Endgame beats Titanic to second highest grossing film

Agencies
May 6, 2019

Los Angeles, May 6: Disney's "Avengers: Endgame" continues its unprecedented box office run, assembling another $145 million at the domestic box office during its second weekend in theaters.

"Avengers: Endgame" now stands as the second-biggest movie of all time with $2.188 billion worldwide. The Marvel juggernaut became the fastest film to gross $2 billion globally in just 11 days, crushing "Avatar's" record of 47 days. It has now generated $619 million at the domestic box office and $1.56 billion internationally.

In North America, "Avengers: Endgame" dipped 59% from its opening weekend. That wasn't enough to secure the biggest second weekend of all time, a record still held by "Star Wars: The Force Awakens" with $149 million. However, it passed "Avengers: Infinity War" ($114 million) to hold the second-biggest weekend ever. Only six films have ever surpassed $100 million in their second weekends.

Repeat viewings from comic-book enthusiasts, as well as premium formats like IMAX and 3D have helped box office receipts reach extraordinary heights. IMAX theaters have accounted for $170 million of tickets sold across the globe, while just under $1 billion has come from 3D screens. Only two films in history -- "Avatar" and "Star Wars: The Force Awakens" -- have earned over a billion dollars from the 3D format.

Overseas, "Avengers: Endgame" remained the No. 1 film in all markets aside from Japan. This weekend, the superhero blockbuster raked in another $282.2 million from 55 international markets. Top foreign territories include China ($575 million), the United Kingdom ($89.9 million), and Korea ($82.1 million).

While "Avengers: Endgame" continues to be the de facto choice among moviegoers, a number of brave studios opened new movies to mixed results.

"The Intruder," a psychological thriller from Sony and Screen Gems, fared the best among newcomers. It debuted in second place, amassing $11 million from 2,222 North American locations. That's a solid start since the studio shelled out $8 million to produce "The Intruder." The PG-13 thriller centers on a married couple who recently purchased their dream home, only to realize the seller keeps creepily meddling in their life. While "Avengers: Endgame" continues to be the de facto choice among moviegoers, a number of brave studios opened new movies to mixed results.

Lionsgate's "Long Shot," a raunchy R-rated romantic comedy starring Seth Rogen and Charlize Theron, nabbed the No. 3 spot with a tepid $10 million from 3,230 screens. Jonathan Levine directed the movie about a journalist (Rogen) who tries to win over his former babysitter-turned-politician (Theron), who is now running for president. It garnered mostly positive reviews since its premiere at South by Southwest. The opening weekend audience skewed female (56 percent), while 68 percent of moviegoers were over the age of 35.

This weekend's final new release, "UglyDolls," launched in fourth place well below expectations, stumbling with $8.5 million from 3,652 venues. STX's animated musical cost $45 million to produce. The A-list voice cast includes Kelly Clarkson, Nick Jonas, and Pitbull, who all recorded new music for the movie. The family-friendly adventure follows a group of misfit dolls who learn to embrace what it means to be unique.

Meanwhile, Disney's "Captain Marvel" got another boost from "Avengers: Endgame." It landed at the No. 5 spot, generating $4.3 million during its ninth weekend in theaters. The superhero tentpole, starring Brie Larson, has earned $420 million in North America and $1.12 billion globally.

Thanks to "Avengers: Endgame," the year-over-year deficit in ticket sales continues to shrink. After this weekend, box office receipts are pacing less than 10 percent behind last year, according to Comscore. Hollywood is banking on a number of summer hits, including "The Lion King," "Toy Story 4," and "Fast & Furious Presents: Hobbs & Shaw" to help close that gap.

"If slow and steady wins the race, then the oncoming barrage of big summer titles should collectively over time knock the percentage even lower and in a systematic fashion in the coming weeks," said Paul Dergarabedian, a senior media analyst at Comscore.

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News Network
February 26,2020

New York, Feb 26: Disney CEO Bob Iger, who steered the company’s absorption of Star Wars, Pixar, Marvel and Fox’s entertainment businesses and the launch of a Netflix challenger, is stepping down immediately, the company said in a surprise announcement Tuesday.

