How mythical creatures caught the world's imagination

Agencies
May 14, 2019

New Delhi, May 14: Propelled by fascination for the unknown, a variety of creatures, from the abominable Himalayan snowman to its North American cousin Bigfoot, often cross over from myth into reality even though there is little evidence to back their existence.

As it was last fortnight when the Indian Army rekindled the Yeti mystery with its tweet showing pictures of large footprints in the snow in the higher Himalayas and claimed they belonged to the abominable snowman.

Experts believe the possible reasons behind the enduring obsession with the beings that inhabit the nebulous worlds of legend and folklore and ever so frequently enter the realm of everyday life are many -- from human curiosity and the need to connect with the past to identifying threats to the survival of humankind.

Loch Ness, Unicorn and Almas... the list of such creatures is long, cutting across regions and cultures.

The correlation between imagination and imagined reality is once again under the scanner with the Indian Army releasing pictures and videos of footprints captured close to the Makalu Base Camp in Nepal in March.

In Nepali folklore, Yeti is a mythical bipedal ape-like creature taller than an average human and is said to inhabit the Himalayas, Siberia, Central and East Asia.

Nepali officials later clarified the footprints belong to the Himalayan Black Bear active in the area.

“As we get farther from the real wild, we seek talismans to connect us to the wild. A half-man, half-ape creature is such a symbol. It gives humanity an identity as an animal in a world where we are otherwise making everything ‘of human manufacture’,” said American conservationist Daniel C Taylor who has spent 35 years in Nepal's Barun Valley dispelling the Yeti myth.

“I researched from 1956, when at age 11 I saw my first photograph of the footprint so I knew there was a real animal, to 1983 when I explained scientifically that it was the Himalayan Black Bear,” Taylor, who is also the author of the 2017 book, "Yeti: The Ecology of a Mystery", told news agency.

Given the lack of evidence of its existence, the scientific community has generally regarded the Yeti as a legend.

Such creatures have also been found to exist in other regions of the world.

“Fantasies are something which always give immense pleasure to the human mind and that is the main reason why people enjoy the stories around such mythological characters,” said Shweta Sharma, consultant clinical psychologist at Columbia Asia Hospital.

“One reason may be that people are afraid and want to watch out for the unknown, since they are wired to keep themselves safe and identify threats for survival,” Sharma, who is also a counsellor at the Jawaharlal Nehru University (JNU) Health Center, told news agency.

The second reason could be the basic human nature of curiosity which needs immediate gratification from a psychological point of view, she explained, adding that this also reflects in movies that are made.

Stories of the Yeti first emerged as a facet of Western popular culture in the 19th century.

Legends of hairy, oversize hominids lurking around the outer reaches of civilisation have been around for centuries and are part of the folklore of several cultures.

In North American folklore, Bigfoot or Sasquatch are said to be hairy, upright-walking, ape-like creatures that dwell in the wilderness and leave footprints like Yeti.

Depictions often portray them as a missing link between humans and human ancestors or other great apes.

“Living in cities and meeting the wild on TV screens, it is interesting that a Google search will reveal more Yeti (especially Bigfoot in US) sightings now than 20 years ago,” said Taylor, who is also president of the Future Generations University in the US.

The Almas or Alma, Mongolian for "wild man", is a purported hominid cryptozoological species reputed to inhabit the Pamir Mountains of Central Asia, and the Altai Mountains of western Mongolia.

Similarly, in Scottish folklore, the Loch Ness monster or Nessie is a creature said to inhabit the Scottish Highlands.

It is often described as large in size with a long neck and one or more humps protruding from the water.

Popular interest and belief in the creature has varied since it came to the attention of the world in 1933.

Evidence of its existence remains anecdotal, with a few disputed photographs and sonar readings.

“I think something like this has little to do with science and more to do with the human imagination and psyche,” noted T N C Vidya, associate professor of Evolutionary and Organismal Biology Unit at Bangalore's Jawaharlal Nehru Centre for Advanced Scientific Research (JNCASR).

“Perhaps when we are not satisfied with reality, we tend to come up with alternative realities to believe in,” Vidya said.

Closer home, the unicorn is a legendary creature that has been described since antiquity as a beast with a single large, pointed, spiralling horn projecting from its forehead.

The creature was depicted in ancient seals of the Indus Valley Civilization, covering parts of India and Pakistan, and was also mentioned by the ancient Greeks.

The unicorn is the most common motif on Indus seals.

Even in the 21st century, the unicorn holds a place in popular culture. It is often used as a symbol of fantasy or rarity.

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News Network
March 11,2020

Mar 11: The shooting of Radhe: Your Most Wanted Bhai has been completed, and the film will now release on schedule.

If one recalls, the film went on the floors in the first week of November 2019 and was supposed to be Salman’s fastest completed film. However, the movie faced a variety of roadblocks — It was first to be wrapped in the first week of February, “But Salman went off to his Panvel farmhouse after the release of Dabangg 3 and spent a while there ushering in his birthday,” a source reveals.

“Then, the extension of the show Bigg Boss 13 by five weeks also turned out to be another speed breaker. Then, Salman wanted to make sure that the film was being made as good as what his audiences wanted on Eid. He made sure that his director Prabhudeva got what he wanted from the performers and didn’t want to rush him.

"Additionally, the Azerbaijan schedule of the film also got cancelled as Salman did not want to take any chances with the cast and crew with the lurking Covid 19, and rescheduled the shoot in India. This is now complete, barring any patchwork that might emerge later,” our source adds.

Radhe is slated to be an Eid release, which will clash with Akshay Kumar’s Laxmmi Bomb.

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News Network
January 30,2020

Mumbai, Jan 30: A day after a woman filed a complaint against Ganesh Acharya alleging that he had forced her to watch pornography, actor Tanushree Dutta said Bollywood should boycott the choreographer.

