Wife swapping has become a reality: Paoli Dam

May 1, 2012

Paoli_Dam

She created a stir with the bare back poster in Hate Story. But Bengali beauty Paoli Dam has no qualms about playing bold characters. Paoli will be seen next in Vikram Bhatt's 'Love Games', a film on wife- swapping.

You play a sex worker in Hate Story. Love Games is another bold film. Aren't you uncomfortable doing intimate bold scenes? How did your family react to Hate Story?

No not at all. I knew very well what character I was playing. Hate Story is a bold film so there will be bold scenes in the film. I loved playing Kavya because she is like any girl of today's generation who will take her revenge. In Hate Story, Kavya uses her body to do so. Hate Story has become a success and there have been very positive reviews. People have loved the film and they are not talking about the erotic aspect of the film but my performance. As for my mom, she is my biggest critic but even she loved the film!

After the release of Hate Story, are you riding high on the success? What does success mean to you?

I'm not riding high on success. I have really enjoyed the entire process of shooting for the film. I came from Kolkata to Mumbai and stayed here for three months. I had a lot of fun and success is more like a personal thing. It just feels good that I am being appreciated.

Did you have more friends before you became an actress? Or do you find that people are more interested in becoming your friend now that you've become an actress?

I still have my old friends. They have been there for me from the beginning. But I'm also making new friends and my circle is widening so that feels good too.

The bare back poster controversy is most talked about and your posters were painted blue in Bengal. Were you hurt by these reactions, especially in your homeland?

Frankly, I was not happy and was a bit sad because I had worked so hard on my body. That poster reveals everything: hatred, power and revenge. It was very impactful. But at the same time, I know the censor board is doing its job. There are certain rules that need to be implemented.

You also lost 10 kilos for the role in your first film. Is it essential to be skinny to survive in Bollywood? Any intentions on gaining the weight back on?

I don't think it's essential to be skinny to survive in Bollywood. I lost weight because Vikram Bhatt had a certain look in mind for this character. There are many types of actresses in Bollywood and as long as you look good, you will survive in the industry. I'm putting on a little weight for my next character but let me tell you, maintaing this body is not easy because I'm a foodie. But heroines should be flexible with their bodies.

What if a role demanded you to put on an obnoxious amount of weight, would you accept the role?

I really can't say right now. It all depends on the director, script and character.

What sets Paoli Dam apart from other sexy actresses who have bared before the camera?

Everyone has their own identity and I don't like comparing myself to others because I'm still new in Bollywood. All the others are my seniors. I only focus on giving my 100% to a film because I'm a perfectionist.

Love Games, your next film, is based on 'wife-swapping', an act very much prevalent today. Your thoughts on wife-swapping? Is it a healthy practice?

I have yet to sit with Vikram and decide on the script and my character. I need to research more on the topic as I'm not too familiar with it but I do realize that it has become a reality today.

Will you get typecast in the Bhatt camp or will you move onto working with other directors?

I am very thankful to Vikram Bhatt for giving me Hate Story. I believe in doing all genres of films and would love to work with all directors, producers and actors. I'm a filmaholic and love Bollywood so I wouldn't want to be typecast.

Who do you think will swipe away the female debutant award this year? You or other newcomers like Esha Gupta?

Laughs. You are the first person to ask me this question! I haven't thought about it and I don't really know. All I can say is that I have given my best-performance.

What league of Bengali actresses does Paoli belong to - the commercially successful ones like Bipasha, Rani and Kajol or the arty ones like Nandana and Konkona Sen Sharma?

I don't like to get categorized because I believe I belong to all kinds of cinema.

You have been linked to a few Bengali actors (like Parambrata). Are you dating anyone currently? Do you see yourself dating someone connected to the film industry or outside it?

No I'm happy single. I am not dating anybody and at this point, I cannot comment on who I'd like to date.

How was it working with Vivek Agnihotri in your debut film? Did you enjoy working more with Gulshan Devaiah or Nikhil Dwivedi?

