Japan anime giant Isao Takahata dead at 82

Agencies
April 6, 2018

Tokyo, Apr 6: Oscar-nominated Japanese anime director Isao Takahata, who co-founded Studio Ghibli and was best known for his work "Grave of the Fireflies", has died aged 82, the studio said on Friday.

The winner of many awards domestically and internationally, Takahata was considered one of the greats of Japanese animated film and is often linked with long-term Studio Ghibli collaborator Hayao Miyazaki.

He enjoyed a career spanning several decades, producing both films and work for the small screen and his latest production, "The Tale of the Princess Kaguya", earned him an Academy nomination for best animated feature.

An adaptation of a popular tale from the 10th century -- considered one of the founding texts of Japanese literature -- the film was also selected for a slot in the Directors' Fortnight sidebar to the main Cannes film competition in 2014.

It also won rave reviews, with the New York Times in 2014 describing it as "exquisitely drawn with both watercolour delicacy and a brisk sense of line."

However, most consider Takahata's 1988 film "Grave of the Fireflies", a moving tale of two orphans during World War II, to be his best work.

In 2000, famed reviewer Roger Ebert wrote that the movie "belongs on any list of the greatest war films ever made."

Born in 1935 in Mie prefecture in central Japan, his early life was marked with violence when US forces bombed his hometown in June 1945 as World War II was coming to a close.

In an interview with the Japan Times, he described fleeing with his sister barefoot and still in his pyjamas.

On his way back to the family house, he recalled seeing piles of bodies in the street. "We were lucky to get out alive," he told the newspaper.

Takahata started his career in animation at the Toei studio in 1959, where he eventually met long-term collaborator and rival Miyazaki.

With Miyazaki, he co-founded in 1985 the Japanese animation Studio Ghibli, which went on to produce several blockbusters.

With more complex and occasionally more violent plots than depicted in the average Disney cartoon film, these films have at times confused audiences outside Japan, who largely consider animation to be primarily for young children.

However, this has not stopped the films being lucrative box-office smashes.

Takahata and Miyazaki were often described as friends and rivals at the same time.

"We would never criticise each other face-to-face because it would just cause a fight. However, I know he has criticised my work," Takahata told the Japan Times.

Over a long and distinguished career, Takahata produced around 20 films, including "Only Yesterday" (1991) and "Pom Poko" (1994).

He also produced the Miyazaki-directed 1984 film "Kaze no Tani no Naushika" ("The Valley of the Wind"), a science fantasy adventure that describes the relationship between nature and human beings.

He is also well-known for animation series "Alps no Shojo Heidi" ("Heidi, Girl of the Alps") and "Lupin Sansei" ("Lupin the Third").

Perhaps inspired by his early trauma, he was an avid anti-war campaigner and in 2013 co-signed with around 250 other film celebrities a petition against a controversial state secrets law.

According to a statement from Studio Ghibli, he died in the early hours of Thursday in a Tokyo hospital after a battle with lung cancer.

"We pray that he rests in peace," the studio said, adding that he would be buried in a private ceremony attended by close family.

After studying French literature at university, Takahata enjoyed a long relationship with France and was awarded the Order of Arts and Letters honour in recognition of his work in 2015.

"France is the country I have travelled in most and I am extremely happy to have been decorated by the nation to which I feel closest," he said in his acceptance speech.

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Agencies
March 24,2020

Los Angeles, Mar 24: In a bizarre video shot from her rose petal filled bathtub, pop star Madonna has called the coronavirus pandemic "a great equaliser".

The music icon said the virus doesn't discriminate between rich and poor.

That's the thing about COVID-1. It doesn't care about how rich you are, how famous you are, how funny you are, how smart you are, where you live, how old you are, what amazing stories you can tell.

It's the great equaliser and what's terrible about it is what's great about it. What's terrible about it is that it's made us all equal in many ways, and what's wonderful about is, is that it's made us all equal in many ways, Madonna said in the video while having a milky bath in tub full of roses.

The 61-year-old singer, who had to cancel two of her concerts in Paris due to coronavirus outbreak, also referenced her 1995 song Human Nature in the video saying we are all going down together .

According to the Johns Hopkins coronavirus tracker, the death toll from the virus globally has risen to 14,641 with 336,000 cases reported in 173 countries and territories.

