Cinema is a truly shared wealth: Tina Ambani, patron, Mumbai Academy of Moving Image

October 18, 2012
Tina-Ambani

When a group of film industry stalwarts headed by late Hrishikesh Mukherjee founded the Mumbai Academy of Moving Image (MAMI) as a not-for-profit trust, they envisioned an annual International Film Festival as a tribute to good cinema. Chaired by Shyam Benegal, it has grown over the years to include the best of world cinema. The latest avatar of the Mumbai Film Festival (MFF), beginning Thursday, promises a stellar lineup of over 200 movies. MAMI patron Tina Ambani speaks to Nandini Raghavendra on what to look forward to at the festival:

It's the 14th edition of MAMI. How has this journey been?

Mumbai is the cradle of Indian cinema - this city has nurtured my own aspirations as a young actor and these strong roots, these unshakeable bonds have nourished my passion for cinema over the years. The festival is an event that has always been dear to my heart.

Which films are you looking forward to watching this year?

It really is a lavish spread this year and every cineaste is spoilt for choice. Personally, I am looking forward to watching the Cannes Golden Palm winner Amour by Michael Haneke, a moving story about ageing and love; the much-awaited Silver Linings Playbook starring Robert De Niro and our very own Anupam Kher, which is the opening film. The screenings of Luchini Viscontti's The Leopard also promise to be fascinating as well as restored films Kalpana by Uday Shankar and Once Upon a Time in America by Sergio Leone.

In fact, the two celebrations - of Italian cinema and the 100 years of Indian cinema - bridge a centenary of filmmaking in both countries. Where else can you see 102-year-old Manoel de Oliviera and Alain Resnais, 90 years young, on the same platform as Kauwboy, the award-winning children's film?

Two restored classics from renowned Italian directors Maciste (1915) and Inferno (1911) are being showcased. How critical is it to restore and preserve world cinema classics?

Cinema is a universal language that is a truly shared wealth. Preserving its heritage is an imperative. At Reliance Mediaworks, too, we undertake major restoration projects of films from across the world. And this year, the festival will feature India's first key panel on restoration and preservation of films with leading speakers from 20th Century Fox, Cineteca Bologna, World Cinema Foundation, Film Foundation and the Motion Pictures Academy Archives.

Do you think we have ignored our language directors at the cost of mainstream Bollywood cinema?

I'd like to emphasise that we are a 'discovery' film festival; with India Gold 2012, the new competition section for Indian films, the platform is the same for both debut directors and renowned filmmakers. In New Faces in Indian Cinema, we feature the 1st and 2nd films of Indian directors; and in Film India Worldwide, we show films that have emerged from the diaspora. This is also, perhaps, the first time that two Indian films have been included in international competition for outstanding content. We offer a level playing field for all cinema never mind where it comes from, what language it is in, or who has made it. That is the bottom line.



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News Network
May 10,2020

New Delhi, May 10: While people across the country have been spending a lot of time at home owing to the lockdown, superstar Shah Rukh Khan on Saturday provided a unique platform for all the aspiring filmmakers to produce some 'fun, creative and... spooky' video.

The 54-year-old actor shared a statement on Instagram, detailing about the opportunity for the filmmakers to channel their inner "filmmaking ghost to make a scary indoor film with an element of horror in it."

Taking it to the captions, the 'Don' actor wrote: "Since we've all got a bit of time on our hands in quarantine, thought I can get us all to work a bit... in a fun, creative and... spooky way!"

In the post, titled with a hashtag 'SpookSRK,' the actor has listed down the rules to be followed while making the video and shared the email link to submit their work.

The 'Dilwale' actor also announced that the selected "three winners" will get a chance to video call the star himself.

Wrapping the post on a lighter note, he added: "I will be sending in my film as well...P.S - Ghosts are welcome to send their entries too."

This comes a day after the first trailer launch of Shah Rukh's new Netflix horror series 'Betaal'.

SRK's Red Chillies Entertainment is producing the horror-thriller. The new series also stars Vineet Kumar, Aahana Kumra, Suchitra Pillai, Jitendra Joshi, Manjiri Pupala, and Syna Anand.

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Agencies
July 30,2020

Chennai, Jul 30: Filmmaker S.S. Rajamouli on Wednesday said he and his family members have tested positive for coronavirus and are currently quarantined at home.

