Flashback: Rajesh Khanna-Dimple Kapadia's love story

July 20, 2012

rajeshkapadia

New Delhi: If there was one person continuously guarding Rajesh Khanna's health during his last days, it was Dimple Kapadia. Though Dimple didn’t prefer to come into the limelight much, she remained the force behind Kaka.


Raj Kapoor discovered Dimple Kapadia at the age of 13 and signed her for ‘Bobby’. The film later went on to become a hit but Dimple (16) took a strange decision of marrying the then superstar Rajesh Khanna (31) before the release of ‘Bobby’. However, the stranger things were yet to come. Dimple left the film world to raise her children.


But as they say, the glamour world is the other name of ecstasy, the poster perfect family life of Rajesh Khanna and Dimple Kapadia started to disintegrate towards the later years of 1970s. Many think that Kaka’s inability to handle the superstar status was the prime reason behind the marital woes.

Rajesh Khanna had become one star who wasn’t ready to compromise on anything lesser than a superhit while the Hindi film industry had started to shift its focus towards the new supernova of Bollywood in the form of Amitabh Bachchan.


Rajesh Khanna hadn’t stopped giving hits but the angry young man was moving fast towards the superstar tag. Someone had to bear for the fierce competition between two towering stars, so Rajesh Khanna’s family life began to suffer.


On the other hand, Dimple had given birth to two daughters till then; Twinkle breathed her first in 1973 while Rinke was born in 1977.


At one point of time, Dimple decided to return to films. Khanna’s hectic schedule kept him away for most of the time and ultimately the couple found it apt to separate in 1982. Dimple said in an interview given to India Today in 1985, “The life and happiness in our house came to an end the day I and Rajesh got married.”


Rajesh Khanna and Dimple continued to live separately but they didn’t bother to complete the divorce proceedings. Dimple returned to films and Rajesh Khanna’s acting career came to a halt, before he was fetched into politics.


Time washed away the bitterness between the couple and the two started to appear together in parties in the beginning of 1990s. Dimple also campaigned for Khanna during the elections in 1992.


Though the stardom was gone but Rajesh Khanna was itching for a comeback. He decided to produce ‘Jai Shiv Shankar’ (1992) with him and Dimple in the lead, unfortunately the film didn’t work.


But the lost love had returned to Rajesh Khanna’s life. Dimple remained Khanna’s closest ally till his last days.



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Agencies
January 9,2020

Mumbai, Jan 9: A day after Deepika Padukone visited the JNU campus to express solidarity with students who had been attacked, her film "Chhapaak" made another splash on Wednesday over the name of its antagonist.

While Deepika was the focus of many a discussion on social media and beyond for showing up at a public meeting in the university, the film, based on the life of acid attack survivor Laxmi Agarwal, was also making news for quite another reason.

In what could well be a storm in a 'Twitter cup', "Nadeem Khan" and "Rajesh" began trending on the microblogging site after a magazine article claimed the name of the antagonist had been changed. By 4 pm, 'Nadeem Khan' clocked close to 60,000 tweets and 'Rajesh' close behind with 50,000.

In 2005, Laxmi was disfigured for life when a man called Nadeem Khan and three others allegedly hurled acid at her in Delhi's upscale Khan Market.

In the film based on her life, the narrative remains the same but the names have been changed. So, Laxmi is 'Malti' Agarwal and Nadeem becomes 'Babboo' aka 'Bashir Khan'.

On Wednesday, Swarajya magazine wrote an article headlined, "The Ways Of Bollywood: In Deepika Padukone-Starer Chhapaak, Acid Attacker Naeem Khan Becomes ‘Rajesh'." "As part of a backlash against Padukone's JNU 'meet and greet', social media users researched the names of the characters involved in the movie Chhapaak and conspicuously found the name of main perpetrator Naeem Khan absent," the article alleged.

But in the Meghna Gulzar directed film, there is no mention of any Nadeem or Naeem Khan. Moreover, Rajesh is the name of Malti's boyfriend.

Minister of State for Environment, Forest and Climate Change Babul Supriyo jumped into the controversy, saying it was another example of "absolute hypocrisy".

"...When you say all characters are fictitious and don't have any resemblance with living beings and all of that, this is absolute hypocrisy. When you change the name which also changes the religion, it has been done very deliberately," Supriyo told a TV channel when asked to comment on the controversy.

South Delhi BJP MP Ramesh Biduri also called for a boycott of the movie.

With Deepika grabbing attention by going to JNU, many appreciated her 'silent solidarity' but others criticised her for "supporting the Leftists" and said it was a promotional stunt ahead of the release.

"#BoycottChhapaak" was trending on Twitter as was "#ISupportDeepika".

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Agencies
August 6,2020

Mumbai, Aug 6: Taking over the case of the controversial death of actor Sushant Singh Rajput, the CBI on Thursday registered a case naming six persons, including his actress-girlfriend Rhea Chakraborty and her family members.

Besides Rhea, others named in the FIR are her family members Indrajit Chakraborty, Sandya Chakraborty and Showik Chakraborty as well as his house manager Samuel Miranda and the actress' manager and publicist Shruti Modi.

The registration of the case came a day after the Centre informed the Supreme Court that it has asked the CBI to take over the case following a reference from the Bihar government.

The entry of the CBI will not be to the liking of Maharashtra government, as it has already raised objection to the move, saying Bihar does not have any jurisdiction for a probe, as the incident happened in Mumbai.

