Home stay attack: Court discharges journalist Naveen Soorinje from all charges

News Network
December 5, 2018

Mangaluru, Dec 5: In a huge relief for journalist-activist Naveen Soorinje, who was accused of not trying to stop the assailants during 2012 Manglauru home stay attack, the local sessions court has discharged him from all charges.

The development comes nearly five years after the State government led by the then-chef minister Siddaramaiah decided to withdraw the case against Mr Soorinje, who was made accused no. 44 in the case.

Mr Soorinje, who was a then a television reporter and Sharan, a cameraman had filmed and exposed the alleged assault and sexual harassment of young men and women by Hindu Jagaran Vedike activists at Morning Mist homestay in Padil on July 20, 2012.

Based on the complaint by one of the victims, the police arrested 44 persons, including Mr Soorinje and Mr Sharan, who were lodged in the prison for a few weeks. After the police filed charge-sheet, the government decided to withdraw the case against Mr Soorinje.

Soon after, the public prosecutor filed an application under Section 321 of the Criminal Procedure Code for withdrawal of prosecution against Mr. Soorinje before the 2nd Additional District and Sessions Court in the city. The judge sought objections of other accused on the application and adjourned the hearing for several dates. Meanwhile, the case was transferred from the 2nd Additional Court to the 6th Additional District and Sessions Court in February 2016.

As the accused failed to file their objections, the judge heard arguments of Mr. Soorinje’s counsel Dinesh Hegde Ullepady and of the prosecutor Judith O.M. Crasta on December 21, 2017. The judge discharged Mr. Soorinje from the case on January 4, 2018.

Comments

Sruti Kotian
 - 
Wednesday, 5 Dec 2018

Its always controvercial. Journalist should do thier duty or try to prevent such actions.

Suresh
 - 
Wednesday, 5 Dec 2018

True.. Late but it's a great relief for him. 

Joseph Stalin
 - 
Wednesday, 5 Dec 2018

Those who tried to do a good thing also now crime partner. If they didnt do such things, police, court wont get any proofs

Vinod
 - 
Wednesday, 5 Dec 2018

Poor man. HJV trapped him. If he didnt shot and expose the sexual harrasement, there were no proofs against HJV

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News Network
July 6,2020

Bengaluru, Jul 6: Karnataka Chief Minister BS Yediyurappa on Monday said that the "country will have to learn to live with coronavirus as there are no options".

Yediyurappa made the remark after paying tribute to Babu Jagjivan Ram, on his death anniversary, at a ceremony in Vidhana Soudha.

"We don't have any other option, we have to learn to live with this virus. Even Prime Minister Narendra Modi has said the same thing. We have increased ambulances, we have made all arrangements to fight the pandemic. It is very important to safeguard ourselves," he said.

The Chief Minister added that the state government has made many arrangements to combat the widespread illness.

According to the Union Health Ministry, there is 23,474 number of COVID-19 cases in the state and 372 people have died due to the illness.

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News Network
January 21,2020

Bengaluru, Jan 21: Controversial Mysuru ruler Tipu Sultan will remain in state-syllabus textbooks in the next academic year (2020-21) too. But the government will form another committee to look at the subject afresh.

"Efforts are on to give textbooks and uniforms the day schools open next academic year. After a discussion with the CM, we decided to not make any changes in the textbooks for the upcoming academic year,"said primary and secondary education minister S Suresh Kumar.

No political angle, says minister

However, we will form a committee to look into it again,” said the minister.

Three months ago, Madikeri MLA Appachu Ranjan had written to the minister seeking removal of contents on Tipu Sultan from Karnataka state syllabus books of classes 6,7 and 10. The minister said: “Appachu Ranjan is a five-time MLA. When he sent a letter, it’s my duty to seek an opinion on it. There’s no political angle here.”

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News Network
February 26,2020

Mangaluru, Feb 26: The 'Yakshagana' stage in Karnataka is witnessing a curious spectacle with a Muslim woman artiste creating waves with her performances.

Arshiya, the artiste from Vittal in Dakshina Kannada district, is the first woman from the Muslim community to venture into the popular traditional theatre art form.

At one time, women were barred from Yakshagana stages.

A Muslim woman exponent on stage has attracted the attention of 'Yakshagana' lovers in the state.

Arshiya is now getting advanced training in her skills at the Kadali Kala Kendra under Ramesh Bhat here.

Arshiya, who is fond of 'Bannada Vesha' (villain roles), is now known in her stage name 'Tanu Vitla.'

She has already performed various episodes on stage and gained popularity.

Arshiya, currently working in an automobile showroom at Padil, said she was attracted to the art form from a very young age.

The initial enchantment with the art form came as she saw the role of Mahishasura in 'Sri Devi Mahatme Yakshagana Prasanga' (episode) performed near her home town.

She was attracted to all the elements of the art form, which combines music, percussion, dance, dialogues, stage techniques, make-up and costume.

Arshiya said she was also inspired by a teacher in her school at Vittal who trained her for a performance on stage during the school's annual day celebration.

She started performing on local stages at Vittal at the very young age of 10.

Arshiya now performs prominent roles on stage including Mahishasura in Sri Devi Mahatme Prasanga, the role which enamoured her in her childhood.

She also has donned the roles of Nishambhasura, Rakthabeejasura, Srinivas Kalyana, Sudarshanopakyana, Kadamba Kaushike and Shambavi Vijaya.

Her performances at Udupi and Karwar besides Mangaluru have earned her a lot of admirers, who love her 'Asura' roles, thanks to her loud voice.

Arshiya now wants to learn the 'Chende' (percussion instrument), which is an important element in Yakshagana performances.

Arshiya revealed that there was a bit of resistance from her community about her passion for the art form, but she had staunch backing of her family.

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