Indian government should recognise fashion like France: Manish Arora

February 18, 2016

Mumbai, Feb 18: The Indian government must appreciate the talent of fashion designers like the French government does, says Manish Arora, who at 43 has been conferred the Chevalier de la Legion d'Honneur, the highest civilian award, by the French government.

ManishKnown for working with a riot of colours, psychedelic prints and for producing kitschy designs that have been loved the world over -- sitarist Anoushka Shankar flaunted his creation at the 58th Grammy Awards ceremony -- Arora has been in the designing profession for over 15 years.

Expressing his joy on the honour, Arora said: "I am quite happy that the French could recognise somebody from India for this level in the field of fashion.

"I am the first Indian ever in the world of fashion and art to receive something like this and I am very happy. I hope that the Indian government should now recognise fashion as the form of art like the way French do."

Last year, the French government also honoured Indian designer Ritu Beri with Chevalier Des Arts et Des Lettres award, one of its highest civilian awards, for her contribution to the enrichment of Indo-French cultural relations.

Arora, who runs the Indian by Manish Arora brand, feels that the Indian government lacks when it comes to giving recognition to the fashion industry.

"Starting with the basic of the government's recognising fashion as serious business and then having specialised people who understand fashion to be involved in the government to make changes... Also, fashion designers are rarely recognised in any kind of ceremonies or awards in India. I think this needs to be changed," he added.

With a steady international clientele that makes it a point to visit his stall at national fashion weeks, Arora's international presence started with his successful debut at the London Fashion Week in September 2005. He later showed his creative prowess at platforms in Hong Kong and Miami.

In 2007, he showcased for the first time in Paris Fashion Week, eventually becoming a member of the distinguished French Federation of Pret-a-Porter in the same year. Now the Chevalier de la Legion d'Honneur is another feather to his cap.

Looking back at his journey, Arora, whose connect with France was also strengthened by his appointment as the creative director for iconic French fashion house Paco Robanne in 2011, said: "I always think that it's just a beginning."

"I never feel that I am working. I am one of those who is following his dreams in the form of a job. Not everybody in the world gets the chance to follow their dreams, and I am glad I found my belongings... I feel as if I am on holiday."

However, being among the first Indians to show internationally had its own pros and cons when he had started, Arora said.

"Starting in London, and then in Paris, was not that easy for me because you never had anybody else to take as an example. You had to make your own path, which comes with making a lot of mistakes, but then it also makes you more original and real because you have nobody else to look up to. So I am very glad with how my career shaped up," said Arora, whose designs are flaunted by the likes of international fashion icons like Lady Gaga, Katy Perry, and Nicki Minaj.

While he is happy with the evolution of the Indian fashion industry on the global map, he feels the country's designers still have a long way to go. A solution, he said, lies in the fact that "it is great to use India but you need to modernise India".

"You don't need to westernise, but you need to modernise India and Indian techniques of weaving or textiles to be at par with international level," added the designer, who has even worked in collaboration with brands such as Walt Disney, Swarvoski, Swatch, Reebok, Barbie, Mono Prix, Nespresso, Nivea, MAC Cosmetics, Pommery and Amrapali among others.

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Agencies
March 24,2020

Los Angeles, Mar 24: In a bizarre video shot from her rose petal filled bathtub, pop star Madonna has called the coronavirus pandemic "a great equaliser".

The music icon said the virus doesn't discriminate between rich and poor.

That's the thing about COVID-1. It doesn't care about how rich you are, how famous you are, how funny you are, how smart you are, where you live, how old you are, what amazing stories you can tell.

It's the great equaliser and what's terrible about it is what's great about it. What's terrible about it is that it's made us all equal in many ways, and what's wonderful about is, is that it's made us all equal in many ways, Madonna said in the video while having a milky bath in tub full of roses.

The 61-year-old singer, who had to cancel two of her concerts in Paris due to coronavirus outbreak, also referenced her 1995 song Human Nature in the video saying we are all going down together .

According to the Johns Hopkins coronavirus tracker, the death toll from the virus globally has risen to 14,641 with 336,000 cases reported in 173 countries and territories.

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Agencies
July 30,2020

Chennai, Jul 30: Filmmaker S.S. Rajamouli on Wednesday said he and his family members have tested positive for coronavirus and are currently quarantined at home.

