How mythical creatures caught the world's imagination

Agencies
May 14, 2019

New Delhi, May 14: Propelled by fascination for the unknown, a variety of creatures, from the abominable Himalayan snowman to its North American cousin Bigfoot, often cross over from myth into reality even though there is little evidence to back their existence.

As it was last fortnight when the Indian Army rekindled the Yeti mystery with its tweet showing pictures of large footprints in the snow in the higher Himalayas and claimed they belonged to the abominable snowman.

Experts believe the possible reasons behind the enduring obsession with the beings that inhabit the nebulous worlds of legend and folklore and ever so frequently enter the realm of everyday life are many -- from human curiosity and the need to connect with the past to identifying threats to the survival of humankind.

Loch Ness, Unicorn and Almas... the list of such creatures is long, cutting across regions and cultures.

The correlation between imagination and imagined reality is once again under the scanner with the Indian Army releasing pictures and videos of footprints captured close to the Makalu Base Camp in Nepal in March.

In Nepali folklore, Yeti is a mythical bipedal ape-like creature taller than an average human and is said to inhabit the Himalayas, Siberia, Central and East Asia.

Nepali officials later clarified the footprints belong to the Himalayan Black Bear active in the area.

“As we get farther from the real wild, we seek talismans to connect us to the wild. A half-man, half-ape creature is such a symbol. It gives humanity an identity as an animal in a world where we are otherwise making everything ‘of human manufacture’,” said American conservationist Daniel C Taylor who has spent 35 years in Nepal's Barun Valley dispelling the Yeti myth.

“I researched from 1956, when at age 11 I saw my first photograph of the footprint so I knew there was a real animal, to 1983 when I explained scientifically that it was the Himalayan Black Bear,” Taylor, who is also the author of the 2017 book, "Yeti: The Ecology of a Mystery", told news agency.

Given the lack of evidence of its existence, the scientific community has generally regarded the Yeti as a legend.

Such creatures have also been found to exist in other regions of the world.

“Fantasies are something which always give immense pleasure to the human mind and that is the main reason why people enjoy the stories around such mythological characters,” said Shweta Sharma, consultant clinical psychologist at Columbia Asia Hospital.

“One reason may be that people are afraid and want to watch out for the unknown, since they are wired to keep themselves safe and identify threats for survival,” Sharma, who is also a counsellor at the Jawaharlal Nehru University (JNU) Health Center, told news agency.

The second reason could be the basic human nature of curiosity which needs immediate gratification from a psychological point of view, she explained, adding that this also reflects in movies that are made.

Stories of the Yeti first emerged as a facet of Western popular culture in the 19th century.

Legends of hairy, oversize hominids lurking around the outer reaches of civilisation have been around for centuries and are part of the folklore of several cultures.

In North American folklore, Bigfoot or Sasquatch are said to be hairy, upright-walking, ape-like creatures that dwell in the wilderness and leave footprints like Yeti.

Depictions often portray them as a missing link between humans and human ancestors or other great apes.

“Living in cities and meeting the wild on TV screens, it is interesting that a Google search will reveal more Yeti (especially Bigfoot in US) sightings now than 20 years ago,” said Taylor, who is also president of the Future Generations University in the US.

The Almas or Alma, Mongolian for "wild man", is a purported hominid cryptozoological species reputed to inhabit the Pamir Mountains of Central Asia, and the Altai Mountains of western Mongolia.

Similarly, in Scottish folklore, the Loch Ness monster or Nessie is a creature said to inhabit the Scottish Highlands.

It is often described as large in size with a long neck and one or more humps protruding from the water.

Popular interest and belief in the creature has varied since it came to the attention of the world in 1933.

Evidence of its existence remains anecdotal, with a few disputed photographs and sonar readings.

“I think something like this has little to do with science and more to do with the human imagination and psyche,” noted T N C Vidya, associate professor of Evolutionary and Organismal Biology Unit at Bangalore's Jawaharlal Nehru Centre for Advanced Scientific Research (JNCASR).

“Perhaps when we are not satisfied with reality, we tend to come up with alternative realities to believe in,” Vidya said.

