‘Fate of the Furious’ makes Rs 650-cr in 2 days, but less than expected

April 17, 2017

Apr, 17: The Fate of the Furious is roaring to a record-setting global debut over the weekend.

fate

Final numbers have yet to be released, but based on earlier estimates, the action-thriller is poised to set a new worldwide high-water mark. It is expected to pass the previous record of $529 million set by Star Wars: The Force Awakens.

If that happens, a large part of the credit will to China, where The Fate of the Furious has already racked up a massive $135 million in its first two days of release. It is worth noting that Chinese theaters only give studios about 25% of ticket sales, roughly half of what they receive in most major territories.

Domestically, there are indications that a franchise centered on muscle cars and physics-defying stunts, has crested. The Fate of the Furious took in an estimated $100.2 million (Rs 644 crore), an impressive result, but a steep drop off from Furious 7’s $147.2 million (Rs 947 crore) kick-off. Heading into the weekend, most analysts expected the film would roar past the $100 million mark, instead of inch over the line.

There are important reasons for the fall off. Furious 7 served as a memorial of sorts to Paul Walker, the franchise star whose 2013 death in a car accident shattered his co-stars and many fans. This time, there wasn’t the same emotional resonance. The Fate of the Furious continues the franchise without Walker, adding in series newcomers such as Charlize Theron and Helen Mirren.

Then there was the off-screen drama. This film had to contend with reports of off-screen tension between Vin Diesel and Dwayne Johnson that undermined one of the franchise’s key selling points -- that these films are celebrations of family and brotherhood. Both stars steered clear of each other at the picture’s New York premiere and Diesel’s attempt to brush aside the reports of a beef between the actors left something to be desired.

Reviews were also weaker. IndieWire’s David Ehrlich labelled the film the worst of the series, while the Los Angeles Times’ Justin Chang argued the franchise had jumped the shark, or in this case, the nuclear submarine. That’s not to say there weren’t some loud advocates. Variety’s Owen Glieberman, for instance, praised the picture as a “dazzling action spectacle.” Audiences agreed, handing The Fate of the Furious an A CinemaScore.

Beyond Johnson, Diesel, Mirren, and Theron, The Fate of the Furious brings back franchise veterans Kurt Russell, Ludacris, Tyrese Gibson, Jason Statham, and Michelle Rodriguez. F. Gary Gray, fresh off the success of Straight Outta Compton, slid into the director’s chair.

The film follows the crew as they grapple with Diesel’s betrayal and alliance with a mysterious hacker (Theron). Universal didn’t provide a budget, but sources peg the cost at $250 million, making it the most expensive chapter in the series. Despite the rising costs, the film remains on pace to top $1 billion worldwide, making more sequels a certainty.

Fox and DreamWorks Animation’s The Boss Baby was a distant second place, bringing in $15.5 million to push the family film’s domestic gross to $116.3 million. Disney’s Beauty and the Beast nabbed third, taking in $13.6 million to push its stateside haul to a mighty $454.7 million. Globally, the fairy tale remake has soared past the $1 billion mark.

Sony’s Smurfs: The Lost Village came in fourth with $6.5 million, pushing the animated film’s North American total to an anemic $24.7 million. With a $60 million budget, the third Smurfs film will need to resonate strongly with foreign audiences if it wants to make a profit.

New Line’s Going in Style rounded out the top five, earning $6.3 million. The comedy about a trio of aging bank robbers stars Morgan Freeman, Alan Arkin, and Michael Caine. It has grossed $23.4 million, nearly matching its $24 million production budget.

Most studios steered clear of The Fate of the Furious, but there were a few brave newcomers opening in limited release. Amazon Studios and Bleecker Street debuted The Lost City of Z in four theaters where it picked up $112,633. The film follows an adventurer (Charlie Hunnam) as he plunges deep into the Amazon in search of glory.

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News Network
April 21,2020

Mumbai, Apr 21: While the whole country continues to struggle against the COVID-19 crisis, filmmaker Rohit Shetty's name has been added to the list of renowned personalities who have come forward to give the frontline workers a boost to help them in their battle against the deadly infection.

