Grand old lady of Bollywood Zohra Sehgal passes away at 102

[email protected] (Cine News)
July 11, 2014

Sehgal passesMumbai, Jul 11: Veteran film actress, theatre and TV personality Zohra Sehgal passed away today. A heart patient, Sehgal was admitted to the Max Hospital in south Delhi's Saket area after being diagnosed with pneumonia on Wednesday. She died of a heart attack at 4.30 pm on Thursday.

Sehgal, often called Bollywood's laadli, was last seen in films like Cheeni Kum and Saawariya. In a career spanning almost eight decades, she acted in a number of Bollywood and even Hollywood films.

Sehgal use to reside with her daughter, renowned Odissi danseuse Kiran Sehgal. In 1994, she was diagnosed with cancer, but she fought the disease and recovered.

In 2008, Zohra Sehgal was named the 'Laadli of the Century' by the United Nations Population Fund (UNPF)-Laadli Media Awards.

As a youngster, Sehgal was passionate about dance. Her tryst with showbiz began with dance when she joined Uday Shankar in 1935 and worked with him for a few years.

She went on to teach dance in Almora later, and that's where she met painter and dancer Kameshwar Sehgal and married him. She later took to dramatics with the Prithvi Theatre in 1945. She worked with them for 14 years, travelling to various cities, and even joined the Indian People's Theatre Association (IPTA).

From Prithviraj Kapoor to Raj Kapoor, Rishi Kapoor and Ranbir Kapoor, she worked with four generations of Bollywood's famous Kapoor family - and she didn't let age dampen her spirit at all.

Sehgal, considered a doyen of Indian theatre, appeared in over 20 films. She will be best remembered for her appearances in Bhaji on the Beach (1992), Hum Dil De Chuke Sanam, Bend It Like Beckham (2002), Dil Se (1998) and Cheeni Kum (2007).

Sanjay Leela Bhansali, who directed her in two of his films - "Hum Dil De Chuke Sanam and Saawariya, had once said, "To call her a livewire is an understatement."

He couldn't think of a second name for a particular role in Saawariya other than her."It had to be Zohraji and no one else. There was a kind of hesitation within me - after all Zohraji is 94. But all our doubts were dispelled once she came on the sets," Bhansali had said during the shooting of Saawariya. "Her enthusiasm gets to all of us," he added.

She was perhaps one of the first Indians to have a taste of international entertainment. In the mid-1960s, she featured in an adaptation of Rudyard Kipling's The Rescue of Pluffles, and then also anchored a few episodes of television series Padosi.

While she was in London, she featured in a film called The Courtesans of Bombay, directed by James Ivory in 1982. There was no looking back in international showbiz thereafter. She went on to feature in TV series like The Jewel in the Crown, My Beautiful Launderette, Tandoori Nights and Never Say Die.

Sehgal came back to India in the 1990s. She was around 80 years old then. While many would have thought she would quit the entertainment world, she wasn't ready to hang up her boots.

On the small screen, she featured in Amma and Family, and bagged roles in big banner movies.

When it comes to awards, in 1998 she was honoured with the Padma Shri, one of India's highest civilian honours, following which she received the Kalidas Samman in 2001, and the Sangeet Natak Akademi in 2004. In 2010, she was bestowed with the Padma Vibhushan. Small parts or big, Sehgal continued to spread smiles on the celluloid and will always be remembered as the grand old lady of Indian cinema.

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February 21,2020

Kolhapur, Feb 21: Voicing against Citizenship (Amendment) Act (CAA), renowned lyrics and thinker Javed Akhtar has said that the act was an assault to secularism and integrity of India and with the ongoing protests, the nation had reached a threshold for an another struggle.

Speaking here on Thursday night at an event organised on the 5th death anniversary of CPI senior leader and progressive leader Com Govind Pansare, Mr Akhtar said the newly amended citizenship act was a plot to split the country.

Mr Javed said that communalism has a deep root in India and it spread after the formation of Hindu Mahasabha and Muslim League in British India. "Muslim league got Pakistan but Hindu Mahasabha is still unsatisfied," he alleged and added that BJP was now 'working as a branch of RSS' and trying to 'split the country' through NRC.

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January 24,2020

Paris, Jan 24: Rahul Mishra and Imane Ayissi made history on Thursday by becoming the first Indian and black African designers to show their clothes on the elite Paris haute couture catwalk.

