I take percentage of profits, but will get paid least if the film flops: Aamir

Agencies
October 12, 2017

New Delhi, Oct 12: Superstar Aamir Khan on Wednesday acknowledged the gender pay gap in Bollywood, saying the difference in the paycheck results from the patriarchal mindset of society, which does not see women as heroes.

The 52-year-old actor, who has been the star of some of the biggest money-spinners in Bollywood, said he "strongly believes" in equality, but the change will happen only if there is a paradigm shift in society's attitude.

"Unfortunately, what has happened is that most of our stars are male. The people who draw crowd are male and it is a result of the patriarchal influence on our society."

The actor said the children are conditioned to look at men as heroes from a young age.

"We don't see women as heroes. We start planting these thoughts in our heads since childhood. There has to be a paradigm shift in that. I am someone who strongly believes in equality whether you are a man or a woman. But ultimately in the economics of cinema, anyone who pulls people in will be paid higher. There is no question about it," Aamir said in an interview here.

The actor, whose last 'Dangal' had strong women characters and his upcoming 'Secret Superstar' also has a teenage girl at the centre, said he would not mind his female co-actors getting a bigger pay cheque.

"Anyone who has the ability to fill seats gets bigger share in the fee. So the day she (Zaira Wasim) will be able to fill more seats than me, I won't mind her getting a bigger paycheck than mine.

"And that is not going to be determined by her gender, that is the market that will determine. As a producer, I will want her if she is benefiting my film, gender doesn't matter. I will give her value, from a purely economical point of view."

Aamir added that every film has only "two or three" people in the whole cast and crew, who can bring people to the theatres and that has nothing to do with the gender.

"They can be a man or a woman, doesn't matter if they can pull people in. That benefit they are brining to the film is unique to them, not anyone else. That is what we describe as stardom. That could be Salim-Javed as writers and Rahman as a music director," he added.

Aamir also batted for equal pay for the technicians as he feels their contribution to the film is equal to that of actors.

"I feel even technicians should get equal money as actors. I don't understand why is a cameraman's or an editor's work less important than an actor. I strongly feel all the people in the creative team are contributing equally and should be paid equally. Everyone should be valued equally. There are only two people, who can be valued a little higher - the director and the writer," he said.

Aamir said as far as he is concerned, he does not charge an advance fee for his movies. The actor said he takes a percentage of the profit.

"I take a percentage of the profit. And that is assuming the fact that the film makes a profit. Fortunately, my films have made profit. But if they don't, I am the guy who takes the hit as I get paid in the last.

"So, I follow the oldest method of asking for money in performing arts. Which is that you perform for everybody and you take out your cap and if people like your work, they give you money and if they don't, they turn their back at you and leave," he said.

The actor said there may be a pay gap, but there is no gender inequality in the film industry in terms of work.

"I feel industry doesn't differentiate on the basis of gender. If we look at a film crew, we will see a lot of women doing important jobs. My wife (Kiran Rao) is a director, Reema Kagti and Farah Khan are also there and they are not looked at any differently from a male director. Their gender is unimportant. We have equal status, in terms of gender, when it comes to a film crew."

Aamir said he is happy that the industry has started churning out more women oriented/centred films.

"There are films coming out which have powerful women characters. There was 'Queen' which Kangana had done, then there was 'Simran'. I also did two films 'Dangal' and 'Secret Superstar'. The films are being made for women. We are moving in the right direction."

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News Network
July 22,2020

Mumbai, Jul 22: Actor Sonu Sood on Wednesday launched an app to offer support to workers in finding right job opportunities in various sectors across the country.

Sood, who catapulted to the national spotlight for his work in helping migrants reach their homes amid the Covid-19 pandemic, has come out with a free of cost online platform called 'Pravasi Rojgar', which will provide all the necessary information and right linkages to find jobs.

The 47-year-old actor said while arranging travel for the migrants, their conversations would often revolve around how they were looking for the right work opportunity amid the pandemic.

"Lot of thinking, planning and preparation have gone into designing this initiative over the last few months, in order to ensure that it is holistic and builds on the work already being done in the country.

"Extensive consultations have been held with top organisations that're involved at the grassroots level in skilling and placing the youth below the poverty line, NGOs, philanthropic organisations, government functionaries, strategy consultants, technology start ups and above all the returned migrants whom I have helped," Sood said in a statement.

The initiative will be supported by community outreach in the villages to find the right employment opportunities for migrant workers in different parts of the country.

According to the release, the online platform has over 500 reputed companies related to construction, apparel, healthcare, engineering, BPOs, security, automobile, e-commerce and logistics sectors, offering job opportunities.

'Pravasi Rojgar' will also be offering specific job training programmes like spoken English.

A 24x7 helpline have been set up in New Delhi, Mumbai, Bengaluru, Hyderabad, Coimbatore, Ahmedabad and Thiruvananthapuram. 