The director, best known for his epic fantasy hit Baahubali series, said they got tested after they developed mild fever recently which subsided by itself.

“My family members and I developed a slight fever few days ago. It subsided by itself but we got tested nevertheless. The result has shown a mild COVID positive today. We have home quarantined as prescribed by the doctors (sic)” he said.

In a subsequent tweet, Rajamouli said he and his kin are asymptomatic and “feeling better”. They are, however, following all the precautions and instructions.

“Just waiting to develop antibodies so that we can donate our plasma,” he added.

Before the coronavirus-induced nationwide lockdown was announced in March, the filmmaker was working on his upcoming period action drama Rise Roar Revolt.

The Telugu film, featuring actors Ram Charan and NTR Jr in the lead, is a fictional tale based on the lives of two freedom fighters in early 20th century.

Andhra Pradesh witnessed its worst single day spike of coronavirus on Wednesday, 10,000 plus cases, as the other southern states, including Tamil Nadu and Karnataka also reported high daily numbers, although they saw a dip in the infections.

The cumulative tally of southern states — AP, Tamil Nadu, Karnataka, Telangana, Kerala and the Union Territory of Puducherry was 24,855 on Wednesday.

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News Network
June 16,2020

Mumbai, Jun 16: Filmmaker Dibakar Banerjee remembers Sushant Singh Rajput as a dance loving 'chhokra' from an engineering college who, having made it in Bollywood, was “enthused, sincere and totally focused” on his craft.

Banerjeee said the actor always had “a book or two” with him and took pride in the fact that he had an “inner intellectual life away from the shallower aspects of showbiz”.

Rajput was found dead in his Bandra apartment on Sunday at the age of 34, leaving his friends, colleagues and collaborators in a state of shock.

The Patna-born actor and the director worked together in 2015 film "Detective Byomkesh Bakshy!" when Rajput was a relative newcomer in the industry. Banerjee says it was Rajput's vulnerability and willingness to do different that made him stand out for the role.

In an interview with news agency, the filmmaker looks back at Rajput's sincerity, his love for science and astronomy and how an outsider has to work harder than a "mediocre, unmotivated and entitled establishment elite" to succeed in Bollywood.

Excerpts:

You worked with Sushant when he was less than two-year-old in the film industry. What struck you the most in him to cast as Detective Byomkesh Bakshy?

Banerjee: His vulnerability and intensity and the ambition to do different things than the usual Bollywood stuff.

What were your memories of Sushant- the actor and the person?

Banerjee: As an actor he would tense himself up for the scene and then completely plunge in take after take. He would put a lot of value on preparation. He would be up the previous night of the shoot, reading the scene and making notes and land up on the sets all raring to go.

He would be on, ready and give his hundred per cent throughout the shoot of Byomkesh - no matter how hard or long the day. The unit did not really have to worry about him - considering he was the star. That's what I remember - a total pro, enthused, sincere and totally focused.

As a person, he seemed to me a happy dance loving 'chhokra' from an engineering college who had made it in showbiz and now was serious about acting. He was deeply nostalgic about his carefree student days in Delhi. We used to laugh a lot - I remember that quite clearly.

Sushant's friends say that he spoke more about books and his love for astronomy than films and their fate, which is rare for an actor in the industry. Do you also remember him that way?

Banerjee: Totally true. He was a science and astronomy nut. Always had a book or two with him - and was proud of the fact that he had an inner intellectual life away from the shallower aspects of showbiz. I recognized it as a reflex, protective action to prevent the Bollywood swamp sucking him in totally. And also an identity he wanted to protect and project.

Sushant's death has brought to the fore the struggles of outsiders and the alienation they often face from the nepotistic culture of the industry. Did you feel that Sushant was also fighting this battle despite being a successful actor?

Banerjee: We all fight it, day in and out - whether successful or failing. But the trick is to define that success and failure ourselves and not let the narrative constantly forced by the establishment to get to you. Those who know this weather the storm and ultimately survive and thrive.

The biggest unfairness in all this is that it takes double the talent, energy and hard work for an outsider to convince the audience and the industry that he or she is as safe a box office bet as a mediocre, unmotivated and entitled establishment elite.

The media colludes in this by wallowing in family, coterie and celebrity worship. This leads to deep anger and frustration. Those who can let this slide survive. Those who can't - those who hurt a little more or are vulnerable and impressionable - they are at risk.

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