I am looking forward to watching more Indian films in future: Christopher Nolan

Agencies
April 1, 2018

Mumbai, Apr 1: One of Hollywood's most accomplished filmmaker, Christopher Nolan wishes to know more about Indian cinema. He not just interacted with stalwarts like Shah Rukh Khan and Kamal Haasan but his trip to India has got him more interested in Indian cinema. 

The 47-year-old director, who is in India on a three day trip along with visual artiste Tacita Dean to promote the cause of film preservation and restoration, has recently watched legendary filmmaker Satyajit Ray's "Pather Panchali". He also said his aim during his stay is to meet Indian filmmakers and get the better understanding of cinema culture here.

"I have had the pleasure of watching Mr Ray's 'Pather Panchali' recently, which I hadn't seen before. I think it is one of the best films ever made. It is an extraordinary piece of work. I am interested in learning more about Indian film industry and that is the reason why I came.

"Obviously, Tacita and I want to spread our message about reframing the feature films as broadly as possible. And India being the largest film industry in the world is an essential part of that. The other reason why I wanted to come here was from selfish point of view. I wanted to meet Indian filmmakers and learn more about India. I am looking forward to watching more Indian films in future," Nolan said in a group interview.

The director filmed a pivotal sequence of his 2012 film "The Dark Knight Rises" in Jodhpur and he says, "I would love to come back to shoot for longer".

Nolan, who shot his latest release "Dunkirk" on 65mm stock and has been vocal about his fondness for film as a medium, said it is important to preserve the traditional format for future generation."The film culture is always developing in ways we can't predict. The importance of this discussion about films is about preserving it as an option for future filmmakers. We can't say who is going to use or who is not. But one of the things worth pointing out that films as an acquisition medium is still vastly superior to digital imaging technology. Even if you then put out a DCP (Digital Cinema Package)," he said.

The "Inception" helmer met members of the Indian film fraternity yesterday and discussed about the various ways of preserving and archiving film as a medium.

Nolan said, "Photochemicals films are a very important cultural medium and it needs to have a place in the future of imaging." The director believes filmmaking is an emotional process and as he works towards preserving films, he wants people to not analyse cinema on "logical terms". 

"Film is an wonderful analogy for how we perceive the world and our dreams. Film is a tool for exploring time and that has always influenced me. It is about the subconscious and the emotional reaction."With this conversation of reframing the future of films (we are) trying to get rid of this idea of analysing the film in purely engineering terms or logical terms. The reality is no cinema should be analysed that way. Be it casting or music, these are all emotional decision and they should be that way," he said.

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News Network
February 9,2020

New Delhi, Feb 9: Senior Bharatiya Janata Party (BJP) leader LK Advani got emotional while watching the movie "Shikara: The Untold Story Of Kashmiri Pandits". It is a Hindi-language period film produced and directed by Vidhu Vinod Chopra, based on the exodus of Kashmiri Pandits from Kashmir.

In a video clip, the political veteran is seen trying to hold back his tears at the end of the film while Mr Chopra rushes to console him. Other people around them were also seen getting emotional and congratulating the filmmaker for the movie.

"Shikara" is about how Kashmiri Pandits were forced to flee from their houses in the Kashmir Valley in early 1990, in the wake of insurgency. The filmmaker said the film showcases how Kashmiri Pandits rebuilt their lives in the aftermath of the tragic event.

Featuring Aadil Khan and Sadia, Shikara released on February 7. Vidhu Vinod Chopra, who is from Kashmir, dedicates his movie to his mother, who died in 2007.

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Abdul Gaffar Bolar
 - 
Monday, 10 Feb 2020

Does this man know the trouble and pain of humans???

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News Network
April 30,2020

Mumbai, Apr 29: Veteran actor Rishi Kapoor is not keeping well and has been admitted to a city hospital here, his elder brother Randhir Kapoor said.

The 67-year-old actor was taken to H N Reliance hospital by his family on Wednesday morning.

"He is in the hospital. He is suffering from cancer and he has some breathing problem, so he has been admitted to the hospital. He is stable now," Randhir told PTI.

The actor returned to India last September after undergoing treatment for cancer in the US for almost a year.

In February, Kapoor was hospitalised twice due to his health issues.

He was first admitted to a hospital in Delhi where he was attending a family function. At the time, Kapoor had said that he was suffering from an "infection".

After his return to Mumbai, he was again admitted to a hospital with viral fever. He was discharged soon after.

Kapoor, who has been quite active on social media, hasn't posted anything on his Twitter account since April 2.

The actor recently announced his next project, a remake of Hollywood film "The Intern", also featuring Deepika Padukone.

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News Network
February 12,2020

London, Feb 12: Oscar-winning British director Steve McQueen is returning to his art roots with a series of short films at London's Tate Modern art gallery, offering a sensory exploration of black identity.

McQueen, who became the first black director to win the best picture Academy Award in 2014 for "12 Years a Slave", is now based between London and Amsterdam and is focused on championing diversity in the film industry.

Visitors to his new exhibition will be greeted by "Static", a film of New York's Statue of Liberty, scrutinising the iconic symbol from every possible angle at very close range against a deafening backdrop of the helicopter from where the footage was filmed.

"What interests Steve is our view of the world, how humans are trying to represent Liberty," said Fiontan Moran, assistant curator of the exhibition.

"7th Nov, 2001" features a still shot of a body while McQueen's cousin Marcus tells of how he accidentally killed his brother, a particularly traumatic experience for the artist.

"Western Deep" is another visceral work, giving a sense through sights and sounds in an interactive installation of the experiences of miners in South Africa, following them to the bottom of the mine.

"Ashes", meanwhile, is a tribute to a young fisherman from Grenada, the island where McQueen's family originated.

The images of beauty and sweetness filmed from his boat are tragically reversed on the other side of the projection screen, which shows a grave commissioned by McQueen for the eponymous young fisherman, who was killed by drug traffickers.

African-American singer, actor and civil rights activist Paul Robeson (1898-1976) is honoured in "End Credits".

The film shows censored FBI documents detailing the agency's surveillance of Robeson, read by a voice-over artist, for five hours.

"He is... testing the limits of how people can be documented in an era of mass surveillance," said Moran.

In a similarly militant vein, the exhibition features the sculpture "Weight", which was first shown in the prison cell where the writer and playwright Oscar Wilde was imprisoned.

It depicts a golden mosquito net draped over a metal prison bed frame, addressing the theme of confinement and the power of the imagination to break free.

The show runs alongside an exhibition of McQueen's giant portraits of London school classes, many of which appeared on the streets of London last year.

"I remember my first school trip to Tate when I was an impressionable eight-year-old, which was really the moment I gained an understanding that anything is possible," said McQueen, adding it was "where in some ways my journey as an artist first began".

He recently told the Financial Times newspaper the difference between his art films and his feature films was that the former were poetry, the latter like a novel.

"Poetry is condensed, precise, fragmented," he said. "The novel is the yarn".

The exhibition opens on February 13 and runs until May 11.

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