The director, best known for his epic fantasy hit Baahubali series, said they got tested after they developed mild fever recently which subsided by itself.

“My family members and I developed a slight fever few days ago. It subsided by itself but we got tested nevertheless. The result has shown a mild COVID positive today. We have home quarantined as prescribed by the doctors (sic)” he said.

In a subsequent tweet, Rajamouli said he and his kin are asymptomatic and “feeling better”. They are, however, following all the precautions and instructions.

“Just waiting to develop antibodies so that we can donate our plasma,” he added.

Before the coronavirus-induced nationwide lockdown was announced in March, the filmmaker was working on his upcoming period action drama Rise Roar Revolt.

The Telugu film, featuring actors Ram Charan and NTR Jr in the lead, is a fictional tale based on the lives of two freedom fighters in early 20th century.

Andhra Pradesh witnessed its worst single day spike of coronavirus on Wednesday, 10,000 plus cases, as the other southern states, including Tamil Nadu and Karnataka also reported high daily numbers, although they saw a dip in the infections.

The cumulative tally of southern states — AP, Tamil Nadu, Karnataka, Telangana, Kerala and the Union Territory of Puducherry was 24,855 on Wednesday.

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News Network
June 16,2020

Mumbai, Jun 16: Filmmaker Dibakar Banerjee remembers Sushant Singh Rajput as a dance loving 'chhokra' from an engineering college who, having made it in Bollywood, was “enthused, sincere and totally focused” on his craft.

Banerjeee said the actor always had “a book or two” with him and took pride in the fact that he had an “inner intellectual life away from the shallower aspects of showbiz”.

Rajput was found dead in his Bandra apartment on Sunday at the age of 34, leaving his friends, colleagues and collaborators in a state of shock.

The Patna-born actor and the director worked together in 2015 film "Detective Byomkesh Bakshy!" when Rajput was a relative newcomer in the industry. Banerjee says it was Rajput's vulnerability and willingness to do different that made him stand out for the role.

In an interview with news agency, the filmmaker looks back at Rajput's sincerity, his love for science and astronomy and how an outsider has to work harder than a "mediocre, unmotivated and entitled establishment elite" to succeed in Bollywood.

Excerpts:

You worked with Sushant when he was less than two-year-old in the film industry. What struck you the most in him to cast as Detective Byomkesh Bakshy?

Banerjee: His vulnerability and intensity and the ambition to do different things than the usual Bollywood stuff.

What were your memories of Sushant- the actor and the person?

Banerjee: As an actor he would tense himself up for the scene and then completely plunge in take after take. He would put a lot of value on preparation. He would be up the previous night of the shoot, reading the scene and making notes and land up on the sets all raring to go.

He would be on, ready and give his hundred per cent throughout the shoot of Byomkesh - no matter how hard or long the day. The unit did not really have to worry about him - considering he was the star. That's what I remember - a total pro, enthused, sincere and totally focused.

As a person, he seemed to me a happy dance loving 'chhokra' from an engineering college who had made it in showbiz and now was serious about acting. He was deeply nostalgic about his carefree student days in Delhi. We used to laugh a lot - I remember that quite clearly.

Sushant's friends say that he spoke more about books and his love for astronomy than films and their fate, which is rare for an actor in the industry. Do you also remember him that way?

Banerjee: Totally true. He was a science and astronomy nut. Always had a book or two with him - and was proud of the fact that he had an inner intellectual life away from the shallower aspects of showbiz. I recognized it as a reflex, protective action to prevent the Bollywood swamp sucking him in totally. And also an identity he wanted to protect and project.

Sushant's death has brought to the fore the struggles of outsiders and the alienation they often face from the nepotistic culture of the industry. Did you feel that Sushant was also fighting this battle despite being a successful actor?

Banerjee: We all fight it, day in and out - whether successful or failing. But the trick is to define that success and failure ourselves and not let the narrative constantly forced by the establishment to get to you. Those who know this weather the storm and ultimately survive and thrive.

The biggest unfairness in all this is that it takes double the talent, energy and hard work for an outsider to convince the audience and the industry that he or she is as safe a box office bet as a mediocre, unmotivated and entitled establishment elite.

The media colludes in this by wallowing in family, coterie and celebrity worship. This leads to deep anger and frustration. Those who can let this slide survive. Those who can't - those who hurt a little more or are vulnerable and impressionable - they are at risk.

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