I was very happy to have done my first film with Vivek and couldn't have asked for anything more. Without him, Kavya would not have been possible. He was so encouraging, positive and supportive. He's a very good director. Nikhil is my senior and I had few scenes with him but he was equally supportive. With Gulshan, I had complicated sequences and we worked well together! I also want to thank my dialogue writer Rohit Malhotra for helping me out.

The one actor in Bollywood that you'd really like to romance on screen?

Not one but many! Aamir, Salman, Shahrukh, Ranbir, Emraan and Abhay Deol.

Any crazy fan experience recently?

This was in Kanpur while we were promoting the film. There were so many people screaming my name and people were jumping with joy. They were trying to grab me. It was absolutely crazy and I had to be pulled out of there but I was happy with that experience. It was the sheer thrill of so many people recognizing me.

You have come a long way from doing Bengali Television and cinema to Bollywood. Will you ever return to TV? What about Regional cinema?

I started my career with regional films and have worked with some of the best names in Bengali cinema. But I'm not focusing on TV right now because it requires time and commitment which I won't be able to give at this point. Maybe sometime later but right now its Bollywood for me.


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News Network
February 12,2020

London, Feb 12: Oscar-winning British director Steve McQueen is returning to his art roots with a series of short films at London's Tate Modern art gallery, offering a sensory exploration of black identity.

McQueen, who became the first black director to win the best picture Academy Award in 2014 for "12 Years a Slave", is now based between London and Amsterdam and is focused on championing diversity in the film industry.

Visitors to his new exhibition will be greeted by "Static", a film of New York's Statue of Liberty, scrutinising the iconic symbol from every possible angle at very close range against a deafening backdrop of the helicopter from where the footage was filmed.

"What interests Steve is our view of the world, how humans are trying to represent Liberty," said Fiontan Moran, assistant curator of the exhibition.

"7th Nov, 2001" features a still shot of a body while McQueen's cousin Marcus tells of how he accidentally killed his brother, a particularly traumatic experience for the artist.

"Western Deep" is another visceral work, giving a sense through sights and sounds in an interactive installation of the experiences of miners in South Africa, following them to the bottom of the mine.

"Ashes", meanwhile, is a tribute to a young fisherman from Grenada, the island where McQueen's family originated.

The images of beauty and sweetness filmed from his boat are tragically reversed on the other side of the projection screen, which shows a grave commissioned by McQueen for the eponymous young fisherman, who was killed by drug traffickers.

African-American singer, actor and civil rights activist Paul Robeson (1898-1976) is honoured in "End Credits".

The film shows censored FBI documents detailing the agency's surveillance of Robeson, read by a voice-over artist, for five hours.

"He is... testing the limits of how people can be documented in an era of mass surveillance," said Moran.

In a similarly militant vein, the exhibition features the sculpture "Weight", which was first shown in the prison cell where the writer and playwright Oscar Wilde was imprisoned.

It depicts a golden mosquito net draped over a metal prison bed frame, addressing the theme of confinement and the power of the imagination to break free.

The show runs alongside an exhibition of McQueen's giant portraits of London school classes, many of which appeared on the streets of London last year.

"I remember my first school trip to Tate when I was an impressionable eight-year-old, which was really the moment I gained an understanding that anything is possible," said McQueen, adding it was "where in some ways my journey as an artist first began".

He recently told the Financial Times newspaper the difference between his art films and his feature films was that the former were poetry, the latter like a novel.

"Poetry is condensed, precise, fragmented," he said. "The novel is the yarn".

The exhibition opens on February 13 and runs until May 11.

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News Network
April 16,2020

New Delhi, Apr 16: Actor Salman Khan on Thursday put out a sharp message to the "jokers" who were flouting government-imposed guidelines and venturing out during the ongoing lockdown, putting at risk countless lives to the deadly coronavirus.

In his characteristic 'Bhai' style, Salman also appealed to people to not attack doctors, nurses and police personnel who are in the frontline of the battle against COVID-19.

In a 10-minute hard hitting video shared on Instagram he begins with a "Hello, namaste, salaam, sasriyakaal, Kem Cho' in typical TV reality show 'Big Boss' style and goes on to say 'Zindagi ka Bigg Boss' has begun with the entire country staying in lockdown mode at home.
He said he had taken a two-day "chhutti" (leave) but "This corona, COVID-19 has given everyone a 'chutti'."