Rohit Shetty has facilitated eight hotels across the city for the on-duty corona warriors to rest, shower and change with arrangements for breakfast and dinner. The Mumbai Police thanked Shetty for this kind gesture in keeping Mumbai safe and tweeted," #RohitShetty has facilitated eight hotels across the city for our on-duty #CovidWarriors to rest, shower & change with arrangements for breakfast & dinner. We thank him for this kind gesture and for helping us in #TakingOnCorona and keeping Mumbai safe."

Meanwhile, scores of celebrities have stepped forward in the fight against coronavirus by supporting different initiatives to help the ones going through the difficult situation due to coronavirus outbreak.

India's count of positive coronavirus cases reached 18,985 after 1,329 new cases were reported in the last 24 hours, the Ministry of Health and Family Welfare said on Tuesday.
Out of the total cases, 15,122 are active cases, 3,259 have been cured and discharged and one has migrated. With 44 new deaths reported in the last 24 hours, the toll stands at 603.

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News Network
February 12,2020

London, Feb 12: Oscar-winning British director Steve McQueen is returning to his art roots with a series of short films at London's Tate Modern art gallery, offering a sensory exploration of black identity.

McQueen, who became the first black director to win the best picture Academy Award in 2014 for "12 Years a Slave", is now based between London and Amsterdam and is focused on championing diversity in the film industry.

Visitors to his new exhibition will be greeted by "Static", a film of New York's Statue of Liberty, scrutinising the iconic symbol from every possible angle at very close range against a deafening backdrop of the helicopter from where the footage was filmed.

"What interests Steve is our view of the world, how humans are trying to represent Liberty," said Fiontan Moran, assistant curator of the exhibition.

"7th Nov, 2001" features a still shot of a body while McQueen's cousin Marcus tells of how he accidentally killed his brother, a particularly traumatic experience for the artist.

"Western Deep" is another visceral work, giving a sense through sights and sounds in an interactive installation of the experiences of miners in South Africa, following them to the bottom of the mine.

"Ashes", meanwhile, is a tribute to a young fisherman from Grenada, the island where McQueen's family originated.

The images of beauty and sweetness filmed from his boat are tragically reversed on the other side of the projection screen, which shows a grave commissioned by McQueen for the eponymous young fisherman, who was killed by drug traffickers.

African-American singer, actor and civil rights activist Paul Robeson (1898-1976) is honoured in "End Credits".

The film shows censored FBI documents detailing the agency's surveillance of Robeson, read by a voice-over artist, for five hours.

"He is... testing the limits of how people can be documented in an era of mass surveillance," said Moran.

In a similarly militant vein, the exhibition features the sculpture "Weight", which was first shown in the prison cell where the writer and playwright Oscar Wilde was imprisoned.

It depicts a golden mosquito net draped over a metal prison bed frame, addressing the theme of confinement and the power of the imagination to break free.

The show runs alongside an exhibition of McQueen's giant portraits of London school classes, many of which appeared on the streets of London last year.

"I remember my first school trip to Tate when I was an impressionable eight-year-old, which was really the moment I gained an understanding that anything is possible," said McQueen, adding it was "where in some ways my journey as an artist first began".

He recently told the Financial Times newspaper the difference between his art films and his feature films was that the former were poetry, the latter like a novel.

"Poetry is condensed, precise, fragmented," he said. "The novel is the yarn".

The exhibition opens on February 13 and runs until May 11.

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News Network
July 26,2020

Mumbai, Jul 26: Just days after actor Kangana Ranaut made some claims on Sushant Singh Rajput's suicide case and asked why the Mumbai police is not summoning some people of the Hindi film industry, Maharashtra Home Minister Anil Deshmukh on Sunday said that film director Mahesh Bhatt and Karan Johar's manager will be called for the questioning.

"Tomorrow Mahesh Bhatt will be called for questioning and we will later call Karan Johar's manager too. If required Karan Johar can also be called for the questioning in Sushant Singh Rajput case," he said while speaking to news agency.

A day Rajput's suicide, Kangana had released a two-minute video speaking highly of the deceased actor and accusing certain sections of the film industry for not acknowledging the star's talent.

Kangana had also claimed that some of the last social media posts by the actor made it evident that he was struggling to survive in the industry.

According to the police, statements of 39 people, including film critic Rajeev Masand, director-producer Sanjay Leela Bhansali, and filmmaker Aditya Chopra have been recorded in the investigation so far.

Rajput was found dead in his Mumbai residence on June 14.

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