A 33-year-old woman, an assistant choreographer, has written to the National Commission for Women (NCW) alleging that Acharya used to make her watch porn videos whenever she visited his office in suburban Andheri.

She also alleged that Acharya and two women assaulted her during a function of the Indian Film and Television Choreographers Association (IFTCA) held in suburban Andheri on Sunday. A complaint has been filed in this regard with Amboli police.

"It's time Bollywood and the other Indian film industries boycott choreographer Ganesh Acharya completely. Hiding behind the male superstars who work with this despicable man, he has been abusing his power and position to harass, bully and take advantage of vulnerable young newcomers to the industry," Dutta said in a statement here.

Dutta had alleged that her co-star Nana Patekar harassed and misbehaved with her while shooting for a song for their 2008 film "Horn Ok Pleasss", and Acharya, who was the choreographer, introduced new steps which were "intimate".

Recalling the trauma she faced, Tanushree said even though Acharya was party to all the harassment she faced on the 'Horn ok Pleasss" set, he went on to spoil her name and reputation.

"Nobody had any regard for me and how much I had suffered psychologically and financially because of the turmoil I went though due to these people. I left the industry because I was so scared and hurt over the atrocious treatment meted out to me on 'Horn ok Pleasss' set.

"I had worked very sincerely to get to where I got in life and so went in shock for many years, over the whole episode on that set almost 12 years ago, that led to an attack on my car. They didn't just break my car, they broke my spirit that day," Dutta said, in reference to the attack on her car in 2008.

She expressed her displeasure over how "leading men" and "heroes" of Bollywood continued working with Acharya, whose most recent work includes "Simmba", "Zero", "Sanju" among others.

"Even after all the information of fraud, non payment of dues, sexual harassment of dancers, bullying and intimidation and even physical abuse of dancers is coming out about Ganesh Acharya in the media, if the actors, directors and producers still work with him, it would mean that they themselves are engaging in such acts also.

"It's a warning to the film industry to stay the hell away from Ganesh Acharya otherwise your own reputation will be joined to his character. I'm sure many more girls and boys will come out about his misbehaviour and shady business, opening floodgates in the future," she added.

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News Network
January 24,2020

Paris, Jan 24: Rahul Mishra and Imane Ayissi made history on Thursday by becoming the first Indian and black African designers to show their clothes on the elite Paris haute couture catwalk.

Only a little more than a dozen of the world's most prestigious luxury labels -- including Dior, Chanel and Givenchy -- have a right to call their clothes haute couture.

All the clothes must be handmade -- and go on to sell for tens of thousands of euros (dollars) to some of the richest and most famous women in the world.

Mishra, an advocate of ethical "slow fashion" who blames mechanisation for much of the world's ills, said "it felt amazing and very surreal to be the first Indian to be chosen." "They see a great future for us -- which will make us push ourselves even harder," the 40-year-old told AFP after his debut show was cheered by fashionistas.

Both Mishra and Cameroon-born Ayissi, 51, are champions of traditional fabrics and techniques from their homelands and are famous for their classy lines.

Ayissi said his selection was "immense" both for Africa and himself.

"I am so proud that I can show my work and showcase real African fabrics and African heritage," he told AFP backstage as celebrities, including the chic head of Unesco, Audrey Azoulay, congratulated him.

Mishra broke through on the Paris ready-to-wear scene after winning the International Woolmark Prize in 2014, the top award that also launched the careers of such greats as Karl Lagerfeld and Yves Saint Laurent.

The purity of his often white creations with their detailed but understated embroidery has won him many fans, including Vogue's legendary critic Suzy Menkes.

The doyenne of fashion's front row called him an Indian "national treasure".

But this time, Mishra turned up the colour palette somewhat with dresses that subtly evoked the jungle paradises and pristine underwater world off the Maldives he worries that one day we might lose.

Appalled by the smoke and pollution that meant he had to keep his four-year-old daughter indoors in Delhi for nearly 20 days in November, Mishra said he imagined a "pure virginal and untamed planet... with ecosystems crafted out of embroidered flora and fauna".

"I am very emotional about it. Sometimes it makes me cry. All our children should be growing up in a better world," he added.

"When I take Aarna (his daughter) to the foothills of the Himalayas and the sky turns blue, she is so happy.

"Once, when she saw the River Ganges, she said: 'Can you please clean it for us so can go for a swim?'"

Mishra said he was reducing the quantity of clothes he was producing while at the same time increasing their quality, with humming birds, koalas and other animals hidden in the hundreds of hand worked embroidered leaves and flowers of his "jungle dresses".

The designer has won ethical and sustainability awards for his work supporting local crafts people in rural India.

"My objective is to create jobs which help people in their own villages," Mishra said.

"If villages are stronger, you will have a stronger country, a stronger nation, and a stronger world," he added.

Ayissi takes a similar stand, refusing to use wax prints popular in West Africa which he dismisses as "colonial".

Dutch mills flooded Africa with cotton printed with colourful patterns borrowed from Indonesian batik in the 19th century, and still dominate the market.

"When we talk about African fashion, it's always wax, which is a real pity," he told AFP, "because it's killing our own African heritage."

Ayissi, a former dancer who worked with singers such as Sting and Seal, told AFP he wanted to open up "a new path for Africa" and find an "alternative way of doing luxury fashion".

He has gone back to using prestigious local materials, like the strip fabric kente woven by the Akan people of Ghana and the Ivory Coast, which was originally worn only by nobles.

The son of an undefeated African boxing champ and a former Miss Cameroon, he also uses appliqued techniques from Benin and Ghana.

Haute couture shows only take place in Paris and the criteria to enter and remain in fashion's elite club are strictly enforced by French law.

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