Haryana govt magazine praises veil, sparks row

Agencies
June 28, 2017

Chandigarh, Jun 28: A photo caption in a Haryana government magazine describing 'ghoonghat' (veil) as the "identity of the State" has sparked a controversy, with the opposition saying it reflected the "regressive" mindset of the BJP government.veil

However, senior Minister Anil Vij dismissed the opposition charge, saying that BJP government had taken a number of steps for women empowerment and was not endorsing that women should be forced to keep a 'ghoongat'.

The recent issue of Krishi Samvad, a supplement of the Haryana Samvad magazine, a monthly magazine published by the State government, carries a photograph of a veiled woman.

The woman's face can be seen covered with a 'ghoongat'. The woman is seen carrying cattle feed on her head, even as the caption reads: "Ghoongat kiaan-baan, mahra Haryana kipechchan (pride of the veil is the identity of my Haryana".

The front cover of the magazine carries the photo of Chief Minister Manohar Lal Khattar.

Reacting sharply to the description, former Chief Minister Bhupinder Singh Hooda and senior Congress leader and party spokesperson Randeep Surjewala said it reflected the regressive attitude of the ruling BJP government.

"This shows regressive mindset of the BJP government. Women from Haryana are ahead in every field. Just three days back, a young woman from the state was crowned as Miss India. Girls from the state have made a mark in sports arena and other fields. India-born US astronaut late Kalpana Chawla hailed from Haryana," Hooda said.

Recently, Haryana girl Manushi Chhillar was crowned Femina Miss India 2017.

"Women wearing veil was not the original culture of Haryana. This practice started only after foreign invasions and because of the fear of invaders. In south India, there was no 'purdah' system. Therefore, what I want to say is that BJP government wants to move back in time rather than thinking ahead and taking the state forward," he said.

Surjewala said it was a "regressive mindset and objectification of women, which is part of the DNA of the BJP".

"The BJP government has failed to realise that Haryana girls and women have excelled in fields such as space science, sports and the armed forces to name just a few," Surjewala said.

Dismissing the opposition criticism, Vij told PTI over phone, "What you are seeing in a government magazine should only be seen as what was Haryana's tradition. Nowhere are we saying that we want to force veil on women. We are in favour of women empowerment and we have done a lot in this regard".

He said the sex ratio has improved from 862 to 950 as a result of the steps taken by the state government.

"We are committed to women's education and have decided to open colleges for women after every 20 km. As regards the photo in the magazine, this has been the tradition in some parts of the state, but it is not binding.

"We are not forcing anyone to wear ghoongat. It is not like burqa and only those women who want to do ghoongat, it is as per their wish," Vij said.

Comments

Fairman
 - 
Wednesday, 28 Jun 2017

It seems that the BJP in Haryana seems to be protecting of women.

Why the goongat or veil is required. Just to segregate from male intervention. When there is no gender segregation, people take it for granted. They take easy in molester of ladies.
People commit these sins or crime whenever there is easy access for it.
Better prevent from beginning. It is not against empowerment of sign of uncivilization of women.

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News Network
May 4,2020

The government of India today said it will begin evacuating its nationals stuck abroad due to the coronavirus pandemic from May 7 in a phased manner. This facility would be made available on payment basis. 

A Standard Operating Protocol has been put in place and the travel would be arranged by aircraft as well as naval ships and will be available on a payment-basis, the government said.

"Medical screening of passengers would be done before taking the flight. Only asymptomatic passengers would be allowed to travel. During the journey, all these passengers would have to follow the protocols, such as the health protocols, issued by the ministry of health and the ministry of civil aviation," it said in a statement.

Specifying the protocols upon entry in India, the government said the returning Indians would be medically screened and will have to be quarantined for 14 days, either in a hospital or in an institutional quarantine on payment-basis, by the respective state government.

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News Network
June 16,2020

Bengaluru, Jun 16: A woman employee at the Vikasa Soudha, next to Vidhana Soudha, the State Secretariat, was tested positive for COVID-19 on Tuesday.

Hence the authorities sealed the Food Department offices, which was in the ground floor of the building.

Employees of Vidhana Soudha and Vikasa Soudha were shocked after learning that one of their colleagues tested positive for the dreaded killer coronavirus.

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News Network
February 26,2020

Mangaluru, Feb 26: The 'Yakshagana' stage in Karnataka is witnessing a curious spectacle with a Muslim woman artiste creating waves with her performances.

Arshiya, the artiste from Vittal in Dakshina Kannada district, is the first woman from the Muslim community to venture into the popular traditional theatre art form.

At one time, women were barred from Yakshagana stages.

A Muslim woman exponent on stage has attracted the attention of 'Yakshagana' lovers in the state.

Arshiya is now getting advanced training in her skills at the Kadali Kala Kendra under Ramesh Bhat here.

Arshiya, who is fond of 'Bannada Vesha' (villain roles), is now known in her stage name 'Tanu Vitla.'

She has already performed various episodes on stage and gained popularity.

Arshiya, currently working in an automobile showroom at Padil, said she was attracted to the art form from a very young age.

The initial enchantment with the art form came as she saw the role of Mahishasura in 'Sri Devi Mahatme Yakshagana Prasanga' (episode) performed near her home town.

She was attracted to all the elements of the art form, which combines music, percussion, dance, dialogues, stage techniques, make-up and costume.

Arshiya said she was also inspired by a teacher in her school at Vittal who trained her for a performance on stage during the school's annual day celebration.

She started performing on local stages at Vittal at the very young age of 10.

Arshiya now performs prominent roles on stage including Mahishasura in Sri Devi Mahatme Prasanga, the role which enamoured her in her childhood.

She also has donned the roles of Nishambhasura, Rakthabeejasura, Srinivas Kalyana, Sudarshanopakyana, Kadamba Kaushike and Shambavi Vijaya.

Her performances at Udupi and Karwar besides Mangaluru have earned her a lot of admirers, who love her 'Asura' roles, thanks to her loud voice.

Arshiya now wants to learn the 'Chende' (percussion instrument), which is an important element in Yakshagana performances.

Arshiya revealed that there was a bit of resistance from her community about her passion for the art form, but she had staunch backing of her family.

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