The CBI has invoked charges related to criminal conspiracy, abetment of suicide, wrongful restrain, wrongful confinement, theft, criminal breach of trust, cheating and criminal intimidation against those named in the FIR.

The case will be probed by the Special Investigation Team (SIT) under the Superintendent of Police Nupur Prasad. DIG Gagandeep Gambhir and Joint Director Manoj Shashidhar will supervise the investigations.

The CBI FIR is based on a case registered by Patna Police on a complaint filed by the actor's father Krishna Kishore Singh, who accused Rhea and others of abetting Sushant's suicide and misappropriating his assets. The Patna Police had invoked sections related to criminal conspiracy, cheating, and abetment to suicide among others.

The 34-year-old actor hailing from Bihar, known for his stellar performance in Kai Poche and MS Dhoni: The Untold Story among others, died by suicide on June 14 in his apartment in Bandra in Mumbai on June 14. Mumbai Police has registered a case and had been investigating various angles when Sushant's father also registered a case in Patna against Rhea and others.

The case ran into controversy as Mumbai Police and the state government questioned the locus standi of their Patna counterparts with one of the senior Bihar Police officers who landed in Mumbai was sent to quarantine by state authorities.

Sushant's death had raised shackles with several actors and others questioning the nepotism in Bollywood after it emerged that he was under depression as he was not getting his due in the film industry.

It also assumed political colours with a section alleging that top Shiv Sena leader and Maharashtra Chief Minister Uddhav Thackeray's son Aditya Thackeray, also a Minister, has links to the incident. Aditya has denied any links.

BJP leaders, including former Chief Minister Devendra Fadnavis, had demanded CBI inquiry in the case.

The Bihar government acted fast in referring the case to the CBI, as the state was going to Assembly elections later this year and there was anguish among people over the state.

So far, Mumbai Police have recorded statements of 56 people, including Rajput's sisters, Rhea, and others from the film industry, after registering an Accidental Death Report (ADR).

The Enforcement Directorate has earlier registered a money laundering case against Rhea and others on the basis of the FIR filed by Patna Police. The agency on Thursday quizzed Miranda while it summoned Rhea for questioning on Friday.

Earlier, Rhea had approached the Supreme Court seeking transfer of the case registered by Patna Police to Maharashtra. In her plea, she had said that she was in a live-in relationship with Sushant from a year up till June 8 when the petitioner had temporarily shifted to her own residence in Mumbai. She has been in deep trauma due the death of the actor and moreover getting rape and death threats.

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Agencies
July 11,2020

New Delhi, Jul 11: The COVID-19 triggered restrictions on cinema exhibition industry have not only disheartened movie goers, but axed several thousand jobs and costed the industry an estimated ₹ 5,000 crore in revenue.

The sector has been one of the hardest hit due to COVID-19 pandemic and the subsequent restrictions implemented to curb its spread.

Presently, cinemas and multiplexes continue to remain in the list of prohibited activities under the Centre's Unlock 2.0 Guidelines.

In an interview to media persons, movie exhibition major Inox Leisure's Chief Executive Alok Tandon said, "The industry on an average collects about ₹ 1,000 crore a month of 'Box Office' and on an average generates about ₹ 500 crore a month of ancillary revenues."

"Keeping in mind that the lockdown has been effective for more than 100 days now, which is about 3.5 months, the cinema exhibition industry would have accumulated losses worth ₹ 5,000 crore so far."

According to Tandon, associated businesses such as pre and post-production, make-up artistes, graphics, film set fabrication, film crew, events, marketing, F&B services have all been impacted due to the restrictions.

"With the production and exhibition of movies coming to a halt, the industry was bound to witness some job losses," he said without divulging any estimates.

As per industry data, the multiplex industry in India employs more than 200,000 people directly and accounts for nearly 60 % of revenues of the film business.

On the way forward, Tandon elaborated that the industry expects to regain business momentum and sentiment post resumption of operations.

"We believe it will be a matter of a couple of blockbusters, and we will be back to our usual operational numbers," he said.

"We are rightfully relying on the unshakeable passion of the Indian movie lovers, who are yearning to step out and spend time enjoying the giant screen experience."

Furthermore, he cited that industry has sent representation to the Centre for immediate re-commencement of operations and a support package.

"We have requested for financial support in the form of salary subsidies during the lockdown period, interest-free loans for three years, exemptions from various taxes and duties, like 'GST, Show tax, LBETs and Property taxes' for a period of one year from the date of operations, waiver on electricity minimum demand charges for one year and auto renewal of licenses and permits for the next one year," he said.

"We have been talking to our mall developer partners and are working together with them to see through this phase."

However, even after re-commencement, the industry anticipates at least 3-6 months before things return anywhere close to normal.

"The cinema ecosystem is such that we will need all the aspects of the business to swing into action and fire together for us to see a resurgence, and we are highly optimistic about the same," he said.

In terms of global experience, Tandon pointed out that cinemas have started operating in more than 25 major countries, and some of those markets are witnessing a healthy response.

"India is a massive movie market and we are confident that the passionate and responsible movie lovers will turn up in huge numbers to enjoy their favourite form of entertainment and also follow the prevention guidelines at the same time, ensuring a safe and steady revival of the cinema exhibition sector," Tandon said.

The film exhibition industry in India is mainly comprised of single screen and multiplexes.

At present there are around 9,527 cinemas across the country, including 6,327 single and 3,200 multiplex screens.

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