The Walt Disney Co. named as his replacement Bob Chapek, most recently chairman of Disney’s parks, experiences and products business.

“Did not see this coming -- Wowza,” tweeted LightShed media analyst Rich Greenfield.

Iger will remain executive chairman through the end of his contract on Dec. 31, 2021. Besides leading the board, Iger said he will spend more time on Disney’s creative endeavors, including the ESPN sports network, the newly acquired Fox studios and the Hulu and Disney Plus streaming services. He said he could not do that while running Disney on a day-to-day basis.

“It was not accelerated for any particular reason other than I felt the need was now to make this change,” Iger said on a conference call with reporters and analysts.

Iger steered Disney through the successful purchases of Lucasfilms, Marvel, Pixar and other brands that became big moneymakers for Disney. Last year, the top five movies in U.S. and Canada theaters were all Disney movies, including two from Marvel and one from Pixar. With the Dec. 20 release of the latest “Star Wars” movie, Disney had seven movies that each sold at least $1 billion in tickets worldwide last year.

Iger’s most recent coup was orchestrating a $71 billion purchase of Fox’s entertainment business in March and launching the Disney Plus streaming service in November. That service got nearly 29 million paid subscribers in less than three months. In a statement, Iger said it was the “optimal time” for a transition.

Pivotal Research Group analyst Jeffrey Wlodarczak said Iger had implied he would stay until his contract ended in 2021.

“On the other hand, they just successfully closed the Fox deal and had an unquestionably successful launch of Disney Plus so maybe he felt earlier was better to hand off the reins,” he said.

Colin Gillis, director of research at Chatham Road Partners, said the choice of Chapek seems solid because his parks division has had success.

Chapek said that while he has not led television networks or streaming services, his background in consumer-oriented businesses should help. Chapek and Iger both stressed that Disney would continue on the direction it had already been taking.

Disney is facing challenges to its traditional media business as cord-cutting picks up, meaning less fees from cable and satellite companies to carry Disney networks such as ABC, ESPN and Freeform. Disney’s own streaming services require the company to forgo money in licensing revenue, although the company is betting that money from subscriptions will eventually make up for that.

In the short term, Disney parks in Hong Kong and Shanghai, China, remain closed because of the coronavirus outbreak. In a CNBC interview, Chapek said the outbreak may be a “bump in the road,” but he said the company could weather it given “affinity for the brand.”

Iger told CNBC he had no plans to stay with Disney beyond next year.

Iger’s appointment as CEO in 2005 had been accompanied by controversy and protest from dissident shareholders Roy E. Disney and Stanley Gold. But he has come to be seen as a golden-boy top executive, and even someone who could run for president.

Iger told Vogue in 2018 that he had started seriously exploring a run for president because he is “horrified at the state of politics in America today,” but the Fox deal stopped his plans. Oprah Winfrey told Vogue that she “really, really pushed him to run.”

Iger, a former weatherman, joined ABC in 1974, 22 years before Disney bought the network.

At ABC, Iger developed such successful programs as “Home Improvement,” “The Drew Carey Show,” and “America’s Funniest Home Videos” and was instrumental in launching the quiz show “Who Wants to Be a Millionaire.” He was also criticized for cancelling well-regarded but expensive shows such as “Twin Peaks” and “thirtysomething.”

Since Iger became CEO, Disney’s stock price has risen fivefold. Its stock fell more than 2% in extended trading following the announcement, on top of a broader market selloff on virus fears during regular trading.

Iger, 69, was the second-highest paid CEO in 2018, as calculated by The Associated Press and Equilar, an executive data firm. He earned $65.6 million. The top earner was Discovery’s David Zaslav who earned $129.5 million.

Susan Arnold, the independent lead director of the Disney board, said succession planning had been ongoing for several years.

Chapek, 60, is only the seventh CEO in Disney history. Chapek was head of the parks, experiences and products division since it was created in 2018. He was previously head of parks and resorts and before that president of consumer products.

