Had suicidal thoughts till 25 years of age, says A.R. Rahman

Agencies
November 4, 2018

Mumbai, Nov 4: Before the country recognised the talent of A.R. Rahman, the celebrated composer says there was a phase in his life where he felt like a failure and thought about ending his life almost every day.

The Oscar-winning composer says the initial low phase of his career eventually helped him emerge braver.

'Why be afraid of anything?'

“Up until 25, I used to think about suicide. Most of us feel they are not good enough. Because I lost my father, there was this void... There were so many things happening.

“[But] that in a way made me more fearless. Death is a permanent thing for everyone. Since everything created has an expiry date, so why be afraid of anything?” Mr. Rahman told PTI.

The turnaround for the 51-year-old composer came when he built his recording studio Panchathan Record Inn in his backyard in hometown Chennai.

“Before that, things were dormant so may be it [the feeling] manifested then. Because of my father’s death and the way he was working, I didn’t do many movies. I got 35 movies and I did two.

“Everyone wondered ‘How are you going to survive? You have everything, grab it.’ I was 25 then. I couldn’t do that. It’s like eating everything. You become numb. So even if you eat small meals, make it fulfilling,” he adds.

The composer talks about the hard times and other events in his life in “Notes of a Dream: The Authorized Biography of AR Rahman”.

Written by author Krishna Trilok, the biography, in association with Landmark and Penguin Random House, was launched in Mumbai, on November 3.

Mr. Rahman was nine when his father R.K. Shekhar, who was a film-score composer, passed away and the family had to rent out his musical equipment to get by. Mr. Rahman, thus, took to music at a very young age.

“I finished everything between the age of 12 to 22. It was boring for me to do all the normal stuff. I didn’t want to do it,” he says.

'Never liked my original name'

In his 20s, before he made his debut as a composer with Mani Ratnam’s “Roja” (1992), Mr. Rahman, along with his family, embraced Sufi Islam.

He reinvented himself by letting go not only the baggage from the past, but also his birth name — Dileep Kumar, which he says, he despised.

“I never liked my original name Dileep Kumar. I don’t even know why I hated it. I felt it didn’t match my personality. I wanted to become another person. I felt like that would define and change my whole [being]. I wanted to get rid of all the past luggage,” he says.

With “Roja”, Mr. Rahman shot to instant fame as the wonder kid in the industry, who changed the grammar of music and sounds.

But creating music is not a lonely process for the musician as much as it is “internal”.

'You have to let lose and forget yourself'

“You manifest who you are and let it out. So when you are ideating on your mental drawing book, you need a lot of self-analysis and you have to dive deep within you.

“You need to listen to yourself. It’s hard to listen to your inner side. But once you do, you have to let lose and forget yourself,” he adds.

It was for this reason, Mr. Rahman says, that he works only during late nights or early mornings.

“If I am going deep inside something and suddenly there’s a knock on the door, I’ll come to reality from a very different world and I won’t be able to go back to the same spot again. This is one of the reasons I prefer [being at work] very early mornings like 5 a.m. or 6 a.m. or the nights,” he says.

Mr. Rahman says the most important thing for him is not to feel bored and constantly try to do something new, be it professionally or personally.

“You feel jaded if you do the same thing. You need to find different things to do. For me travelling, parenting and spending time with my family — though I can’t do that much — is beautiful. It helps a lot,” he says.

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News Network
January 18,2020

Mumbai, Jan 18: Actor Shabana Azmi was injured in an accident on Saturday afternoon on the Mumbai-Pune Expressway in Maharashtra's Raigad district, an official said.

The incident took place around 3.30 pm near Khalapur, over 60 km from Mumbai, when the car in which she was traveling rammed into a truck, said Raigad Superintendent of Police Anil Paraskar.

She was rushed to MGM hospital in Navi Mumbai and was undergoing treatment, he said.

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Agencies
January 6,2020

Kochi, Jan 6: A trial court on Monday framed charges against Malayalam film actor Dileep and other accused in the case of alleged abduction and molestation of a south Indian actress in 2017.

The actor and nine other accused were present in the additional special sessions court in Ernakulamwhen the charges were framed against them.

All of them have denied the charges.

On Saturday, the Court had dismissed a plea filed by Dileep, seeking to exclude him from the list of accused.

The Court had admitted the prosecution argument that there is prima facie evidence against him in the crime and dismissed the plea of the actor, who is eighth accused in the case.

The court had also not allowed a plea by the actor to grant him 10 days time to file the appeal in a higher court in the light of the Supreme Court order in November 2019 that the trial should be completed in six months.

The court is hearing the case in-camera.

On December 19, Dileep, along with his lawyers and a technical expert, had examined the contents of the electronic records at the closed room of the court.

Earlier, the Supreme Court had directed that the actor be allowed to inspect the records to enable him to present an effective defence during the trial.

In February 2017, the actress was allegedly abducted and molested by the accused.

Seven people, including the key accused 'Pulsar' Suni were arrested in connection with the actress' abduction case.

There are 10 accused in the case.

The entire act had allegedly taken place in a moving vehicle, which was filmed by the accused to blackmail her.

Dileep was subsequently arrested and arrayed as an accused in connection with offences under provisions of the Indian Penal Code and IT Act.

The top court had directed that the trial in case be concluded expeditiously, preferably within six months from the date of the judgement.

A woman judge is hearing the case.

In February 2019, the High Court, while considering a plea seeking to transfer the case to a Sessions Court headed by a woman judge to conduct the trial, had ordered the CBI special court Judge-III Ernakulam Honey M Varghese to complete the trial expeditiously.

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News Network
January 9,2020

Los Angeles, Jan 9: Actors Salma Hayek and Tiffany Haddish are hopeful about the future for women in Hollywood and now cinema is making films about women because the audience was "neglected".

The duo along with Rose Byrne star in Like a Boss, a comedy directed by Miguel Arteta, which follows best friends Mia and Mel (Haddish and Byrne) who join forces to run their own boutique cosmetics company.

When the prospect of a big buyout offer from a notorious titan of the beauty industry (Hayek) tempts them, their lifelong bond - and their business - is put in jeopardy.

Hayek said she is happy with the increase in female-driven films in Hollywood.

"We're on the right path. And we're not going to stop," the actor told Variety.

"What I can tell you is that a lot more women are directing and acting and writing and producing. And there are a lot more movies made about women and for women because the audience was neglected, she said.

She was speaking at the premiere of the film in New York.

Haddish added that the mantle for change shouldn't be left to the traditional decision-makers.

To get things, one has to sometimes make noise, the actor-author said.

"It's about us putting in the work and creating the projects and creating the opportunities in order to do those things to make it better. I sit back and I listen to people talk sometimes, saying, 'They're not letting us; they're not giving it to us.' Why do we have to ask permission? Why can't we just start putting it together? If they want to come on board with it, come on board. And if not, oh well," Haddish said.

"I'm about creating an opportunity. People say I'm loud and obnoxious, but sometimes it’s the squeaky wheel that gets the oil and gets things done," she added.

The comedy comes on the heels of a year gone by in cinema that featured female protagonists in films like Little Women and Captain Marvel.

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