Had suicidal thoughts till 25 years of age, says A.R. Rahman

Agencies
November 4, 2018

Mumbai, Nov 4: Before the country recognised the talent of A.R. Rahman, the celebrated composer says there was a phase in his life where he felt like a failure and thought about ending his life almost every day.

The Oscar-winning composer says the initial low phase of his career eventually helped him emerge braver.

'Why be afraid of anything?'

“Up until 25, I used to think about suicide. Most of us feel they are not good enough. Because I lost my father, there was this void... There were so many things happening.

“[But] that in a way made me more fearless. Death is a permanent thing for everyone. Since everything created has an expiry date, so why be afraid of anything?” Mr. Rahman told PTI.

The turnaround for the 51-year-old composer came when he built his recording studio Panchathan Record Inn in his backyard in hometown Chennai.

“Before that, things were dormant so may be it [the feeling] manifested then. Because of my father’s death and the way he was working, I didn’t do many movies. I got 35 movies and I did two.

“Everyone wondered ‘How are you going to survive? You have everything, grab it.’ I was 25 then. I couldn’t do that. It’s like eating everything. You become numb. So even if you eat small meals, make it fulfilling,” he adds.

The composer talks about the hard times and other events in his life in “Notes of a Dream: The Authorized Biography of AR Rahman”.

Written by author Krishna Trilok, the biography, in association with Landmark and Penguin Random House, was launched in Mumbai, on November 3.

Mr. Rahman was nine when his father R.K. Shekhar, who was a film-score composer, passed away and the family had to rent out his musical equipment to get by. Mr. Rahman, thus, took to music at a very young age.

“I finished everything between the age of 12 to 22. It was boring for me to do all the normal stuff. I didn’t want to do it,” he says.

'Never liked my original name'

In his 20s, before he made his debut as a composer with Mani Ratnam’s “Roja” (1992), Mr. Rahman, along with his family, embraced Sufi Islam.

He reinvented himself by letting go not only the baggage from the past, but also his birth name — Dileep Kumar, which he says, he despised.

“I never liked my original name Dileep Kumar. I don’t even know why I hated it. I felt it didn’t match my personality. I wanted to become another person. I felt like that would define and change my whole [being]. I wanted to get rid of all the past luggage,” he says.

With “Roja”, Mr. Rahman shot to instant fame as the wonder kid in the industry, who changed the grammar of music and sounds.

But creating music is not a lonely process for the musician as much as it is “internal”.

'You have to let lose and forget yourself'

“You manifest who you are and let it out. So when you are ideating on your mental drawing book, you need a lot of self-analysis and you have to dive deep within you.

“You need to listen to yourself. It’s hard to listen to your inner side. But once you do, you have to let lose and forget yourself,” he adds.

It was for this reason, Mr. Rahman says, that he works only during late nights or early mornings.

“If I am going deep inside something and suddenly there’s a knock on the door, I’ll come to reality from a very different world and I won’t be able to go back to the same spot again. This is one of the reasons I prefer [being at work] very early mornings like 5 a.m. or 6 a.m. or the nights,” he says.

Mr. Rahman says the most important thing for him is not to feel bored and constantly try to do something new, be it professionally or personally.

“You feel jaded if you do the same thing. You need to find different things to do. For me travelling, parenting and spending time with my family — though I can’t do that much — is beautiful. It helps a lot,” he says.

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News Network
June 15,2020

Mumbai, Jun 15: Maharashtra police's cyber department has asked people to refrain from circulating online pictures of the body of actor Sushant Singh Rajput, who was found hanging in his apartment in Mumbai's Bandra area.

Terming it as a "disturbing trend", it warned that circulation of such pictures could attract legal action.

Rajput, 34, was found hanging in his apartment on Sunday, sending shockwaves rippling through the Hindi film industry and elsewhere.

Later, some people circulated pictures of the actor's body on social media platforms, following which the state police's cyber department said it was in "bad taste".

A disturbing trend has been observed on Social Media platforms by Maharashtra Cyber that pictures of deceased actor Sushant Singh Rajput are being circulated, which are disturbing and in bad taste," it tweeted late Sunday night.

"It is emphasised that circulation of such pictures is against legal guidelines and court directions, and are liable to invite legal action," it added.

Urging netizens to refrain from posting such photos, the cyber department said the pictures already circulated should be deleted henceforth.

"In the digital age, every piece of information we read or watch needs to be cross-checked, verified and we all have to be careful before believing or forwarding them," it said.

After the actor's death, police said no note was found at the spot.

Police sources also said they did not find any foul play in their initial investigation.

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Agencies
August 4,2020

New York, Aug 4: National Award-winning documentary "Son Rise" and Geetu Mohandas-directed "Moothon" were among the films that took home the big honours at the 20th New York Indian Film Festival (NYIFF), which switched to a virtual edition this year amid the ongoing Covid-19 pandemic.