Closer home, the unicorn is a legendary creature that has been described since antiquity as a beast with a single large, pointed, spiralling horn projecting from its forehead.

The creature was depicted in ancient seals of the Indus Valley Civilization, covering parts of India and Pakistan, and was also mentioned by the ancient Greeks.

The unicorn is the most common motif on Indus seals.

Even in the 21st century, the unicorn holds a place in popular culture. It is often used as a symbol of fantasy or rarity.

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News Network
March 10,2020

Washington, Mar 10: British adventurer Bear Grylls on Monday shared the power-packed trailer of `Into The Wild` episode featuring South Indian superstar Rajinikanth.

The video captures Rajinikanth driving through the forests of Bandipur in Karnataka, where the episode has been filmed. The 45-year-old adventurer shared the daredevil video on Twitter featuring Rajinikanth amid the woods and in the background, Grylls is heard saying "He`s faced a lot of fears, but he never gives up. He`s relentlessly positive."

He captioned the post on Twitter and wrote: "Superstar @Rajinikanth`s relentless positivity and never giving up spirit was so visible in the wild as he embraced every challenge thrown at him. Respect! Watch Into The Wild with @BearGryllson March 23 at 8:00 pm. @DiscoveryIN#ThalaivaOnDiscovery."

The video shows the Padma Bhushan actor and Grylls climbing hills and wading through gorges and ravine. The duo is seen driving through the Deccan forest. Amid the video, Grylls is seen addressing Rajinikanth as a "superhero." The actor is seen pulling off his signature `sunglass` move.

Earlier in February, the adventure show host shared an intriguing motion poster marking superstar Rajinikanth`s blockbuster TV debut in Discovery`s `Into the Wild`. Grylls also shared that it was a special experience for him to work with the Rajinikanth.

In January, Rajinikanth suffered minor injuries while shooting for the special episode of `Man vs Wild` Bandipur forest in Karnataka.

After Prime Minister Narendra Modi, Rajinikanth becomes the second Indian personality to be featured on Grylls` survival show.

The episode with Prime Minister Modi was aired last year in August and became quite an attraction among viewers.

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News Network
May 12,2020

Mumbai, May 12: Superstar Salman Khan on Tuesday released his latest romantic single "Tere Bina" featuring Jacqueline Fernandez while in quarantine at his Panvel farm house.

The actor, along with close family and friends from the industry, including Iulia Vantur, Waluscha De Sousa, is living in the farm house. This is the second song Salman has released amid the coronavirus pandemic, after "Pyaar Karona."

"About seven weeks ago, when we came to the farm, we didn't know we will be here under a lockdown. So we wanted to do things to keep ourselves busy. That's when we decided to do these songs. We launched 'Pyaar Karona' and now, we are launching 'Tere Bina'," Salman said in a statement.

The song, sung and directed by Salman, is composed by his friend Ajay Bhatia and written by Shab bir Ahmed.

The actor said he had the song "Tere Bina" with him for quite a while but because it wasn't fitting into any of his film, he decided to release it now.

Jacqueline said she didn't think they would be able to shoot the song, which they finished in four days of evening shoots, with such limitations.

"We are used to shooting songs on a large stage with grand production costs. There are costumes, hair, make up. All of a sudden, we find ourselves with a team of three people. For the first time, I was checking lighting and moving props around. It was a great experience and it taught us how to make the most of what we have," she said.

Salman recently sent out food packets and ration from his farm house to those affected by the lockdown.

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Agencies
June 15,2020

Mumbai, Jun 15: Actor Sushant Singh Rajput's death has reignited the discussions around the struggle of survival in Bollywood, with many insiders highlighting "cruel and unforgiving" nature of the industry, particularly tough on outsiders.

Rajput was found hanging in his Bandra apartment on Sunday.

According to a police official, Mumbai Police found out during the probe that the 34-year-old actor was under medication for depression.

An engineering student, Rajput left his course at the Delhi Technological University in the early 2000s and rose from a background dancer to a TV star with soap opera Pavitra Rishta, which gave the "outsider" his breakout show in 2009.

In 2013, he made his Bollywood debut with Kai Po Che! and went on to star in films such as Shuddh Desi Romance, Raabta, Kedarnath, Sonchiriya and Chhichhore.