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News Netowrk
July 10,2020

New Delhi, Jul 10: Actor Bhumi Pednekar, who is staying indoors like many other Bollywood celebrities, on Friday said that she has learned to prioritise what is important to her amid the COVID-19-induced lockdown.

"One thing that I have learnt about myself is that I love isolation. I love being by myself. I saw a lot of people complaining that they are bored at home or that they cannot go out. I am an extrovert, I am a very social person but this quarantine has led me to realise that I do prefer my isolation over meeting people because I haven't really been in touch with people," she said.

"I have kind of been catching over my reading, not seen much television but started watching shows. I have spent a lot of time with my mom and honesty there were days when I did nothing," she added.

The 'Pati Patni Aur Woh' actor further said that it was important loving oneself and enjoying one's own company.

"I have kind of prioritised what I feel is important in life. I have re-educated myself. But the biggest learning has been that I love being alone. And maybe I have kind of enjoyed this state because as actors you are constantly surrounded by people whether you are promoting or shooting a film," she said.

"Your immediate entourage is also like a team of quite a few people. You are constantly over the phone, you are constantly over social media," she added.

Pednekar was last seen in Karan Johar's horror film 'Bhoot Part One: The Haunted Ship,'.

She will next be seen in another horror thriller, 'Durgavati.'

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News Network
June 16,2020

Mumbai, Jun 16: Filmmaker Dibakar Banerjee remembers Sushant Singh Rajput as a dance loving 'chhokra' from an engineering college who, having made it in Bollywood, was “enthused, sincere and totally focused” on his craft.

Banerjeee said the actor always had “a book or two” with him and took pride in the fact that he had an “inner intellectual life away from the shallower aspects of showbiz”.

Rajput was found dead in his Bandra apartment on Sunday at the age of 34, leaving his friends, colleagues and collaborators in a state of shock.

The Patna-born actor and the director worked together in 2015 film "Detective Byomkesh Bakshy!" when Rajput was a relative newcomer in the industry. Banerjee says it was Rajput's vulnerability and willingness to do different that made him stand out for the role.

In an interview with news agency, the filmmaker looks back at Rajput's sincerity, his love for science and astronomy and how an outsider has to work harder than a "mediocre, unmotivated and entitled establishment elite" to succeed in Bollywood.

Excerpts:

You worked with Sushant when he was less than two-year-old in the film industry. What struck you the most in him to cast as Detective Byomkesh Bakshy?

Banerjee: His vulnerability and intensity and the ambition to do different things than the usual Bollywood stuff.

What were your memories of Sushant- the actor and the person?

Banerjee: As an actor he would tense himself up for the scene and then completely plunge in take after take. He would put a lot of value on preparation. He would be up the previous night of the shoot, reading the scene and making notes and land up on the sets all raring to go.

He would be on, ready and give his hundred per cent throughout the shoot of Byomkesh - no matter how hard or long the day. The unit did not really have to worry about him - considering he was the star. That's what I remember - a total pro, enthused, sincere and totally focused.

As a person, he seemed to me a happy dance loving 'chhokra' from an engineering college who had made it in showbiz and now was serious about acting. He was deeply nostalgic about his carefree student days in Delhi. We used to laugh a lot - I remember that quite clearly.

Sushant's friends say that he spoke more about books and his love for astronomy than films and their fate, which is rare for an actor in the industry. Do you also remember him that way?

Banerjee: Totally true. He was a science and astronomy nut. Always had a book or two with him - and was proud of the fact that he had an inner intellectual life away from the shallower aspects of showbiz. I recognized it as a reflex, protective action to prevent the Bollywood swamp sucking him in totally. And also an identity he wanted to protect and project.

Sushant's death has brought to the fore the struggles of outsiders and the alienation they often face from the nepotistic culture of the industry. Did you feel that Sushant was also fighting this battle despite being a successful actor?

Banerjee: We all fight it, day in and out - whether successful or failing. But the trick is to define that success and failure ourselves and not let the narrative constantly forced by the establishment to get to you. Those who know this weather the storm and ultimately survive and thrive.

The biggest unfairness in all this is that it takes double the talent, energy and hard work for an outsider to convince the audience and the industry that he or she is as safe a box office bet as a mediocre, unmotivated and entitled establishment elite.

The media colludes in this by wallowing in family, coterie and celebrity worship. This leads to deep anger and frustration. Those who can let this slide survive. Those who can't - those who hurt a little more or are vulnerable and impressionable - they are at risk.

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