Actors that took Bollywood by storm in 2012

December 25, 2012
Dabaang2


If Salman Khan ruled the roost in 2012, his rivals Shah Rukh Khan and Aamir Khan too made a mark. But the year also saw actors like Irrfan, Manoj Bajpayee and Nawazuddin Siddiqui rising and shining on film firmament, thanks to their flawless performances.


From playing a rowdy cop to a deaf-mute boy or bringing alive a real-life gangster on screen - actors donned various avatars and entertained movie buffs throughout the year.



Here are top 10 actors of the year 2012:

Salman Khan: The actor continued to be on the top with two hits - Ek Tha Tiger and Dabangg 2. His portrayal of an Indian spy in Ek Tha Tiger and a corrupt yet benevolent cop Chulbul Pandey in Dabangg 2 was received well by the movie buffs and helped makers earn big bucks at the box-office.

Ranbir Kapoor: After Rockstar, this Kapoor scion continued to take the legacy forward with Barfi!. He made people laugh and cry with his heart-warming portrayal of a deaf and mute boy Murphy in the film directed by Anurag Basu. The role required him to showcase different emotions without speaking a word, and the actor excelled in it.


Aamir Khan: Though Aamir's suspense thriller Talaash opened to mixed response, his midas touch helped the film earn profits at the box-office, both, in India and in the overseas market. Critics felt script was not impressive, but Aamir's portrayal of a police personnel trying to solve a murder case while mourning his 11-year-old son's death impressed his fans.

Shah Rukh Khan: Critics felt that Shah Rukh has outgrown lover boy roles. In Jab Tak Hai Jaan, Yash Chopra's last directorial venture, more than his romantic avatar, people loved him as an army personnel. The film opened to mixed response despite the huge buzz around SRK's pairing with Katrina Kaif for the first time.


Akshay Kumar: Khiladi Kumar batted as many as five hits. He had six outings this year - Housefull 2, Rowdy Rathore, Joker, Oh My God and Khiladi 786. Except for Joker, all the Akshay-starrers raked not only earned profit, but some even entered the Rs.100 crore club. From doing hardcore action stunts to tickling the audiences' funny bones or donning the garb of 'god', Akshay happily brought forth different aspects of his
personality through different roles and viewers lapped it up.


Ajay Devgn: After Singham and Golmaal 3, Rohit Shetty gave Ajay a distinct style in Bol Bachchan - his witty one-liners and Hindi to English translations, took audience on a laughter ride. In Son of Sardaar, he donned the garb of a sardaar and walked away with accolades, again. Both his films went on to earn over Rs.100 crore at the box-office.

Irrfan: His gripping portrayal of an athlete-turned-gangster won many hearts in the biopic titled Paan Singh Tomar. The two-year wait proved fruitful as the film not only did well at the box-office but also brought critical acclaim for Irrfan from all over the world. It can be said that no one other than Irrfan could play the role with so much conviction that people could feel the emotions.

Manoj Bajpayee: The 2012 brought sunshine for Manoj, who was in the oblivion for some time. His power-packed performance as a small town gangster in Anurag Kashyap's successful Gangs of Wasseypur wowed both critics and audience alike. He even excelled as freedom fighter Surya Sen in Bedabrata Pain's much talked about Chittagong that focused on the Chittagong uprising.

Nawazuddin Siddiqui: He was there, but nobody noticed the talented actor with unconventional looks till Gangs of Wasseypur happened. His acting capabilities as gangster Faizal Khan in the film made him a star. Nawaz also proved his mettle as an actor with Kahaani and Talaash.

Sanjay Dutt: After playing positive roles and doing comedies, Sanjay revived Bollywood's larger than life villain with his role as Kancha Cheena in Agneepath remake. He sent shivers down the spine as the ruthless, cold-blooded Kancha Cheena and his dreadful make-up did the trick. Later in the year he took a U-turn and tickled the funny bones of the audiences in Son Of Sardaar.



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News Network
February 10,2020

Feb 10: Bong Joon-ho’s film “Parasite” starts in a dingy, half-basement apartment with a family of four barely able to scratch out a life. There must be no place to go but up, right? Yes and no. There’s nothing predictable when the South Korean director is on his game.

This dark, socially conscious film about the intertwining of two families is an intricately plotted, adult thriller. We can go up, for sure, but Bong can also take us deeper down. There’s always an extra floor somewhere in this masterpiece.

It tells the story of the impoverished four-person Kim family who, one by one, and with careful and devious planning, all get employed by the four-person affluent Park family — as a tutor, an art teacher, a driver and a housekeeper. They are imposters stunned by the way wealth can make things easier: “Money is an iron. It smooths out all the creases,” says the Park patriarch with wonder.

Bong, who directed and wrote the story for “Parasite,” has picked his title carefully, of course. Naturally, he’s alluding to the sycophantic relationship by a clan of scammers to the clueless rich who have unwittingly opened the doors of their home on a hill. But it’s not that simple. The rich family seem incapable of doing anything — from dishes to sex — without help. Who’s scamming who?

Bong’s previous films play with film genres and never hide their social commentary — think of the environmentalist pig-caper “Okja” and the dystopian sci-fi global warming scream “Snowpiercer.” But this time, Bong’s canvas is a thousand times smaller and his focus light-years more intense. There are no CGI train chases on mountains or car chases through cities. (There is also, thankfully, 100% less Tilda Swinton, a frequent, over-the-top Bong collaborator.

The two Korean families first make contact when a friend of the Kim’s son asks him to take over English lessons for the Park daughter. Soon the son (a dreamy Choi Woo-sik) convinces them to hire his sister (the excellent Park So-dam) as an art teacher, but doesn’t reveal it’s his sis. She forges her diploma and spews arty nonsense she learned on the internet, impressing the polite but firm Park matriarch (a superb Jo Yeo-jeong.)