Khan said he was staying at his farmhouse in Panvel near Mumbai with his family including his mother, two sisters their children and some other people who had come to visit.

In the video he said that he had sent a friend to get rations for the family from a village around five kilometres away. He recounted that the police stopped him and in the process, his friend took off the mask to speak to the policeman who reprimanded him and asked him to put the mask back on. Salman said that he too chided his friend for doing such a thing.

"Don't go out, don't do social gatherings, stay with your family, the government has said if you are doing namaaz, do it at home, do pooja at home..." the actor said, adding that those who had a wish to kill their families should step out.
"Go out get your ration, nobody is stopping you, go nearby but wear your masks, your gloves, go alone," the actor said underlining that the government has assured that everybody will get ration.

The actor said that whoever does not understand a coronavirus positive patient's pain is anti-human.

He pointed out that doctors, nurses and policemen are putting in long hours to curb the spread of coronavirus and urged people to respect their work and stay inside.

The actor said policemen would not have taken action and hit people if they followed guidelines and stayed inside. "If you weren't going out with friends, police wouldn't have hit you. Do you think police are enjoying it?," he asked.

"Doctors and nurses are working to save your lives and what do you do? You started pelting stones at them? Those who have been diagnosed with coronavirus, are running away from the hospitals. Where are you running? Towards life or death?," he questioned in his video.

The 'Dabangg 2' star appreciated the efforts by the frontline warriors and said, "the virus that started in China is over in China now, but because of a few jokers, the whole of India will sit at home for a long time."

The 54-year-old star said that he was aware of many people who wouldn't come out of their homes earlier but have started doing so since they've been asked to not go out.

"You are putting everyone's lives at risk," the Bajrangi Bhaijaan actor said.

Salman concluded by urging people to respect the work of the doctors, nurses, police personnel and those who work in banks, take care to ensure that the disease does not spread further and pray that it does not come to a situation where the military has to be called in to stop people from doing the wrong thing.

Filmmaker Vivek Ranjan Agnihotri took to Twitter to shared the video message. "Very well said @BeingSalmanKhan I hope wisdom prevails everywhere," he tweeted.

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Agencies
August 2,2020

Mumbai, Aug 2: Oscar-winning director Alfonso Cuaron has come aboard as an executive producer on filmmaker Chaitanya Tamhane's movie The Disciple. The Marathi feature is set to represent India at the 77th edition of the Venice Film Festival. It will be screened in the Competition section of the prestigious film gala.

The movie, which is Tamhane's follow-up to his National Award-winning feature Court, has also been selected for 2020 Toronto International Film Festival's official line-up.

"I met Chaitanya through a mentorship program where I had the opportunity to watch his very superb debut film, Court  I was immediately impressed by his sense of cinema and fearless confidence to tell stories.

"He was part of most of Roma's process and I jumped to the opportunity to be part of the process of his second film The Disciple. I believe Chaitanya is one of the most important new voices of contemporary cinema," Cuaron said in a statement.

Tamhane said he is honoured to have Cuaron aboard the film.

"It’s a bit surreal and an incredible honour for me to have one of the most recognised and acclaimed filmmakers in the world be part of 'The Disciple'. In some ways, this validation from Alfonso Cuaron is even more," he added.

The Disciple, a 127-minute long feature, stars Aditya Modak, Arun Dravid, Sumitra Bhave, and Kiran Yadnyopavit. It has been produced by “Sir” actor Vivek Gomber through his Zoo Entertainment Pvt. Ltd.

The Disciple marks Tamhane’s return to Venice after he won the Best Film - Orizzonti and Lion of the Future award for Court in 2014.

Court, a poignant commentary on India's judicial system, also won the National Film Award for Best Feature Film in 2015 and was India's official entry for the Best Foreign Film at the 2016 Oscars.

Endeavor Content will sell North American rights and New Europe Film Sales boards the film as an international sales agent.

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