I have gotten better and I do feel the little breaks I take from my work, from this world help. I continue to work on being healthy from within," she adds.

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Agencies
June 14,2020

Chennai, Jun 14: Tamil Nadu Police has recovered about 100 bottles of liquor from the car of actor Ramya Krishnan, who had starred in movies like Bahubali, Padaiappa and others.

According to the police, the actor was traveling in the car at the time on the East Coast Road (ECR) where they were carrying out vehicle checks on Thursday.

The police found about 100 liquor bottles in the car boot and when queried Ramya Krishnan said she was unaware of the bottles.

Later the police confiscated the bottles and arrested the driver Selvakumar who said the liquor was bought at the Tamil Nadu government-run liquor shop.

The government has not allowed the opening of the Tasmac shops in Chennai.

Another driver came and drove the actor back to Chennai.

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News Network
April 14,2020

New Delhi, Apr 14: Legendary singer Lata Mangeshkar on Tuesday paid tributes to Dr BR Ambedkar on his birth anniversary.

The 90-year-old singer took to Twitter to extend her greetings on the occasion of Ambedkar Jayanti and also expressed gratitude for being able to get the chance to meet him.

"Namaskar. Bhartiya Savidhan ke janak mahamanav Bharat Ratna Dr BR Ambedkar Ji ki Jayanti par main unko koti koti vandan karti hu. (Namaskar. On the birth anniversary of Dr. BR Ambedkar, the father of the great Indian Constitution, I offer him a ceremonial offering)" she tweeted.

"Main unko pratyaksh roop se mil saki ye mera sobhagya hai. (It is my good fortune that I got the chance to meet him)," her tweet further read.
Ambedkar, commonly known as Babasaheb, dedicated his life to working for the upliftment of Dalits, women and the underprivileged.

Born into a poor Dalit family on April 14, 1891, Ambedkar became independent India's first law minister, the principal architect of the Indian Constitution and a founding father of the Republic of India.

He also campaigned against the social discrimination faced by Dalits and inspired the Dalit Buddhist Movement in 1956. Ambedkar was awarded the Bharat Ratna posthumously in 1990.

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News Network
June 16,2020

Mumbai, Jun 16: Filmmaker Dibakar Banerjee remembers Sushant Singh Rajput as a dance loving 'chhokra' from an engineering college who, having made it in Bollywood, was “enthused, sincere and totally focused” on his craft.

Banerjeee said the actor always had “a book or two” with him and took pride in the fact that he had an “inner intellectual life away from the shallower aspects of showbiz”.

Rajput was found dead in his Bandra apartment on Sunday at the age of 34, leaving his friends, colleagues and collaborators in a state of shock.

The Patna-born actor and the director worked together in 2015 film "Detective Byomkesh Bakshy!" when Rajput was a relative newcomer in the industry. Banerjee says it was Rajput's vulnerability and willingness to do different that made him stand out for the role.

In an interview with news agency, the filmmaker looks back at Rajput's sincerity, his love for science and astronomy and how an outsider has to work harder than a "mediocre, unmotivated and entitled establishment elite" to succeed in Bollywood.

Excerpts:

You worked with Sushant when he was less than two-year-old in the film industry. What struck you the most in him to cast as Detective Byomkesh Bakshy?

Banerjee: His vulnerability and intensity and the ambition to do different things than the usual Bollywood stuff.

What were your memories of Sushant- the actor and the person?

Banerjee: As an actor he would tense himself up for the scene and then completely plunge in take after take. He would put a lot of value on preparation. He would be up the previous night of the shoot, reading the scene and making notes and land up on the sets all raring to go.

He would be on, ready and give his hundred per cent throughout the shoot of Byomkesh - no matter how hard or long the day. The unit did not really have to worry about him - considering he was the star. That's what I remember - a total pro, enthused, sincere and totally focused.

As a person, he seemed to me a happy dance loving 'chhokra' from an engineering college who had made it in showbiz and now was serious about acting. He was deeply nostalgic about his carefree student days in Delhi. We used to laugh a lot - I remember that quite clearly.

Sushant's friends say that he spoke more about books and his love for astronomy than films and their fate, which is rare for an actor in the industry. Do you also remember him that way?

Banerjee: Totally true. He was a science and astronomy nut. Always had a book or two with him - and was proud of the fact that he had an inner intellectual life away from the shallower aspects of showbiz. I recognized it as a reflex, protective action to prevent the Bollywood swamp sucking him in totally. And also an identity he wanted to protect and project.

Sushant's death has brought to the fore the struggles of outsiders and the alienation they often face from the nepotistic culture of the industry. Did you feel that Sushant was also fighting this battle despite being a successful actor?

Banerjee: We all fight it, day in and out - whether successful or failing. But the trick is to define that success and failure ourselves and not let the narrative constantly forced by the establishment to get to you. Those who know this weather the storm and ultimately survive and thrive.

The biggest unfairness in all this is that it takes double the talent, energy and hard work for an outsider to convince the audience and the industry that he or she is as safe a box office bet as a mediocre, unmotivated and entitled establishment elite.

The media colludes in this by wallowing in family, coterie and celebrity worship. This leads to deep anger and frustration. Those who can let this slide survive. Those who can't - those who hurt a little more or are vulnerable and impressionable - they are at risk.

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