Haryana leader who offered bounty for Deepika's head resigns

Agencies
November 29, 2017

Chandigarh, Nov 29: Haryana BJP leader Suraj Pal Amu, who reportedly offered a Rs 10 crore bounty for beheading "Padmavati" actor Deepika Padukone and director Sanjay Leela Bhansali, today resigned as the chief media coordinator of the state unit of the party.

The resignation comes days after the Haryana unit of the party served a show cause notice to him seeking explanation over his controversial remarks.

In his resignation letter which he forwarded to state BJP chief Subhash Barala over WhatsApp, Amu stated that he was upset over Chief Minister Manohar Lal Khattar allegedly skipping a meeting with representatives of the Karni Sena yesterday.
Though the chief minister's schedule did not specify any such appointment, the Rajput leader maintained that he had given time for a meeting.

Rajput groups have been protesting against the period drama "Padmavati" alleging that it distorts historical facts.

Amu stated in his resignation letter that he had worked with full dedication for the party over the past few years, but felt that "CM Khattar does not need dedicated workers and office bearers. Khattar is surrounded by a coterie which is taking him away from dedicated workers for the last three years."

Amu, however, said that he will continue to work as an ordinary BJP worker.

After a youth from Meerut announced Rs 5 crore bounty, Amu had reportedly made remarks about doubling the offer during an event in New Delhi.

"We will reward the ones beheading them with Rs 10 crore and also take care of their family needs...We know very well how to treat those who insult the Rajput community," Amu had reportedly said.

The Haryana BJP had immediately distanced itself from Amu's remarks, saying he had made them in his personal capacity. A show cause notice had been served to him by the party recently and he had been asked to explain the remarks.

At function of the Rajput community in Delhi recently, Amu had said, "how can we allow somebody to distort history and mislead the people by projecting the heroic character of Rani Padmavati in a poor light while glorifying the villains of history. We will not allow the release of this film at any cost".

Comments

Hotman
 - 
Thursday, 30 Nov 2017

Why you dont do it  instead of asking others. To escape punishment. No you will be  equally  a murderer.

 

Where do you have this money from. Stolen money ?. You will have no loss, it is not your money.

 

If you are really concerned, spend that money for welfare of your people.

 

BJP leadership is quiet allowing to do more offenses. Poor people, chelas are stupid to keep quite.

 

Dont worry, others not quite, they are watching and will retaliate with interest.

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News Network
June 24,2020

Mumbai, Jun 24: Veteran choreographer Saroj Khan has been admitted to a hospital here after she complained of breathing problems.

According to a source close to her family, the 71-year old choreographer was rushed to Guru Nanak Hospital in Bandra on Saturday.

Following her hospitalisation, a mandatory Covid-19 test was done, which turned out to be negative.

"She is fine now and recovering. She had breathing issues and was taken to hospital for that. Her Covid test was done which turned out negative. She doesn't have any symptoms. She is likely to be discharged in a day or two," the source told PTI.

In a career spanning over four decades, Khan is credited with choreographing more than 2,000 songs.

The three-time National Award winner has choreographed for some of the most memorable tracks, including "Dola Re Dola" from Sanjay Leela Bhansali's "Devdas", "Ek Do Teen" from Madhuri Dixit-starrer "Tezaab" and "Ye Ishq Haaye" from "Jab We Met" in 2007.

She last choreographed for "Tabaah Hogaye", featuring Madhuri from filmmaker Karan Johar's production "Kalank" in 2019.

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News Network
January 2,2020

Jan 2: A young filmmaker was allegedly assaulted by an acquaintance during an argument over CAA-NRC in neighbouring Salt Lake City, police said on Wednesday.

The police have arrested the accused following a complaint by the filmmaker.

According to a senior police officer, the argument over the contentious Citizenship Amendment Act (CAA) and the proposed National Register of Citizens (NRC) began following a social media post by the filmmaker.

The accused allegedly went to the house of the filmmaker on Monday night and picked up an argument, which led to a scuffle.

"During the scuffle, the accused attacked the filmmaker with a knife," the senior police officer said, adding that the accused has been booked under relevant sections of the Indian Penal Code.

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News Network
June 16,2020

Mumbai, Jun 16: Filmmaker Dibakar Banerjee remembers Sushant Singh Rajput as a dance loving 'chhokra' from an engineering college who, having made it in Bollywood, was “enthused, sincere and totally focused” on his craft.

Banerjeee said the actor always had “a book or two” with him and took pride in the fact that he had an “inner intellectual life away from the shallower aspects of showbiz”.

Rajput was found dead in his Bandra apartment on Sunday at the age of 34, leaving his friends, colleagues and collaborators in a state of shock.

The Patna-born actor and the director worked together in 2015 film "Detective Byomkesh Bakshy!" when Rajput was a relative newcomer in the industry. Banerjee says it was Rajput's vulnerability and willingness to do different that made him stand out for the role.

In an interview with news agency, the filmmaker looks back at Rajput's sincerity, his love for science and astronomy and how an outsider has to work harder than a "mediocre, unmotivated and entitled establishment elite" to succeed in Bollywood.

Excerpts:

You worked with Sushant when he was less than two-year-old in the film industry. What struck you the most in him to cast as Detective Byomkesh Bakshy?

Banerjee: His vulnerability and intensity and the ambition to do different things than the usual Bollywood stuff.

What were your memories of Sushant- the actor and the person?

Banerjee: As an actor he would tense himself up for the scene and then completely plunge in take after take. He would put a lot of value on preparation. He would be up the previous night of the shoot, reading the scene and making notes and land up on the sets all raring to go.

He would be on, ready and give his hundred per cent throughout the shoot of Byomkesh - no matter how hard or long the day. The unit did not really have to worry about him - considering he was the star. That's what I remember - a total pro, enthused, sincere and totally focused.

As a person, he seemed to me a happy dance loving 'chhokra' from an engineering college who had made it in showbiz and now was serious about acting. He was deeply nostalgic about his carefree student days in Delhi. We used to laugh a lot - I remember that quite clearly.

Sushant's friends say that he spoke more about books and his love for astronomy than films and their fate, which is rare for an actor in the industry. Do you also remember him that way?

Banerjee: Totally true. He was a science and astronomy nut. Always had a book or two with him - and was proud of the fact that he had an inner intellectual life away from the shallower aspects of showbiz. I recognized it as a reflex, protective action to prevent the Bollywood swamp sucking him in totally. And also an identity he wanted to protect and project.

Sushant's death has brought to the fore the struggles of outsiders and the alienation they often face from the nepotistic culture of the industry. Did you feel that Sushant was also fighting this battle despite being a successful actor?

Banerjee: We all fight it, day in and out - whether successful or failing. But the trick is to define that success and failure ourselves and not let the narrative constantly forced by the establishment to get to you. Those who know this weather the storm and ultimately survive and thrive.

The biggest unfairness in all this is that it takes double the talent, energy and hard work for an outsider to convince the audience and the industry that he or she is as safe a box office bet as a mediocre, unmotivated and entitled establishment elite.

The media colludes in this by wallowing in family, coterie and celebrity worship. This leads to deep anger and frustration. Those who can let this slide survive. Those who can't - those who hurt a little more or are vulnerable and impressionable - they are at risk.

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