Endgame beats Titanic to second highest grossing film

Agencies
May 6, 2019

Los Angeles, May 6: Disney's "Avengers: Endgame" continues its unprecedented box office run, assembling another $145 million at the domestic box office during its second weekend in theaters.

"Avengers: Endgame" now stands as the second-biggest movie of all time with $2.188 billion worldwide. The Marvel juggernaut became the fastest film to gross $2 billion globally in just 11 days, crushing "Avatar's" record of 47 days. It has now generated $619 million at the domestic box office and $1.56 billion internationally.

In North America, "Avengers: Endgame" dipped 59% from its opening weekend. That wasn't enough to secure the biggest second weekend of all time, a record still held by "Star Wars: The Force Awakens" with $149 million. However, it passed "Avengers: Infinity War" ($114 million) to hold the second-biggest weekend ever. Only six films have ever surpassed $100 million in their second weekends.

Repeat viewings from comic-book enthusiasts, as well as premium formats like IMAX and 3D have helped box office receipts reach extraordinary heights. IMAX theaters have accounted for $170 million of tickets sold across the globe, while just under $1 billion has come from 3D screens. Only two films in history -- "Avatar" and "Star Wars: The Force Awakens" -- have earned over a billion dollars from the 3D format.

Overseas, "Avengers: Endgame" remained the No. 1 film in all markets aside from Japan. This weekend, the superhero blockbuster raked in another $282.2 million from 55 international markets. Top foreign territories include China ($575 million), the United Kingdom ($89.9 million), and Korea ($82.1 million).

While "Avengers: Endgame" continues to be the de facto choice among moviegoers, a number of brave studios opened new movies to mixed results.

"The Intruder," a psychological thriller from Sony and Screen Gems, fared the best among newcomers. It debuted in second place, amassing $11 million from 2,222 North American locations. That's a solid start since the studio shelled out $8 million to produce "The Intruder." The PG-13 thriller centers on a married couple who recently purchased their dream home, only to realize the seller keeps creepily meddling in their life. While "Avengers: Endgame" continues to be the de facto choice among moviegoers, a number of brave studios opened new movies to mixed results.

Lionsgate's "Long Shot," a raunchy R-rated romantic comedy starring Seth Rogen and Charlize Theron, nabbed the No. 3 spot with a tepid $10 million from 3,230 screens. Jonathan Levine directed the movie about a journalist (Rogen) who tries to win over his former babysitter-turned-politician (Theron), who is now running for president. It garnered mostly positive reviews since its premiere at South by Southwest. The opening weekend audience skewed female (56 percent), while 68 percent of moviegoers were over the age of 35.

This weekend's final new release, "UglyDolls," launched in fourth place well below expectations, stumbling with $8.5 million from 3,652 venues. STX's animated musical cost $45 million to produce. The A-list voice cast includes Kelly Clarkson, Nick Jonas, and Pitbull, who all recorded new music for the movie. The family-friendly adventure follows a group of misfit dolls who learn to embrace what it means to be unique.

Meanwhile, Disney's "Captain Marvel" got another boost from "Avengers: Endgame." It landed at the No. 5 spot, generating $4.3 million during its ninth weekend in theaters. The superhero tentpole, starring Brie Larson, has earned $420 million in North America and $1.12 billion globally.

Thanks to "Avengers: Endgame," the year-over-year deficit in ticket sales continues to shrink. After this weekend, box office receipts are pacing less than 10 percent behind last year, according to Comscore. Hollywood is banking on a number of summer hits, including "The Lion King," "Toy Story 4," and "Fast & Furious Presents: Hobbs & Shaw" to help close that gap.

"If slow and steady wins the race, then the oncoming barrage of big summer titles should collectively over time knock the percentage even lower and in a systematic fashion in the coming weeks," said Paul Dergarabedian, a senior media analyst at Comscore.

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News Network
July 4,2020

London, Jul 4: Hollywood star Chris Hemsworth says he is really excited about the biopic on WWE legend Hulk Hogan, which is currently in development.

"The Thor" actor revealed that he will bulk up his physique for the much-anticipated film to be directed by “Joker” helmer Todd Phillips.

“This movie is going to be a really fun project. As you can imagine, the preparation for the role will be insanely physical. I will have to put on more size than I ever have before, even more than I put on for Thor.

''And then there is the accent as well as the physicality and the attitude. I will also have to do a deep dive into the rabbit hole of the wrestling world, which I'm really looking forward to doing,” Hemsworth told British magazine Total Film.

The project was announced last year, with “8 Mile” scribe Scott Silver and John Pollono attached to pen the script.

It is expected to look into Hogan's rise from the Florida wrestling circuit to becoming the face of the World Wrestling Federation in the 1980s where he squared off with villain Andre the Giant.

The 36-year-old actor, however, said that the team is still “quite a way away” from starting production on the film.

