I've Never Read a Script in My Career: Sunny Deol

Agencies
November 24, 2018

Mumbai, Nov 24: Thirty five years and several blockbusters later, actor Sunny Deol says his process of working in a film is purely "instinctive" where he is more interested in listening to the storyteller than reading scripts.

For Sunny, it is a matter of choice that he avoids reading scripts as he believes he might look at them with a "certain mindset" and hence prefers to hear them straight from the writers.

"I am a very instinctive person. I hear an idea, a thought and if it is good and I like it, I just jump for it. I don't go into the detailings of it. Right now, you need to do that but back then filmmaking was different. I never read scripts," Sunny told news agency.

"I just hear the idea from the director and go for it. I have always interacted with the story writer and heard the subject because that's what is going to eventually come over on screen," he adds.

Since his debut in 1983 with "Betaab", Sunny has featured in some strong content driven films like "Ghayal", "Damini", "Darr" and "Gaddar Ek Prem Katha", among others.

A process of not reading scripts can be considered risky but Sunny still goes by his instincts while giving nod to a film.

"One never takes it as gamble. I do it because I love it and I'm enjoying the story. Obviously sometimes in the journey you realise the production, the director, writer, or some things are going here and there but you don't disown it. You don't run away because it's everyone's baby," he says.

The actor is seen in "Bhaiaji Superhit", which also features Priety Zinta and Arshad Warsi.

The film is set in Sunny's familiar territory, action-comedy, but the actor says it does not mean he goes to the sets thinking it will be a cakewalk.

"I don't think I have ever worked with the attitude that 'This is easy I can do it.' Hats off to those who say and do it. For me, I need to enjoy it. You can't be nervous while performing a scene because then you wouldn't be able to," he says.

The 62-year-old actor, however, is aware that to stay relevant, he has to pick up roles which move according to times.

"I cannot be a teenager in films. You move accordingly and your experience makes you do certain subjects which you wouldn't have done when you were younger. As the time goes, you interact and become more aware of certain things.

"It'll be stupid if I still want to play a college boy. Besides that nobody would want to make it also. It's only when the filmmakers know that this actor can pull it off, is when they approach you," he adds.

Directed by Neerraj Pathak and produced by Chirag Dhariwal, "Bhaiaji Superhit" releases on Friday.

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News Network
February 21,2020

Los Angeles, Feb 21: Nepalese-Australian actor Dichen Lachman has joined the cast of the third film in the Jurassic World franchise.

Lachman, best known for Netflix series Altered Carbon and TNT show Animal Kingdom, is the latest addition to the Colin Trevorrow-directed picture, reported Deadline.

Universal Pictures and Amblin Entertainment project will see Chris Pratt and Bryce Dallas Howard reprise their roles. Mamoudou Athie and DeWanda Wise are also part of the cast.

The movie marks the return of original Jurassic Park stars Sam Neill, Laura Dern and Jeff Goldblum.

Trevorrow has co-written the script of the new film with Emily Carmichael. He will also executive produce the film with Steven Spielberg.

Jurassic World 3 hits theatres on June 11, 2021.

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Agencies
August 3,2020

Patna, Aug 3: Bihar DGP Gupteshwar Pandey on Sunday charged that Vinay Tiwari, the IPS officer from Patna who is in Mumbai to probe a case related to Bollywood actor Sushant Singh Rajput's death, has been "forcibly quarantined" by civic authorities in the metropolis.

Tiwari is heading a Bihar Police team which is in Mumbai to investigate an ''abetment to suicide'' case on the basis of a complaint filed by the late actor's father in Patna.

"IPS officer Vinay Tiwari reached Mumbai today from Patna on official duty to lead the police team there but he has been forcibly quarantined by BMC officials at 11 PM today," Bihar Director General of Police (DGP) Pandey tweeted.

"He was not provided accommodation in the IPS mess, despite request, and was staying in a Guest House in Goregaon," he said.