But his most prominent role came as cricketer Mahendra Singh Dhoni's in the 2007 biopic, MS Dhoni: The Untold Story.

In a telling tweet, veteran actor Dharmendra wrote despite not knowing Rajput personally, his death served as a reminder that the industry could be "cruel".

"Pyaare Sushant, naa film dekhi na kabhi mila tum se... par tere achaanak chale jaane se bada sadma laga. This beautiful beloved 'show business" is very cruel. I can imagine your unbearable pain. I share the pain of your loving family and friends," Dharmendra wrote.

Actor Meera Chopra penned a powerful, poignant note about the loneliness one feels working in an industry, which is "cold and ruthless".

"We all knew well that Sushant was going through depression since long, but what did we do? Where was his close circle, the directors and producers he's worked with, his close friends? Why nobody came out and helped, gave him the kind of love, the work that he wanted - because nobody cares," she wrote on Twitter.

The Section 375 actor, who has been vocal about feeling suffocated by the constant judgement from the industry colleagues, said nobody in Bollywood cares about what one's going through and artistes are just a flop away from being alienated.

Chopra said the industry has "failed" Rajput and Bollywood will now never be the same.

"True, Bollywood is a small family, but a kind of family which is never there when you need them. He had to take his life for that family to realise the kind of pain and need he was in. An outsider will always feel like an outsider here.

"I just want to say to my industry that help people when they need it, and you know when they need it. There is no point tweeting when they are no more. Don't pretend to be sad when you guys didn't do anything when he was sad. Stop being such a hypocritical society," she added.

Gulshan Devaiah said, as an actor, one could understand why Rajput would've taken the step to end his life.

"As actors, somewhere deep down inside, we think we know why he did it and that’s why it so disturbing even if you didn’t know him at all. It’s a hard game to play and he played it very well but the game won in the end," Devaiah wrote.

Quoting Chopra's tweet, the Mard Ko Dard Nahi Hota star dismissed the idea of Bollywood being a family.

"If one thinks it’s a family, there is the problem. Bollywood is an imaginary name for a place of work, that’s it. I am really not trying to put anybody down here and sorry if it seems," he wrote.

On Sunday, actor-producer Nikhil Dwivedi posted a strongly-worded tweet calling out the "hypocrisy" of the industry after people from the film fraternity wrote they regretted not staying in touch with the "Chhichhore" star.

"High and mighty announcing they should have kept in touch with Sushant. Come on, you didn't! And that's because his career dipped. So STFU! Are you in touch with Imran Khan, Abhay Deol and others? No! But you were, when they were doing well," Dwivedi said.

Similar sentiment was echoed by filmmaker Anubhav Sinha, who, without taking names, said the "Bollywood Privilege Club" must sit down and think hard.

"Now don't ask me to elaborate any further," he tweeted.

Addressing outsiders, filmmaker Hansal Mehta wrote a long thread about the two ends of an artiste's time in the industry - the glorious successes and the crushing lows.

"There are many young 'outsiders' in this industry. Remember this - there is an establishment that will make you feel like the next big thing until they need you. They will drop you and mock you as soon as you falter. Do not fall for the trap. The ones that celebrate you will celebrate your downfall some time later," he tweeted.

Mehta said it's important for those who don't come from a film family to not force themselves to fit in.

"Just be authentic, follow your heart and stop seeking acceptance from anybody. Your connection should be with your art, your craft and with your audience. Nothing else matters. Over the years you will succeed, you will stumble.

"But remember that nothing is more important than you. Look after yourself. And know that you matter. The world is much bigger and wiser than what you perceive. So are opportunities. If you stay they will be yours. Lots of love. Never lose heart," the filmmaker wrote.

Celebrity hairstylist-turned-director Sapna Bhavnani claimed that Rajput's battle with mental health was out in the open and yet the industry chose to look the other way.

"It’s no secret Sushant was going through very tough times for the last few years. No one in the industry stood up for him nor did they lend a helping hand. To tweet today is the biggest display of how shallow the industry really is. No one here is your friend," she wrote on Twitter.

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