Four actresses including Bhavana quit male-dominated AMMA after Dileep’s reinstatement

oastaldigest.com web desk
June 27, 2018

Newsroom, Jun 27: In a major embarrassment for Malayalam film industry, four prominent actresses including the one who was abducted and sexually assaulted, have resigned from the Association of Malayalam Movie Artistes (AMMA), in protest against the organisation’s decision to reinstate actor Dileep.

The four actresses who took a bold decision are Bhavana, Rima Kallingal, Ramya Nambeesan and Geetu Mohandas. All of them are members of Women in Cinema Collective (WCC).

Dileep was ousted from AMMA last year after he was named as an accused in the abduction and sexual assault case. However, last Sunday, a general body meeting of AMMA, under the newly-elected president Mohanlal, had taken the decision to reinstate Dileep.

Bhavana, who acted in most of the south Indian languages, in her statement, said that she did not find any meaning in continuing in AMMA which never stood with her, even when she raised complaints in the past.

“I am resigning not just because the accused actor (Dileep) has been taken back into AMMA. Even before, this actor had scuttled many of my acting opportunities. When I complained against this, AMMA had taken no action. Now, when such an unfortunate incident happened in my life, the organisation again tried to protect the accused. I resign from the organisation having understood that there is no purpose in being part of it,” said the statement.

The other WCC members, in a common statement on their Facebook page, said that AMMA has proven whose side it was on, by taking back Dileep.

“The AMMA has, since its formation in 1995, not taken any attempt to bring about a women-friendly workplace in the industry. When the WCC made attempts in this direction, it was met with the muscle power of the fans associations and crass humour. The organisation did not think about the survivor, its own member, when deciding to take back the accused. Hope our resignation will be a reason for AMMA to correct its wrong decisions,” said the statement.

Comments

Savitha ME
 - 
Wednesday, 27 Jun 2018

Mollywood has become Rapewood

Mammootty fan
 - 
Wednesday, 27 Jun 2018

At least Mammootty who maintained a good image in the so far unlike Mohanlal, should have issued statement against reinstatement of the mastermind of abduction and rape.

Pavana
 - 
Wednesday, 27 Jun 2018

Shameless Mallu film bigwigs gave green signals to rape. Shame on Mohanlal who reinstated Dileep. 

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News Network
April 9,2020

Kasaragod, April 9: After Supreme Court intervened and settled the Border issue with Karnataka authorities who had consented to allow the critically-ill patients from in and around Kasaragod and nearby areas to cross over to nearby Mangalore for getting urgent and critical care treatment, the Karnataka authorities is alleged to continue to be hostile either by blocking way ahead or turning a deaf ear to the patients reaching there.

It was on Wednesday onwards that the check post at Thalapadi near here on the Kozhikode-Mangalore National Highway was opened for the critically-ill patients to cross over to Mangalore hospitals for medical treatment.

However, reports reaching here said two out of the three critically-ill patients, who made it to Mangalore were allegedly ill-treated or given no treatment forcing them to return back to Kerala.

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News Network
April 11,2020

Kundapur, Apr 10: Police have lodged a case against Nagaraj Mogaveera, 28, a resident of Karwadi Saukur in Kundapur, for sharing a communal hatred and sensitive post over Facebook.

On his Facebook page, he wrote, "1,500 persons went to Delhi mosque from Karnataka. Each person's test costs Rs 4,500 which becomes expenditure of Rs 67,50,000 in all. If they be encountered, each bullet costs Rs. 63 and the total expenditure will be Rs 94,500."

According to the complaint filed by Mukhtar Ahmad of the Janata Colony of Kundapur Karwadi village on Friday, the police have booked a case under the IPC Section 1860, 295A, 505 (2) and launched the investigation.

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News Network
June 16,2020

Mumbai, Jun 16: Filmmaker Dibakar Banerjee remembers Sushant Singh Rajput as a dance loving 'chhokra' from an engineering college who, having made it in Bollywood, was “enthused, sincere and totally focused” on his craft.

Banerjeee said the actor always had “a book or two” with him and took pride in the fact that he had an “inner intellectual life away from the shallower aspects of showbiz”.

Rajput was found dead in his Bandra apartment on Sunday at the age of 34, leaving his friends, colleagues and collaborators in a state of shock.

The Patna-born actor and the director worked together in 2015 film "Detective Byomkesh Bakshy!" when Rajput was a relative newcomer in the industry. Banerjee says it was Rajput's vulnerability and willingness to do different that made him stand out for the role.

In an interview with news agency, the filmmaker looks back at Rajput's sincerity, his love for science and astronomy and how an outsider has to work harder than a "mediocre, unmotivated and entitled establishment elite" to succeed in Bollywood.

Excerpts:

You worked with Sushant when he was less than two-year-old in the film industry. What struck you the most in him to cast as Detective Byomkesh Bakshy?

Banerjee: His vulnerability and intensity and the ambition to do different things than the usual Bollywood stuff.

What were your memories of Sushant- the actor and the person?

Banerjee: As an actor he would tense himself up for the scene and then completely plunge in take after take. He would put a lot of value on preparation. He would be up the previous night of the shoot, reading the scene and making notes and land up on the sets all raring to go.

He would be on, ready and give his hundred per cent throughout the shoot of Byomkesh - no matter how hard or long the day. The unit did not really have to worry about him - considering he was the star. That's what I remember - a total pro, enthused, sincere and totally focused.

As a person, he seemed to me a happy dance loving 'chhokra' from an engineering college who had made it in showbiz and now was serious about acting. He was deeply nostalgic about his carefree student days in Delhi. We used to laugh a lot - I remember that quite clearly.

Sushant's friends say that he spoke more about books and his love for astronomy than films and their fate, which is rare for an actor in the industry. Do you also remember him that way?

Banerjee: Totally true. He was a science and astronomy nut. Always had a book or two with him - and was proud of the fact that he had an inner intellectual life away from the shallower aspects of showbiz. I recognized it as a reflex, protective action to prevent the Bollywood swamp sucking him in totally. And also an identity he wanted to protect and project.

Sushant's death has brought to the fore the struggles of outsiders and the alienation they often face from the nepotistic culture of the industry. Did you feel that Sushant was also fighting this battle despite being a successful actor?

Banerjee: We all fight it, day in and out - whether successful or failing. But the trick is to define that success and failure ourselves and not let the narrative constantly forced by the establishment to get to you. Those who know this weather the storm and ultimately survive and thrive.

The biggest unfairness in all this is that it takes double the talent, energy and hard work for an outsider to convince the audience and the industry that he or she is as safe a box office bet as a mediocre, unmotivated and entitled establishment elite.

The media colludes in this by wallowing in family, coterie and celebrity worship. This leads to deep anger and frustration. Those who can let this slide survive. Those who can't - those who hurt a little more or are vulnerable and impressionable - they are at risk.

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