Sushant's sister Shweta Singh Kirti has tweeted, " What? Is this even for real? How can an officer sent on duty be quarantined for 14 Days?".

Rajput, 34, was found hanging from the ceiling of his Bandra residence on June 24 last.

Last month, Rajput's father lodged an FIR here of abetment to suicide naming actress Rhea Chakraborty, said to be close to the deceased Patna-born actor, and her family members as accused. Tiwari was posted as the City SP (East) in Patna.

The Mumbai Police, which is also probing the death case, have so far recorded statements of nearly 40 people, including those from Rajput's family, his cook and people from the film industry that include filmmaker Mahesh Bhatt, film critic Rajeev Masand, director-producer Sanjay Leela Bhansali and filmmaker Aditya Chopra.

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News Network
June 16,2020

Mumbai, Jun 16: Filmmaker Dibakar Banerjee remembers Sushant Singh Rajput as a dance loving 'chhokra' from an engineering college who, having made it in Bollywood, was “enthused, sincere and totally focused” on his craft.

Banerjeee said the actor always had “a book or two” with him and took pride in the fact that he had an “inner intellectual life away from the shallower aspects of showbiz”.

Rajput was found dead in his Bandra apartment on Sunday at the age of 34, leaving his friends, colleagues and collaborators in a state of shock.

The Patna-born actor and the director worked together in 2015 film "Detective Byomkesh Bakshy!" when Rajput was a relative newcomer in the industry. Banerjee says it was Rajput's vulnerability and willingness to do different that made him stand out for the role.

In an interview with news agency, the filmmaker looks back at Rajput's sincerity, his love for science and astronomy and how an outsider has to work harder than a "mediocre, unmotivated and entitled establishment elite" to succeed in Bollywood.

Excerpts:

You worked with Sushant when he was less than two-year-old in the film industry. What struck you the most in him to cast as Detective Byomkesh Bakshy?

Banerjee: His vulnerability and intensity and the ambition to do different things than the usual Bollywood stuff.

What were your memories of Sushant- the actor and the person?

Banerjee: As an actor he would tense himself up for the scene and then completely plunge in take after take. He would put a lot of value on preparation. He would be up the previous night of the shoot, reading the scene and making notes and land up on the sets all raring to go.

He would be on, ready and give his hundred per cent throughout the shoot of Byomkesh - no matter how hard or long the day. The unit did not really have to worry about him - considering he was the star. That's what I remember - a total pro, enthused, sincere and totally focused.

As a person, he seemed to me a happy dance loving 'chhokra' from an engineering college who had made it in showbiz and now was serious about acting. He was deeply nostalgic about his carefree student days in Delhi. We used to laugh a lot - I remember that quite clearly.

Sushant's friends say that he spoke more about books and his love for astronomy than films and their fate, which is rare for an actor in the industry. Do you also remember him that way?

Banerjee: Totally true. He was a science and astronomy nut. Always had a book or two with him - and was proud of the fact that he had an inner intellectual life away from the shallower aspects of showbiz. I recognized it as a reflex, protective action to prevent the Bollywood swamp sucking him in totally. And also an identity he wanted to protect and project.

Sushant's death has brought to the fore the struggles of outsiders and the alienation they often face from the nepotistic culture of the industry. Did you feel that Sushant was also fighting this battle despite being a successful actor?

Banerjee: We all fight it, day in and out - whether successful or failing. But the trick is to define that success and failure ourselves and not let the narrative constantly forced by the establishment to get to you. Those who know this weather the storm and ultimately survive and thrive.

The biggest unfairness in all this is that it takes double the talent, energy and hard work for an outsider to convince the audience and the industry that he or she is as safe a box office bet as a mediocre, unmotivated and entitled establishment elite.

The media colludes in this by wallowing in family, coterie and celebrity worship. This leads to deep anger and frustration. Those who can let this slide survive. Those who can't - those who hurt a little more or are vulnerable and impressionable - they are at risk.

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