Over 45 feature-length narratives, shorts and documentaries from the Indian subcontinent were showcased at the festival’s virtual edition that ran for 10 days beginning July 24.

The films programmed were in various languages including Assamese, Bengali, Haryanvi, Hindi, English, Ladakhi, Maithili, Malayalam, Marathi, Nepali and Tamil.

The award ceremony for the festival was held virtually Sunday, with the filmmakers, cast, award winners and festival officials joining from across India and the US.

The award for the Best Documentary (Short) went to Saurav Vishnu-directed "Tailing Pond", which highlights the "horrifying effects of uranium extraction on the health of the indigenous population" of Jadugoda, Jharkhand.

"Son Rise" by Vibha Bakshi won the award for Best Documentary (Feature).

The documentary had won the National Award for the Best non-feature film in 2019 and was among the two centrepieces hosted by the festival this year. NYIFF called "Son Rise" “a powerful documentary about patriarchy in Haryana and efforts by a few good men to bring meaningful change in the society.”

The award for Best Short (Narrative) went to Sanat Ganu's "Arabian Nights". The narrative focuses on a child, his imaginary friend and a family that attends a conference where the attendees believe the earth is flat.

Director and scriptwriter Sudhanshu Saria accepted the award for Best Screenplay for "Knock Knock Knock". Saria’s screenplay “explores the lonely life of a man, an unlikely friendship that may or may not be real.”

Sanjana Dipu won the award for Best Child Actor for "Moothon" for her performance of a teenager in search of a brother.

Garggi Ananthan won the Best Actress award for her role as Kalyani in the film "Run Kalyani" and the Best Actor award went to Malayalam star Nivin Pauly for "Moothon". The award for the Best Director went to 23-year old Achal Mishra for "Gamak Ghar".

"Moothon" won the award for Best Film and its director Mohandas accepted the award for the film, which is "about love and loss that travels from the quiet, lush beaches of Lakshadweep to the mad hustle-bustle of the streets of Mumbai."

Produced by award-winning Indian film director and writer Anurag Kashyap, "Moothon" had premiered at last year’s Toronto International Film Festival.

NYIFF festival director Aseem Chhabra said that the process of searching for films for the festival began last fall and they were ready to showcase them to audiences in New York in April but had to change plans for the festival due to the pandemic.

"I know the best way to enjoy films is in a theatre with the audience and have live interactions, conversations. But the virtual festival is the next best option and in the process, we have been able to reach out to a much larger audience in the US, North America as well in several other countries.”

NYIFF said that a virtual edition expanded the reach of the festival and audiences from 95 countries were able to access and view the films.

Dr Nirmal Mattoo, Chairman of the Indo-American Arts Council, co-founder and owner of Atlantic Dialysis Management services, the largest private dialysis provider in New York State, said NYIFF works with an independent jury - filmmakers, film professors, writers and critics.

Indo-American Arts Council (IAAC), the leading cultural organisation, presents the festival.

"The Covid-19 pandemic has forced the closure of theatres but we believe that in such trying times arts, including films are even more important for the community’s well-being. So, this year we have decided to bring the films directly into your living rooms.” IAAC Vice-Chairman Rakesh Kaul had said.

The New York Indian Film Festival is the oldest Indian film event in North America. Over the years, the festival has held New York premieres of a wide range of films, many of them critically acclaimed, including "Monsoon Wedding", "The Namesake", "Slumdog Millionaire", "Shahid", "Dum Laga Ke Haisha" and "Gangs of Wasseypur". 

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News Network
July 2,2020

Mumbai, Jul 2: The Mumbai police have summoned noted filmmaker Sanjay Leela Bhansali for questioning in connection with the Sushant Singh Rajput suicide case. According to several reports, casting director Shanoo Sharma too might be questioned in connection with the star’s death.

Reports also state that Kangana Ranaut and Shekhar Kapur, who are not directly involved with the investigation, are likely to be asked to record their statements.

The development comes days after the cops had asked for the details of SSR’s contract with Yashraj Films. The MS Dhoni actor had starred in Shuddh Desi Romance and Detective Byomkesh Bakshi, which were backed by the banner. He was supposed to team up with YRF for Paani, directed by Kapur, but the movie was on hold due to creative differences between the Mr India helmer and the production house.

Sushant died by suicide on June 14, leaving his near and dear ones in a state of shock. Following his demise, fans alleged that several Bollywood biggies had tried to sabotage his career as he was an ‘outsider’, reigniting the nepotism debate.

SSR, who hailed from Patna, made an impact in the TV industry before entering Bollywood with the sleeper hit Kai Po Che. He impressed fans with his performances in PK and Shuddh Desi Romance, consolidating his standing in the industry. It was, however, MS Dhoni that established him as a bankable star. Chhichore was his last theatrical release before his death. Drive, backed by Karan Johar, released directly on Netflix. His last film Dil Bechara is slated to release on Disney+ Hotstar on July 24.

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