The Park’s regular chauffer is soon let go and replaced by the Kim patriarch (a steely Lee Sun-kyun). Ditto the housemaid, who is dumped in favor of the Kims’ mother (a feisty Jang Hye-jin.) All eight people seem happy with the new arrangement until Bong reveals a twist: There are more parasites than you imagined. The clean, impeccably furnished Park home will have some blood splashing about.

Bong’s trademark slapstick is still here but the rough edges of his often too-loud lessons are shaved down nicely and his actors step forward. “Keep it focused,” the Kim’s son counsels his father at one point. Bong has followed that advice.

There are typically dazzling Bong touches throughout. Just look for all the insect references — stink bugs at the beginning to flies at the end, and a preoccupation with odor across the frames. And there’s a scene in which the rich matriarch skillfully winds noodles in a bowl while, in another room, duct tape is being wrapped around a victim and classical music plays.

Bong could have been more strident in his social critique but hasn’t. There are no villains in “Parasite” — and also no heroes. Both families are forever broken after chafing against each other, a bleak message about the classes ever really co-existing (Take that, “Downton Abbey”).

“Parasite” is a worthy winner of the Palme d’Or at the Cannes Film Festival, the first South Korean movie to win the prestigious top prize. The director has called it an “unstoppably fierce tragicomedy.” We just call it brilliant.

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News Network
May 30,2020

Mumbai, May 30: Actor Vaani Kapoor on Saturday said she will go on a virtual date with five people as part of an initiative to raise money for daily wage earners, who have been affected due to the nationwide lockdown implemented to rein in coronavirus.

Vaani has teamed up with actor Arjun Kapoor's sister Anshula Kapoor’s online fundraising platform, Fankind, to raise funds for daily wage workers.

Vaani and Fankind have come together to provide five of her fans a chance to go on a virtual date with her - by donating to provide food to daily wage workers.

“As human beings, we will need to come forward and support as many people as possible in need due to the coronavirus pandemic in our country. I’m doing my bit to support the daily wage earners of our country and their families who are in dire situations given the lockdown.

“My activity, in which five lucky winners can have a virtual date with me, will see us collect funds to help feed them and their families across the country," Vaani said in a statement.

Earlier, Arjun too supported the initiative to help daily wage earners.

According to the press release, the funds will go to GiveIndia, a non-profit organisation, which will provide hot cooked meals to wage earners and their families. Each meal costs Rs 30 and will be delivered in various areas of Maharashtra, Bangalore, and Chennai.

A.T.E. Chandra Foundation has also come on board and will be adding 25 percent of the total donation value collected as a matching amount, thereby multiplying the impact, the release said.

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News Network
June 19,2020

New Delhi, Jun 19: After the recent sudden demise of Sushant Singh Rajput, actor Kangana Ranaut who went public slamming nepotism in the Hindi film industry, has now revealed that she faced similar struggles like that of Sushant.

In a new statement, the "Queen" actor alleged that she was asked to apologise to Hrithik Roshan's family in order to survive. Both Kangana and Hrithik had been in the public spotlight in the year 2016 over their alleged former relationship and legal battle.

The 'Queen' actor said: "Once Javed Akhtar had called me to his house and told me that Rakesh Roshan and his family are very big people. If you don't apologise to them, you will have nowhere to go. They will put you in jail, and eventually, the only path would be that of destruction...you will commit suicide. These were his words. Why did he think if I don't apologise to you will have nowhere to go. They will put you in jail, and eventually, the only path would be that of destruction...you will commit suicide. These were his words. Why did he think if I don't apologise to Hrithik Roshan, I would have to commit suicide? He shouted and yelled at me. I was shaking in his house,"

She further continued, "Were there people calling Sushant? Were there people putting such thoughts into his mind? I have no idea, but obviously, he was in a similar situation. In his interviews, he had said that nepotism cannot co-exist with talent because they don't allow the right talent to come up. I can relate to it, and hence I am raising questions. I want to know who played the catalyst in this situation?"

Kangana adds, "I know Sushant had a big fallout with Aditya Chopra also. When I refused Sultan, he had threatened he would never work with me. Ever since our industry ganged up on me. I remember so many times feeling really lonely and feeling what will happen to me..."

The 'Manikarnika' star also revealed that all this not only happened to her professionally but personally as well it hampered her relationships. "They are very insecure about things. Despite what they did to me, there was a guy who wanted to get married to me. But he distanced himself, they made sure he ran away. With no surety about my career, my love-life completely has gone awry, with six court-cases against me, they're still trying to put me in jail."

Kangana also talked about herself: "I'm a different person; I'm very expressive. I went out there, and I just vented it out. Sushant was not a person like that at all. He just bottled it up. Media too has played a considerable part in this--the kind of monster image that was given to him. Everybody who knew him closely agrees that he was a soft and emotional person. I think that after a point it really got to him. I can understand it because even I have been portrayed as a witch and as a stalker."

Sharing that the bullying and outbursts had a psychological impact on her life situations, Kangana says, "I remember initially when people used to come to my home, I felt so embarrassed to even offer them water. Forget having a relationship or going on a date post the disaster of a relationship I had. I can only imagine that even during Manikarnika what they did to me."

Talking about the 'Kai Po Che' star, she added, "But perhaps he was just not able to vent. In fact, all these constant jibes on these petty show that he should be killed and which rated him as the least efficient... his films have done more business than your Gully Boy. People like Salman Khan said who Sushant Singh Rajput? It was after M.S. Dhoni: The Untold Story, everybody knew who Sushant was. We need to stop these."

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