“'I haven't even seen a script yet. The project is deep in development. Todd Phillips and I met to chat about it maybe a year or two ago. We talked about the idea for the film, which I think was going to be a TV series at one point.

''There were a few different ideas about what portion of his life it was going to be set in, so we spitballed about what it could be and what I thought it might be. Thankfully, they ran with a few of those ideas and the script is in the process of being written - but Hulk Hogan is still quite a way away.''

The biopic will be produced by Michael Sugar through his Sugar23's first-look Netflix deal along with Joint Efforts' Phillips and Bradley Cooper, Eric Bischoff, and Hemsworth.

Hogan will also serve as executive producer along with Sugar23's Ashley Zalta. Steve Desmond and Michael Sherman will serve as co-producers.

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Agencies
August 9,2020

Mumbai, Aug 9:The questioning of Rhea Chakraborty's brother Showik by the Enforcement Directorate (ED), in connection with the death of actor Sushant Singh Rajput, continued till around 6:30 am on Sunday, according to sources in the ED.

It is noteworthy that Showik Chakraborty had reached the ED office at around 12 pm on Saturday afternoon, following which the questioning by the investigative agency's officials went on for about 18 hours.

Tomorrow on August 10, Rhea, alongwith her father, Indrajit Chakraborty, are to be questioned by the ED officials.

Showik is named in the First Information Report (FIR) registered by the Central Bureau of Investigation (CBI). Rhea was earlier questioned by the ED at its office in Mumbai in connection with the case. The agency also questioned Showik and Shruti Modi, former business manager of Rajput.

According to sources in the investigation agency, the officials have got hold of electronic evidence in connection with the case and they are also searching for phone records of conversations between Rhea and her father and brother.

The ED had already questioned Rhea once on Saturday, following which she was called back on Monday.

Meanwhile, CBI has collected documents related to the actor's death from Bihar Police. The ED has also asked the late actor's friend, Siddharth Pithani, to appear before the agency on August 8.

The agency had on July 31 registered an Enforcement Case Information Report (ECIR) in the case after FIR was filed by KK Singh, the late actor's father, against Rhea in Bihar on July 28.
The ED earlier interrogated Samuel Miranda, an associate of Rhea over the latter's properties, sources said.

The investigating agency has registered a case against six accused including Rhea in connection with Rajput's death.

Rajput was found dead at his Mumbai residence on June 14.

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News Network
February 12,2020

London, Feb 12: Oscar-winning British director Steve McQueen is returning to his art roots with a series of short films at London's Tate Modern art gallery, offering a sensory exploration of black identity.

McQueen, who became the first black director to win the best picture Academy Award in 2014 for "12 Years a Slave", is now based between London and Amsterdam and is focused on championing diversity in the film industry.

Visitors to his new exhibition will be greeted by "Static", a film of New York's Statue of Liberty, scrutinising the iconic symbol from every possible angle at very close range against a deafening backdrop of the helicopter from where the footage was filmed.

"What interests Steve is our view of the world, how humans are trying to represent Liberty," said Fiontan Moran, assistant curator of the exhibition.

"7th Nov, 2001" features a still shot of a body while McQueen's cousin Marcus tells of how he accidentally killed his brother, a particularly traumatic experience for the artist.

"Western Deep" is another visceral work, giving a sense through sights and sounds in an interactive installation of the experiences of miners in South Africa, following them to the bottom of the mine.

"Ashes", meanwhile, is a tribute to a young fisherman from Grenada, the island where McQueen's family originated.

The images of beauty and sweetness filmed from his boat are tragically reversed on the other side of the projection screen, which shows a grave commissioned by McQueen for the eponymous young fisherman, who was killed by drug traffickers.

African-American singer, actor and civil rights activist Paul Robeson (1898-1976) is honoured in "End Credits".

The film shows censored FBI documents detailing the agency's surveillance of Robeson, read by a voice-over artist, for five hours.

"He is... testing the limits of how people can be documented in an era of mass surveillance," said Moran.

In a similarly militant vein, the exhibition features the sculpture "Weight", which was first shown in the prison cell where the writer and playwright Oscar Wilde was imprisoned.

It depicts a golden mosquito net draped over a metal prison bed frame, addressing the theme of confinement and the power of the imagination to break free.

The show runs alongside an exhibition of McQueen's giant portraits of London school classes, many of which appeared on the streets of London last year.

"I remember my first school trip to Tate when I was an impressionable eight-year-old, which was really the moment I gained an understanding that anything is possible," said McQueen, adding it was "where in some ways my journey as an artist first began".

He recently told the Financial Times newspaper the difference between his art films and his feature films was that the former were poetry, the latter like a novel.

"Poetry is condensed, precise, fragmented," he said. "The novel is the yarn".

The exhibition opens on February 13 and runs until May 11.

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