Only a little more than a dozen of the world's most prestigious luxury labels -- including Dior, Chanel and Givenchy -- have a right to call their clothes haute couture.

All the clothes must be handmade -- and go on to sell for tens of thousands of euros (dollars) to some of the richest and most famous women in the world.

Mishra, an advocate of ethical "slow fashion" who blames mechanisation for much of the world's ills, said "it felt amazing and very surreal to be the first Indian to be chosen." "They see a great future for us -- which will make us push ourselves even harder," the 40-year-old told AFP after his debut show was cheered by fashionistas.

Both Mishra and Cameroon-born Ayissi, 51, are champions of traditional fabrics and techniques from their homelands and are famous for their classy lines.

Ayissi said his selection was "immense" both for Africa and himself.

"I am so proud that I can show my work and showcase real African fabrics and African heritage," he told AFP backstage as celebrities, including the chic head of Unesco, Audrey Azoulay, congratulated him.

Mishra broke through on the Paris ready-to-wear scene after winning the International Woolmark Prize in 2014, the top award that also launched the careers of such greats as Karl Lagerfeld and Yves Saint Laurent.

The purity of his often white creations with their detailed but understated embroidery has won him many fans, including Vogue's legendary critic Suzy Menkes.

The doyenne of fashion's front row called him an Indian "national treasure".

But this time, Mishra turned up the colour palette somewhat with dresses that subtly evoked the jungle paradises and pristine underwater world off the Maldives he worries that one day we might lose.

Appalled by the smoke and pollution that meant he had to keep his four-year-old daughter indoors in Delhi for nearly 20 days in November, Mishra said he imagined a "pure virginal and untamed planet... with ecosystems crafted out of embroidered flora and fauna".

"I am very emotional about it. Sometimes it makes me cry. All our children should be growing up in a better world," he added.

"When I take Aarna (his daughter) to the foothills of the Himalayas and the sky turns blue, she is so happy.

"Once, when she saw the River Ganges, she said: 'Can you please clean it for us so can go for a swim?'"

Mishra said he was reducing the quantity of clothes he was producing while at the same time increasing their quality, with humming birds, koalas and other animals hidden in the hundreds of hand worked embroidered leaves and flowers of his "jungle dresses".

The designer has won ethical and sustainability awards for his work supporting local crafts people in rural India.

"My objective is to create jobs which help people in their own villages," Mishra said.

"If villages are stronger, you will have a stronger country, a stronger nation, and a stronger world," he added.

Ayissi takes a similar stand, refusing to use wax prints popular in West Africa which he dismisses as "colonial".

Dutch mills flooded Africa with cotton printed with colourful patterns borrowed from Indonesian batik in the 19th century, and still dominate the market.

"When we talk about African fashion, it's always wax, which is a real pity," he told AFP, "because it's killing our own African heritage."

Ayissi, a former dancer who worked with singers such as Sting and Seal, told AFP he wanted to open up "a new path for Africa" and find an "alternative way of doing luxury fashion".

He has gone back to using prestigious local materials, like the strip fabric kente woven by the Akan people of Ghana and the Ivory Coast, which was originally worn only by nobles.

The son of an undefeated African boxing champ and a former Miss Cameroon, he also uses appliqued techniques from Benin and Ghana.

Haute couture shows only take place in Paris and the criteria to enter and remain in fashion's elite club are strictly enforced by French law.

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January 9,2020

New Delhi, Jan 9: A Delhi court Thursday directed the makers of the Deepika Padukone starer feature film 'Chhapaak' to give credit to acid attack survivor Laxmi Agarwal’s lawyer in the movie.

Additional Civil Judge Pankaj Sharma said it was necessary that advocate Aparna Bhat's contribution is acknowledged.

"This Court is of the considered view that facts are indicative that the plea of the plaintiff for interim injunction is well-founded and it is necessary that her contribution be acknowledged by providing on the slide on the actual footage and the images, the line 'Aparna Bhat continues to fight the cases of sexual and physical violence against women' during the screening of the film.

"The said line on screen maybe with a rider that the same is with the court order," the judge said.

Advocate Bhat filed the application saying that despite representing Agarwal in courts for several years and helping in the movie-making, she was not given credit in the movie.

She said the filmmakers took her help in the entire process of writing and shooting the movie, but did not give the credit.

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