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News Network
June 9,2020

New Delhi, Jun 9: Multiplex operator PVR on Monday said it has cut salary across various levels, laid off employees and deferred increments during the lockdown to mitigate adverse impact of COVID-19 on the business.

The company said at present it is not generating any revenue from exhibition business and related activities as cinemas across the country are shut following the directions from the regulatory authorities.

According to the company, closure of screens during the lockdown will have a significant negative impact on profitability and liquidity.

PVR has taken measures to reduce its personnel cost, including salary cuts across various levels in the organisation during the lockdown along with "reduction in headcount by way of layoffs/retrenchment" to mitigate the adverse impact of COVID-19 on the business.

Moreover, the board of the company, in its meeting held on Monday has also approved plan to raise Rs 300 crore through rights issue.

"Since Cinema Exhibition is the only business segment, company is currently not generating any revenue from admissions, food and beverage sales or other revenue and cash flow from operations," said PVR in an update.

Beginning from March 11, PVR started closing its screens in accordance with the order passed by various regulatory authorities and within a few days most of our cinemas across the country were shut down, it added.

The company will continue to incur committed cash outflows, including employee salary pay-outs, other overheads as well as payments for older working capital.

"This has and will have a significant negative impact on profitability and liquidity during lockdown and even thereafter till business comes to normalcy," it added.

Further, once the cinemas are re-opened, we may not be able to run our cinemas at normal capacity utilisation levels on account of social distancing measures that cinemas may be required to follow as well as health concerns that the patrons may have, the multiplex operator said.

"On account of this, our revenue and cash flow generation may be impeded even once we are allowed to restart operations," it added.

The company has also deferred decision on on increments to reduce its cost, it added.

PVR has also written to developers for waiving rental and CAM (Common Area Maintenance) charges for the lockdown period.

It is in discussion with developers for reducing rentals post re-opening and has invoked force majeure clause in its agreements with them.

Besides, the company has raised additional borrowings from existing bankers to shore up liquidity.

"As of March 31, 2020 the company had cash and bank balance of Rs 316 crore. As on June 7, 2020 cash and bank balance is Rs 227 crore (including undrawn bank lines)," it added.

Over reopening of theatres, PVR said that the government has come out with a phase-wise schedule.

In these guidelines cinema halls have been kept in the third phase of re-opening, where dates will be decided based on assessment of the situation.

"We are in continuous engagement with all regulatory authorities and hope to receive the necessary permissions for restarting opening in the near future," it added.

Currently PVR operates 845 screens in 176 properties in 71 cities.

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News Network
June 13,2020

Washington, Jun 13: American actor Gwyneth Paltrow is opening up about her experience during the coronavirus quarantine.

According to Fox News, the 47-year-old star explained to Shape magazine, the July-August cover issue of which she has graced -- that she hadn't realised just "how much the normal pace of life was overburdening our bodies, our minds, and our nervous systems."

The Goop founder explained, "As we have been forced into the confines of our own homes, that has brought up a lot of emotional distress for some, and for others, it has been very peaceful. In my case, I have experienced both."

The 'Iron Man' actor said that she has now started to "settle down" in her "brain and body."

She added of the lockdown, "It has given me new perspective about how much I will take on going forward."

Paltrow noted that before the quarantine, she was always trying to get "wellness moments" in, but she wasn't "really decompressing" until the weekends or on vacations.

"Now I feel different, letting my body go to sleep and wake up in its natural rhythm, having my kids around all the time, eating meals together and having meaningful conversations," she said of her children,16-year-old daughter Apple, and 14-year-old son Moses, whom she shares with ex Chris Martin.

Paltrow noted, "We linger at the table; our dinners are an hour and a half long. My heart feels fuller, and my mind feels calmer in that respect."

For how she de-stresses, the 'Spider-Man: Homecoming' actor said, "I try to do exercises every day for my back and neck because of all the Zoom calls I'm on."

In addition, Paltrow says she and her husband Brad Falchuk go for walks at least three to four times per week. She also takes online fitness and yoga classes.

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