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News Network
June 15,2020

Mumbai, Jun 15: Maharashtra police's cyber department has asked people to refrain from circulating online pictures of the body of actor Sushant Singh Rajput, who was found hanging in his apartment in Mumbai's Bandra area.

Terming it as a "disturbing trend", it warned that circulation of such pictures could attract legal action.

Rajput, 34, was found hanging in his apartment on Sunday, sending shockwaves rippling through the Hindi film industry and elsewhere.

Later, some people circulated pictures of the actor's body on social media platforms, following which the state police's cyber department said it was in "bad taste".

A disturbing trend has been observed on Social Media platforms by Maharashtra Cyber that pictures of deceased actor Sushant Singh Rajput are being circulated, which are disturbing and in bad taste," it tweeted late Sunday night.

"It is emphasised that circulation of such pictures is against legal guidelines and court directions, and are liable to invite legal action," it added.

Urging netizens to refrain from posting such photos, the cyber department said the pictures already circulated should be deleted henceforth.

"In the digital age, every piece of information we read or watch needs to be cross-checked, verified and we all have to be careful before believing or forwarding them," it said.

After the actor's death, police said no note was found at the spot.

Police sources also said they did not find any foul play in their initial investigation.

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News Network
January 24,2020

Paris, Jan 24: Rahul Mishra and Imane Ayissi made history on Thursday by becoming the first Indian and black African designers to show their clothes on the elite Paris haute couture catwalk.

Only a little more than a dozen of the world's most prestigious luxury labels -- including Dior, Chanel and Givenchy -- have a right to call their clothes haute couture.

All the clothes must be handmade -- and go on to sell for tens of thousands of euros (dollars) to some of the richest and most famous women in the world.

Mishra, an advocate of ethical "slow fashion" who blames mechanisation for much of the world's ills, said "it felt amazing and very surreal to be the first Indian to be chosen." "They see a great future for us -- which will make us push ourselves even harder," the 40-year-old told AFP after his debut show was cheered by fashionistas.

Both Mishra and Cameroon-born Ayissi, 51, are champions of traditional fabrics and techniques from their homelands and are famous for their classy lines.

Ayissi said his selection was "immense" both for Africa and himself.

"I am so proud that I can show my work and showcase real African fabrics and African heritage," he told AFP backstage as celebrities, including the chic head of Unesco, Audrey Azoulay, congratulated him.

Mishra broke through on the Paris ready-to-wear scene after winning the International Woolmark Prize in 2014, the top award that also launched the careers of such greats as Karl Lagerfeld and Yves Saint Laurent.

The purity of his often white creations with their detailed but understated embroidery has won him many fans, including Vogue's legendary critic Suzy Menkes.

The doyenne of fashion's front row called him an Indian "national treasure".

But this time, Mishra turned up the colour palette somewhat with dresses that subtly evoked the jungle paradises and pristine underwater world off the Maldives he worries that one day we might lose.

Appalled by the smoke and pollution that meant he had to keep his four-year-old daughter indoors in Delhi for nearly 20 days in November, Mishra said he imagined a "pure virginal and untamed planet... with ecosystems crafted out of embroidered flora and fauna".

"I am very emotional about it. Sometimes it makes me cry. All our children should be growing up in a better world," he added.

"When I take Aarna (his daughter) to the foothills of the Himalayas and the sky turns blue, she is so happy.

"Once, when she saw the River Ganges, she said: 'Can you please clean it for us so can go for a swim?'"

Mishra said he was reducing the quantity of clothes he was producing while at the same time increasing their quality, with humming birds, koalas and other animals hidden in the hundreds of hand worked embroidered leaves and flowers of his "jungle dresses".

The designer has won ethical and sustainability awards for his work supporting local crafts people in rural India.

"My objective is to create jobs which help people in their own villages," Mishra said.

"If villages are stronger, you will have a stronger country, a stronger nation, and a stronger world," he added.

Ayissi takes a similar stand, refusing to use wax prints popular in West Africa which he dismisses as "colonial".

Dutch mills flooded Africa with cotton printed with colourful patterns borrowed from Indonesian batik in the 19th century, and still dominate the market.

"When we talk about African fashion, it's always wax, which is a real pity," he told AFP, "because it's killing our own African heritage."

Ayissi, a former dancer who worked with singers such as Sting and Seal, told AFP he wanted to open up "a new path for Africa" and find an "alternative way of doing luxury fashion".

He has gone back to using prestigious local materials, like the strip fabric kente woven by the Akan people of Ghana and the Ivory Coast, which was originally worn only by nobles.

The son of an undefeated African boxing champ and a former Miss Cameroon, he also uses appliqued techniques from Benin and Ghana.

Haute couture shows only take place in Paris and the criteria to enter and remain in fashion's elite club are strictly enforced by French law.

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